Embrace eco-luxury at its finest with a stay at this exquisite high-country homestead

Promising an escape into nature, Mahu Whenua offers luxury accommodation in the middle of a sprawling eco-sanctuary, 20 minutes drive from Wanaka.

With a name that literally translates to ‘healing the land,’ it’s hardly surprising that Mahu Whenua is a place of conservation. In fact, it is the largest conservation undertaking on private land in New Zealand’s history, with sustainable farming practices and a successful native bird breeding programme.

Owned by music producer Robert ‘Mutt’ Lange, who combined four high country stations into around 55,000 hectares of exquisite uninterrupted nature, this retreat includes five individual Ridgeline Suites, each able to accommodate a couple, although the entire property can also be booked exclusively for 12 people. 

Onsite, you’ll find stables, a large open living room, dining room, library and a number of outdoor areas from which to take in the lush green valleys, alpine lakes and grand, mountainous landscapes of the property’s surrounds.

So, whether you want to horse ride, mountain bike and hike, or would rather just dabble in some yoga and a few spa treatments, Mahu Whenua encourages everyone to experience its unique location in their own way.

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Remuera house designed by Danielle Bates Design featuring RH furniture, lighting and accessories

It’s official: A new partnership is set to give you unprecedented access to this globally coveted home furnishing brand

Interior designer Danielle Bates has built a reputation for her high-end residential and hospitality fit outs. Effortlessly employing sumptuous details and clever layering, Bates keeps her contemporary spaces feeling warm and inviting, and it’s largely down to her ability to source and curate unique furnishings, both from here and abroad. 

One of the places that Bates has long turned to when sourcing furniture for her clients is Restoration Hardware — a company that has gone from a relatively small presence to boasting over 100 sprawling stores around the United States. Showcasing the brand’s vast and varied lines of furniture and accessories, lighting, hardware, soft furnishings and art, the stores are multi-faceted and notoriously impressive, often with immersive displays and even their own restaurants.

The recently-opened RH in New York’s Meatpacking District, for example, is a testament to this. Nine thousand square-feet of poured concrete, bronze, stone and glass, with a vast, rooftop restaurant, festooned in chandeliers and foliage, this store speaks to the vast growth this company has enjoyed in the last few years, including adding a number of subsidiary brands like RH Modern, RH Teen and RH Baby and Child to its offering. 

From left: Interior designer Danielle Bates; RH Teen Colbin bunk bed

But Bates discovered RH long before it ascended to its now-lofty heights. Back when she was living in New York, having studied at New York’s prestigious Parsons School of Design she secured a job at renowned design firm Meyer Davis, and stumbled upon it when it only had five stores to its name. After returning to New Zealand and setting up her own interior design firm in 2005, Bates started regularly importing pieces from RH, for clients that wanted something a little different. Now, she’s taking her relationship with the brand to a whole new level. 

Left: RH Large Machinto side table in grey oak and pewter detail. Right: RH Bezier 36” nightstand in grey oak with pewter hardware.

“RH is very protective of its brand,” Bates explains, “but because of the strong relationship I’ve enjoyed with them over the last five years, I’ve recently been named an official RH licensed partner in New Zealand.” This is a big deal. It means that Bates now has an extensive library of RH fabrics and finishes on hand, allowing her to make quick decisions with clients, and often get in-stock furniture to arrive in New Zealand within four to five weeks.

In fact, Bates tells me that she has furnished entire houses with the brand, such is the level of her clients’ appreciation for its sleek aesthetic and high quality. “Although New Zealand does have more choice now,” Bates says, “there are not many brands that offer a price point in between the lower options and the high-end luxury Italian marques. I still like to work with the European brands but RH offers high-quality at a mid-range price point, and that’s what makes it so appealing and easy to work with.”  

Next year, RH is set to open its first international gallery in England at Anyhoe Park, which will house the largest architectural library in the world. In 2023, stores in Paris and London Mayfair will also open, as RH goes truly global. And while there won’t be a retail location in New Zealand for RH collections, we can rely on Bates and her extensive knowledge of the brand to deliver the affordable pieces our interiors need. 

