Chef Monique Fiso of Hiakai on the art of food, Gordon Ramsay and not being afraid to fail

Monique Fiso is putting New Zealand’s indigenous cuisine and techniques on the world map. One of the most formidable talents in our culinary industry, she has worked all over the globe and trained at top Michelin-star kitchens in New York including The Musket Room, Public Restaurant and Avoce.

After returning to our shores and organising a series of sell-out pop-ups in 2015, Fiso opened her acclaimed Wellington restaurant Hiakai in 2018, specialising in Māori fine-dining cuisine. Fiso, who is of Māori and Samoan descent, is now considered one of the country’s most important chefs, bringing a new genre of cuisine to the fore that both honours and expands on Aotearoa’s food story.

In 2019, Hiakai restaurant was named in Time magazine’s 100 most important places on Earth, and in 2020 Fiso released her highly anticipated book Hiakai: Modern Māori Cuisine, a celebratory account of the rich history and methods of Māori food, complete with recipes, ingredient indexes and foraging notes. She also starred in the 2018 Netflix show The Final Table, and appeared on Gordon Ramsay’s adventurous 2019 series Gordon Ramsay: Uncharted.

With all this taking place before Fiso’s 33rd birthday, safe to say she is a force to be reckoned with. Here she shares some insight into her journey thus far.

My dad always said “what’s the worst that could happen?” I’ve always carried that, like yeah what is the worst that could happen — somebody says no, and then what? I think that’s served me quite well.

Food is a disappearing art form. You make it, you prep it, you plate it, it looks beautiful, and then it’s gone ten minutes later. 

I know that you can fail at something, and I understand the risks, but I have been a lot more open than other people at just going “oh well, I’d rather try than not.” 

As a chef you’re going to need to know how Excel works, how to actually format documents. You’re going to need to understand costings, you’re going to need to understand a balance sheet, or just have a basic understanding of accounting in general, and ideally commercial law too. So, my biggest advice to young people wanting to get into the industry is, don’t go: “I don’t need those skills, I just need to know how to cook”, because it’s just not true. You need more than that if you’re going to survive, because this industry’s super competitive, and it’s saturated. Cooking alone is not going to be enough. 

There were definitely moments during the writing of my book where I’d woken up with all the positivity in the world, made myself a coffee, opened the laptop and thought “today’s going to be a good writing day” and then just burst into tears.

I gained so much respect for the writing process, and writers, and the discipline you need to have. People talk about discipline in cooking and ballet, but actually the discipline to sit and write is such a skill.

The best piece of advice I’ve been given is “reputation sticks.” That’s also from my dad. When I was younger, I didn’t really understand it, but as I’ve gotten older I’ve realised what he was saying was “think long and hard about what you want to be known for, and that will lead you to the right decision.” And I always think about that when we’re making decisions. It takes a lifetime to build a reputation and it takes a moment to destroy it. 

The worst advice I’ve ever received is “don’t go to cooking school.”

I’d like to be known for my contribution to the New Zealand food scene. That would be a nice legacy.

I see it a lot with people, when they make mistakes they throw in the towel. It seems silly to me — if you think you’re going to nail something on the first attempt, you’re crazy.

The biggest thing I’ve had to overcome was finding the self-confidence to actually step into my own shoes instead of going and working for somebody else. There was a time period of a couple of years where I felt ready to do my own thing, but at the same time a little bit insecure. I had a glowing resumé, and I’d done really well, but I had to overcome my inner voice trying to talk me out of doing the pop-ups and then opening the restaurant. 

My amazing partner Katie, who’s also the general manager of Hiakai, tends to keep me on track and organised. A lot of keeping healthy and staying balanced comes down to her, and because we have a million things happening in the week we have a rule to make sure there’s always stuff at home for breakfast. It might be the one meal we get to sit down for.

There isn’t really anywhere you can look to for a blueprint for Hiakai. And that’s really cool — it’s awesome to be creating a new genre of cuisine and playing around with ingredients for the first time, but at the same time it’s kind of scary because you don’t have the playbook. You can’t look at models like French Laundry and say “well, we’re going to do it like how Thomas Keller has done it” because it’s not going to be the same. 

