The sporting Veuve Clicquot x K-WAY Ice Jacket is an exercise in boundless creativity

In spring, sunshine is often met with refreshing rain, so it seems fitting that Veuve Clicquot (the Champagne House known for its sunburst-yellow bottle) and K-WAY (the fashion label known for colourful outerwear) have teamed up for the season’s most unexpected accessory — a waterproof, and chic, Champagne jacket, which can also be worn as a bag. 

Revealed recently at Milan Fashion Week, the very limited-edition Ice Jacket dresses a bottle of Veuve Clicquot Yellow Label in K-WAY design codes, including a hood and zipper, tailor-made to miniature scale. Its house colours of yellow, orange and blue are the perfect match for Clicquot Yellow, both with a sense of bold optimism.

The provenance of the jacket design stretches back further, with the coveted collaboration being a reimagination of the original Clicquot Ice Jacket — first invented 15 years ago as a stylish, high-tech isothermal solution for sippers who expect to enjoy their Champagne whenever and wherever.

While the Veuve Clicquot x K-WAY Ice Jacket is an aesthetic accomplishment, it is also a functional feat — keeping a bottle chilled for up to 90 minutes for oenophiles on-the-go. Made with a special triple-layer design that combines neoprene with nylon, it’s a durable design to be used time and again. For a fashionable second life, the Ice Jacket transforms into an actual-size waist bag (which can be strung over your shoulder or strapped around your waist) with one simple fold.

While it may seem like a surprising collaboration to some, for these two French lifestyle icons, it’s all part of the fun. Join in on the party by picking up your own bottle as it lands in New Zealand today. The Veuve Clicquot x K-WAY Ice Jacket is exclusive to Smith & Caughey’s online store. Each is sold with a bottle of Veuve Clicquot Yellow Label, of course.

Enjoy responsibly.

Gastronomy

From delicious new menus to unmissable events, our June Dining Guide has everything worth enjoying
Jervois Steak House’s famous wagyu Sunday roast is back — and we have all of the details
Discover a unique new bakery, unlike anything else in town

The elemental beauty of this clifftop home is a masterclass in unassuming forms and breathtaking vistas

When the starting point for a new build is a site rich with raw, elemental beauty, the temptation to create a glass-walled monument for taking in each angle of the spectacular view must be strong. In designing this Dunedin home, looking out over Purakanui Inlet and Blueskin Bay, Francis Whitaker of Mason and Wales Architects has managed to both make the most of its surroundings while ensuring the resident family is cocooned in comfort and livability. 

The project is special in more ways than one; the owner has long had a family connection to the 17.5-hectare property, punctuated by tall gum trees around 20 minutes outside of Dunedin. Whitaker, too, was delighted to take the reins on the design, its site overlooking the bay where the Mason and Wales Director has lived for many years. 

Rather than try to change the surroundings to fit a building brief, the architects allowed the site and views to be responsible for dictating the floorplan. The execution sings in its simplicity, resulting in a restrained external impression that does well to minimise its impact on the nearby environment. Inside, the clients’ main request was for separation between their master suite and the bedrooms of their young children, but otherwise, they were happy to let the design team interpret freely. 

Flexibility within the interior allows for the residents to adjust its form at will, opening and closing spaces in response to weather shifts and their personal needs. It is divided into three main areas — the master suite, central living area and children’s rooms — and treats anyone moving around it to carefully orchestrated snapshots of the surrounding vistas through purposeful placement of Altherm Window Systems Metro Series windows and APL Architectural Series sliding doors. 

These doors can be thrown open to any one of the three decks — ingeniously set into the recessed space at different sides of the house, allowing sheltered outdoor lounging to take place no matter the position of the sun or the direction of the wind. (This was a key consideration, given how exposed the site is.) In the kitchen, the sliding doors are especially impressive, opening right up to allow for an almost al fresco dining feel.

While the house is a new build, it is anything but sterile thanks to well-chosen natural materials, namely an abundance of wood. Outside, black-stained cedar contrasts nicely with beautiful recycled heart rimu on the interior floors, and natural cedar on walls, ceilings and even wrapping the kitchen island and shelving. This is punctuated throughout by black accents that mirror the exterior — all the aluminium window and door frames are powdercoated in ‘Matt Black’, matching a floating kitchen benchtop in black-oxide concrete, and black seating and lighting.

