An insider’s guide to discovering the scenic Langs Beach and its surrounds

Having enjoyed summers at Langs for almost 20 years, I never truly feel like I’m on holiday until my feet reach the beach’s white sand. A breezy hour and a half drive north of Auckland, it’s perfect for stays of any length, whether a stretched-out day or weeks at a time.

From the characterful ‘Old Langs’ a stone’s throw from the beach to the sweeping views of the hillside of Langs Cove, many of the beach houses here can be rented for private holidays. To really feel like a local, we recommend bringing a boat and joining the line-up of tractors and water-sporters at the launching end of the beach — after you’ve explored on foot.

Where to walk
There are spectacular walks along the coast on either side of Langs Beach, including the Mangawhai Cliffs Walk and Waipu Coastal Walkway. The breathtaking Waipu walk runs along the ‘pancake’ limestone rocks that make this coastline unique. Meanwhile, the Mangawhai walk climbs to a high lookout point, and past an ancient pōhutukawa, before taking walkers down to a stony beach. At low tide, you can walk back by the various beaches.

Ding Bay

Where to swim
Tucked behind the rocks at the other end of Langs Beach is Ding Bay (named after many an injured surfboard). As well as rock pools to explore with young guests at low tide, it’s a tranquil place to read under a pōhutukawa, resting against the unique, layered rocks. It’s especially peaceful when the main Langs Beach reaches peak summer population.

Even more off the beaten track and, in fact, off the winding gravel Waipu Gorge Road, you’ll find Piroa Falls. A short bushwalk leads over streams to the waterfall, where you can walk up the smooth rocks on the far side to soak up the sun before swimming in the cool freshwater pool. If the water is falling softly, you can swim underneath and rest on a small natural ledge found behind the veil of water.

Tara Iti Golf Club

What to do
For those who wish to go further afield, New Zealand’s newest world- renowned golf destination — the Tara Iti Golf Club and the soon to be opened Te Arai Links — is a short drive from Mangawhai. While I’m not good at the game, I still go along with willing club members to take in the stunning views from the Tara Iti course and clubhouse among the sand dunes.

Otherwise, if you are after a spot of shopping, Waipu Village has a range of eclectic stores. It’s also the home of Harker Herbals, with a legacy of healing since it was founded 40 years ago. Stocked in health and holistic stores nationwide, head to the source to find its latest elixirs.

Zippy’s Cafe

Where to drink
There are no shops allowed at Langs Beach but each morning in summer, the yellow Zippy’s Cafe truck rolls up to take coffee orders, and will whip up real-fruit ice creams well into the afternoon for impromptu seaside picnics.

McLeod’s Pizza Barn

Where to eat
If you venture out for a meal, there are plenty of options nearby. In Mangawhai, meander through the Tuscan-style courtyard at Bennetts of Mangawhai and enjoy a long lunch, before trying the latest creations at its boutique chocolate shop. As well as decadent sweet treats, there is a curated range of fine wines from near and afar to pick-up when passing through. Down the road, the Frog & Kiwi Restaurant offers authentic French cuisine, with a local touch.

On the other side of Langs, The Cove Cafe overlooking Waipu Cove serves refreshing plates with produce grown on the owners’ farm in Maungakaramea. But we’re never truly satisfied before a visit to McLeod’s Pizza Barn in Waipu, a well-loved institution for its generous meals and general good vibes. Now the owners have added the McLeod’s Brewery onsite, it’s also worth trying its new pints before they are pulled at pubs all over New Zealand.

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From classic one-pieces to brilliant bikinis, shop our swimwear edit to suit every style this summer

Take to the waters with a selection of svelte swimsuits that bring the promise of a much longed-for escape. After such a long wait for carefree days in the sun, you deserve to treat yourself to swish new swimwear.

Left to right: Mahina Monogram One-Piece swimsuit from Louis Vuitton, Strappy Swimsuit in black technical fabric from Balenciaga, Oséree swim suit from Muse Boutique, Blue Lagoon Monogram Drawstring One-Piece from Louis Vuitton.

The One & Done
A classic one-piece has proven time and again its subtle power in ensuring you look pulled-together regardless of your environs. Now you can lounge on the beach with salty hair and still look chic.

Left: Chanel Spring Summer 22, Right: Oséree available locally from Muse Boutique.
Left to right: Dioriviera Triangle Bikini top and high waist bottoms from Christian Dior, Oséree bikini from Muse Boutique, Bottega Veneta One-shoulder seersucker bikini from Net-A-Porter.

The High Roller
A vintage-inspired high-waisted bikini is a fitting hybrid when dipping your toe into the bikini cut. Balance out the bottoms with streamlined or asymmetrical bra tops, and you’re perfectly poised to dive on in.

Christian Dior Dioriviera
Left: Dioriviera Bikini top and Bikini bottoms from Christian Dior, Matteau String Triangle Bikini from Muse Boutique, Mahina Monogram Bikini top and Bikini bottoms from Louis Vuitton.

The String Along
The 90s string bikini is back with a vengeance, delivering an anything but washed-up demeanour. Opt for delicate prints in lightly coloured fabrics that will be sure to turn the tide.

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Create a magical holiday meal with Versace’s entrancing table settings

While we’re decking the halls, we’re also dreaming of inspiring table settings to sprinkle some festive sorcery over the holiday season. Like its infamous Medusa motif, once you fall in love with Versace’s enchanting tableware, there is no return.

The dinnerware first adorned our tables in the early 90s, under the creative direction of the late Gianni Versace who believed that Versace “is a lifestyle and it should be an all-embracing decision for those who choose to adopt it”. The Rosenthal and Versace collections, with a wide range found at The Studio of Tableware, are a mesmerising embodiment of such stylistic principles.

The Le Jardin de Versace collection captures an enchanting garden in dreamy pastel shades and an abundance of blossoms, berries, insects and ornaments. Picked by the Versace Milan studio to playfully symbolise a summer symphony, these exclusive designs make for a modern al fresco Christmas lunch with all the trimmings.

The I Love Baroque range reflects Versace’s fascination with glorious epochs — at once classical and extravagant. Reinterpreting the heritage of the Maison with refined decorations of the Baroque and Neoclassical eras in signature tones of black, white and gold, the eye-catching designs will enrich any Christmas Eve dinner with a sense of excitement.

For the main event on Christmas Day, we entreat you to entertain with Versace’s centrepiece Medusa collection. In elegant red with hints of precious gold and black, the opulent patterns delight the beholder with their true beauty. While the Medusa is the complete match for festive colour schemes, the iconic collection will continue to hold your gaze long after the festive lights’ last twinkle.

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This tourmaline, diamond and sapphire ring from Sutcliffe Jewellery seems to shine for infinitum

While beautiful, coloured gemstones always catch our eye, one ring in particular has us entirely entranced. This 8.63ct cushion cut lagoon tourmaline ring from Sutcliffe Jewellery is so heavenly it comes with two shining halos — made up of sapphires and an 18ct white gold diamond pavé, which reflect the ring’s own brilliance for what seems to be an infinity.

The dress ring was entirely handmade, and is a completely new design for Sutcliffe Jewellery. It captures the essence of the lagoon tourmaline. Only seen in the evocative tones of blue and green, with strikingly intense light-to-dark saturated colours, this gemstone is having a spellbinding ‘moment’ in time.

The clever halo design gives a sense of depth to the diamonds as they appear to curve inwards and bow to the tourmaline. Meanwhile, a black rhodium plating is applied to the sapphire halo to further define a hypnotic scalloped edge.

The Sutcliffe philosophy is simple: Great stones need great rings. As a second generation craftsman who once cut his teeth (and some extraordinary diamonds) in London’s prestigious Hatton Garden district, Brent Sutcliffe is one of the country’s most skilled craftspeople in the realm of fine jewellery. He creates showstopping bespoke rings with such meticulous attention to detail, to look upon them is to discover a whole new world of possibilities.

Sutcliffe Jewellery
203 Parnell Road
Parnell, Auckland

www.sutcliffejewellery.com

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Gift the effervescence of Moët & Chandon with a Champagne magnum concierge delivery

A bottle of Moët & Chandon Champagne is popped every second around the globe, such is its magnetism for those who wish to celebrate in exceptional style. Having brought people together to celebrate moments that bubble over with effervescence for over 270 years, Moët & Chandon is continuing the festivities with sparkling celebrations planned in cities around the world this Christmas — from London and New York to Paris, Milan, and Moscow

Now this joyful spirit can be delivered directly to your own soirée with Moët & Chandon Effervescence arriving in New Zealand. For a limited time, you can give the gift of effervescence with personalised Moët & Chandon Impérial magnums, featuring three holiday greetings choices  ‘Celebrate’, ‘With Love’, or ‘Merry Christmas’, customised in gold calligraphy. Like all Moët & Chandon Champagnes, the Impérial magnum dazzles and delights with bright fruitiness, an enticing palate and an elegant maturity.

