Left to Right: Kendall Jenner, Emily Ratajkowski, Brad Pitt, Bella Hadid and Leonardo DiCaprio all wearing Garrett Leight

The story behind the eyewear brand that’s worn by Leo, Brad, Bella and Kendall

In just 10 years Garrett Leight has managed to create an eyewear brand with enough cool credibility to attract the stealth wealth set and red carpet regulars Kendall Jenner, Leonardo DiCaprio, Emily Ratajkowski and Brad Pitt. Available in Auckland at Parker & Co, Garrett Leight California Optical is designed in downtown Los Angeles but is taking on the most famous faces in the world.

We asked Leight, 36, about when he knew that his brand would take off, how lockdown is impacting his business and what it’s like to be sunglass royalty (his dad is Oliver Peoples founder Larry Leight). 

Garrett Leight

What was the goal when you created GLCO?
I was born and raised in Venice Beach, California and continue to live there today with my family. The main street in Venice, Abbot Kinney, is full of creatives looking to express themselves and their work. We didn’t have a local optician in the area at the time and I knew I wanted to create eyewear for my community that resonated with their style and if successful, could resonate globally as well. 

Left: Jason Statham, Right: Emily Ratajkowski both in Garrett Leight

How much of an influence was your dad on the business?
My father has influenced me greatly when creating my own brand. I was grateful to have had the opportunity to work at Oliver Peoples and see firsthand how my father reverse-engineered the company. He launched the brand during the recession in the 1980s and was able to be successful by creating timeless classic designs. I ended up launching my namesake brand during the recession in late 2009 and sought him out for advice. He has over 30 years of eyewear knowledge and continues to share his passion for the field with me today. 

When did you know that GLCO had really taken off?
It was a big leap of faith to start the brand and I just prayed that it would resonate with people beyond our community in Venice. It’s kind of a bittersweet memory now, but being picked up by Barney’s was probably the first time I felt like we really made it (Barney’s filed for bankruptcy in August 2019). It was the perfect shopping destination at the time and everyone wanted their brand to be sold there. 

Brad Pitt and Leonardo DiCaprio both wear Garrett Leight sunglasses

Has the brand changed over 10 years?
So much of the brand has changed and so much has stayed the same. Our collections have gotten larger and our team has grown in size, however, the mission to create timeless classic designs has stayed present. Our love of Southern California and the lifestyle here is still at the core of the brand, and can be found in everything that we design. I was thinking about this recently, and as it’s a namesake brand, I feel like it’s almost evolved in a similar way to me – as a human. There are certain things I used to care about when I was younger that I don’t care about as much now, and things I care about now that never occured to me before. It’s interesting to look at the brand from that perspective as well. From a design perspective, the frames evolve but the quality of the product remains at the forefront of our priorities.

What is the most popular style?
The first designs we created are still popular today. It’s hard to choose the most popular, but Kinney, Brooks, Hampton, and Wilson are all classic, timeless styles that are specifically asked for by name. 

What music inspires you?
I’ve always loved music and funnily enough, I actually wanted to be a DJ in college. Clearly, my plans changed. The type of music I love the most is definitely reggae. 

Left: Liam Hemsworth, Right: Gigi Hadid both in Garrett Leight

Which eyewear trend are you glad came and went?
Like fashion, eyewear trends are always evolving. I’ve always favoured discreet branding and timeless details. You’ll see that throughout all of our collections. The super over-the-top styles are a bit much and I’m glad we don’t see much of it anymore. 

How did you celebrate 10 years in business?
We celebrated reaching the 10-year milestone by taking a step back and looking at everything that has made the brand what it is today. Along with the people, the designs are what anchored the business. Some of our very first styles included Brooks, an acetate square shape, and Hampton, an iconic rounded shape with a keyhole bridge. To honour them, we released an anniversary edition of both, aptly named Brooks X and Hampton X. Both frames have thicker acetate construction, glass lenses, anniversary temple stamping and a special plaque inspired by the GLCO logo. We got to modernise the frames we love and celebrate the work we’ve done up to this point. 

We actually had a lot more anniversary celebrations in the works, events and different projects we were really excited about, but like the rest of the world we are having to pivot to adjust to the current global crisis.  We certainly didn’t anticipate this is how the 10-year celebration would pan out, but we are staying positive and working hard to adjust as needed and make the next 10 years just as successful as the first. 

Where will GL be in 10 years?
I would love to bring the GLCO lifestyle all over the world. We currently have six freestanding locations and I hope to bring our collection and retail experience to more cities. Eyewear is such a transformative accessory and nothing is more rewarding than seeing someone walk into one of our stores and leave feeling more confident with a pair of our frames. Being able to make frames that make people feel great is ultimately what I hope to do throughout the next 10 years

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Living Divani's Frog chair by Piero Lissoni from Studio Italia, Cassina's Otto sofa from Matisse, Apparatus' horsehair sconce light from ECC, Ink and charcoal drawing and bronze sculpture by Camie Lyons

See inside the exquisite residence of fashion designer, Camilla Freeman-Topper

Appointing a home that balances the demands of a modern family with refined design sensibilities is no mean feat. After all, the chaotic reality of life with young children can often leave little time for anything more than simply getting through the day. But in this sophisticated Sydney residence, the creative minds at Luigi Rosselli Architects and Alwill Interiors managed to achieve a sense of elevated elegance without making the spaces feel sacrosanct or untouchable. While luxury certainly remains central to the identity of this home, it still retains a sense of warm comfort and is rendered inviting and liveable thanks to a shrewd use of natural light, a generous allocation of negative space that gives way to art and a base palette that is calm, considered and undeniably cool.

Cassina’s Otto sofa from Matisse, Living Divani’s Frog chair by Piero Lissoni from Studio Italia
Baxter’s Rimini chaise longues and Panama bold modular sofa from Cavit & Co

Working alongside the homeowner, Camilla Freeman-Topper (of fashion label Camilla & Marc), architects Jane McNeill and Luigi Rosselli approached the project by first acknowledging the heritage of the original Peppertree villa. Perched on the crest of Sydney’s Bellevue Hill, the grande dame evoked 1920s classicism with its entry loggia, impressive fireplaces and generously proportioned rooms — all elements deemed important to retain while pursuing the central aim of improving the flow from room to room and opening the home up to its garden. A practical, basement garage was added, as was an attic space, which gave rise to a magnificent new stairwell, conceived as a way to keep the additional levels connected to the rest of the house.

Viabizzuno’s Sole Suspension lamps by Neri & Hu and Matter Made’s bar stools
Eames moulded plywood lounge chairs from Matisse
Giopato & Coombes’ Bolle Zigzag Chandelier from ECC, Cassina’s Contone leather chairs from Matisse and Emmemobili’s UFO oval table from ECC.
The Bocci 21.7 Alabaster ceramic pendant by Omer Arbel from ECC

The stairwell, solid and sculptural with a structure reminiscent of a ribbon suspended in space, acts as a beguiling central focus. Looking up at its repetitive curves, one is offered a break from the motif of linearity present in the other elements of the home, like the parquet timber floors, minimalist straight-line light fixtures and steel-framed windows.

Roda Harp armchairs from ECC

Enlarging the ground floor windows and framing them in black steel was crucial to the plan of connecting the residence to its garden. Designed by Myles Baldwin, the outdoor space that surrounds the villa (which includes a new swimming pool) is lush, verdant and realised with an organic, wild quality that shuns the over-manicured landscaping of old. It’s a balanced approach and one that is carried from the garden to the home’s interior. 