One of the most surreal moments of my professional life was meeting Gordon Ramsay for the first time. On the episode of Gordon Ramsay: Uncharted, when he jumps out of the helicopter, and we’re on the beach, that was literally the first time I’d met him. 

My 30th birthday was actually spent filming the first episode of The Final Table, so that was a pretty strange day. I turned 33 last week — it’s hard to believe it’s been three years. But my 30th was spent there, and I was like “Wow, this is an interesting way to walk into this decade.”

Anyone who knows me would say fried chicken is my ultimate comfort food meal. With some serious heat, I like a bit of spicy fried chicken.

I like to keep my professional goals close to my chest, but on a personal level I’ve spent most of my adult life working extremely long hours, and I think as I’m getting older there are definitely personal goals. It would be nice to start a family soon, and have a bit more balance, but at the same time I really really love what I do, and there are still things that are unfinished business for me. I wouldn’t feel like I was done in this industry until I ticked off some of those private goals I’ve got for myself professionally.

I’ve got a massive sweet tooth. It’ll probably be the end of me eventually, because I can be super full, and then be like “Ooh, brownies, donuts.”

Sometimes you’ve just gotta put away the lemon meringue pie and eat the salad.

I was really lucky that I grew up in a family where my parents owned their own business. From a young age I was around them and their conversations, and I’d ask them a lot of questions. Dad taught me how to use Quickbooks and was explaining to me things like chartered accounts, payable receivables, and how tax works from a really young age. So, I almost feel like that side of the Hiakai business is easy. 

A younger version of me probably would have said success is a fancy car and fancy house, but I’ve realised, for me, success is actually waking up and being really happy with my work. Just being happy with what I’m doing with my day — which sounds simple, but I’ve realised I am quite lucky that I get to wake up and be creative and do what I want to do.

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My favourite things: Sculptor Vicky Savage shares her most adored objects

Auckland-based artist Vicky Savage is renowned for her captivating sculptures, generally rendered in bronze, that employ a harmonious fusion of symbolism, scale and design. Here, she shares the stories behind a few of the objects, art pieces and gifts that she holds dear.

“On the wall is a Lisa Reihana artwork. We bought this piece after going to see her when she showed at the Venice Biennale, where we fell in love with her work. The silver candelabra is a family heirloom that came over from England when my grandparents passed away. I can remember seeing these on our first trip to England when I was five at my grandmother’s home.

The Eames blackbird reminds me of our friendly black bird, Blackie who sits in the trees outside our windows and sings at the top of his voice everyday. I love him because he makes me stop and listen for a moment during a busy day. In the foreground are photos of my wonderful, brave parents in their uniforms; Mum was a decoder for the Wrens and Dad was a Captain in the British Army. The old cow spinal bone at the back always sits on the mantelpiece. I picked it up years ago on a beach at my favourite place on Earth, Great Mercury Island.

In the foreground is a whalebone that was given to my husband Tim’s great grandfather as a gift from the local Māori in the Wairarapa. In the back is an Ann Robinson bowl, I just love the way the light reflects through this piece. Next to this is one of the first sculptural works I ever created, Propellor Man (2007), it’s all about time and keeping in the moment. So he’s just about to fly off with his propeller, but he’s stopped and paused to contemplate the moment. I like my work to represent the space between the past and the future. That moment of just being still. I actually gave this piece to my son, William. I’m assuming one day he’ll come and collect it.

Vicky Savage work ‘A Moment of Reflection’, bronze with marble base, 260 × 160 mm

I always have a bowl full of lemons on my bench top. I love the colour, and they are a delicious reminder of our Waiheke property. This gold ball sculpture is one of a new collection of pieces which I have been working on to represent what the world is experiencing at the present time. The figure is gazing into the ball, trying to see the future, but when the viewer gets closer they can also see their own reflection. The remotes carved from basalt are the work of Joe Sheehan. These stone sculptures are halfway between an adze and a TV remote, which I think is so clever.