Those in Auckland Central have the opportunity to further immerse themselves, or their intended recipient, in the grandeur of Moët & Chandon by booking the House’s charming Champagne Concierge service. Inspired by the classic vehicles found in the bucolic French countryside, the custom Moët & Chandon Effervescence delivery truck carries its precious magnums in a bespoke limited edition Effervescence gift box for an unforgettable delivery.

Moët & Chandon Effervescence will be running from Monday the 13th to Saturday the 18th of December, and we recommend securing your delivery before it is booked up.

For those in the greater Auckland area, and other main metros nationwide, personalised Impérial magnums will be delivered in signature Moët & Chandon gift bags via standard courier for a limited time.

This is festiveness at its finest. 

Enjoy Responsibly.

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Panic no more — No. 1 Pancake is back and better than ever at its new location

When No.1 Pancake closed down its central city location on Lorne Street this year, it made headlines as its loyal patrons made the pilgrimage to the tiny store for one last order. Over 17 years, the unassuming hole-in-the-wall had won over hearts with its delightfully chewy filled Korean pancakes (known as hotteok), slowly pan-fried with a crisp outer layer.

The owners, Sung Kwon (SK) and Abigail Lim, took over No. 1 Pancake from a friend when it was still called Corner Pancake, and diligently flipped their new business into an inner-city culinary institution. When the lease came up on their outpost recently, the Lim family made the end-of-an-era decision to relocate away from city life, to the suburb of Rosedale. “For mum and dad, the opportunity came up to really think about moving,” their youngest son Jonathan says on their behalf. “It was a time to step back and think long term about shifting the work-life balance a bit.”

While the Lorne Street location was where devotees knew to line-up, an essential component of No. 1 Pancake’s secret recipe — the dough — was painstakingly proofed at the family’s commercial kitchen, so slowly that it took the whole night to complete. The new outlet is in the site of said commercial kitchen. As well as eliminating commuting times completely, it gives the parents the chance to prioritise their health and wellbeing.

The commercial kitchen is a lot more hospitable. “We can take a step backwards without hitting our backs against the wall. We can stretch out our arms fully without touching both walls,” says Jonathan. “It’s about 10 times bigger by the floor size.”

Devotees and newcomers alike can find No. 1 Pancake’s classic flavours at the new address, including ham and cheese, red bean and cheese, and, for dessert, brown sugar and cinnamon. While Abigail is always perfecting the dough, and finding how minor adaptations can change the taste and texture ever so slightly, it takes months before No. 1 Pancake introduces a new flavour. At the moment, it’s offering optional jalapeños, a spicy addition to complement and cut through the cheesiest of its pancakes.

Of paramount importance to the relocation was No. 1 Pancake doing right by their customers. Despite opening during level 3, the response has been overwhelmingly positive. Although they didn’t have queues around the corner like they did on their city closing day, there were cars filing in from near and far. “It has been eventful,” says Johnathan. “Especially the first day, we had a much better turnout than we ever expected, seeing a lot of familiar faces pop up.”

While No. 1 Pancake is available via takeaway for now, the family is looking at shaded outdoor seating for relaxed dining during the less restricted summer months in Auckland — which will be a chance to regroup. “We want to say thank you for all the people who have cheered us on,” says Abigail. “We knew it was a big change, but it was a big change so we could maintain the quality.”

“We know it was a lot for our customers to bear,” adds Jonathan, “but we are still going to put in the same love and same effort.”

Opening hours:
Wednesday to Saturday: 11am — 7.30pm
Closed Sunday to Tuesday

No. 1 Pancake
Unit 6, 18 Airborne Road,
Rosedale, Auckland

www.no1pancake.co.nz

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Gucci Lifestyle creates a sense of magic with a chic collection of stationery, games and travel sets for the festive season

Inspired by the wonderment Creative Director Alessandro Michele would find at a stationery store as a child, Gucci’s latest Lifestyle collection is a true curio. Revealed at the Gucci Cartoleria —an enchanted emporium open during Milano Design Week — notebooks fluttered like birds and chess sets out-played themselves.

To immortalise the crafted collection of parlour games and suave stationery, Max Siedentopf captured the campaign at Castello Sonnino, a historic home of the Medici family. When it comes to entertaining your own family, there are no shortages of stylish surprises. Playing cards, dice sets and notepads are embellished with whimsical Gucci motifs and cased in the House’s supreme canvas or the sustainably-minded Gucci Demetra.

For those drawn to the romance of hand-written letters, there are matching envelopes and cards in letter cases. To write on such precious stationery, Gucci has designed a pen to glide with the power of the ‘divine proportion’. To hold your correspondences down, a selection of glass-domed paperweights have been handcrafted by a chosen Italian glassmaker.

For betting men and women, poker and backgammon sets come in briefcases inspired by working bags from the 70s section of Gucci’s Archive. To look the part as you play, we recommend a pair of silk slippers in the same iconic patterns. Game, set, and what a match.

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Adrian Burr and Peter Tatham.

One of the most significant private collections of Aotearoa art, the Collection of Adrian Burr and Peter Tatham, is set to be auctioned

To view an important piece of art is to see into a new realm of possibility, and collectors Adrian Burr and Peter Tatham looked after around 150 of them. Their collection of artworks by renowned New Zealand artists of the 20th and 21st centuries connected them to a greater sense of place and, for those they supported with their patronage, new potential.

Over 25 years, Burr, an influential property developer, and Tatham, a talented interior designer, quietly built up their museum-quality collection — with a personal touch. “This collection for us is a lot about relationships that have been established over a number of years and the ability to share these works now with the wider public, despite the sad fact that both collectors have passed away,” says Art + Object’s Leigh Melville, who is auctioning the collection over two days in late November.

Generous, fun and kind are words often used to describe the couple. Burr was on the board of Auckland Art Gallery Toi o Tāmaki, and both were instrumental in its rebuild. Their support of the Arts Foundation was recognised with a Laureate Award in their names in 2019, as it was noted that they were “some of the most remarkable and well-known philanthropists in Aotearoa”.

A Peak in Darienby Michael Parekōwhai Cast bronze and stainless steel, two parts (2011) 2200 x 2850 x 1750mm 520 x 1050 x 320mm Exhibited: ‘Michael Parekōwhai: On First Looking Into Chapman’s Homer’, New Zealand at the 54th Venice Biennale, 4 June – 27 November, 2011. EST: $900,000 – $1,400,000.

Their support was insurmountable. Burr was a founding director of Auckland’s School for Performing and Creative Arts, and they were both founding benefactors of the ASB Waterfront Theatre. Fond of opera, the couple supported singers, as well as the Prima Volta Charitable Trust to empower teenage performers. “There are more than we can know,” Melville says of the many charitable organisations they were involved with. “So many Auckland arts institutions that we all love and perhaps wouldn’t have been so successful without these generous donations.”

In particular, Melville worked with the couple through the New Zealand at Venice patrons group. They not only helped artists afford to show at the million-dollar Venice Biennale exhibition, but documented the projects with filmmakers, and often acquired pieces for their collection.

From Left: An Hermès ‘Kawa Ora’ surfboard designed by Te Rangitu Netana Fiberglass and resin with dual fins at underside 1465 x 520 x 155mm. EST: $13,000 – $18,000; Whistlers Mother by Bill Hammond Acrylic on canvas title inscribed, signed and dated 2000 1000 x 760mm. EST: $125,000 – $175,000.

When Michael Parekōwhai exhibited, the couple brought home his bronze sculpture of a bull resting on a grand piano — and placed it in their landscaped property in Hawke’s Bay, before their Herne Bay, Auckland, garden. Entitled ‘A Peak in Darien’, this particular Parekōwhai work could reach the highest sum a living New Zealand artist has fetched at auction. It’s one of many records expected to be set at the sale.

“Adrian and Peter were extremely generous to a lot of institutions, but their interest didn’t really lie with buildings, their interests really lay in supporting artists,” says Melville. “For anybody who’s collecting art and living with it in their home, the important thing, I think, is that it reflects our culture and Adrian and Peter were very interested in that.”

From Frances Hodgkins’ pioneering paintings to Paul Dibble’s standout sculptures, together they searched for the best examples of established artists while supporting the next generation. Bill Hammond’s ‘Whistlers Mother’ is from a critically-acclaimed series examining Aotearoa’s environment and several works by Shane Cotton, including ‘Tiki’, explore cultural identity. Meanwhile, an Hermès surfboard decorated by UK-based Māori tattoo artist Te Rangitu Netan combines international luxury with the traditional art.