Giopato & Coombes’ Soffio wall lights from ECC and Baxter’s Rimini Garden daybed and Oddo mirror from Cavit & Co.

Inside, exquisite detailing and tactile materials like marble accents, Stucco Lucido, brass metalwork, Onyx inlaid flooring and resin-based wall claddings are employed purposefully, to offer, amidst the modern touches and architectural accessories, the kind of breathing space a creative mind might need.

There seems to be more impact in what is not there, where Interior Designer Romaine Alwill has deftly employed a framework of furnishings (mixing classic and custom-made pieces) and art in a purposely sparse way — leaving it up to the owner to fill the spaces in between with the bustling of daily life.

Poltrona Frau Ming’s Heart Armchair from Studio Italia

In the garden, a pepper tree still stands, a reminder of the villa’s historic origins that, despite being given a more contemporary look, are still very much present in its character. While sculpting it to suit its modern context, the creatives behind this villa (including the client herself) constructed spaces that exemplify how rich materials and structural furnishings can, when combined cleverly with minimalist principles, result in a home that addresses the needs of the modern family with undeniable finesse. 

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Stay in your sweatpants because luxury leisurewear is now Zegna-approved

In December last year designer Virgil Abloh, who rose to fame on the back of urban-inspired clothing with his label Off-White, declared that streetwear was over and tailoring would triumphantly return but a lot can happen in three months. The attraction of wearing comfortable and stylish sweatpants and hoodies is not going to disappear when we return to working in offices. Fortunately, the monolithic Italian menswear brand Zegna is prepared.

While Zegna continues to produce some of the finest suits for people who refuse to acknowledge casual Fridays, they have also released a collection of luxury leisure wear for those of us happy to never see an ironing board again.

Under the watchful eye of artistic director Alessandro Sartori, Zegna is producing a range of elevated basics that work Monday to Sunday, from the office to home and from dictating in your car to a relaxed dinner date. Sartori’s familiarity with casual codes was honed during his tenure overseeing the Z Zegna collections, before taking the creative reins of the entire company. 

The luxury leisurewear collection first launched in 2018, taking inspiration from Oasi Zegna, the eco-museum developed by the Zegna family in Italy but today also fits in with the evolving brand’s forward approach towards masculinity.

“Masculinity is a state of mind, not a set of given rules,” the company’s manifesto says. “One thing does not make a man. Men have been learning that love is strength, kindness is power, openness is freedom. At Zegna men get undressed to be dressed, daring to bare their distinctive selves.”

There’s no better way to do that, than in deceptively simple sweatshirts using the finest Merino wools (the Zegna family own farms in New Zealand and Australia), calfskin leather jackets with cashmere and silk lining along with creased cotton drawstring sweatpants? Streetwear hasn’t died, it just got an upgrade.

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Churros, Recipe courtesy of The Forest Cantina

The only recipe you need to create fried, cinnamon sugar-coated churros with chocolate sauce at home

Anyone who says that churros are the same as doughnuts clearly does not know what they’re talking about. From the shape to the texture, churros are a completely different delicacy. They have a crispier outer layer, almost to the point where it could be explained as crunchy and taste the best when made with premium quality ingredients and taken straight out of the deep-fryer. Thanks to this recipe from home-chef and author, Unna Burch’s cookbook — The Forest Cantina and New Zealand’s favourite dairy company — Lewis Road Creamery, everyone can bite into a hot churro at its optimal level of freshness and tastiness.

Ingredients 
For the churros
70g (3 ½ tablespoons / 3oz) Lewis Road Creamery Lightly Salted butter
1 cup water
1 cup flour, sifted 
3 eggs beaten (+ you might need an extra) 
1 litre (4 cups / ¼ gal.) canola oil 
¼ cup fair trade sugar 
1 tablespoon fair trade ground cinnamon 

For the chocolate sauce
100g (3.5oz) milk chocolate 
100g (3.5oz) dark chocolate 
250ml (1 cup) Lewis Road Creamery Single cream
3 tablespoons golden syrup 

Makes approximately 15 long churros (depending on the length you pipe them).

Instructions
Cut the butter into small cubes and add to a small pot with the water. Allow the butter to melt and the water to boil.

Once the water is boiling, add the flour and then lower the heat to medium/low. Quickly stir the flour in for a minute with a wooden spoon and keep stirring until the dough forms a ball and begins to stick to the bottom of the pot.

Remove from the heat and continue to beat for a minute to cool the mixture before adding eggs. Don’t rush this process as adding eggs to the hot dough will cause the eggs to scramble.

Add a pinch of salt to the dough and then the eggs one at a time, beating well after each addition, making sure it’s evenly incorporated. You want the batter to be smooth and slowly drop off the spoon when held at a height. If the dough is stiff and doesn’t drop, add another egg and mix again. Put the batter into a piping bag that has a star tip fitted into the end.

Heat oil in a pot or deep fryer to 170°C (340°F), testing with a candy thermometer if you have one. If you don’t have a thermometer you can test if the oil is ready by dipping the handle of a wooden spoon into the oil. Once the oil starts steadily bubbling around the handle it is ready. While the oil heats up, mix the sugar and cinnamon together in a bowl and set aside.

To make the chocolate sauce, heat the cream in a medium-sized pot until hot but not boiling, and then remove from the heat. Chop the chocolate into small pieces so they melt faster and add to the hot cream with the golden syrup. Leave it to sit for 2 minutes, then whisk to combine so that the sauce is glossy. Pour into a serving dish and set aside.

When the oil is ready, carefully pipe 10cm (4″) lengths of batter into the oil, using a paring knife to cut the end of the batter from the nozzle. Don’t want to overcrowd the oil as it lowers the temperature, limit to piping four at once. To make teardrop shapes like the picture above, pipe a long ‘U’ shape into the oil, then press the two ends together with two knives to join them. This must be done quickly while the batter is soft as they won’t join once they become crisp. Or you can just pipe long sticks, which is easier.

Cook for 3-4 minutes, flipping over once until golden brown. Drain on paper towels to remove excess oil, and while still hot roll in the cinnamon sugar. Repeat the process until all the churros have been made. Serve with the chocolate sauce on the side as a dip.

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Left: Goodside precinct at Smales Farm, Right: Paul Izzard

How Paul Izzard changed the hospitality scene for the better

Counting the likes of Azabu, Auckland Fish Market, Cassia, Gerome, Goodside, The Jefferson and Giraffe as clients (among many others), it’s fair to say that interior designer, Paul Izzard has made an indelible mark on Auckland’s hospitality scene. The spaces he creates are warm and inviting, but also manage to conjure up imaginative, innovative ways for owner-operators to keep their businesses running seamlessly while facilitating a lively, laid-back ambience for diners. His work has taken the standard of restaurant interiors in Auckland to bold new heights, and as he tells us here, it’s all about the experience.

What are the most significant ways the hospitality industry has progressed in the last few years? Hospitality and other commercial sectors have had to adapt to offer more experienced-based services. Restaurants and retail can no longer rely solely on food and service, they need to offer something more interesting. Whether it’s creating a space for live music in a restaurant or putting a bar in a retail store, when competition is coming from the likes of Uber Eats, operators need to get people off the couch and into their restaurants, and the main way to do this is by offering unprecedented experiences.