Easily one of the most sensational spaces is the living room, with its sunken floor and hanging Gyrofocus fireplace. Here, sweeping floor-to-ceiling APL Architectural Series picture windows on two sides blur the boundary between landscape and lounge, again with Matt Black framing that echoes the fireplace and the fireproof, burnished black oxide concrete.

This house is a testament to the fact that enchanting, enduring design needn’t shout to make itself heard. That sensitively allowing the site’s inherent qualities to guide the project, as its residents and design team have done, results in a wholly unique, functional and comfortable home that — as the family continues to grow — will no doubt continue offering new ways to captivate.

Whether you’re building or renovating, selecting the perfect windows and doors for your home can be daunting. Luckily, Altherm Window Systems has a variety of design tools to make this easier. The Altherm Design Box is jam-packed full of bespoke product brochures, up to three aluminium colour samples and a step-by-step guide for a seamless decision-making process — from the comfort of your own home, and in your own time, before discussing in person at your local Altherm manufacturer.

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My Life in Illustration: Drag Queen Anita Wigl’it steps off the stage and puts pen to paper

With her quick wit and innate sparkle, it’s no wonder Anita Wigl’it was voted Miss Congeniality by her fellow castmates during season one of RuPaul’s Drag Race – Down Under. The fabulous drag performer is also the co-owner and resident queen of Auckland’s Caluzzi Cabaret, and co-host of Warner Brothers TV show House of Drag. Here, Anita steps off the stage to share some artistic musings.

What do you look like?

As a child, what did you want to be when you grew up?

What makes you smile?

What makes you sad?

What’s your secret talent?

What’s your favourite song to perform?

Who is your favourite cultural icon?

What are you excited about?

What is something you’ve never done but would like to?

What is your secret vice?

What’s your ultimate comfort food meal?

Who would you love to perform with?

Culture

Denizen’s June Culture Guide: Everything to see, do and book tickets to this month
The nine shows to add to your what to watch list now
Cabaret Season is just around the corner, and these are the shows you don’t want to miss

Emergency baking? This oozy banana, espresso and chocolate loaf is mindfulness in a tin

A lockdown baking favourite, banana bread is back on our radar with a delicious twist thanks to Amelia Ferrier from Melie’s Kitchen. Covered in both a chocolate and espresso glaze, this decadent loaf is just the ticket for an afternoon pick-me-up. 

Banana Chocolate Chunk Loaf with Oozy Espresso and Dark Chocolate Glaze Recipe

Ingredients: 
Banana loaf 
3 very ripe bananas
¾ cup caster sugar
¾ cup canola oil
3 eggs
1 ¾ cups self-raising flour
1 tsp vanilla extract
¾ tsp baking soda (sieved to remove any lumps)
¼ tsp table salt 
150g milk or dark chocolate, roughly chopped into chunks

Chocolate glaze
40g dark chocolate, roughly chopped
½ tsp canola oil 

Espresso glaze
1 ½ cups icing sugar 
2-3 Tbsp strong black coffee 
½ tsp vanilla extract 

To serve
Handful of chopped, roasted nuts (optional) 
Edible flowers (optional) 

Method: 

1. Preheat your oven to 180°C. Grease and line a regular-sized loaf tin with baking paper. 

2. Peel bananas and add to a large bowl. Mash well with a potato masher or fork, until no chunks remain. Add caster sugar, oil and eggs and whisk well, until combined. Add self-raising flour, vanilla, baking soda and salt measure and whisk again, until just combined. Fold through chocolate chunks.

3. Spoon batter into the prepared loaf tin and bake on the lower-middle oven rack for 45-55 minutes, until golden and risen. A skewer inserted should come out mostly clean, with a few moist crumbs.

4. Leave to cool in the tin for about 10 minutes, before turning out onto a wire rack to cool completely.

5. Once the loaf has cooled, make the glazes. For the chocolate glaze, add dark chocolate to a small heat-proof bowl. Microwave in 30-second bursts, stirring after each burst until completely melted. Stir through oil and set aside.