Tiki by Shane Cotton Acrylic on canvas title inscribed, signed and dated 1989, variously inscribed 1820 x 1515mm. EST: $250,000 – $350,000.

The expansive collection lived in harmony in the couple’s homes — a testament to both Burr and Tatham’s fine eye for style. As such, the auction will also include collectible furnishings and other interior ephemera. “They lived in a very elegant way,” says Melville. “The art served to emphasise that.”

While the couple travelled extensively, they stayed connected to their home country’s art world. “They had every opportunity to collect art from anywhere, but they chose to live with New Zealand art and to take that culture with them wherever they went,” says Melville. “That’s one of the greatest contributions people can make by being involved with art.”

The Collection of Adrian Burr and Peter Tatham will be sold across a two-day Art + Object auction on Saturday the 13th and Monday the 15th of November. The gallery is open for viewings from Wednesday the 10th of November.

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Smile bright with this expert guide to the most effective and safe teeth whitening tools

As we prepare for a renewed social calendar full of smiles, we’re investigating the best teeth whitening processes to make a start on. To help us, Dental Hygienist Kate Rotella unpacks the latest teeth whitening innovations. After all, a smile is a curve that sets everything straight.

Whitening toothpaste
Toothpastes advertising a whitening effect often use abrasive ingredients to remove extrinsic staining, so your teeth feel shiny and polished. But be warned — over time they can wear down enamel and worsen colour. “The effects of using the wrong whitening agent or a really abrasive toothpaste will be long-term,” says Rotella. “Initially, you won’t see it but over a long period of time with micro wear and tear you will roughen those surfaces, then you get more staining anyway, so you’ve got to scrub harder. Then you’re going through the enamel and you’re going to start to see the yellow dentine underneath.” — If you’re still set on whitening toothpaste, Rotella recommends alternating with a standard, more gentle tube.
Whitening success rate: 1/10

Whitening toothpaste with a bleaching agent
Some whitening toothpastes have the benefit of the same bleach used in professional whitening — hydrogen peroxide — limited to a maximum of 3 percent. This can lighten the enamel underneath before you brush too much. But for whitening to work well, a peroxide has to be left on for a certain amount of time undisturbed — not a quick swish. “It’s a little bit debatable as to how effective it can be,” says Rotella.
Whitening success rate: 3/10

Charcoal toothpaste
A new generation of activated charcoal toothpastes is preferable as it is a lower abrasive in a pre-mixed solution. While it’s black when it goes on, there is another, unlikely benefit of using such a dark toothpaste. “A little bit of residue on the teeth creates a blue filter, which gives the illusion of whiter teeth,” explains Rotella.
Whitening success rate: 3/10

Blue light kits
One of the newest offerings is whitening kits that include the pre-requisite gel and teeth moulds with a built-in LED. The latter is supposed to speed up the process, but because these are not from a dental authority they will only have up to 6 percent hydrogen peroxide — which is New Zealand’s legal limit for off-the-shelf products. In theory, the blue light activates the molecules of the hydrogen peroxide so it works quicker — or it could be a marketing gimmick. “When you look at the research it’s negligible how much it actually makes a difference,” says Rotella. The most important thing in an at-home kit is the formula, which needs an aforementioned bleaching agent and plenty of water. Don’t buy whatever brand you find online, as they likely won’t have the right formula. “A lot of them will work well, but it’s because they’re dehydrating,” says Rotella. “It will create really bright white teeth in the first instance, but you may have extreme sensitivity and you won’t have any good long-term results with it.” The effects of such formulas will fade, and you’ll have to go through more discomfort to get back to the same shade of white. Instead, Rotella recommends sticking to reputable brands, such as Pola, White Blanc, Smile Pro and Zoom, which will ensure your teeth get the hydration and minerals they need.
Whitening success rate: 6/10

Whitening strips
Also bought off-the-shelf, whitening strips are stuck on the visible smile line of your teeth for a quick touch-up. After your teeth have been washed and dried, which can be done with cotton wool or tissues, they are left on from 30 to 45 minutes. The strips will still have up to 6 percent of active bleaching ingredients, but they are less messy. If you have never whitened before, you can do the full set for consecutive days — but don’t expect drastic results. For those who have had professional whitening, they can be useful for top-ups instead.
Whitening success rate: 5/10

Whitening pen
To help with long-term maintenance, there is also the option of a whitening pen which paints peroxide onto your teeth. The solution in the pen is sticky to stay on, but it can still come off without a shield over it. “It’s a bit like whitening toothpaste, it may have a tiny effect,” says Rotella. “It’s good for maintenance but I would never recommend something like that for someone who hasn’t done any [professional whitening].”
Whitening success rate: 5/10

Dental-grade, ready-to-go trays
Dental-grade, take-home trays offer higher levels of hydrogen peroxide, such as 10 or 15 percent, so they only need to be worn for 15-30 minutes. As you will be using these at your place, you see how your teeth are responding, and make an educated guess on how white you’d like to go. Quick and effortless, pre-done trays often come with desensitising agents within their formula. However, you still need to be careful when using a standard sized tray as the gel can spill over, which not only loses product but can have harmful consequences. “If you do it wrong, you can have chemical burn on the gums and cheeks. It’s only temporary but it’s very painful,” says Rotella.
Whitening success rate: 8/10

Custom whitening trays
A more tailored approach is having professional impressions taken for comfortable fitted trays. “The trays are custom-made perfectly so that you avoid contact with the gel,” says Rotella. Hydrogen or carbamide peroxide is carefully inserted at home with tailored syringe solutions — the strength of which will depend on the patient’s sensitivity, and personal preferences. “When you’re using the higher percentage, that’s when you need the guidance of a professional that you’re delivering it in the correct way for the right amount of time,” says Rotella. (Depending on the type and strength of the bleach, some will wear trays for 40-minutes a day, others will wear them overnight.) All teeth have an end whitening point, but most can be whitened several shades, to the natural colour before the enamel stained.
Whitening success rate: 9/10

In-house teeth whitening
If you have your teeth whitened in the dental chair, a much higher percentage of hydrogen peroxide — 25-35 percent — can be used at once in the controlled environment. After the teeth are isolated, and the rest of the mouth protected, the gel is applied and refreshed three times, and enhanced with a professional-strength blue light. If certain teeth need more whitening than others, then special attention can be given to these areas. Afterwards, there may be some sensitivity, and it’s recommended to stay away from hot and cold drinks for the next 24 hours. As you continue to live your life, and enjoy tannin-rich coffee, tea or red wine, staining will come back. Most professionals will also take impressions for maintenance trays as part of a complete package. “What you want to do is get yourself into a routine,” says Rotella. “I use my trays once a month for 15 minutes.” While your teeth will look wonderful for three to five years after a professional whitening, taking a shine to self-improvement will keep you smiling for many years to come.
Whitening success rate: 9.5/10

A note on sensitivity:
A whitening agent works by entering the enamel tubules of a tooth to break down the carbon molecules that have bunched together and created a darker appearance. Right in the middle of the tooth, where all this activity is happening, is the nerve — so it’s no wonder it can feel sore. “The reality is, I don’t think you can whiten your teeth without some sensitive reaction,” says Rotella. To help protect the nerve, most companies provide their own soothing relief gel from the outset. “There’s always ways to manage that sensitivity,” she reassures. “It should never be something that you worry about.”

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Square up with the new way to wear checks, the ultimate winning move for your next outfit

In a game of chess, there is an infinite number of moves. When it comes to outfit co-ordinating, a dynamic check offers just as many winning combinations. From silk scarves to tweed jackets, the pattern materialises this season in clever clothing that teeters between preppy and street styles. It’s time to meet your match.

Clockwise from top left: Comme des Garcons frayed checked jacquard blazer from Net-a-porter, Dway Dioramour slide from Dior, Check tweed short-sleeved jacket from Gucci, Ganni Seersucker Check Scrunchie from Workshop, Alice & Olivia Donald Gingham shorts from Harrods, Jil Sander Bauhaus Check Crepe Shirt from Matches, Troca MM handbag from Louis Vuitton, Ganni Seersucker Check Mini Dress from Workshop, Dioramour Mitzah Scarf from Dior.

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The world’s most desirable luxury activewear brand, Moncler opens its Auckland boutique

At the pinnacle of technical skill and stylish innovation, Moncler’s new Auckland flagship in Westfield Newmarket is a step in the right direction for the brand’s contemporary fashion takeover.

The history of one of the world’s fastest-growing luxury brands begins with its iconic down jacket, which was initially manufactured and designed to keep factory workers warm in the mountainous village of Monestier-de-Clermont — known as Moncler for short. Good design travels fast, and before long French mountaineer Lionel Terray wore the outdoors brand for his extreme expeditions to the far reaches of the globe. Then, Jacqueline Kennedy was spotted wearing the label on the resort ski slopes.