Gerome

How does your experience with hospitality spaces inform the other work you do? We actually have a lot of residential clients who choose to use our services because of our restaurant expertise. If they like entertaining, for instance, we can build them an incredible at-home bar. Or if they love cooking, we focus on creating a kitchen that goes beyond the standard residential setup.

What is your main aim when conceiving a restaurant interior? Essentially, it’s about taking the core values of a restaurant and translating them into something unique. If it’s a gin cocktail bar, for example, we’ll think about how we can create the most interesting and engaging bar for customers — maybe it has a stage in the middle of it for music performances, or maybe there’s a bookable section for a cocktail degustation. There are so many options.

What do hospitality operators who come to you want from their spaces? Well, of course, they want them to be full all day! Breaking that down though, the spaces need to be rendered in a way that maximises their potential and meets the needs of both the operator and the customers, and keeps them coming back for more. From the operators’ perspective, having a good back-of-house and front-of-house flow is important to reducing staff requirements and costs, increasing overall performance and maximising seating capacity. One thing we offer our clients is not only good aesthetic design but an intimate understanding of hospitality operations, which vastly improves the outcome.

Azabu

What are the biggest interior trends in the industry right now? The push for better experiences is seeing a growing desire for single venues that house multiple operators. Two recent examples that we have worked on are Auckland Fish Market and Goodside precinct at Smales Farm, both hosting collections of small eateries with communal seating and a central bar. This set up creates an experience in itself, where customers are afforded more choice from one venue, and those dining at the same table can eat from different places. The communal courtyard space also makes it easy to host things like live music events and cooking displays that create an exciting, carnival-like experience. This doesn’t mean we shouldn’t be opening large restaurants anymore, it just means that the restaurant model of old needs to start thinking about how it can offer a similar, multi-faceted, engaging experience.

Craggy Range

Is there anything you wish people would stop doing in fit-outs? Using school chairs! Uncomfortable seating is an absolute no-no. Despite the fact that setting up a restaurant can incur some pretty significant costs, a design will be ruined if the budget doesn’t stretch far enough to emphasise the comfort of the customers. 

The Churchill

What are some of the biggest challenges you face when designing for hospitality? There are so many challenges in this space — from budget to room restraints to lead times and local authority controls, but these can all be overcome with a good design process. Luckily, it’s one we have down to a fine art, having completed over 300 venues.

Billypot

What do you enjoy most about doing this kind of work? Many things. One of course, is the fact that everyone can relate to what we deliver, and everyone gets to enjoy the results. Seeing people enjoying themselves in spaces that we’ve had a hand in creating is something that brings us great pleasure.

What is unique about working with hospitality owner/operators in New Zealand? One of the huge advantages New Zealand has, is that we’re a small country, so we’re lucky to be close to our provenance. We can trace where our meat comes from, we know the name of the guy who caught our fish, and can speak to the hands behind our furniture. What we create carries a sense of integrity and authenticity. At Izzard, we approach all of our designs from this place (we don’t do ‘fake’) and we’re fortunate that our fantastic clients are on the same page.

Cassia

Where do you see the future of the hospitality space going? We will definitely see more multiple-venue situations, with far more choice. Recently we have been working on Harbour Eats at the new Commercial Bay development in downtown Auckland, which will see 40-or-so food venues combined under one roof. There is also a growing opportunity for smaller, more artisanal restaurants, bars and eateries as they’re cheaper to get up and running. This, of course, is better for the customer who will be afforded more vibrant and exciting choices than ever before. Burgeoning environmental concerns will see issues around sustainability continue to grow in importance, which relates back to the unparalleled provenance that hospitality operators can tap into in New Zealand. But essentially what I’m expecting is more entertainment built into the inherent design of a hospitality space, which will see us waving goodbye to stuffy boring dining rooms and will hopefully, give the customer a real reason to get out and enjoy themselves!

Gastronomy

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Recipe: Denizen’s foolproof guide to baking fine French macarons

French macarons have a hoity-toity reputation for being a finicky dessert, reserved for professional French pastry chefs exclusively. But after much trial and error, we have refined our method for baking these delicious treats down to a fine art. This recipe for Rosewater macarons will see you achieve the perfect balance of a delicate and crispy outer shell and a soft, chewy centre, all while boasting a beautiful mixture of sweetness and nuttiness. Without further ado, here’s our guide to creating the perfect French macarons at home.

Ingredients
Makes approximately 20 macarons
Avoid using cups to measure for this recipe. Scales guarantee more accuracy. 
– 4 large egg whites (room temperature)
– 70g of caster sugar
– 230g pure icing sugar
– 120g of ground almonds
– Pinch of salt
– Pink gel food colouring
– Piping bag (2 large zip-lock bags are also fine)

For the rosewater ganache filling
– 250g of white chocolate buttons
– 100mL of Lewis Road Creamery double cream
– 1 tbsp of rosewater
– Pink gel food colouring

Method
1) Preheat the oven to 150°C fan-baked.
2) Line a baking sheet with baking paper.
3) Blend your almond meal in a blender or food processor for a super fine texture to avoid clumps.
4) Sift the blended almond meal, icing sugar and salt into a medium-sized bowl and set aside. If there are still any large clumps of almond meal remaining, dispose of them.
5) Take a larger bowl for your egg whites and caster sugar, but make sure to crack the eggs in a separate bowl to ensure no shells get into the batter.
6) Begin beating your egg and sugar mixture with an electric mixer, starting off on medium speed and gradually working your way up to a high speed. You’re going to be beating this mixture for slightly over 10 minutes — until you can turn the bowl upside down and the stiff mixture doesn’t move.
7) Add in your gel food colouring. You want to avoid liquid food colouring as the consistency can cause your macarons to become flat. You also want to make sure the colour of your batter is pigmented as it will lighten in the oven. If you’re going for a pale pink, as this recipe suggests, make sure your batter is hot pink. Continue beating for 1 more minute, until the colour is fully incorporated.
8) Take the bowl of ground almonds, icing sugar and salt and sift it again, into the bowl of eggs, caster sugar and colouring.
9) This is the most important step and the one where most people go wrong. It’s crucial to not overmix or undermix your batter and one fold makes a significant difference, so pay close attention. With a rubber spatula, scrape the edges of your bowl and fold your spatula into the centre of the bowl. It should take approximately 40 folds and you want to stop at the point where your batter is smooth yet thick. Every now and then, lift your spatula out of the bowl and if the batter slowly falls off, that’s when to stop. If it’s still stiff enough to hold its form, give it a few more folds and if it’s runny like pancake batter, you have over mixed and you’ll need to start over.
10) When the batter is perfectly mixed, pour it into a piping bag. Try to not fiddle with the batter too much as you could change the texture. Make a small incision at the tip of the bag.
11) Pipe your macarons onto your baking sheet in circles, giving each a diameter of approximately 3cm.
12) Bang your tray of un-baked macarons on the bench to see the circles flatten slightly and to make the air bubbles rise to the surface. This is very important to help prevent the macarons from cracking in the oven.
13) Leave the tray to sit and set for approximately 15 minutes before placing in the oven.
14) Put the tray in the oven for approximately 20 mins. Avoid opening the oven door if you can, as it will impact the macarons’ ability to bake evenly.
15) Once you can effortlessly take the macaron shells off the baking paper with no residue batter left behind, your macarons are ready. Set aside to cool before removing from the tray.
16) To make rosewater ganache, put the white chocolate buttons and cream in a heatproof bowl and set over a saucepan of simmering water. Make sure that the bottom of bowl does not touch the water.
17) When the chocolate has melted, add the rosewater essence and food colouring and stir well. Make sure your pink ganache is lighter than the shells.
18) Set aside for 30-40 minutes or until the ganache has thickened.
19) Place your ganache into a piping bag and pipe onto the cooled shell bases. Place another macaron shell on top.