Design

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Watch: The Lodge Bar’s Matt Lambert shows us how to grill the perfect steak

Internationally venerated, New Zealand-born chef Matt Lambert has recently returned to our shores to helm Rodd & Gunn’s The Lodge Bar & Dining in Auckland and Queenstown’s The Lodge Bar. Having overseen operations from New York since 2017, Lambert is now able to do so directly, and is excited to evolve the offering even further now he’s back on home soil.

To celebrate his homecoming just in time for summer, Lambert shares three easy recipes to cook on the grill — beachside or at home. Deep, smoky grilled flavours are a huge part of The Lodge Bar’s offering, and Lambert is as expert as they come at utilising the delicious caramelisation of cooking over charcoal.

Lambert’s tip for grilling steak is the simplest one you’ll ever hear: salt your meat 24 hours before cooking it. This means whatever steak you cook is deliciously flavourful right the way through, and develops a mouthwatering crust when it’s cooked.

Ingredients:
Steak
Salt

Method:
1. Salt your steak 24-hours ahead with flake salt, sprinkling on both sides and patting down.
2. When it comes time to cook, start grilling fat-side down. You’re just aiming to melt the fat. The more frequently you flip the steak, it helps get an even cook right the way through the meat.
3. When it’s cooked to your preferred level, take the steak off the grill and rest for 5-10 minutes. Lambert says to rest for the same length of time you cooked your meat for, if not longer.
4. Slice the steak, and although it’s seasoned to perfection thanks to the 24-hour method, it doesn’t hurt to sprinkle a tiny bit more flaky salt on top.
5. To serve, you could quickly grill some hard herbs like rosemary and place it on top to give a slightly herby aroma, delicious with the charcoal flavour of the steak.

Gastronomy

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These are the latest and greatest non-fiction books to add to your reading list

Escapism and learning combine with these engrossing recently-released non-fiction books, spanning a variety of topics from psychology to philosophy; pop culture to climate change.

Humankind: A Hopeful History by Rutger Bregman
With a fresh perspective on history, this book makes a case for the virtues of humanity. Arguing that evolution has instilled in us a propensity to be kind and honest (a departure from what we typically see in the news), Bregman says that when we accept our inherent altruism, we will be able to get on with making the world a better place.

Breath: The New Science of a Lost Art by James Nestor
Breathing seems like the most natural thing to do, but are we doing it right? In this illuminating book (a number one New York Times Bestseller), journalist James Nestor researches why we all stopped breathing properly, the chronic illnesses that have emerged as a result and the potential we could unlock if we did it right.

Bowie’s Bookshelf: The 100 Books That Changed Bowie’s Life by John O’Connell
Three years before he died, David Bowie shared the 100 books that changed his life. Here, John O’Connell explores each with a dedicated mini-essay that discusses their significance against the background of Bowie’s life, offering an original lens through which to view the legacy of a legend.

The Art of Her Deal: The Untold Story of Melania Trump by Mary Jordan
Penned by Pulitzer-Prize-winning journalist Mary Jordan, this enlightening biography paints a picture of the FLOTUS that goes against her public image. More than 100 people from all over the world were interviewed by Jordan, who argues that Melania Trump held a far more pivotal role in the White House than anyone thought.

The Squiggly Career by Helen Tupper and Sarah Ellis
If you feel in need of change, perhaps this book will inspire you to switch things up. An acknowledgement that careers are no longer linear or long-term affairs, Tupper and Ellis have created a helpful guide, brimming with insight on how to grow into and get the best out of your career.

Making a Psychopath by Dr Mark Freestone
From the leading psychologist who helped to create Killing Eve’s Villanelle character, comes a riveting read about what truly makes a psychopath. And considering Dr. Freestone has worked on some of the most infamous and disturbing cases in the world, he is uniquely positioned to deliver some incredible and informative insight.