The pile of books are some of my favourites, they include one by Fiona Pardington, I was lucky enough to have Fiona as one of my lecturers at Elam, she was so very inspirational for me. I have also been learning about marble, basalt and other stone which I use for the bases of my sculptures. Two books are my current favourites, Stoned and NZ Granite and Marble. I am enthralled with Against All Odds, by Jillian Rothwell and Ten Thoughts About Time, is a book I have been referring to for over 10 years.”

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The nursery wall features Resene Cashmere

Trying to choose a colour scheme for your nursery? Colour psychology could help you decide

When it comes to choosing a Resene colour for your baby’s room, cast aside the old school gender-driven binary of blue or pink. The tones that your infant is surrounded by will have a far greater impact on their moods, their development and their sleep cycles than you might have first considered.

It’s really just a matter of psychology. Creating a space that is serene, warm and calm will leave any wee one feeling secure and content, so look to colours like pale yellow, pastel, rosy tones of pink and purple, or dusty, cooler shades of blue or sage green.

According to colour theory, yellow is a neutral colour that encourages feelings of warmth and happiness, but only if it’s not too bright. Similarly, soft shades of pink and purple take the benefits of red (encouraging compassion) without its propensity to overstimulate, while gentle hues of blue will cultivate a space that is stimulation-free, that invokes a sense of calm and encourages body-temperature to cool — essential for a good night’s sleep.

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Find luxurious seclusion at Pipinui Point, the ultimate romantic getaway

Situated 250 metres above Cook Strait, 25 minutes from Wellington, sits an uber-private luxury retreat nestled in 1600 acres of native bush and boasting unparalleled views. Pipinui Point offers a slice of coastal paradise; designed as a quintessential Kiwi bach (of sorts), the accommodation consists of two, beautifully appointed rooms (only able to cater to four guests at any one time).

As such, the experience of staying here is hyper-personalised and truly secluded, with guests given a personal host for their stay who can help them make the most of the myriad activities on offer.

It’s a retreat that balances moments of indulgent luxury with a range of activities bound to get the blood pumping. And after guests have finished their coastal safari farm tour, clay bird shooting, or extreme golf, they can soak in Pipinui Point’s al fresco bath, on its generous deck, and take in the remains of the day.

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Embrace the spirit of more-is-more with 80s inspired jewellery to treasure

High-octane hedonism defined the aesthetic of the 80s, including in jewellery, where too much was never enough, and (thanks largely to Madonna) the pearl reigned supreme. Embrace the spirit of more-is-more, with these special pieces to treasure.

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This world-class charter boat is here to take day-tripping to a luxurious new level

A team of experts in naval architecture, design, build, upholstery, marine electronics and engineering came together to inform the design of Machina, a top-of-the-line, luxury RIB boat, built in New Zealand by JP Ribs, and now operating charters out of Auckland.

From its twin 300 horsepower engines to its beautiful hand-stitched upholstery — the same as the one used by Porsche — Machina broke all the rules to become a world class vessel, and has positioned itself as the ultimate day-trip on the water.

With a top speed of 44 knots (around 81km), Machina can zip from Auckland to Waiheke Island in 20 minutes where passengers can enjoy a long lunch at a winery. Or, a custom itinerary can be created, whether it’s an adventure around the Hauraki Gulf or island hopping while Machina’s catering partners On Board Kitchen serve up freshly-shucked oysters and Dom Pérignon Champagne, alongside substantial organic platters and drink pairings.

Crucially, Machina is offering special packages for the upcoming Prada Cup (part of the America’s Cup), which will allow passengers to get up close and personal with all the sailing action. (Early bookings are essential.)

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Bureaux co-founder Jess Walker on her architecture journey, core design tenets and doing it all

Detail-oriented, meticulous and passionate about design in all its forms, Jessica Walker is a renowned architect and so much more. Bureaux, the firm she started in 2010 with business partner Maggie Carroll, stands apart from the rest of the industry for the way it tackles its projects from all angles, encompassing the interior design and all the finishing touches to make the architecture of a home or a commercial space come alive.