Enjoy!

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Update your workout with LIIT, the new fitness trend you need to know about

If you haven’t come across the term HIIT at some point over the past few years, then you’ve evidently been living under a rock. High Intensity Interval Training (HIIT), is the cardio workout which alternates short bursts of intense exercise with slightly less intense recovery periods, and it’s been heralded as the holy grail of exercise plans. Fat busting, endurance building and metabolism boosting, HIIT workouts seemed like a sweaty miracle. That was, at least, until we realised one terrible discerning factor: HIIT workouts are goddamn hard work. Hernia-inducing, stomach-wrenching hard work. Well, fellow slackers, there might just be an answer.

Say hello to LIIT: everybody’s new favourite acronym. Lower-intensity interval training, HIIT’s smaller, quieter, more relaxed and far more forgiving sibling, is making waves in the wellness circuit thanks to its more accessible and less intimidating nature. The notion is very much the same, high intervals followed by rest periods, except the high intervals aren’t quite as horrifically intense and the rest periods are far longer — the intensity during a LIIT session is never above a sprint. (Amen.) Now, to be clear, LIIT workouts aren’t a walk in the park. Muscles will burn, pores will perspire, and there’s a good chance you’ll still be looking forward to the end with the same longing as before. But the slower, lighter approach of strength-training sections interspersed by longer breaks, means that you’re not absolutely despising your workout while it’s happening. In addition to it being generally more accommodating, LIIT is much more sustainable long term due to it carrying a lower risk of injury. As such, many fitness experts have touted it as one of the safest ways to both build and maintain lean muscle. 

So, what’s the catch? You have to be willing to give up a little more of your precious time, I’m afraid. LIIT still offers the same ability to torch calories, but if you’re looking to wave goodbye to the same amount as you would during a high intensity blitz, prepare to double your time. Not all is lost, however. What you lose in idle free time (what would you have been doing with that extra 30 minutes, anyway?) you gain elsewhere. Not only will you receive the same aesthetic benefits that you would from a HIIT session, but your general fitness will improve ten-fold, including improved cardiovascular endurance, increased mobility and heightened strength. In addition to that, LIIT has been described as a far more mindful approach to fitness, thanks to its slower pace and lack of stress.

LIIT serves as a great alternative for a range of fitness levels, whether you’re a beginner, just getting back into the fitness game after a workout hiatus, or recovering from an injury — but most of all, it suits those who want to just take things a little easier. 

Try it at home:

Jog at a moderate pace for two to three minutes, before briskly walking
for five minutes. 

Carry out a circuit of three to four rounds of 10 push-ups, 10 squats, and a 30-second plank. Take a 90-second rest between sets.

Jog for 90 seconds on the treadmill before carrying out a walking recovery for three to five minutes.

Carry out three to four sets of 10 kettlebell swings, 10 single arm dumbbell rows per arm, and 20-second side planks on each side. Take 90-second rests between sets. 

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Slow Lit is the sleep technique that will have you dozing off in no time

Meet Slow Lit, the growing podcast genre that will knock you out quicker than two sleeping pills and a mug of hot cocoa. While plugging in to switch off may seem like a contradiction, thanks to uninteresting plotlines and maladroit storytelling, slow literature distracts you from the stuff that usually keeps you awake without being interesting enough to hold your attention. (Read: the digital equivalent of a bottle of melatonin.) Press play on one of these five snooze-inducers and we can guarantee you’ll find it impossible to keep your eyes open.

Sleep With Me
Boring you to slumber with long-winded tangents and unimportant drivel on an array of bizarre topics, Sleep With Me — narrated by the monotonous, gravelly tones of former librarian Drew Ackerman —  gives a whole new meaning to the term snore-fest.

Calm
Author Phoebe Smith’s grown-up bedtime stories for the Calm app take you on uneventful journeys around the globe, each narrated by the silvery voices of guest speakers (including Stephen Fry and Matthew McConaughey).

Miette’s Bedtime Story
Distracting without being too stimulating, Miette’s Bedtime Story is the podcast answer to comforting white noise. In soothing, purring tones, the podcast recites some of the world’s best short fiction tales, from treasured classics to unknown miniature masterpieces.

Headspace
Ensuring that you’ll be counting your zzzz’s quicker than you can say ‘goodnight,’ Headspace’s new ‘Sleepcasts’ series uses subtly changing ‘unique audio experiences’ that combine visualisation and sound to lure you to dreamland.

Sleep Whispers
Encompassing poems, meditations, bedtime stories and encyclopedia-type ‘Whisperpedia’ episodes, Sleep Whispers is brimming with whispery, relaxing content to ensure you slip into slumber in no time.

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Image Credit: Bon Appetit

The fudgiest brownies you’ll ever make in your life

Prepare yourself to bake the fudgiest, most decadent brownies you’ll ever taste. But be warned — these morsels are seriously rich, so consume with caution.

Ingredients
Makes approximately 24 brownies
– 225 grams of Lewis Road Creamery unsalted butter
– 1 block of Whittaker’s Dark Chocolate
– 1 block of Whittaker’s Milk Chocolate
– 1 tbsp of instant coffee powder
– 1 cup of cocoa powder (preferably dutch-processed)
– ½ cup of dark brown sugar
– 2 cups of white sugar
– 2 tsp of vanilla extract
– 2 tsp of sea salt
– Sea salt flakes
– 6 eggs (room temperature)
– 1 cup of standard flour

Method
1. Preheat your oven to 180°C fan-baked and line a large baking tray with butter and baking paper before going over the paper with more butter — this will keep the bottom layer of your brownies moist and lend a slight, caramelised flavour.
2. In a heat-proof bowl, combine ¾ of the Whittaker’s dark chocolate block (broken into pieces), ¼ cup of cocoa powder and the instant coffee. Set aside.
3. Take a saucepan and melt your butter over a medium heat, until it starts to simmer. Be careful not to burn it.
4. Once the butter reaches a simmering point, pour it over the bowl of chocolate, cocoa powder and instant coffee and let the hot butter soften the chocolate for a few minutes. When the chocolate looks slightly melted, take a fork or small whisk and mix all the ingredients together until they form a ganache. Set aside.
5. As the ganache cools, take a large mixing bowl and beat the white sugar, brown sugar and eggs for as long as 15 minutes. Incorporating as much air as possible will result in a soft, moist brownie.
6. When your egg and sugar mixture looks like thick pancake batter, add in your vanilla extract and beat for 2 more minutes.
7. Now take your ganache and pour that into the egg, sugar and vanilla mixture and keep mixing until it’s fully incorporated.
8. In a separate bowl, sift the flour, salt and the remaining ¾ cup of your cocoa powder and then slowly incorporate this into your wet mixture. It’s important to add the flour mixture gradually in order to achieve a more even and thoroughly mixed batter.
9. Mix until the flour has been entirely incorporated.
10. Before you pour the batter into the pre-prepared pan, take the remaining ¼ block of Whittaker’s Dark chocolate and the entire block of Creamy Milk chocolate and chop them into chunks. Take these chunks and spread them on the base of your pan.
11. Evenly distribute the batter over the top of the chocolate chunks and evenly across the pan before putting it in the oven.
12. After 20 minutes, take the brownies out and sprinkle sea salt flakes over the top, before putting them back in the oven for another 25 minutes.
13. After being in the oven for a total of 45 minutes, take the brownies out and let them cool completely. Ignore the technique of sticking a toothpick in to see if they’re ready — these brownies are so fudgy that the toothpick will never come out clean.
14. When the brownies have completely cooled, get a knife and cut them into squares. Keep a paper towel on hand to wipe your knife after each cut as the fudgy batter will stick.