A Life on Our Planet by David Attenborough
Recently turned into a documentary for Netflix, David Attenborough shares his thoughts on the future of our planet, from a lifetime spent exploring it. The award-winning natural historian and journalist makes clear the finite opportunity we have right now to reclaim our earth and to move forward in a more conscious, considered way. There is hope, he says, if we act now.

Ask a Philosopher: Answers to Your Most Important and Most Unexpected Questions by Ian Olasov
From life’s most poignant questions like ‘is there life after death?’ to some less important ones like ‘if humans colonize Mars, who will own the land?’, this book offers answers to a range of mind-bending, funny and moving questions in a bid to get you thinking like a philosopher.

Don’t Overthink It by Anne Bogel
Suffering from decision fatigue and negative thought-patterns? This book could help you break the cycle. Aiming to outline actionable strategies to make an immediate and lasting impact on how we deal with questions, both big and small, Don’t Overthink It offers a framework for proactively bringing more peace, joy, and love into their lives through making decisions we feel comfortable with.

Tree of Strangers by Barbara Sumner
This moving and beautifully-written book by New Zealand writer Barbara Sumner deals with identity, family, loss and love. Chronicling her experience as an adopted person in this country, Tree of Strangers describes Sumner’s upbringing and personal evolution as she decides to search for her mother at the age of 23. Through the process, she comes up against New Zealand’s harsh 1955 Adoption Act legislation — the reform of which she is one of our foremost advocates of today.

Clanlands: Whisky, Warfare, and a Scottish Adventure Like No Other by Sam Heughan, Graham McTavish
A little niche, but we can get behind that. Scotsmen Sam Heughan and Graham McTavish, stars of the Outlander TV series, are out to discover the complexity, rich history and culture of their native country. Travelling from the heart of Scotland to Inverness and Culloden battlefield, experiencing some colourful characters along the way (and drinking a lot of whisky), the audiobook is apparently an even better way to enjoy this romping road trip adventure.

Why We Swim by Bonnie Tsui
Swimming is one of the most popular activities in the world, but humans are not actually born to swim — we are taught, and then we swim for pleasure, for exercise, for healing. With her often deeply personal exploration of our relationship with water, The New York Times contributor Bonnie Tsui offers a new way of looking at swimming and, through this, human behaviour itself. Spanning tales of Olympic champions, a Baghdad swim club that meets in Saddam Hussein’s palace pool, modern-day Japanese samurai swimmers, and even an Icelandic fisherman who survives a wintry six-hour swim after a shipwreck, Why We Swim looks into what about water, despite its dangers, keeps us returning time after time. 

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Chef Monique Fiso of Hiakai on the art of food, Gordon Ramsay and not being afraid to fail

Monique Fiso is putting New Zealand’s indigenous cuisine and techniques on the world map. One of the most formidable talents in our culinary industry, she has worked all over the globe and trained at top Michelin-star kitchens in New York including The Musket Room, Public Restaurant and Avoce.

After returning to our shores and organising a series of sell-out pop-ups in 2015, Fiso opened her acclaimed Wellington restaurant Hiakai in 2018, specialising in Māori fine-dining cuisine. Fiso, who is of Māori and Samoan descent, is now considered one of the country’s most important chefs, bringing a new genre of cuisine to the fore that both honours and expands on Aotearoa’s food story.

In 2019, Hiakai restaurant was named in Time magazine’s 100 most important places on Earth, and in 2020 Fiso released her highly anticipated book Hiakai: Modern Māori Cuisine, a celebratory account of the rich history and methods of Māori food, complete with recipes, ingredient indexes and foraging notes. She also starred in the 2018 Netflix show The Final Table, and appeared on Gordon Ramsay’s adventurous 2019 series Gordon Ramsay: Uncharted.

With all this taking place before Fiso’s 33rd birthday, safe to say she is a force to be reckoned with. Here she shares some insight into her journey thus far.