At the peak of practical design and polished style, the heritage label is seeking new horizons under CEO Remo Ruffini. After a year of significant change for all, Moncler’s new collections are designed for those with a new sense of purpose.

Left: Robin Wright Penn and daughter Dylan Penn for Moncler’s Winter 2021 campaign.

The womenswear collection is designed for a range of altitudes and attitudes, taking the wearer from ski fields to fashion weeks. Feminine trench coats are statuesque in proportion and sweeping woollen capes are updated with tech-savvy hoods.

With a newfound appreciation for the elements after indoor lockdowns, Moncler is reinvigorating its technical down and nylon materials. In particular, sporty leather trousers and nylon skirts create a modern edge of elegance.

Left: ANASTASIOS MONOGRAM JACKET FROM MONCLER FW21 ENFANT COLLECTION.

The menswear collection welcomes an elevated cabin-core aesthetic — think onion-quilted zip-up jackets and vintage-faded parkas in earthy hues. With a focus on multiplicity, the new parkas and bomber jackets are reversible and their sleeves can be removed.

Moncler has been at the summit of streetwear-cool since Milanese teenagers started to don its parkers off-piste at the piazza in the 70s, then the Parisian creative Chantal Thomass reworked the classic look in the 80s. It was a natural expansion then to see high-top sneakers and all-weather bucket hats added to the 2021 collections.

With an already dedicated local following, the arrival of Moncler’s flagship boutique in Auckland will further expand the appeal of this globally revered luxury brand.

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Theatrical yet tranquil, this elevated penthouse completes an aesthetic balancing act along New York City’s skyline

If you’ve ever wished you could see inside a renowned designer’s abode — where everything has its place in a form of minimalist mindfulness — look no further than Lee Broom’s New York pied-à-terre, affectionately called The Penthouse. It’s the British designer’s much frequented and finessed second home with his partner Charles Rudgard, who is also the co-founder and CEO of his eponymous brand. Located in Tribeca — that Manhatten neighbourhood known for its celebrity residencies and lofts alike — the apartment also acts as a by-appointment showroom for Lee Broom collections, and the owners’ private art collection.

Occupying the fifth and sixth floors, and accessed by a private elevator, the light-filled, high-ceilinged space boasts two terraces, two kitchens, two bedrooms, a living room, dining room and a study. But what really attracted Broom to the apartment in a converted cast-iron office building was that it was part of the first sustainable historic refurbishments in New York. Eighty percent of the materials in the renovation have been reclaimed, and the remaining 20 percent was sourced locally.

White Street Sofa and Tribeca Tables by Lee Broom from ECC.
Hanging chair by Lee Broom from ECC.

Like the patina on the hand-reclaimed panelling, the apartment tells its own story within the soaring architecture. Broom is best known for his modern lighting, and here he spotlights a new collection of furniture and accessories, each room a stage to play out his personal designs.

The living room is prefaced with a monochromatic colour palette with glints of brushed brass, gunmetal and matte black. The view of the iconic New York cityscape imbues the personality of the room. One of Broom’s favourite skyscrapers, the brutalist Long Lines, inspired a bespoke fireplace carved from Travertine in Italy. In front of it, the bouclé White Street sofa appears to float over the skyline with its soft, curved backrest. While it appears an apparition, it was designed specifically for this space as a modular piece connected by sculpted armrests and side tables.

Fulcrum candlestick by Lee Broom from ECC.

The Tribeca coffee tables unite design ideas, appearing to defy gravity with its black silk marble and travertine tabletops cantilevering over monolithic squares. Then, a sense of play swings in with the Hanging Hoop Chair. The refined round shape might look familiar — another Tribeca regular, Beyoncé, featured one in her Black is King visual album, and bought it for her own home.

The room is dressed for any occasion, and offers an insight into Broom’s earlier career. After graduating with a fashion design degree from Central Saint Martins, he learnt under legendary designer Vivienne Westwood and worked on store design and window displays for brands such as Fendi and Bergdorf Goodman.

As a dedicated collector, Broom’s private study showcases art and artefacts. An original leather jacket owned and painted by Keith Haring is on display, as well as a wall of mid-century art with a specially commissioned painting by artist and fashion stylist Shirley Amartey at the centre.

Crescent Light by Lee Broom available from ECC.
Left: Aurora chandelier by Lee Broom from ECC.

In the main bedroom, a fluted metal piece matches the glimpses of the Empire State Building. A heavy and heady mix of brass and steel, it was once part of a New York skyscraper, its Art Deco style belying its 70s design. It correlates to a 1960s stainless steel and brass bed frame, which has inspired much of Broom’s spherical lighting. It was too bulky for Broom’s London home, so he was relieved to find a space for it here.

The furniture designer re-uses as much as he can from shows, and the oversized headboard in the guest bedroom was stylishly salvaged from an exhibition at the London Design Festival in 2017, titled On Reflection.

For entertaining, the kitchen is encased in reclaimed oak, which is over 300 years old. It’s seen in a new light thanks to Lee Broom’s twin Tube Lights, created from conscious Carrara marble and brushed brass. The marble on the bench-top below is from a sustainably-minded underground quarry in Vermont, which is carried through to the bathrooms.

Left: Musico Dining Chair and Musico dining table from ECC.

The dining room is a plot twist, with dramatic blue moiré walls and pleated grey velvet drapes. Alongside the new Lee Broom Musico dining table and blue velvet chairs is an original 80s bar, designed by the inimitable Steve Chase. It leads out to the rooftop terrace for an audience with another striking city backdrop.

If all this apartment is a stage, this sophisticated double-act is one to watch.

Lee Broom lighting is available from ECC in New Zealand.

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Emma Lewisham. Photographed by Holly Burgess.

Emma Lewisham is the world’s first carbon positive beauty brand, with a glowing endorsement from Dr Jane Goodall

In the fresh-faced news of the day, Emma Lewisham has announced it is officially the world’s first carbon positive beauty brand, and has the world’s first 100 percent circular-designed product range. To commemorate the occasion, Emma Lewisham received a written endorsement from the iconic environmentalist and United Nations Messenger of Peace, Dr Jane Goodall.

“Emma Lewisham is demonstrating what it means to be a truly sustainable business,” Dr Goodall wrote. “Through their carbon positive and circular business model, Emma Lewisham is creating environmental prosperity and showing their peers that this business model is not just possible but paramount if we are to make a meaningful difference.”

One to take matters into her own hands, the brand’s eponymous co-founder Emma Lewisham had written to Dr Goodall about her work, and was overwhelmed with this response from her personal hero. “It’s just a dream come true. I’ve looked up to her since I was a teenager and she’s always been someone I’ve been in awe of and fascinated by,” says Lewisham. “I think what it means for the brand is that we’re going to accelerate change in the beauty industry and bring about systemic change.”

Dr. Jane Goodall. Photo by Michael Collopy.

Being carbon positive means Emma Lewisham is taking more carbon emissions out of the atmosphere than it puts in, which creates a positive environmental impact. While many international brands match their emissions to be carbon neutral, Emma Lewisham is going above and beyond by offsetting an additional 25 percent. The carbon offset credits will go towards regenerating New Zealand’s Puhoi Forest Reserves, supporting Gyapa’s Cook Stoves technology in Ghana and supporting Malya’s Wind Power Project in India.

To be in a position to offset positively, Emma Lewisham needed to work out what exactly its carbon emissions were for each product. A pottle of potent skincare may be small but its impact on the environment begins to stack up beyond the shelf, from transportation needs to end-of-life solutions. The brand worked with another Auckland-based and world-leading company, the independent environmental certification agency Toitū Envirocare, to quantify its carbon numbers before reducing them. “You have to be really committed to the challenge,” says Lewisham.

Achieving carbon positivity at the in-depth product level, as opposed to a general corporate level, meant tracing 150 complex ingredient sources — including a secluded edelweiss plant grown in a Swiss town, known to strengthen the skin’s natural barrier and restore the appearance of youthfully firm skin in Emma Lewisham’s Supernatural Crème. Traditionally, the beauty industry has operated under secrecy for such special ingredients, but transparency is needed to ensure ethical production. “And so it was convincing them to see that we want this information because we wanted to be empowered and be able to make good choices,” says Lewisham.

Emma Lewisham has always been a problem-solver. The brand’s entire range is both scientifically validated and 100% natural. From its Supernatural Vitamin A Face Oil that nourishes the skin while protecting it against environmental aggressors, to its Skin Reset Serum that evens skin tone while restoring radiance, each product meets a need that was not yet smoothed over successfully by the industry. But the biggest problem was on a much larger scale — the 120 billion units of beauty packaging sent to landfills each year.