Enjoy!

Gastronomy

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With its sophisticated play on light and contemporary interiors, this coastal home leaves its ’80s past behind

An eighties style house on Melbourne’s coastal strip The Esplanade has been given the 2020 treatment by Golden. The four bedroom, five bathroom received a glamorous makeover with Andorra Limestone flooring and a soothing palette of greys and charcoal providing a serene backdrop to bursts of colour from carefully curated furnishings. With the existing eighties-statement staircase replaced by a sculptural vertical balustrade and curved concrete, and light flooding the living spaces thanks to strategic skylights, the result is organic in texture and flow, leaving the past far behind.

MDF Italia Rock table from Matisse
Poliform Mad Joker armchair from Studio Italia, Living Divani NeoWall sofa from Studio Italia, Floss IC F2 floor lamp from ECC, Baxter Loren table from Cavit & Co.
Poliform Mad Joker armchair from Studio Italia, Floss IC F2 floor lamp from ECC
Living Divani NeoWall sofa from Studio Italia, Baxter Loren table from Cavit & Co.
Gubi Beetle Chair from Cult Design
Mattiazzi Branca stool from Simon James Design
Oluce Atollo table lamp from ECC, Massproductions Crown armchair from Simon James Design.
Living Divani Chemise sofa from Studio Italia
Flos IC Pendant from ECC, Baxter Nepal chair from Cavit & Co.
Flos IC Pendant from ECC
Kettal Landscape dining table from Studio Italia, Kettal Net dining chair from Studio Italia, Kettal boma sofa from Studio Italia and Kettal Mesh coffee and side table from Studio Italia
Kettal boma sofa from Studio Italia, Kettal Mesh side table from Studio Italia


Interior Design: Golden
Art Direction: Marsha Golemac
Photography: Sharyn Cairns

Clockwise: VeniceM Urban Floor Light 1 from Designers’ Collection, MIDJ of Italy Maya barstool from Sarsfield Brooke, Santa & Cole HeadHat Metalllic pendant from ECC, Tim Webber series sofa from Tim Webber Design.

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How Maggie Marilyn’s designer went from hating fashion to conquering the world

Designer Maggie Hewitt’s streamlined and sustainable approach to femininity catapulted her to the fashion frontlines straight out of design school, when her first Maggie Marilyn collection for Net-a-porter sold out in 72 hours. In the following four years her star has continued to rise at home in New Zealand and internationally, with the launch of a capsule range called Somewhere and dreams of conquering California. So just how do you become the Southern Hemisphere’s answer to Stella McCartney?

Maggie Marilyn Somewhere Capsule Range

How did Maggie Marilyn start?
I studied fashion and I think I always knew I wanted to have my own business or my own brand, so I went through university thinking that but when I reached the end of my degree I actually hated fashion. Hated it.
I didn’t even really want to be in the industry and I felt pretty overwhelmed. I felt like I was going to let my family down because I had done this degree that I didn’t really want to use. I went to a university where sustainability was a really big part of our curriculum, so I learnt about the really horrific side of fashion and I think the more I knew, the more I couldn’t turn a blind eye. I took some time off and then realised that I still loved fashion in the sense of wanting to wear beautiful clothing. That tugged at my heartstrings.
So I started thinking about where I was going to buy clothing that wasn’t vintage, where I felt comfortable buying into the brand. And at the time there really was only the likes of Stella McCartney and Gabriela Hearst, but they were at quite a luxury price point, so I saw a need for someone to create a conscious brand at an accessible price point.
That started me on my journey — very naively I might add. In many ways I think it was good to start a brand with very little idea about how hard it would be.

Maggie Marilyn Spring 2020 Ready-to-Wear Collection

What are the core values of Maggie Marilyn?
Our values of sustainability and wanting to make a difference in the world get me out of bed in the morning. It’s not the idea that I can make another beautiful dress, though empowering our customers to feel their best is important. But in those really tough times, what has kept me going is the positive effect that we could one day have on the industry, even worldwide. Sometimes I think that maybe, in five years, we won’t actually be known as a fashion brand but as something different.

What have been some of the biggest challenges you’ve had to face?
I’m such a big advocate for talking about the challenges because people don’t talk about them as much and it can feel really isolating for an emerging designer to have to go through those challenges on their own, thinking that no one else faces them. It can look like everyone’s really successful from Instagram! But I feel like everyone goes through the same things and has those times where they are crying in the shower.

Maggie Marilyn Fall 2020 Ready-to-Wear Collection

What’s it like working with the big guns like Net-a-porter?
You can’t underestimate the platform that something like Net-a-Porter can give you. It’s huge. And I can’t underplay what that did for my brand but it shouldn’t be the end goal, because ultimately, they’re in it for themselves.
Wholesale definitely plays a huge part in the industry. It will always play a part in my business. We’ve learnt the hard way because we had some big retailers from the very beginning, so I didn’t get a chance to learn with smaller boutiques about how to navigate certain situations. I had to learn with the big guys who don’t really care about you sitting in New Zealand.
Over the last 12 months we’ve learned that we really want to own that relationship with our customer. We want to know who that girl is, what she wants, and how we can be a part of that. We were also hearing how much people wanted to buy into the values of our brand, but couldn’t afford to.
Going forward we’ll work with the wholesalers that help to amplify our story, and our mission, because they give great marketing leverage. Then it’s really about driving revenue and growth through our direct-to-consumer.

Maggie Marilyn Somewhere Capsule Range

What is the state of fashion production in NZ?
You walk into the factories and there are no young people working. We’ve actually just launched an apprenticeship programme for the workshop, so we can teach them skills like how to pattern-make and become sample machinists. We’re trying to invest back into the industry because for me, I eventually want to create jewellery, shoes, handbags and swimwear, and we probably won’t be able to make those things here until we’re big enough to invest in the technology. For our ready-to-wear ranges, part of the enjoyment I get from creating them is the relationships we have with our makers. 

Maggie Marilyn Showroom in Newmarket, Auckland

Will we see a Maggie Marilyn store?
We definitely want to do bricks and mortar but our first standalone store wouldn’t be in New Zealand — there’s just not enough people here. I have this dream of living in LA so I’m set on Melrose for our first store. I don’t know how it’s going to happen and I have no idea how we’re going to get there but that’s on the vision board.

What’s next?
In the next few years we’ll aim to have a head office in New York, so the aim is to get the right talent so we can move our offices overseas. We look to brands like Patagonia as massive companies that are changing the world — so that’s where my ambitions are.

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The two products this British beauty expert can’t live without

After 15 years on shelves in Britain, tongue twisting make-up brand Lily Lolo is finally making waves around the world. With a cruelty-free, chemical-free focus on ethical production and a range that’s 90 per cent vegan (including their make-up-artist-favourite mascara), founder and self-confessed introvert Vikki Khan is suddenly in the spotlight.

To celebrate Lily Lolo’s arrival in New Zealand, Khan shares the beauty habit she hates and the two products she swears by.