Walker’s hard work has seen her carve out a niche for her business, which has seen Bureaux responsible for designing some of the most impressive homes in the country.

Here, she discusses sustainable design, guilty pleasures and why there really are no shortcuts in her line of work. 

I grew up in a house where we were always making. Both my parents are makers, my dad did industrial design and my mum is a fashion designer. My playroom was dad’s workshop, playing in-between the bench saws and drills and my mum’s industrial sewing machines. 

My parents spent years cycling around Europe after they graduated university. They went there with nothing and embarked on a huge adventure, living in tents, getting odd jobs along the way. But a couple of years into it, they fell pregnant with me, and so I was born right in the middle of the trip. They had me in Switzerland which is where they happened to be at the time and then they just kept going, I think for another nine months. Still cycling, still staying in tents, and they would strap me onto their fronts. It’s pretty wild. So I feel like that spirit of adventure and imagination is just in my DNA.

I’ll never forget the night I met two architects at a party. After high school I was actually planning on studying medicine. But during that summer, I chatted with two architects from New York who told me how much they loved their jobs. It was so aspirational, these grown up people talking about their work like that. And it was like a switch for me. Overnight, I realised that actually, architecture might be a better fit. It really was like a light bulb moment. I feel so lucky to have found my ‘thing’ so early. Not everyone does.

There are no shortcuts in this line of work. I studied for eight years, undertaking a Masters after my architecture degree and when I came out of school, the GFC meant that there really were no jobs for architectural graduates. It was demoralising. So I did my own thing for a few years and then Maggie [Carroll] and I started Bureaux, still in the midst of an economic slump. We took on all sorts of crazy jobs, anything we could get our hands on. It was challenging but it was fun, and it pushed us to our creative limits. Those days really set us on our course of wanting to do more than just architecture. We also loved interiors and events and those things that can work perfectly alongside architecture, so that’s what we’ve done.

People often assume that, because we’re women, we’re interior designers, which we’re not. We’re registered architects. So, one of the biggest challenges for us has been defining who we are and being able to hold on to our passion for interiors while having the confidence to say, ‘yes we’re architects but we do it all’. 

Very few practices in New Zealand combine architecture with interiors in the same way we do. A lot of our friends, some of New Zealand’s most successful architects, don’t want to do interiors because they see them as a distraction from their core business. Whereas we see them as something that adds to the work we do. In most of our projects, our criteria for taking on a project, is us being able to do everything from A-Z. So we do the architecture, we do the interiors and the soft furnishings and often even take over the finishing touches, like crockery and bed linen.

Having been in business for 10 years now, the biggest change we’ve seen is a consciousness about the environment. It has become a major global issue, and is widely accepted as something that we, as architects need to take some responsibility for. We’ve struggled with it because our clients are not necessarily that interested, but we really need to be championing good practices in that area. 

Sustainable design is not about composting toilets or solar panels on the roof, it’s about good design that lasts. There are so many more complexities to that idea than just the obvious ones. 

What makes New Zealand unique in terms of architecture is the lack of people here and conversely, the underdevelopment. You get these phenomenal opportunities to start from scratch in areas like Britomart, an amazing precinct that I remember not being there. There are so many opportunities for meaningful urban development that, in more densely-populated cities, just couldn’t happen. 

I am a total architecture geek so it’s hard to pick my favourite buildings. But outside of New Zealand, I love Peter Zumthor’s work in Switzerland. His buildings are total perfection. Thermal Vals specifically is an earth-shattering experience. My other favourites are in the States. When I used to visit my brother in LA, I would go to places like The Schindler Kings Road House and the Sheats-Goldstein Residence, and then last year, Maggie and I went to Fallingwater just outside Pittsburgh. I get the most excited by those early, mid century modern houses, and I definitely pull inspiration from them for my own designs. 

Warmth, tactility and layering are my three core tenets when designing. I love a layered, multi-dimensional interior. With our buildings we are always really focused on the materiality. How things feel to touch and smell, and of course warmth, so that spaces don’t feel cold and empty. My husband would call me a maximalist, he always goes on about the ‘tings’ I have everywhere. So it really is a reflection of what I love too. 