My dad always said “what’s the worst that could happen?” I’ve always carried that, like yeah what is the worst that could happen — somebody says no, and then what? I think that’s served me quite well.

Food is a disappearing art form. You make it, you prep it, you plate it, it looks beautiful, and then it’s gone ten minutes later. 

I know that you can fail at something, and I understand the risks, but I have been a lot more open than other people at just going “oh well, I’d rather try than not.” 

As a chef you’re going to need to know how Excel works, how to actually format documents. You’re going to need to understand costings, you’re going to need to understand a balance sheet, or just have a basic understanding of accounting in general, and ideally commercial law too. So, my biggest advice to young people wanting to get into the industry is, don’t go: “I don’t need those skills, I just need to know how to cook”, because it’s just not true. You need more than that if you’re going to survive, because this industry’s super competitive, and it’s saturated. Cooking alone is not going to be enough. 

There were definitely moments during the writing of my book where I’d woken up with all the positivity in the world, made myself a coffee, opened the laptop and thought “today’s going to be a good writing day” and then just burst into tears.

I gained so much respect for the writing process, and writers, and the discipline you need to have. People talk about discipline in cooking and ballet, but actually the discipline to sit and write is such a skill.

The best piece of advice I’ve been given is “reputation sticks.” That’s also from my dad. When I was younger, I didn’t really understand it, but as I’ve gotten older I’ve realised what he was saying was “think long and hard about what you want to be known for, and that will lead you to the right decision.” And I always think about that when we’re making decisions. It takes a lifetime to build a reputation and it takes a moment to destroy it. 

The worst advice I’ve ever received is “don’t go to cooking school.”

I’d like to be known for my contribution to the New Zealand food scene. That would be a nice legacy.

I see it a lot with people, when they make mistakes they throw in the towel. It seems silly to me — if you think you’re going to nail something on the first attempt, you’re crazy.

The biggest thing I’ve had to overcome was finding the self-confidence to actually step into my own shoes instead of going and working for somebody else. There was a time period of a couple of years where I felt ready to do my own thing, but at the same time a little bit insecure. I had a glowing resumé, and I’d done really well, but I had to overcome my inner voice trying to talk me out of doing the pop-ups and then opening the restaurant. 

My amazing partner Katie, who’s also the general manager of Hiakai, tends to keep me on track and organised. A lot of keeping healthy and staying balanced comes down to her, and because we have a million things happening in the week we have a rule to make sure there’s always stuff at home for breakfast. It might be the one meal we get to sit down for.

There isn’t really anywhere you can look to for a blueprint for Hiakai. And that’s really cool — it’s awesome to be creating a new genre of cuisine and playing around with ingredients for the first time, but at the same time it’s kind of scary because you don’t have the playbook. You can’t look at models like French Laundry and say “well, we’re going to do it like how Thomas Keller has done it” because it’s not going to be the same. 

One of the most surreal moments of my professional life was meeting Gordon Ramsay for the first time. On the episode of Gordon Ramsay: Uncharted, when he jumps out of the helicopter, and we’re on the beach, that was literally the first time I’d met him. 

My 30th birthday was actually spent filming the first episode of The Final Table, so that was a pretty strange day. I turned 33 last week — it’s hard to believe it’s been three years. But my 30th was spent there, and I was like “Wow, this is an interesting way to walk into this decade.”

Anyone who knows me would say fried chicken is my ultimate comfort food meal. With some serious heat, I like a bit of spicy fried chicken.

I like to keep my professional goals close to my chest, but on a personal level I’ve spent most of my adult life working extremely long hours, and I think as I’m getting older there are definitely personal goals. It would be nice to start a family soon, and have a bit more balance, but at the same time I really really love what I do, and there are still things that are unfinished business for me. I wouldn’t feel like I was done in this industry until I ticked off some of those private goals I’ve got for myself professionally.