Vikki Khan

Where did the name come from?
Honestly, I was really struggling for a name for the brand.  I launched it completely on my own, without the help of any creative agencies or branding specialists, so I only really had friends to brainstorm ideas with.  Nothing we were able to come up with felt right and so I just decided to make it really personal to me and name it after my two sisters, using their nicknames rather than their full names, Lisa and Lorraine. It’s really worked, people love the name and they love the story of how it came about even more.

Natural Lipsticks

What was the inspiration for the collection?
The collection has grown over a 15 year period and so different ranges have had different inspirations. I’ve loved makeup and the way it can literally change how you feel ever since I was a child.  Our natural lipstick collection was inspired by romance and passion, and of course our many eye palettes have all been inspired by different things, whatever takes our mood at the time.

Mineral Foundation

What is your hero product?
Our mineral foundation is definitely our clean beauty hero.  It’s been our unequivocal best seller for 15 years. It’s a simple formulation of only 5 ingredients, which I absolutely love as you can achieve very light natural coverage to full coverage, based on how much product you use and your application technique. We’re now starting to add additional foundation formulas, we’ve recently launched a cream foundation and liquid foundation will be next but I still love the original mineral powder as it’s so quick and easy to apply.

What has been the biggest challenge in starting Lily Lolo?
Marketing… we just don’t have the budgets of the mainstream brands and being an introvert I haven’t put myself ‘out there’ like other brand founders might. 

What is the make-up mistake that gets you worked up?
It would have to be either foundation that’s completely the wrong shade or over pencilling eyebrows, I much prefer natural, pretty makeup.

You’re a global brand, do women want different things in different countries?
There are some markets where we sell more lipsticks, some where eye products are bigger but in general everyone likes great foundation and a good mascara – that’s universal.

Where do you see the beauty industry heading?
Beauty trends can be fleeting, cyclical and sometimes crazy so we try to focus on the basics.  We’re experimenting with new textures at the moment, cream products which are lovely to apply and revamping packaging to make it more sustainable, which is a huge passion for me. 

Is there anyone that you take beauty inspiration from and why?
There are plenty of women in the beauty industry that inspire me.  I think Christina Zilber of Jouer Cosmetics is fantastic and the brand founder that I would be if I wasn’t such an introvert!  I’m also a huge fan of Jane Bradley, a UK make up artist; we use for all of our campaign images, she’s a true talent and just a lovely person.

Big Lash Mascara

Which product is your go-to every day?
Can I have two? I’ve worn Lily Lolo foundation every day for over 15 years, mineral foundation in the main but more recently I’ve been enjoying the new cream foundation formula.  I also wear the Big Lash mascara every single day, it’s my absolute favourite mascara, I would never trade it!

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Fantastic beasts that will have you saying “Gucci, Gucci, coo”

The fashion world is full of highbrow art collaborations, with Louis Vuitton having worked with Richard Prince and Takashi Murakami, Chanel with Cyril Congo and Dior with Marc Quinn but it has taken Alessandro Michele at Gucci to combine the worlds of fashion and fantasy for children.

Tokyo-based Yuko Higuchi caught Michele’s magpie-eye not long after he took the reins of the Italian fashion powerhouse, having worked on several projects for the label including a wall of the Gucci Garden Galleria in Florence. It was the children’s collection for spring/summer 2018 that caught the adult world’s attention. Now in these uncertain times Michele is lifting our spirits with new pieces from Higuchi.

“I often get ideas from looking at antiques and old things, and I have the sense that in this respect my aesthetic taste is similar to that of Alessandro Michele, Gucci’s Creative Director,” Higuchi says.

The surreal characters that inhabit Higuchi’s imagination include walking mushrooms and cat octopuses, offering a Gothic twist to Beatrix Potter’s animalia and the dark creatures of Alice in Wonderland.

“I always draw what I get in mind spontaneously, casually, as children do,” Higuchi says. “I seldom go out, so probably I quite often imagine things like creatures living in somewhere far away… where I want to go but can’t.”

Who knows where children wearing pieces from the capsule collection of slippers, sweaters, bags and rompers might take Higuchi’s characters?

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It’s the RTD on everyone’s lips but just who is behind Part Time Rangers?

Brothers Oliver, 24, and William Deane, 21, can attribute the success of their premixed alcoholic beverage company, Part Time Rangers, to a number of things: business acumen, youthful risk-taking and, perhaps above all else, compassion and kindness.

Last summer my friend handed me an RTD, which I naturally rejected. In my opinion, RTDs are a sure fire recipe for dehydration and disaster the following morning. She pointed to the label on the box, which read “less than 1g of sugar.” I grew curious. The packaging also stated “10%,” representing the percentage of profit donated to global animal conservation initiatives. I took a modest sip, was pleasantly surprised at the freshness and claimed the can as mine.

“Good right? It’s by Ollie and his little brother,” she tells me. Oliver Deane, the rambunctious rebel from my high school and his little brother had started a company Part Time Rangers together? Impressive. 

As the summer went by, clutching a can with the white rhino became commonplace at parties. Part Time Rangers landed a partnership with music festival Rhythm & Vines, knocking out its previous beverage partner of almost a decade. In spring 2019 alone they raised more than $25,000 in donations, which would provide 1,000 metres of elephant-proof fencing and the removal of 15,000 litres of rubbish from New Zealand’s coastlines. In addition they signed a $70,000 pledge to relocate the 100th rhino, along with launching Shark Watch, a group that preserves marine life and ocean sustainability.

Oliver and William at the Part Time Rangers HQ in Auckland

What may seem like a swift road to success dates back five years, when the brothers went on a trip to Ethiopia as a part of one of the many humanitarian projects operated by their parents. After some emotionally intense weeks volunteering at schools, Oliver, William and their two older brothers, went on a safari in Tanzania — the Deane family’s idea of a stress-relieving holiday.

“All of us loved rhinos as kids, and we were really looking forward to seeing them in the flesh,” Oliver, says. However, during the two weeks, the family only saw one rhinoceros. “Our driver, who was an ex-ranger, explained that there was a huge poaching crisis across the entire continent of Africa.”

Fast forward to 2017, and the youngest Deane, William, was set to begin his studies at Wellington’s Victoria University. Before hitting the books, he was preparing for the rituals and traditions of university culture, from toga parties to joining his older brother, Oliver for Re-O-week in Dunedin. “I grew tired of sugary drinks and the bloating from all the beers, so I found this drink recipe online which was just gin, lemon and water and I drank just that for the entire week.”

Hangover-free and with waistlines still intact, the brothers quickly took a liking to the concoction, and after “one of those conversations after a couple of drinks,” they suggested starting a company together. Like most of these conversations, it was forgotten the following morning, or so they thought. 

Part Time Rangers Great White Shark RTD (White Rum, Apple, Lime and Sparkling Water)

William returned to Wellington to begin his International Business and Marketing degree, while Oliver was completing his final year of Marketing and Human Geography. One of William’s assignments required him to write a business plan and he decided to weave legitimate commercial ideas into that almost-forgotten conversation about a business start up. Meanwhile, Dunedin-based Oliver was given a case study to improve a beverage business. “One of my ideas was to have different beers to support different charities within New Zealand. It was as if we had each other’s
missing pieces.”

The brothers knew they had a great idea, but with no assets, the next stage was to find funding. They pitched their business plan to BNZ for a loan where the bank demanded to see cash flow, a more elaborate business plan and a separate marketing plan, to which the brothers responded with one word — “What?” 