6. For the espresso glaze, add icing sugar to a medium bowl followed by 2 Tbsp of the coffee, vanilla and a pinch of salt (a little pinch of salt is important as this glaze is quite sweet). Whisk well until combined, adding more coffee 1 tsp at a time, until the icing has a thick but drizzle-able consistency. Be careful as it can become quite runny quite easily if you add too much liquid.

7. To assemble, spoon coffee glaze over the top of the loaf, spreading it out to the edges and corners. Let the icing drizzle down the sides of the loaf on its own. Immediately drizzle over the chocolate glaze, then swirl the two glazes together on top with a palette knife or the back of a spoon. 

8. Sprinkle over roasted nuts and edible flowers, if desired.

Gastronomy

From delicious new menus to unmissable events, our June Dining Guide has everything worth enjoying
Jervois Steak House’s famous wagyu Sunday roast is back — and we have all of the details
Discover a unique new bakery, unlike anything else in town

Wardrobe need a lift? Try this risque trend

This spring, softly woven bralettes provide intimate wardrobe support — especially when you’ve skipped wearing lingerie with lockdowns of late. Worn with colour-coordinated outfits, they allow a peep into your style prowess. Look for natural fibres, like cashmere, and wear with confidence.

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Cashmere Tank

Cashmere Tank

Cashmere Tank

Cashmere Tank

Available from Elle+Riley

Dior Oblique Bralette

Dior Oblique Bralette

Dior Oblique Bralette

Dior Oblique Bralette

Available from Dior

A.L.C Jordana Bra

A.L.C Jordana Bra

A.L.C Jordana Bra

A.L.C Jordana Bra

Available from The New Trend

Loulou Studio Montague Crop

Loulou Studio Montague Crop

Loulou Studio Montague Crop

Loulou Studio Montague Crop

Available from Workshop

Calle Del Mar Knit Bra

Calle Del Mar Knit Bra

Calle Del Mar Knit Bra

Calle Del Mar Knit Bra

Available from Net-a-porter

JoosTricot Knitted Bralette

JoosTricot Knitted Bralette

JoosTricot Knitted Bralette

JoosTricot Knitted Bralette

Available from Matches

03 Marlo Bralette

03 Marlo Bralette

03 Marlo Bralette

03 Marlo Bralette

Available from Paris Georgia

Dodo Bar Or Ribbed Knit Bralette

Dodo Bar Or Ribbed Knit Bralette

Dodo Bar Or Ribbed Knit Bralette

Dodo Bar Or Ribbed Knit Bralette

Available from Mytheresa

Jonathan Simkhai Gabby Bralette

Jonathan Simkhai Gabby Bralette

Jonathan Simkhai Gabby Bralette

Jonathan Simkhai Gabby Bralette

Available from Farfetch

The Row Roberta Bra

The Row Roberta Bra

The Row Roberta Bra

The Row Roberta Bra

Available from Mytheresa

Jacquemus Valensole Bralette

Jacquemus Valensole Bralette

Jacquemus Valensole Bralette

Jacquemus Valensole Bralette

Available from Net-a-porter

Khaite Cashmere Eda Bralette

Khaite Cashmere Eda Bralette

Khaite Cashmere Eda Bralette

Khaite Cashmere Eda Bralette

Available from Harrods

Coveted

Celebrating the impact of authenticity, Denizen’s Winter Issue is out now
The Future of Time — these are the year’s most covetable timepieces
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The story behind Frank Gehry’s famed cardboard Wiggle chair

The genius of Frank Gehry is immediately apparent to anyone who has visited the Guggenheim Museum in Bilbao, Spain or the Louis Vuitton Foundation in Paris, but it’s just as easy to appreciate by taking a seat.

Frank Gehry

Before the blockbuster buildings, Gehry’s fascination with unusual materials hit an early high point with the Wiggle Side Chair.  Take a look back at something worth looking down on, in the nicest possible way.