It’s a dirty secret that although many beauty products are labelled as recyclable, in reality, curbside recycling is not up to the task and it’s often added to general rubbish. “Recyclability for us is defined not by the potential, but by what actually happens in practice,” says Lewisham. “Brands have to take ownership for it. That’s why we have our Emma Lewisham Beauty Circle — we take material back with the aim of always being able to first and foremost reuse it. And if we can’t, then we pay for it to be recycled through Terra cycle.”

After significant business investments, all of Emma Lewisham’s products are 100 percent designed to fit within a circular system, as well as made with 100 percent renewable energy. Designed to out-smart waste from the outset, Emma Lewisham products now use refill pods, so the outside packaging can be kept and reused by the customer. And the empty refill pods can be sterilised and refilled when sent back to base.

“Circularity is how we can reduce carbon emissions more than anything in the beauty industry,” says Lewisham. In fact, Emma Lewisham’s refillable product vessels have up to a 74% smaller carbon footprint than its original packaging. 

Seeing the importance of collaboration over competition, Emma Lewisham is sharing its carbon positive and circular packaging intellectual property with the wider industry this week, as it announces a new stockist in Net-a-Porter. “We feel by helping others it will only in turn help us achieve what we’re trying to do, bringing about change in the industry,” says Lewisham.

Of course, the work is ongoing. Emma Lewisham’s goal over the next two years is to reduce the carbon number of each product by a further 50 percent, while continuing to be a voice for change in the industry as its influence grows.

As in the pertinent words of Dr Goodall’s recommendation letter: “The greatest danger to our future is apathy. I sincerely hope that the beauty industry can follow Emma Lewisham’s lead. I believe they are paving the way for the future.”

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Don’t forget below the neck — these body-focused skincare products are promising impressive results

As consumers and businesses cotton on to the benefits of body firming products, the skincare industry is expanding its reach — down your décolletage, along your arms and well past your waist.

“More recently we have been starting to question why we are investing so heavily in our skincare, but not thinking about what we are applying to the body,” says Mecca Skincare Education Lead Lucy Connell. “The body faces many of the same skin concerns, such as dryness, congestion and loss of firmness.”

A mediocre moisturiser on our nightstand no longer seems sufficient as facial-grade ingredients and high-potency actives are pumped into results- driven body care. “With the boom in body care, more brands are getting involved, even those that traditionally stuck to skincare,” adds Connell. “This means they can leverage all their science and technology that creates wonderful skincare, into body care — which is only going to mean better, more effective, products on the market.”

But this doesn’t mean skin and body care are one and the same. The epidermis of the skin on our body is thicker than on our face, so creams need to be more penetrating, and the components more potent. “Products formulated for the body may be richer in texture, and if it is an exfoliating product, it can be more active than what the skin on our face could handle,” says Connell, who recommends daily exfoliating with an AHA based body wash to remove dead skin cells and encourage cell turnover.

If you’re not evangelical about exfoliating, dry brushing can also prepare the body for oils and lotions. Working in quick upwards flicks can help moderate the distribution of fat deposits under the skin, as well as encouraging blood flow for more tone and elasticity. For the chest and stomach, clockwise sweeps are advised — be sure to adjust the pressure so it is comfortable.

Compared to the face, the body produces less collagen — which can make the skin appear saggy. If you’re dipping your toe into body care, try serums saturated with peptides and retinol that will promote the body’s own production of collagen, smoothing out stretch marks at the same time as improving texture and tone.

Caffeine is another ingredient to look for on the back of a bottle. It dehydrates the fat in skin cells to help your body break it down. Green coffee extract could be one step ahead, blocking fatty acids from entering cells. Sothys Paris’ Essential Slimming Care formula employs the antioxidant, and astragalus root extract, to reduce cellulite development from the outset.

Hydration is vital when using such active ingredients, and Sothys Paris’ Pro-Youth Body Serum employs a hyaluronic acid substitute and sacred lotus extract (along with collagen-boosting peptides) to quench the skin’s thirst while targeting problem areas.

CLOCKWISE FROM LEFT: NUFACE NUBODY DEVICE, DR. DENNIS GROSS DRX SPECTRALITE BODYWARE PRO, BEAUTYBIO GLOPRO BODY MICROTIP ATTACHMENT ALL FROM MECCA COMMERCIAL BAY.

Devices have done wonders to our facial routines, and now a new generation of tools are enhancing the body’s denser skin lipids. The NuFace NuBody microcurrent device is a gentle yet powerful way to boost blood flow and stimulate collagen production for the trifecta — toning, firming and reducing dimpling. Meanwhile, BeautyBio’s more analog micro-needling attachment for its GloPro stimulates the body’s healing process while helping solutions sink further into the skin.

For those who prefer pampering over programmes, anti-cellulite and body toning treatments are showing up all over town. East Day Spa’s Guam treatments use an advanced seaweed formula to reduce dimples found on the tummy, waist, bum and thighs, and to drain away toxins — all while enjoying a pleasant massage. The experts also offer lymphatic drainage and an abdominal treatment called Chi Nei Tsang, which help reduce bloating and inflammation as well as toning the skin.

As with skincare, barrier protection is the most important step — so shielding exposed skin with SPF daily is also essential. Like all well-intentioned rituals, body care is about taking the time to care for yourself — with the added benefit of connecting with the body that will carry you through a busy day.

FROM LEFT: SOTHYS PRO-YOUTH BODY SERUM; RÉVIVE BODY SUPÉRIEUR RENEWAL FIRMING CREAM FROM MECCA COMMERCIAL BAY; CODAGE PARIS EXFOLIATING BALM FROM SPRING STORE; SOTHYS ESSENTIAL SLIMMING CARE; GOOP G.TOX ULTIMATE DRY BRUSH FROM MECCA COMMERCIAL BAY; AUGUSTINUS BADER THE BODY CREAM FROM SPRING STORE.

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Christian Dior Fall Couture 21

Vive la couture: How Paris made an haute couture comeback

In 2020, for the first time since the Second World War, the City of Haute Couture’s shows were halted. While Parisians were holed up in their arrondissement apartments, the international industry had time on their hands to question the future of the most prestigious form of fashion — would it be a tentative next step of tapered collections, or an all-out celebration of sumptuous style?

After the austerity of the war years, designers debuted new silhouettes that still shape what we wear today. The most notable of which was Christian Dior’s New Look from the couturier’s debut in 1947. With a cinched-in waist and full skirt, the exuberant style heralded a new era of (relative) excess after the French government’s fabric rationing. Fashion history seems to repeat itself, and the 2021 return to shows was closely watched as clients could finally see mesmerising made-to-measure couture up close again.

As one of the first storied Maisons to show, Christian Dior embraced materiality in front of an expertly embroidered mural conceptualised by artist Eva Jospin. “Reclaiming the values of haute couture after this period of restrictions when the Dior collections designed by Maria Grazia Chiuri were mainly presented through film,” read the show notes. “The materiality of fabric becomes form, while the subversive language of embroidery is expressed in a project that becomes a performance.”

Celebrating the crafts that are the essence of couture, the tactile tweeds were hand-loomed and the diaphanous goddess dresses were at times entirely hand-braided from strands of silk. As Monsieur Dior did in the post-war years, Grazia Chiuri drew attention to the ateliers and artisans that make her designs come to life.

Chanel Fall Couture 21.

Guided by another resilient spirit at Chanel, Virginie Viard continued her refined vision for the luxury fashion house — with a surprising lift of levity. Inspired by 1930s photographs of Gabrielle ‘Coco’ Chanel wearing 19th-century costumes for balls — a form of escapism from the concurrent Great War — Viard’s gentle romanticism gave way to a vibrant optimism.

The Creative Director began with tiered drop-waist gowns like Coco’s, recreated in the pastel shades of the Impressionist art movement. Then, a playful and painterly mood saw the introduction of Pointillist strokes, where sequin daisies on a jacket became as evocative as Seurat’s 1880s paintings of Parisians on the River Seine.

As restrictions eased and today’s Parisians flocked to the parks and riverside, Giambattista Valli’s tulle and silk confections were made for running around the reopened capital of couture. “There’s an energy that’s so beautiful, so youthful, so fresh. Everybody is out,” Valli said during a preview at the couture salon. “There is this kind of generosity of happiness and sharing, and being all together, and getting this lightness back again.”

While at first sweet, the cascading dresses spill over into after-dark fantasies, with hooded silk crêpe capes over intriguing suits. “The past is very heavy and the future is very uncertain, so it’s about being open and free,” he added. “You have this slight sense of danger — in a positive way — because you’re going out facing the unknown.”

Fendi Fall Couture 21.