I’ve got a massive sweet tooth. It’ll probably be the end of me eventually, because I can be super full, and then be like “Ooh, brownies, donuts.”

Sometimes you’ve just gotta put away the lemon meringue pie and eat the salad.

I was really lucky that I grew up in a family where my parents owned their own business. From a young age I was around them and their conversations, and I’d ask them a lot of questions. Dad taught me how to use Quickbooks and was explaining to me things like chartered accounts, payable receivables, and how tax works from a really young age. So, I almost feel like that side of the Hiakai business is easy. 

A younger version of me probably would have said success is a fancy car and fancy house, but I’ve realised, for me, success is actually waking up and being really happy with my work. Just being happy with what I’m doing with my day — which sounds simple, but I’ve realised I am quite lucky that I get to wake up and be creative and do what I want to do.

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My favourite things: Sculptor Vicky Savage shares her most adored objects

Auckland-based artist Vicky Savage is renowned for her captivating sculptures, generally rendered in bronze, that employ a harmonious fusion of symbolism, scale and design. Here, she shares the stories behind a few of the objects, art pieces and gifts that she holds dear.

“On the wall is a Lisa Reihana artwork. We bought this piece after going to see her when she showed at the Venice Biennale, where we fell in love with her work. The silver candelabra is a family heirloom that came over from England when my grandparents passed away. I can remember seeing these on our first trip to England when I was five at my grandmother’s home.

The Eames blackbird reminds me of our friendly black bird, Blackie who sits in the trees outside our windows and sings at the top of his voice everyday. I love him because he makes me stop and listen for a moment during a busy day. In the foreground are photos of my wonderful, brave parents in their uniforms; Mum was a decoder for the Wrens and Dad was a Captain in the British Army. The old cow spinal bone at the back always sits on the mantelpiece. I picked it up years ago on a beach at my favourite place on Earth, Great Mercury Island.

In the foreground is a whalebone that was given to my husband Tim’s great grandfather as a gift from the local Māori in the Wairarapa. In the back is an Ann Robinson bowl, I just love the way the light reflects through this piece. Next to this is one of the first sculptural works I ever created, Propellor Man (2007), it’s all about time and keeping in the moment. So he’s just about to fly off with his propeller, but he’s stopped and paused to contemplate the moment. I like my work to represent the space between the past and the future. That moment of just being still. I actually gave this piece to my son, William. I’m assuming one day he’ll come and collect it.

Vicky Savage work ‘A Moment of Reflection’, bronze with marble base, 260 × 160 mm

I always have a bowl full of lemons on my bench top. I love the colour, and they are a delicious reminder of our Waiheke property. This gold ball sculpture is one of a new collection of pieces which I have been working on to represent what the world is experiencing at the present time. The figure is gazing into the ball, trying to see the future, but when the viewer gets closer they can also see their own reflection. The remotes carved from basalt are the work of Joe Sheehan. These stone sculptures are halfway between an adze and a TV remote, which I think is so clever.

The pile of books are some of my favourites, they include one by Fiona Pardington, I was lucky enough to have Fiona as one of my lecturers at Elam, she was so very inspirational for me. I have also been learning about marble, basalt and other stone which I use for the bases of my sculptures. Two books are my current favourites, Stoned and NZ Granite and Marble. I am enthralled with Against All Odds, by Jillian Rothwell and Ten Thoughts About Time, is a book I have been referring to for over 10 years.”

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The nursery wall features Resene Cashmere

Trying to choose a colour scheme for your nursery? Colour psychology could help you decide

When it comes to choosing a Resene colour for your baby’s room, cast aside the old school gender-driven binary of blue or pink. The tones that your infant is surrounded by will have a far greater impact on their moods, their development and their sleep cycles than you might have first considered.

It’s really just a matter of psychology. Creating a space that is serene, warm and calm will leave any wee one feeling secure and content, so look to colours like pale yellow, pastel, rosy tones of pink and purple, or dusty, cooler shades of blue or sage green.