1929: Frank Gehry is born in Toronto and, after working as a radio announcer and truck driver, studies architecture at the University of California and Harvard in the fifties.

1969-1972: Having established his own firm in Los Angeles in 1961, Gehry saw a pile of corrugated cardboard outside his office and started to experiment. Inspired by a childhood spent exploring his grandfather’s hardware shop, Gehry set about creating the Easy Edges furniture series, highlighting the strength and versatility of cardboard.

“I discovered that by alternating the direction of layers of corrugations, the finished board had enough strength to support a small car, and a uniform, velvety texture on all four sides,” he told The Christian Science Monitor in 1972. “I found I could cut these edgeboard sections into geometrical forms, or bend them into sculptural, ribbon-candy folds.”

The shape is reminiscent of Verner Panton’s 1960 fibreglass Panton chair. Gehry’s cardboard pieces were originally designed for artist Robert Irwin’s studio but become popular when produced for the public.

1973: With the ever-growing popularity of the Wiggle Chair, Gehry was worried that it would overshadow his reputation as an architect and stopped production of the Easy Edges collection.

1982: Gehry stopped producing the noise-reducing and environmentally sustainable cardboard furniture, ceding the rights to Vitra. It was a fortuitous relationship with Gehry going on to design the Vitra Design Museum in Weil-am-Rhein, Germany, which opened in 1989.

Ivanhoe Home by Doherty Design Studio

Today: The Wiggle Chair is in New York’s Museum of Modern Art and continues to be used by interior designers to add impact with its unique silhouette and immediate aesthetic integrity. It is available in New Zealand at Matisse.

Image credit: Header Image Photography: Fraser Chatham, Styling: Margie Cooney, Art Direction: Fran King

Design

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Inspire your latest wardrobe update with the best international street style you can shop here and now

Around the world, September is the biggest month for fashion — with New York, London, Milan and Paris fashion weeks unfolding one after the other. As the rest of the world returned to the street style schedule, there was a rambunctious range of looks that celebrated being able to dress up again. While we prepare our wardrobes for a return to outings and outfits (soon) we are inspired by the low-key yet luxurious looks that show an assured appreciation of style.

From Christopher Esber’s effortless dresses (available from Muse Boutique) to Chloé’s cult-status Woody tote (now online at Workshop) some key pieces are already on our shores. Snap these up from Auckland’s foremost, forward-thinking boutiques, and thank yourself later.

Right: Kat Collings wears Christopher Esber, brand available at Muse.
From left: Chloé Woody Tote available from Workshop; Filippa K Hutton Trouser available from Workshop.
Aissata Kourouma wears Ganni, brand available at Workshop.
From left: Nanushka Idris Twist Shirt available from Muse; Tibi Suit, brand available from Muse.
Veronica Beard Jacket, available at Muse.
From left: Nanushka skirt, brand available from Muse; Loulou Studio Espanto Cotton Shirt available from Workshop.
Lisa Aiken wears Christopher Esber, brand available from MUSE.
From left: Acne Studios bag, brand available from Workshop; Grece Ghanem wears Moncler.

Coveted

Celebrating the impact of authenticity, Denizen’s Winter Issue is out now
The Future of Time — these are the year’s most covetable timepieces
We dive into Tiffany & Co.’s exquisite Sea of Wonder
Bibendum Armchair by Eileen Gray for ClassiCon from Matisse

Elevate your living space with these attention-grabbing occasional chairs

Designed, as its name suggests, to be a seat more suited to special occasions (and not to be exposed to the eroding effects of everyday use) the occasional chair is a thing of beauty. Sculptural and serene, it sits in the centre of the living space, or in the corner of a bedroom as a perpetual reminder to pick up that book you’ve been meaning to finish and put your feet up — even if it is only once or twice a week.

From sensual curves to jutting angles and delightfully awkward structures, the occasional chair comes in a variety of shapes and finishes, suitable for any kind of space. Here, we round up the 10 we’re coveting at the moment.

Alistair occasional chair from Coco Republic

Design

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Arflex Strips Sofa by Cini Boeri for Arflex from Studio Italia.