At Fendi, an unexpected appointment created a new world of opportunities. Artistic Director Kim Jones’ first couture outing bridged layers of history (from another cultured city, Rome) to forge a new future for the House. After a “liberating journey”, Jones came to a cultural crossroads of goddess dresses and modern, statuesque suiting. “That is what is happening to me: connecting eras, the old with the new, the past with the present,” read the show notes.

Jones is not the only designer to turn his streetwear skills over to sublime swathes of fabric. Demna Gvasalia’s highly-anticipated couture collection was the first for Balenciaga in more than five decades. Giving equal value to turtlenecks as overblown taffeta gowns — in a restored version of Cristóbal Balenciaga’s original salon — the mixed men’s and women’s pieces honoured the greatest couturier of the 20th century with a new vision of inclusive grandeur. Here’s looking at you, Look 9.

“Couture represents freedom of creativity and freedom in fashion. And that’s maybe the reason why I wanted to do it so badly,” Gvasalia told WWD before the show. “I believe strongly that couture actually may save fashion, in its modern way.”

From left to right: Iris-Van-Herpen Fall Couture 21, Giambattista Valli Fall Couture 21, Balenciaga Fall Couture 21.

Dutch designer Iris van Herpen also challenged what couture could be, by collaborating with leaders outside of the tight-knit industry. Her lace-like dresses were made with layers of hand-cut multi-dimensional materials by sculptor Rogan Brown. To launch the collection, French champion skydiver Domitille Kiger was photographed leaping out of a plane in a custom creation. From such lofty heights, the earth below appeared to be more united, at least to gaze upon.

In hindsight, the most lauded fashion week on the calendar could only have returned with a new sense of legacy and levity. Under the allure of unpredictability, the time-honoured inspirations and crafts of the métier have become a beacon of creativity, and hope. Vive la couture.

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Blending traditional Chinese medicine with modern self-care, here’s how gua sha can supercharge your facial

We’re willing to try almost anything in our quest for beauty but could the answer to a glowing, toned visage be as simple as a stone held in the palm of the hand? The gua sha (pronounced gwah- shah) was used as far back as the Yuan Dynasty in China as a vigorous health treatment, and has recently resurfaced as a calming facial tool to smooth over our skincare, and our skin concerns.

‘Gua sha’ loosely translates to ‘scrape away the pain’, and this was done to the body in the 1200s with any hardy tool on hand, including animal bone and horns, or spoons and coins. Whatever was used could help stimulate blood circulation and promote healing, moving on toxins and balancing the flow of qi, our life-force energy.

While traditional gua sha can cause intense redness (not to mention mottled bruising) on the body, today’s facials use much lighter strokes to cause a subtle flush of erythema as blood flow increases. Dubbed the natural facelift, gua sha treatments can sculpt angles, lessen lines and support lymphatic drainage — depending on your chosen technique.

In traditional Chinese medicine, imbalances in the body are connected to emotional issues. One of the reasons gua sha has been picked up again is its 21st century sense of self-care — letting your skincare, and self-worth, sink in that much deeper.

Focussing on strengthening the skin while soothing the mind, professional treatments such as Spring Spa’s Resurfacing Facial strike the balance. “Our master trainers have blended traditional, centuries old techniques with modern lymphatic drainage techniques to deliver an effective, relaxing flow sequence,” says Spring’s Director of Training and Spa Operations, Suyin Ginn, “You can expect a noticeably clearer, smoother and healthier skin complexion as the gua sha enhances your skin regeneration process.”

Across town at Commercial Bay, Skintopia’s tailored ProSkin treatments utilise ancient gua sha with modern concerns front of mind. “We use a combination of techniques but are more influenced by the needs of our clients today,” says Head of Training at Skintopia Caroline Parker. “We use the gua sha to heighten the effects of existing treatments and products — plus as a sculpting and smoothing tool to relieve muscle and facial tension.”

Both offer take-home gua sha stones to ensure you can extend the effectiveness of your spa treatment with your own serums and masques. While there are several different shapes and styles on the market, including body combs and under- eye spoons, Ginn looks for a versatile form. “A palm size gua sha, with smooth, seamless edges, crafted from a natural crystal works best,” she says.

Many gua sha have different angles and curves, so you can get a feel for what works with your unique contours. How you move your stone is the most important element. “It’s always best to work in an outward direction from the centre of the face,” advises Parker. “This is the way that lymph flows, which is the body’s detoxifying system.”

The secret is to be mindful of your needs, whichever stone you choose to hold close.
“Your ritual can be brief, a few moments to a full indulgent session with each one of your facial products,” says Ginn. “The key is to use your gua sha consistently, and with intent.”

How to gua sha at home:
• Experiment with the different curves of your gua sha and go with what feels best for you.
• Always use the gua sha stone with a nourishing face oil, hydrating mask or rich cream to ensure there is no drag.
• Glide along the skin in long connected strokes, with the stone held at a 45-degree angle.
• Repeat each movement 5-10 times.
• A lighter pressure works to improve lymphatic flow and skin regeneration.
• Ease into a firmer pressure to engage and relax facial muscles as well as expression lines.
• If you have any sensitivity or inflammation, lighten pressure or stop altogether.

Professional tips:
• To reduce puffiness in the mornings, especially under your eyes, chill the gua sha in the fridge or a bowl of ice water.
• Move from the centre of your cheeks outwards to the hairline. A slight wiggle at the end can help lymphatic drainage.
• Going over brows and out to your temples helps with tension headaches.
• Upwards between brows helps to balance and restore qi (or chi).
• To release the tension of tech neck, work your way up with the flat side of the stone.
• Heat the gua sha in warm water for a relaxing ritual in the evening. Stroke up the back of the neck, from the top of your spine to the base of the head to release tension.
• Women, in particular, hold pressure in our trapezius muscles — run the gua sha along this towards the neck to soothe.

Between use:
• Wash with soap and warm water between use.
• Store the stone dry in the fridge, or wrapped and protected in a light fabric or pouch.
• Start carefully with a couple of days a week, and work your way up to daily routines, if that works for you.

Clockwise: Rose Quartz gua sha from Spring Spa, Rising Sun Jade gua sha from Superette, Amethyst gua sha from Mount Lai, Clear Quartz gua sha from White Lotus Beauty, Stone Black Obsidian gua sha from Skintopia Commercial Bay

Choose your Crystal:
Rose Quartz
Compassionate softening of fine lines and tapping into the heart chakra to lift negativity.

Jade
Assured sculpting, reducing puffiness and encouraging lymphatic function for balance.

Amethyst
Warding off stress and acne-causing bacteria, while cooling the skin and releasing muscular tension.

Clear Quartz
A master healer, attracting positive energy and soothing all skin types.

Black Obsidian
Deep drawing out of negative energy and stress, benefiting muscle tissue over time.

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To have and to hold: The cult classic handbags you can own now

A handbag is so much more than an aspirational accessory — it’s there for us during many of life’s big and small moments, whether it’s been buffed and readied the first day at a new job, or stuffed to the brim as we head away on holiday. Some of the most coveted handbags have already been carried on the shoulders of history’s most stylish women, with a story behind every silk lining. Following on from a long history of iconic hold-alls, we share 20 cult classic handbags you can shop now, and hold close forever.

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Dior Lady Dior

Dior Lady Dior

Dior Lady Dior

Dior Lady Dior

Twenty-six years ago, the First Lady of France gifted Diana, Princess of Wales, the boxy, cross-stitched handbag that has since been named in her honour, Lady Dior. It became a favourite of Diana’s, and she wore it on several occasions, including to the Met Gala in 1996, paired with that midnight blue slip dress. To this day, it remains one of the Maison’s most prized purses. For 2021, it comes in all manner of sizes and looks, from Diana’s classic black to constellation embroidery.

Available from Dior

Prada Cleo

Prada Cleo

Prada Cleo

Prada Cleo

As one of the first accessories to come out of Miuccia Prada and Raf Simons’s collaborative partnership at Prada, the Cleo is an instant classic. A polished adaptation of the brand’s signature re-issued nylon mini bag — which first gained traction in the early-aughts — the House has called it a “synthesis of classicism and futurism”. Designed to hug the body when worn over the shoulder, it’s the fashion comfort we need now.

Available from Prada

Chanel 2.55

Chanel 2.55

Chanel 2.55

Chanel 2.55

While it’s synonymous with style today, Chanel’s 2.55 bag was a revelation when it made its official debut in 1955. Ever the innovator, Gabrielle ‘Coco’ Chanel was the first to offer a luxury handbag with a shoulder strap, the gold chain introducing women to a hands-free lifestyle. A hidden pocket zipped inside was introduced to hide letters from Coco’s lover. Still with its signature chain, you can now shop the style in quilted tweed, calfskin leather, or encrusted in crystal pearls — best picked up when travelling overseas.