Oliver and William at the Part Time Rangers HQ in Auckland

Oliver and William sought advice from various industry professionals and were introduced to Dave Anderson by their father. The former Head of Finance at Goodman Fielder, and CFO of Icebreaker, has witnessed the growth of businesses from start-up stage to empire-level. He is currently Part Time Rangers’ official mentor, and according to Oliver and William, the most valuable asset to the business.

Anderson was crucial to gaining their initial $50,000 loan. “People who think that they know everything, they’re just not going to get anywhere,” Oliver says. “You have to always be open to receiving advice, even if you’re not going to take action on it, as you’re never going to know everything.” 

Social media, however, was an area within the brothers’ complete control, “We post online as ourselves, how we talk. It’s how we communicate with our market and we will never give that up,” Oliver says. “With marketing and society, it is constantly changing. You’re working with people who were and still are very smart people and did well in marketing maybe over a decade ago. But the culture and strategy is so fast-moving, we don’t know if their knowledge even applies anymore.”

So which advice qualifies as ‘gems’. “Sometimes, all you can do is trust your gut, which sounds cliché, but it’s true,” Oliver says. He recalls an encounter before launching Part Time Rangers, “I won’t name names, but he was someone quite high-up in the drinks industry. He said it was a terrible idea and not to go through with it. He finished by telling us that the bigger alcohol companies were going to ruin us, take us out, that we’re too small, that we’ve got no money — all those things were right, except for the fact that he didn’t understand the brand proposition, the changing market and consumer demands, and how they wanted not only healthier alternatives, but also to give back to the world.”

So is a social cause a key driver for success in this new age of entrepreneurship? While the brothers admit it’s an increasing trend, they don’t think it’s necessary, “unless it’s genuinely something you’re passionate about.” That passion has kept the brothers going. “Imagine this,” William says. “You’re driving around town in an old Subaru Legacy for your first production run, with a boot full of White Rhinos, getting told to piss off by one person after the other. Then one kind human lets you in, and now you have the pressure to prove yourself. Once you’ve proven yourself to one, that one snowballs into hundreds.”

Oliver picks up the thread. “When you start a business, everything goes back into the business. Seriously, you don’t see much in return until you’re an established business down the line.” Success isn’t reflected in numbers for the brothers, well at least not yet. “I’ll tell you what the benefits are; you have a whole lot of fun, you learn a lot and we get to work with some of the coolest charities in the world. That, alone, is one of the coolest things to do.” 

Oliver and William Deane

As of now, the brothers are enjoying their youth, and being child-and-mortgage-free, at a time in their lives where they can take risks and be spirited in more ways than one. When I ask the brothers about their future plans, Oliver responds, “Our plan is to be open and flexible. If you have a three-year plan, you’re f-cked. Shit changes every two months and you have to adapt to change.”

The brothers share some final words of advice for other young and hopeful entrepreneurs. “You’re young, why not give it a crack? If you screw it up, you don’t have anyone relying on you and there’s not much to lose. What’s the worst that could happen? If it doesn’t work out well, you just go out and find another job.” It’s an honest and refreshing reminder that youth itself can offer as much of an advantage as experience. Part Time Rangers, full time enthusiasts.

Gastronomy

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Redondo armchairs by Moroso from Matisse, Belt coffee table and Bongo side tables by Meridiani from Studio Cavit

Follow the languid line of fashion with this curvaceous house

If you were to align this striking house by Nina Maya Interiors with a particular artwork, it would be a sculpture of the female form. Feminine curves abound in the reconsidered mansion overlooking Sydney Harbour, from its glamorous Hollywood staircase to the plush sofas and armchairs in the living room. Even the recesses for starburst chandeliers are pleasingly curved to soften the impact.

Considering Nina Maya Skrzynski’s background designing for Italian production house Grazia Bagnaresi on the outskirts of Bologna, echoes of the female form and an understanding of the impact of glamour is easy to understand. Skrzynski had moved to Italy after studying in Sydney but when her business was poised to take the next step she pivoted on her designer heels, took a year off in London, and decided to pursue design.

With an aesthetic that has been compared to Kelly Wearstler and the acclaimed architect Anne Decker, Skrzynski’s new role fits her better than any Italian dress, and has led to work at the Sydney Opera House’s beloved Opera Bar and Sydney social hotspot The Paddington Inn.

Bongo side tables by Meridiani from Studio Cavit
Redondo armchairs by Moroso from Matisse, Belt coffee table and Bongo side table by Meridiani from Studio Cavit
Belt coffee table and Bongo side table by Meridiani from Studio Cavit

Having created her clothing from scratch, Skrzynski  adopted a similar approach to The Art House, which was originally built in the 1990s. Stripped back to its embryonic form with Bevan Boss Design, Skrzynski commissioned a marble fireplace for the living room, bespoke brass art pieces and the staircases spanning the three levels. Curves receive even more attention with a 20m crescent-shaped pool.

With The Art House, Skrzynski has made the curve the most direct, straight up route to glamorous living.

The curved shapes of three pool loungers by Paola Lenti from ECC complement the 20-metre crescent shaped lap pool
Clockwise from top left: Gyselle mirror by Opera Contemporary, Speedform pendant by Reflex, Miss Marple trolley by Reflex, Ginevra sofa by Marac, Gabriel side table by Opera Contemporary and the Marlene armchair by Bullfrog all from Sarsfield Brooke.

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The fiction books the Denizen team are reading (or are on their bedside tables)

Claire Sullivan Kraus – Founder and Editor in Chief

House on Fire by Joseph Finder 
While we patiently await the third season of Succession here’s something to fill the void. Author Joseph Finder’s leading man has been described as a cross between Sam Spade and Jason Bourne.

The Wish List by Sophie Money-Coutts
I’ve always loved Sophie Money-Coutts’ hilarious banter on the trials and tribulations of the British aristocracy in the pages of Tatler magazine. Her latest novel screams ‘chick lit’ but promises to be brimming with her usual self-deprecating humour. Just what we all need right now. 

Damien Woolnough – Editor

Swimming in the Dark by Tomasz Jedrowski
All the longing and desire of Call Me By Your Name, without the peaches. Set in Poland against a backdrop of uprisings targeted at the communist regime, this story of survival, compromise and coming of age is cinematic in its emotional range.

The Mirror and the Light by Hilary Mantel
I loved the Man Booker Prize winning Wolf Hall and liked Bring Up The Bodies well enough to excited in joining half the world in third and final book in this imaginative look at Thomas Cromwell’s rise to influence in the court of Henry VIII.

Fran King – Art Director

The Woman In The Window by AJ Finn
Has there ever been a better time to read a book about spying on your neighbours? A movie with Julianne Moore and Amy Adams is already in the works.

Eleanor Oliphant is Completely Fine by Gail Honeyman
This bestseller shows just what you can be missing out on by leading a regimented life. Here’s to spontaneity.

Fliss Grennell – Advertising Manager

Sunday Girl by Pip Drysdale
The type of break up advice book to file alongside Gone Girl and Fatal Attraction. Broken-hearted Taylor Bishop consults the classic Art of War for modern day revenge.

Arabella Nelson – Digital Manager

Where the Crawdads Sing by Delia Owens
The misunderstood Marsh Girl, Kya Clark, is the prime suspect of dashing Chase Andrews’ murder in North Carolina in 1969. Coming of age with a dash of murder.