According to colour theory, yellow is a neutral colour that encourages feelings of warmth and happiness, but only if it’s not too bright. Similarly, soft shades of pink and purple take the benefits of red (encouraging compassion) without its propensity to overstimulate, while gentle hues of blue will cultivate a space that is stimulation-free, that invokes a sense of calm and encourages body-temperature to cool — essential for a good night’s sleep.

Design

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Find luxurious seclusion at Pipinui Point, the ultimate romantic getaway

Situated 250 metres above Cook Strait, 25 minutes from Wellington, sits an uber-private luxury retreat nestled in 1600 acres of native bush and boasting unparalleled views. Pipinui Point offers a slice of coastal paradise; designed as a quintessential Kiwi bach (of sorts), the accommodation consists of two, beautifully appointed rooms (only able to cater to four guests at any one time).

As such, the experience of staying here is hyper-personalised and truly secluded, with guests given a personal host for their stay who can help them make the most of the myriad activities on offer.

It’s a retreat that balances moments of indulgent luxury with a range of activities bound to get the blood pumping. And after guests have finished their coastal safari farm tour, clay bird shooting, or extreme golf, they can soak in Pipinui Point’s al fresco bath, on its generous deck, and take in the remains of the day.

Escape

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Christy Turlington for Chanel, 1987

Embrace the spirit of more-is-more with 80s inspired jewellery to treasure

High-octane hedonism defined the aesthetic of the 80s, including in jewellery, where too much was never enough, and (thanks largely to Madonna) the pearl reigned supreme. Embrace the spirit of more-is-more, with these special pieces to treasure.

Coveted

Van Cleef & Arpels’ iconic Perlée collection is spherical, joyful and elegant
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This world-class charter boat is here to take day-tripping to a luxurious new level

A team of experts in naval architecture, design, build, upholstery, marine electronics and engineering came together to inform the design of Machina, a top-of-the-line, luxury RIB boat, built in New Zealand by JP Ribs, and now operating charters out of Auckland.

From its twin 300 horsepower engines to its beautiful hand-stitched upholstery — the same as the one used by Porsche — Machina broke all the rules to become a world class vessel, and has positioned itself as the ultimate day-trip on the water.

With a top speed of 44 knots (around 81km), Machina can zip from Auckland to Waiheke Island in 20 minutes where passengers can enjoy a long lunch at a winery. Or, a custom itinerary can be created, whether it’s an adventure around the Hauraki Gulf or island hopping while Machina’s catering partners On Board Kitchen serve up freshly-shucked oysters and Dom Pérignon Champagne, alongside substantial organic platters and drink pairings.

Crucially, Machina is offering special packages for the upcoming Prada Cup (part of the America’s Cup), which will allow passengers to get up close and personal with all the sailing action. (Early bookings are essential.)

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Bureaux co-founder Jess Walker on her architecture journey, core design tenets and doing it all

Detail-oriented, meticulous and passionate about design in all its forms, Jessica Walker is a renowned architect and so much more. Bureaux, the firm she started in 2010 with business partner Maggie Carroll, stands apart from the rest of the industry for the way it tackles its projects from all angles, encompassing the interior design and all the finishing touches to make the architecture of a home or a commercial space come alive.

Walker’s hard work has seen her carve out a niche for her business, which has seen Bureaux responsible for designing some of the most impressive homes in the country.

Here, she discusses sustainable design, guilty pleasures and why there really are no shortcuts in her line of work. 

I grew up in a house where we were always making. Both my parents are makers, my dad did industrial design and my mum is a fashion designer. My playroom was dad’s workshop, playing in-between the bench saws and drills and my mum’s industrial sewing machines. 

My parents spent years cycling around Europe after they graduated university. They went there with nothing and embarked on a huge adventure, living in tents, getting odd jobs along the way. But a couple of years into it, they fell pregnant with me, and so I was born right in the middle of the trip. They had me in Switzerland which is where they happened to be at the time and then they just kept going, I think for another nine months. Still cycling, still staying in tents, and they would strap me onto their fronts. It’s pretty wild. So I feel like that spirit of adventure and imagination is just in my DNA.