Replica furniture is an absolute no for us. Or replica anything, really. And although it can be really hard to be original and new in design, at Bureaux, we tend to go for timeless rather than on trend and try to always find something new, even when we’re looking elsewhere for inspiration. 

Maggie [Carroll] really is my great life partner. I was incredibly lucky to find her because there’s just a magic that happens between us when we sit down to design together or discuss ideas with a client. I trust her completely and she is one person who, in all aspects of my life, I know will be honest with me and I think that’s really important. 

We’ve had some incredible people offer up advice and guide us as our business has grown, like Pip Cheshire and Marsh Cook and Lindley Naismith and Jane Aimer who have been so generous with their time and have been really candid about their own businesses. They broke the ground for us to do what we’re doing now. And even the generations below them, like Tim Hay and Jeff Fearon — Maggie worked with them for a time before we set up Bureaux and they’ve been really supportive. The architecture and design community here, particularly the bubble I’m in, is unique in that it’s incredibly collegial and for that, I’m grateful. 

Mike Thorburn is someone I really admire in business, I just love what he has created at ECC. He has cultivated this wonderful culture of generosity and warmth, and over the last few years I’ve watched Andy and Richard [his sons] really come into their own. Now, I can just call them if I need something and they’ve been given agency to just own that business and take it beyond what Mike did. It’s a testament to Mike’s business that he is able to relinquish some of that control because it’s not easy. 

I want to feel equally nourished and fulfilled by both my business and my family. Happiness is something that is really important to me and so I’m conscious about how I achieve a work-family balance that is going to make me happy. You can bump up ambition or wealth or looking good or all sorts of things on your list of priorities. But for me it’s happiness in work and at home. It is a challenge sometimes but it’s something that I’m constantly working on.

90s RnB, in the bath with a book and maybe a little tequila is my favourite way to relax if I’m feeling quite frazzled. 

I want my legacy to be about the clients and their children and their friends whose lives have been enriched by the homes we’ve created. Those stories are the ones that matter to me. We get clients calling up all the time saying how much they’re enjoying the spaces we’ve made for them and it means so much. That’s why we do what we do. 

My children think I’ve done a pretty good job designing our new kitchen at home, which is nice. “It’s a pretty good job, Mum,” they say. But in all seriousness, it’s great that my kids think it’s cool that I work and I hope that they will take something from what I do. 

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8 deliciously compulsive beach reads to sink your teeth into this summer

With the calibre of new books being released, there’s no better time to lose yourself in the pages of a great tome. These are our top picks of the deliciously compulsive page-turners that will have you absorbed for the duration of any beach trip or pool-lounging session.

Just Like You by Nick Hornby
A tale about how love works in mysterious ways, Nick Hornby’s new novel takes a hilarious look at the very human act of falling head-over-heels in love with the person you would least expect.

Memorial by Bryan Washington
One of the most widely-talked about novels of the season, this story is one of family in all its forms. Proving himself an intimate storyteller, Bryan Washington pens real, vulnerable characters and a feel-good narrative that will leave you questioning the nature of love.

Big Summer by Jennifer Weiner
A society wedding, ex-best-friends and the kinds of cleverly and compassionately-rendered relationships that you might expect from the award-winning author of Mrs. Everything, this novel is a fun, witty and moving read.

The Regrets by Amy Bonnaffons
In this acclaimed debut, a love story of paranormal proportions between Rachel (a living woman) and Thomas, the man she keeps seeing at her bus stop, takes an unexpected turn when it is revealed that he is, in fact, dead. Playful, earnest and imaginative, this is not the romantic story of old.

The Return by Nicholas Sparks
From the author behind such classics as The Notebook and Nights in Rodanthe, Nicholas Sparks is back just in time for the season of summer love. The story follows an American navy doctor who was injured in Afghanistan, and who, after returning home, finds himself embroiled in the secret lives of two women that will ultimately change his life.