Available from Chanel

Gucci Jackie 1961

Gucci Jackie 1961

Gucci Jackie 1961

Gucci Jackie 1961

During the 1960s ‘youthquake’ handbags had to shift shapes quickly if they wanted to remain relevant. The original ‘hobo’ bag by Gucci had a soft crescent moon shape and was beloved by Jackie Kennedy, whose name was given to the style. While still steeped in the House’s tradition, Alessandro Michele has added a contemporary edge to the Jackie 1961, with a sleek design and shined piston hardware.

Available from Gucci

Hermès Birkin

Hermès Birkin

Hermès Birkin

Hermès Birkin

No luxury handbag round-up is complete without a Hermès Birkin. Legend has it that on a Paris to London flight, Jane Birkin spilled the contents of her bag down the aisle, and the chairman of Hermès helped her pick it all back-up — promising to make her a bag that could hold all her belongings together. While getting your hands on a Birkin today is notoriously difficult, there are several fine, authenticated examples for sale on the secondary market, including on The Real Real.

Balenciaga Downtown

Balenciaga Downtown

Balenciaga Downtown

Balenciaga Downtown

In the early 2000s, It-bags became famous in their own right, and attracted long waitlists from eager fans. Balenciaga’s Motorcycle bag encapsulated tough-chic city living, with metallic hardware and practical pockets. Under its latest streetwear savvy Creative Director Demna Gvasalia, Balenciaga’s new Downtown shoulder bag follows along with the same sentiment, refined. The sculptural silhouette of the hourglass gives a novel yet sophisticated shape that you will never tire of.

Available from Balenciaga

Fendi Baguette

Fendi Baguette

Fendi Baguette

Fendi Baguette

Inspired by a French bread stick, Fendi’s long and skinny Baguette bag was under every celebrity’s arm after it was added to the Sex and the City wardrobe in the late 1990s. As that other fashion icon makes a comeback, so too is this cute style. Its latest revivals are slightly more structured and come in a myriad of materiality, including leather cross-stitching, embossed embroidery motifs and gold double F hardware. 

Available from Farfetch

Louis Vuitton Speedy

Louis Vuitton Speedy

Louis Vuitton Speedy

Louis Vuitton Speedy

Louis Vuitton’s cult brown and beige canvas monogram was created in 1876 by the House’s eponymous founder and a century later it was still the height of fashion when Audrey Hepburn requested her own, slightly smaller, Speedy so she could take it with her everywhere. Several sizes can be shopped at LV, as well as modern iterations, including the recent Speedy Bandoulière 25 created by Italian artist Piero Fornasetti, and customisable Heritage styles.

Available from Louis Vuitton

Saint Laurent Loulou

Saint Laurent Loulou

Saint Laurent Loulou

Saint Laurent Loulou

Yves Saint Laurent once said of his close friend and confident Loulou de la Falaise: “It is important to have Loulou beside when I work on a collection… Her presence at my side is a dream”. We could say the same of the LouLou handbag named after her, its soft but boxy structure comes with a front flap closure and puffer or quilted chevron finish that is a delight to take everywhere with you. Thanks to its success as a style, it’s now available in a range of sizes and materials, which are available through Auckland’s Westfield Newmarket store.

Available from Saint Laurent

Loewe Puzzle

Loewe Puzzle

Loewe Puzzle

Loewe Puzzle

Spanish heritage brand Loewe was founded in 1846 in Madrid, and its bags have been held by many prominent figures from Marlene Dietrich to Sophia Loren, and even Ernest Hemingway. The brand has been brought into the 21st century by Creative Director Jonathan Anderson. His first bag design after coming on board in 2013, the Puzzle bag has an innovative cuboid shape that is meticulously handcrafted to create a supple yet distinctively geometric silhouette — impressively updated each season.

Available from Loewe

 

Mulberry Bayswater

Mulberry Bayswater

Mulberry Bayswater

Mulberry Bayswater

Mulberry is marking its 50th anniversary by re-issuing a number of its iconic handbag styles in the Sustainable Icons collection. The highly collectable Bayswater is a timeless shoulder bag that unites Mulberry’s craft heritage and effortless style, proudly finished with the signature Postman’s Lock. Worn by many British celebrities, the Bayswater was originally developed by Design Director Nicolas Knightly and has since been updated by Creative Director Johnny Coca, who commented: “Times change, our lives change. The Bayswater remains a Mulberry icon.”

Available from Mulberry

Chloé C

Chloé C

Chloé C

Chloé C

In the 60s and 70s, Karl Lagerfeld designed bags for Chloé (where he worked before Chanel) that were rounded with exotic trimmings for the free-loving fashion set. Then, in the early 2000s, (the beginning of the it-bag), Phoebe Philo struck a chord with her slouchy Paddington bag. Under the new Creative Director Gabriela Hearst, the Chloé C brings together heritage shapes, an adaptable strap so it can be worn cross-body, and strong gold hardware to become a new cult classic. 

Available from Workshop

Bulgari Serpentini

Bulgari Serpentini

Bulgari Serpentini

Bulgari Serpentini

Italian luxury jeweller Bulgari began designing its coiled Serpentini works in the 1940s, and they were beloved by true gems, including Elizabeth Taylor. The Serpentini handbag takes from the iconic snake bracelet design, in a boxy bag that sheds its skin each season for a whole new look. We currently have our eyes on apricot or emerald leather with a snaking gold chain.

Available from Bulgari

Alexander McQueen Curve

Alexander McQueen Curve

Alexander McQueen Curve

Alexander McQueen Curve

Alexander McQueen’s longtime colleague and his eponymous brand’s Creative Director Sarah Burton has designed a whole new shape for spring/summer 2021. The curve is a structured bucket bag that offers something a little different to the soft bags that have been doing the rounds. The criss-crossed piped trims allude to the House’s harness silhouette, a favourite of the late McQueen.

Available from Net-a-porter

Bottega Veneta Cassette

Bottega Veneta Cassette

Bottega Veneta Cassette

Bottega Veneta Cassette

With the appointment of Daniel Lee as Creative Director of Bottega Veneta, the Milan-based luxury fashion house has blown up both its fashion following and its classic silhouettes. Lee’s latest Cassette bag increases the proportions of the brand’s iconic ‘intrecciato’ weave for a truly new take on its heritage that has serious legs. 

Available from Matches Fashion and T Galleria by DFS.

Furla 1927

Furla 1927

Furla 1927

Furla 1927

Named after the year the Italian luxury house was founded, Furla 1927 is a mini cross-body bag in soft Tejus-print calfskin that shows off the House’s time-honoured design. The bag features the iconic metal twist closure with a Furla logo on the front, whether you choose yours with a ladylike top-handle, or girl-on-the-go cross-body strap.

Available from Furla at Commercial Bay

Stella McCartney Logan

Stella McCartney Logan

Stella McCartney Logan

Stella McCartney Logan

Stella McCartney is on a mission to change the fashion industry from the inside out, and her leather-look Logo bag is worth a look-in thanks to its innovative material and charming design. Its well-placed folds, punctured logo and comfortable shoulder strap are made for women who find beauty inside and out, too. 

Available from Scarpa at Commercial Bay

Versace La Medusa

Versace La Medusa

Versace La Medusa

Versace La Medusa

It is said the late Gianni Versace chose the Medusa head logo for Versace after remembering seeing it in ancient ruins he and his siblings played in as children. Unable to look away from Medusa for too long, like the myth, he retrieved this image from his childhood memory and turned it into the most alluring brand of the 80s and 90s. The La Medusa bag range heroes this motif in its bold hardware, crafted in Italy, of course.

Available from Farfetch

Burberry Pocket

Burberry Pocket

Burberry Pocket

Burberry Pocket

Taking inspiration from Burberry’s archival Michelle Shopper — a soft luggage-style sold in the 80s and 90s — the Pocket tote is a reinterpretation by Creative Officer Riccardo Tisci. The vintage silhouette has a wide pocket on the front, as well as topstitching and leather tapping to evoke a contemporary feeling.

Available at Harrods online, and Burberry’s Auckland flagship when it opens in Westfield Newmarket.

Celine Luggage

Celine Luggage

Celine Luggage

Celine Luggage

Under Phoebe Philo’s practical and polished eye, Celine’s unfolding Luggage Tote was made for women who wanted to have it all in the 2010s. While the House’s Creative Directors have controversially changed, this enduring style remains — whether it’s micro or true to scale, in a muted tone or classic black. You now need a YouShop account to pick-up one of these from Celine’s online store.