Image credit: Mara Sommer

Culture

We talk to author Trent Dalton on his dark childhood, finding light between the cracks, and the girl who saved him
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The simple chocolate Easter Egg recipe that can’t wait until Sunday

Part of the beauty of good chocolate easter eggs is that they look too good to eat, until you do. Liv Glazebrook from @kitchenoftreats has delivered a simple recipe for homemade chocolate eggs that will look incredible on Easter morning and be gone by Easter Monday. Maybe make a second batch.

Chocolate Easter Eggs 
Serves 8 

Ingredients
2 cups Whittaker’s chocolate (we used White, Creamy Milk and 50% Dark Chocolate)
8 large eggs 
Food-safe paint (optional)

Method

Preparing Egg Shells
1. Using a pin, poke a hole in the bottom of a large egg; insert the tip of a chopstick (or equivalent) and gently turn to open the hole slightly.
2. Insert pin into the hole to pierce the yolk. Hold the egg, hole down, over a bowl, and shake the egg out (alternatively you can blow air into the hole with a rubber ear syringe – the air will displace and expel the egg). Rinse out egg. Repeat.
3. Sterilise eggs: Boil the egg shells in a saucepan of water with 1 tablespoon of white vinegar; then simmer for 10 minutes. Let egg shells drain.
4. To speed up the drying process, place the egg shells in an oven heated to 50°C until completely dry – check the inside of the shell to ensure there is no moisture. Be very careful, the egg shells will be fragile. 
5. Once dry, remove from the oven and if you wish to paint the eggs – do so at this step with food-safe paint.

Filling Egg Shells
6. Chop up sufficient chocolate to fill the egg shells – allow for approximately ¼ cup chocolate per egg shell.
7. Melt chocolate in the microwave at steady increments to avoid burning. If you would like to temper your chocolate (optional) we recommend you do so at this step.
8. Place eggshells (hole up) in an egg carton. Place a disposable pastry bag in a tall glass and fill bag with chocolate, then snip the end.
9. Insert tip of bag into each egg, and fill with chocolate (about 1/4 cup per egg; fill a new bag with chocolate as needed). Leave to set completely, about 4 hours.
10. Gift to family and friends – remember to tell them to remove the shell before eating!

Image credit: Liv Glazebrook

Gastronomy

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The colours to paint your front door for wealth, energy and neighbour approval

With the world in lockdown your front door is probably feeling neglected, which makes it the perfect time to contemplate a fresh coat of paint that could increase your home’s value, elevate the aesthetics or merely give you and your neighbours a much-neeeded smile. 

For Luck
We could all do with a bit of luck right now so borrow some from the Chinese and paint your front door Resene Guardsman Red. There are other meanings that also make red the perfect first impression from the footpath. In America a red door is traditionally a sign of welcome, letting travellers know that the occupants were open to assist the weary, while in Scotland it can be a sign of pride. Some Scots will paint their door when they’re out of the red and have paid off their mortgage. We say, why wait? Try Resene Disco for a deeper, darker option.

For confident types
Yellow doors offer unexpected cheeriness along with the element of surprise, suiting homes that aren’t afraid to stand out on the street. Colour codes suggest that an upbeat yellow, such as Resene Turbo exudes energy and is perfect for south-facing homes in Feng Shui. A white trim, like Resene Black White, will let the yellow pop. 

Nature calls
Show your environmental credentials by painting your front door green. The colour represents healing and growth, making it one of the most popular colours in Britain, where it is often seen as a sign of prosperity. Get back to nature with Resene Camarone.

For wealth
A US study discovered that houses with a black or charcoal door were more appealing to house hunters, helping properties sell for as much as $10,000 more than original expectations. The research factored in the kerb appeal of 135,000 homes using photographs, stretching as far back as 2010, with not so basic black and charcoal taking home the prize at the pick of the palette. So that you can start planning your home improvement, we consulted the experts at Resene to recommend the best of these dark shades with which to paint your door. Here they are:

1. Resene All Black — the blackest of blacks
2. Resene Nero — deep black with inky blue undertones
3. Resene Gumboot — a stately grey with blue undertones
4. Resene Masala — a brown-grey with a green edge

Use a high gloss finish for a sleek modern look and for more advice, visit your local Resene ColorShop.

Design

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12 questions with fashion designer Helen Cherry

The incredibly private and beloved New Zealand designer reveals her favourite things and career advice to Denizen.

Name: Helen Cherry
Occupation: Fashion Designer / Co-owner & Womenswear Buyer for Workshop
Suburb: St Marys Bay, Auckland

1. In one sentence, describe what you do in your job?
“Eighty percent of what I do is discipline. The rest is creativity.”
It’s stolen from Giorgio Armani but it couldn’t be more accurate.

Giorgio Armani

2. Who or what can you thank for your success?
Hmmm, it could be my Croatian/Pakeha/Maori genes along with sheer determination, followed by a healthy dose of humour.

3. What was your first job?
I was a part-time shampoo girl and floor sweeper at the local UNISEX (big in the seventies) salon.

4. What’s the best piece of advice you’ve been given?
Breathe.

5. What advice would you give your younger self?
Believe in yourself. Be confident.

6. What’s the best meal you’ve ever eaten in Auckland?
Champagne and oysters on the deck at our bach on Waiheke.

7. What’s your favourite drink?
Champagne.

8. What’s your favourite pastime?
Reading, listening to music and swimming in the ocean.. whoops that’s three.

9. What are your three favourite Instagram accounts?
@nbcsnl Saturday Night Live
@manrepeller
@susiecaveofficial

Leandra Cohen (Man Repeller)

10. What’s your guilty pleasure?
Musicals.

11. Where do you go to unwind?
Back to Question 6.

12. Who is your favourite Aucklander?
Hamish Keith – I hope I’m that funny and kind when I’m 83.

Coveted

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The new prints by master artist Dale Frank that are worth the 30 year wait

It was a race against the clock and Coronavirus for internationally-renowned Australian artist Dale Frank to make it to Auckland to begin work on his first series of prints in 30 years.

With just six hours to spare, Frank entered New Zealand before the Australian travel ban was instigated, allowing him to pursue an idea first sparked in conversation with Gary Langsford, director of Gow Langsford Gallery

Frank’s incisive interest was sparked by techniques that would allow him to work directly onto the screen, creating truly unique prints with painterly, personal touches added to the traditional mechanical process.

The large-scale pieces (1500mm x 1020mm), created at Auckland’s Artrite Printers, are immediately recognisable as the work of Frank, with almost aggressively organic abstract movement and a palette with spiritual punch.

It’s not as though Frank hasn’t been busy in the past 30 years, with dedicated solo exhibitions at New York’s Museum of Modern Art PS1 Contemporary Art Center and Sydney’s Museum of Modern Art and his work being picked up by the Guggenheim and Boston’s Fine Arts Museum.

With Frank’s status as highly collectable creative and the long wait for his return to prints, the eagerly-anticipated artworks were set to steal the show at the now-postponed Auckland Art Fair, initially planned for May and now postponed until February 2021.

Now the pieces will come full circle and appear at the Gow Langsford Gallery once lockdown restrictions are lifted.

Join the queue early by contacting Cass Thompson ([email protected]) to arrange a viewing .

Culture

We talk to author Trent Dalton on his dark childhood, finding light between the cracks, and the girl who saved him
The Stars Have Aligned, Babe!
One of the world’s greatest humans, Sir David Attenborough, turns 100