These velvet furniture pieces will add richness and textural contrast to any room

Long beloved for its ability to add sumptuous texture to an interior arrangement, velvet furniture is still making its presence felt — literally — with tactile charm. Double down on the sensory effect with a piece like Michel Ducaroy’s Togo sofa (pictured below); already distinctive for its bunched fabric rolls, the addition of velvet takes it to another level. 

From top to bottom: Amsterdam sofa from BoConcept; Marenco sofa by Mario Marenco for Arflex from Studio Italia; Bowy sofa by Patricia Urquiola for Cassina from Matisse.
From left: Togo Fireside Chair by Michel Ducaroy for Ligne Roset; Healey Chair by PearsonLloyd for Walter Knoll from Matisse.
From top to bottom: Pukka Armcahir by Yabu Pushelberg for Ligne Roset; Utrecht Armchair by Gerrit Thomas Rietveld for Cassina from Matisse; Ruché Armchair by Inga Sempé for Ligne Roset.

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Caroline Montague of Matisse on French aesthetics, German design, and Havelock North, ironically

She’s been called New Zealand’s ‘encyclopaedia of design’, and working with a leading supplier of world-class furniture, Matisse, means Caroline Montague is a wealth of knowledge and style. We took the chance over lockdown to quiz her on her current inspirations and frequent fascinations.

My personal style can be defined as: Ironic Havelock North.

The last thing I bought and loved was: The austerely plain Lemaire low heels from La Garçonne. 

An unforgettable place I visited was: The giant Sequoia forests in Northern California (currently a fire hazard). 

The next place I’d like to go to: Anywhere with snow. 

An object I would never part with is: My Andy Warhol silver Elvis Cowboy vase.

On my wish list is: An industrial/hospital-style bathroom.

When I was younger, I wanted to be: A cartoonist. 

I am inspired by: Youtube declutterers.

My favourite app is: RNZ for the Concert Programme.

My guilty pleasure is: You can’t have too many furniture books. 

My secret talent is: A well-placed backhand. 

Private residence in San Sebastian, designed by Andrée Putman in 2005.

My favourite cultural/style icon is: Andrée Putman (French interior and product designer). 

The best book I’ve read in the last year is: Tom Stoppard: A Life by Hermione Lee.

I can’t miss an episode of: University Challenge, UK Version — Work that cardigan!

In my fridge you’ll always find: S.Pellegrino and not much else.

I recently discovered: I am more likely to show up for a personal trainer.

My favourite website is: 1stdibs. 

From Left to right: Zissou in his Tire-Boat, 1911 and Bouboutte, Rouzat, 1908 by Jacques Henri Lartigue.

If price were not an issue, the one artist whose work I would collect is: Jacques Henri Lartigue. 

The last meal out I had that truly impressed me was: Amano — Lamb shoulder with roast potatoes, then rice pudding — an actual proper dinner.

The podcasts I listen to are: Matt Bradshaw’s Coffee Break Tennis.

The best gift I ever received was: Either a hardback set of Proust with the original Enid Marx covers or my apartment.

The latest music I’m loving is: I love Baroque Opera, especially Rameau and Handel — those very weird, avant-garde French and German productions add another layer.

Left to right: Aluminium Group chair by Charles Eames for Herman Miller; Alanda Low table by Paolo Piva for B&B Italia, available from Matisse.

My favourite three pieces in our showroom right now are: The Centimetre rug by Eileen Gray for ClassiCon, the Aluminium Group chair by Charles Eames, and the Alanda Low table by Paolo Piva. 

I’m obsessed with the work of: Konstantin Grcic (German industrial designer).

My favourite piece of his work is: Table B Concrete for BD Barcelona. 

The one thing people should invest their money in when it comes to furniture is: What they absolutely love and cannot live without. I recommend always buying authentic, original furniture that can be used for a lifetime then handed on. Matisse, of course, has a superb selection of both classic and contemporary designs to meet your requirements.

One of the best pieces of advice I’ve ever received is: Comfort is a visual thing.

Design

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Don’t miss ECC’s exclusive, limited-time sale on USM
Discover Matchbox — an alluring new destination for car enthusiasts