Available from Celine

Coveted

Bvlgari revisits one of its boldest signatures with Gold & Steel
All tied up: The bow-detail handbag trend taking over this season
Mastering autumnal dressing: Your guide to effortless seasonal style

Add zing to your spring wardrobe with citrus, this season’s must-try colour trend

When life gives you lemons, don’t just make lemonade — dress with a new zest for life. The ultimate boost of colour psychology, spring’s citrus outfit palette has a certain, effervescent zing to it. Whether dashed or mixed-in head-to-toe, sour yellows and squeezable oranges are at once nostalgic and new. Add a layer of lime, and you have the freshest ‘fit of the season.

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Prada Corduroy Jacket

Prada Corduroy Jacket

Prada Corduroy Jacket

Prada Corduroy Jacket

Available from Prada

Christopher Esber Asymmetric Verner Tank

Christopher Esber Asymmetric Verner Tank

Christopher Esber Asymmetric Verner Tank

Christopher Esber Asymmetric Verner Tank

Available from Muse Boutique

Chloé Mini Daria Bag

Chloé Mini Daria Bag

Chloé Mini Daria Bag

Chloé Mini Daria Bag

Available from Workshop

Prada Crêpe De Chine Dress

Prada Crêpe De Chine Dress

Prada Crêpe De Chine Dress

Prada Crêpe De Chine Dress

Available from Prada

Wynn Hamlyn Buckle Blouse

Wynn Hamlyn Buckle Blouse

Wynn Hamlyn Buckle Blouse

Wynn Hamlyn Buckle Blouse

Available from Wynn Hamlyn Commercial Bay

Dior Hooded Dress

Dior Hooded Dress

Dior Hooded Dress

Dior Hooded Dress

Available from Dior

Louis Vuitton Capucines Mini Bag

Louis Vuitton Capucines Mini Bag

Louis Vuitton Capucines Mini Bag

Louis Vuitton Capucines Mini Bag

Available from Louis Vuitton

Bottega Veneta Mesh Pumps

Bottega Veneta Mesh Pumps

Bottega Veneta Mesh Pumps

Bottega Veneta Mesh Pumps

Available from Net-a-Porter

Maje Fany Knit Cardigan

Maje Fany Knit Cardigan

Maje Fany Knit Cardigan

Maje Fany Knit Cardigan

Available from Maje Commercial Bay

Bottega Veneta Ribbed Dress

Bottega Veneta Ribbed Dress

Bottega Veneta Ribbed Dress

Bottega Veneta Ribbed Dress

Available from Net-a-Porter

Sutcliffe Fragile Bounty Earrings

Sutcliffe Fragile Bounty Earrings

Sutcliffe Fragile Bounty Earrings

Sutcliffe Fragile Bounty Earrings

Available from Sutcliffe Jewellery

Fendi Baguette 1997

Fendi Baguette 1997

Fendi Baguette 1997

Fendi Baguette 1997

Available from Farfetch

Coveted

Bvlgari revisits one of its boldest signatures with Gold & Steel
All tied up: The bow-detail handbag trend taking over this season
Mastering autumnal dressing: Your guide to effortless seasonal style

See Burberry’s emblematic campaign, before it opens its flagship store in Auckland

While the sphere of our world may seem small at the moment, we must remember that there is much on the horizon, especially as the fashion world starts to land on our shores. In fact, luxury British brand Burberry is set to open its first New Zealand flagship store in its 165-year history at Auckland’s Westfield Newmarket (when it is safe to do so). 

Coinciding with this life-affirming news, Burberry has released its autumn/winter 2021 campaign. With Creative Officer Riccardo Tisci’s interest in the duality found all around at this time, it contrasts photographer Chris Rhodes’ artistic backstage imagery from the collection’s presentation, with classical and candid studio stills captured by photography duo Mert and Marcus.

“This season is very much about freedom of expression and the importance of exploring creativity. I really wanted to build on these notions and have the collection captured from two different creative perspectives,” says Tisci, who also collaborated with stylist Katy England to create a powerful fluidity across the campaign.

The approach seems fitting for the freest collection Tisci has created since coming on board at Burberry. It’s inspired by clothing historically worn in the forest and nature, to rewrite the narrative of modern femininity and masculinity for a bold new adventure. 

Femininity, the womenswear collection, tackles preconceptions with unflinching pride, including the flag intarsias appearing on silk satin and tulle skirts. Fluttering cape-sleeve dresses are a glamorous upgrade while ferocious faux furs with hoods play on the dichotomy of what is natural, and what is fashioned. 

Escapes, the menswear counterpart, challenges assumptions with adaptable outerwear that pays homage to both iconic British tailoring and the country’s craft and outdoor movements of the early 20th century. With pleats, panels and fringes, they are made to move in the wind, as well as the campaign video.

Finding a kindred spirit in the movements where creatives felt the call of the wild, the new collection and campaign is a harbinger of exciting times to come.

Coveted

Bvlgari revisits one of its boldest signatures with Gold & Steel
All tied up: The bow-detail handbag trend taking over this season
Mastering autumnal dressing: Your guide to effortless seasonal style

Stay ahead of the culture curve with books to read before they become on-screen adaptations

Film and TV producers have a long tradition of being inspired by the book sitting closest to them on their bedside table. From Margaret Atwood’s The Handmaid’s Tale to Candace Bushnell’s Sex and the City, cult novels offer a depth of character and complex created world that seems to cry out for an on-screen adaption.

While we love a mesmerising motion picture or miniseries as much as the next streamer, there’s something so much more satisfying about reading a story before seeing it play out. Here are the books to binge before they become the most talked about movies and shows.

Daisy Jones & The Six
If you’re a fan of Fleetwood Mac or Almost Famous, Daisy Jones & The Six is the cultural fix for you. The New York Times best-seller by Taylor Jenkins Reid is being adapted into a 13-episode miniseries for Amazon Prime Video by book-lover Reese Witherspoon. It stars Riley Keough as the face of a 70s rock band in the LA music scene, with their rise and fall told in documentary-style interviews with an irresistible sense of authenticity. Keough has recently shot to fame herself for her role in Zola, and she has her own kind of rock ‘n roll pedigree as the granddaughter of Elvis. She’s joined by Sienna Miller and Camila Morrone.

Anatomy of a Scandal
From the writers behind Big Little Lies and House of Cards, Anatomy of a Scandal is a six-part anthology series that focuses on a group of women caught up in a sexual assault scandal in their elite British world. Based on the 2018 best-seller by Sarah Vaughan and starring Sienna Miller, Rupert Friend and Michelle Dockery, it’s sure to be a closely watched show when it arrives on Netflix later this year.

Milk Fed
In 2020, Little Fires Everywhere writer Liz Tigelaar bought the rights to Milk Fed as soon as the book was released. As in the novel by Melissa Broder, the limited series follows a love affair between “an ambivalently Jewish woman with an eating disorder and the zaftig Orthodox woman who works at her local LA frozen yoghurt shop”. An ironic romantic comedy, it tackles the topics of sex, food and God — not necessarily in that order.

A Brief History of Seven Killings
A slick social justice production, A Brief History of Seven Killings starts with the 1976 assassination attempt on Bob Marley, and follows through to its aftermath with New York City’s 1980s crack wars and the cacophony of Jamaica in the 1990s as the CIA moved in. While we are waiting on more details, we are reassured by the announcement that author Marlon James, who won the Man Booker Prize in 2014 for the novel of the same name, will be writing the limited series for HBO, and the inimitable Melina Matsoukas (Insecure) is on board to direct.

Fleishman is in Trouble
Lauded journalist Taffy Brodesser-Akner has interviewed every celebrity from Gwyneth Paltrow to Nicki Minaj, and she recently broke into the world of the novel in 2019 with the perceptive Fleishman is in Trouble. Now her story of a divorced Manhattan doctor suffering from a mid-life crisis is getting the Hollywood treatment from FX on Hulu. While the profiler is being profiled, and the show cast is being confirmed, we recommend reading her debut novel to become intimate with its nuances and universal themes of love, loss and hope. 

Lady in the Lake
True crime meets period drama, meets vigilante heroines in this perfectly poised TV thriller. Based on Laura Lippman’s 2019 novel, Lady in the Lake is set in 1960s Baltimore, where a housewife and mother becomes an investigative journalist after a nearby murder goes unsolved. Starring Natalie Portman and Lupita Nyong’o, we can’t wait to see two leading ladies take over the small screen on Apple TV+. 

The Last Thing He Told Me
The name alone sends chills down our spine. Laura Dave’s 2021 suspense novel The Last Thing He Told Me has certainly made a strong first impression, already been picked up by Apple TV+. While the pieces are still coming together, much like in the book itself, we know Julia Roberts has signed up to play a woman whose husband unexpectedly vanishes in this twisting, thrilling limited series.

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