Finding Freedom: Harry and Meghan by Omid Scobie & Carolyn Durand
However you feel about the young royals, it is almost impossible to escape their controversies. So, if you need a laugh this summer, why not embrace their ‘story’ in all its ghost-written, gossipy goodness. This sensationalist biography is perfect for the beach (if for no other reason than to help you drift into an afternoon nap).

The Arrest by Jonathan Lethem
From the award-winning author of Motherless Brooklyn comes a novel with an intriguing premise: it takes place after a global event, ‘The Arrest,’ has caused all electronics and appliances to stop working. In this world, we meet Sandy, a once-successful screenwriter whose quiet existence is upended by a man from his past riding in on a nuclear-powered supercar.

The Nightworkers by Brian Selfon
This perfectly-plotted, surprisingly funny thriller follows Shecky Keenan, head of a small-time family crime syndicate in Brooklyn, who strives to live a relatively quiet life before a large sum of money goes missing.

Culture

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Watch: The Lodge Bar’s Matt Lambert shows us how to grill kingfish collar to perfection

Internationally venerated, New Zealand-born chef Matt Lambert has recently returned to our shores to helm Rodd & Gunn’s The Lodge Bar & Dining in Auckland and Queenstown’s The Lodge Bar. Having overseen operations from New York since 2017, Lambert is now able to do so directly, and is excited to evolve the offering even further now he’s back on home soil.

To celebrate his homecoming just in time for summer, Lambert shares three easy recipes to cook on the grill — beachside or at home. Deep, smoky grilled flavours are a huge part of The Lodge Bar’s offering, and Lambert is as expert as they come at utilising the delicious caramelisation of cooking over charcoal.

Kingfish collar is one of the most delicious yet underrated cuts of fish, says Lambert, due to its position on the fish as one that does the least amount of work. It also has the highest amount of fat content, meaning it’s incredibly tender and juicy when cooked.

Another tip from Lambert is to not marinade it before grilling, but add the marinade towards the end of the cooking process to prevent it from burning.

Ingredients:
Kingfish collar
Miso paste — supermarket-bought is fine
Olive oil

Method:
1. Drizzle the kingfish collar with olive oil, then place it on the grill. Move it around a good amount, so that you don’t just overcook one area and have it stick to the grill.
2. When the fish is almost entirely cooked, spread an even layer of miso paste on both sides and just cook until it’s caramelised.
3. When the fish is fully cooked (not medium or medium rare) take it off the grill and serve.

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ZOE WEARS Matteau swimsuit from Muse Boutique and Moncler puffer jacket from DFS.

Slip into this season’s most holiday-ready luxury fashion with our dreamy Summer Issue shoot

Let the year that was wash away under the swell of glorious salty waves, and slip into this season’s most holiday-ready luxury fashion. From effortless two-pieces to light outer layers, these are the pieces to ease you into a summer state of mind.

Zoe wears Matteau swimsuit from Muse Boutique and Moncler puffer jacket from DFS.
Zoe wears Prada top, shorts, socks and shoes. Tane wears Prada jacket, shorts and pants.
Zoe wears Matteau swimsuit from Muse Boutique.
Tane wears Zegna vest
Tane wears Louis Vuitton jacket, shirt and jeans. Zoe wears Louis Vuitton dress.
Zoe wears Christian Dior shirt, jacket and skirt. Tane wears Dior Men pullover, shirt and shorts. 
Zoe wears Chanel top and skirt.
Zoe wears Moncler puffer jacket from DFS.
Tane wears Wynn Hamlyn knit.
Zoe wears Gucci top and pants.
Zoe wears Chanel sunglasses and Bec & Bridge top from Superette.
Zoe wears Matteau swimsuit from Muse Boutique and Tiffany & Co. bracelet.

PHOTOGRAPHY Simon Upton
STYLING Jana Pokorny
HAIR & MAKE-UP Katie Angus
TALENT Zoe Barnard @ IMG and Tane Bowden @ Kult Australia.

Image credit: Styling — Jana Pokorny

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