I’ll never forget the night I met two architects at a party. After high school I was actually planning on studying medicine. But during that summer, I chatted with two architects from New York who told me how much they loved their jobs. It was so aspirational, these grown up people talking about their work like that. And it was like a switch for me. Overnight, I realised that actually, architecture might be a better fit. It really was like a light bulb moment. I feel so lucky to have found my ‘thing’ so early. Not everyone does.

There are no shortcuts in this line of work. I studied for eight years, undertaking a Masters after my architecture degree and when I came out of school, the GFC meant that there really were no jobs for architectural graduates. It was demoralising. So I did my own thing for a few years and then Maggie [Carroll] and I started Bureaux, still in the midst of an economic slump. We took on all sorts of crazy jobs, anything we could get our hands on. It was challenging but it was fun, and it pushed us to our creative limits. Those days really set us on our course of wanting to do more than just architecture. We also loved interiors and events and those things that can work perfectly alongside architecture, so that’s what we’ve done.

People often assume that, because we’re women, we’re interior designers, which we’re not. We’re registered architects. So, one of the biggest challenges for us has been defining who we are and being able to hold on to our passion for interiors while having the confidence to say, ‘yes we’re architects but we do it all’. 

Very few practices in New Zealand combine architecture with interiors in the same way we do. A lot of our friends, some of New Zealand’s most successful architects, don’t want to do interiors because they see them as a distraction from their core business. Whereas we see them as something that adds to the work we do. In most of our projects, our criteria for taking on a project, is us being able to do everything from A-Z. So we do the architecture, we do the interiors and the soft furnishings and often even take over the finishing touches, like crockery and bed linen.

Having been in business for 10 years now, the biggest change we’ve seen is a consciousness about the environment. It has become a major global issue, and is widely accepted as something that we, as architects need to take some responsibility for. We’ve struggled with it because our clients are not necessarily that interested, but we really need to be championing good practices in that area. 

Sustainable design is not about composting toilets or solar panels on the roof, it’s about good design that lasts. There are so many more complexities to that idea than just the obvious ones. 

What makes New Zealand unique in terms of architecture is the lack of people here and conversely, the underdevelopment. You get these phenomenal opportunities to start from scratch in areas like Britomart, an amazing precinct that I remember not being there. There are so many opportunities for meaningful urban development that, in more densely-populated cities, just couldn’t happen. 

I am a total architecture geek so it’s hard to pick my favourite buildings. But outside of New Zealand, I love Peter Zumthor’s work in Switzerland. His buildings are total perfection. Thermal Vals specifically is an earth-shattering experience. My other favourites are in the States. When I used to visit my brother in LA, I would go to places like The Schindler Kings Road House and the Sheats-Goldstein Residence, and then last year, Maggie and I went to Fallingwater just outside Pittsburgh. I get the most excited by those early, mid century modern houses, and I definitely pull inspiration from them for my own designs. 

Warmth, tactility and layering are my three core tenets when designing. I love a layered, multi-dimensional interior. With our buildings we are always really focused on the materiality. How things feel to touch and smell, and of course warmth, so that spaces don’t feel cold and empty. My husband would call me a maximalist, he always goes on about the ‘tings’ I have everywhere. So it really is a reflection of what I love too. 

Replica furniture is an absolute no for us. Or replica anything, really. And although it can be really hard to be original and new in design, at Bureaux, we tend to go for timeless rather than on trend and try to always find something new, even when we’re looking elsewhere for inspiration. 

Maggie [Carroll] really is my great life partner. I was incredibly lucky to find her because there’s just a magic that happens between us when we sit down to design together or discuss ideas with a client. I trust her completely and she is one person who, in all aspects of my life, I know will be honest with me and I think that’s really important. 

We’ve had some incredible people offer up advice and guide us as our business has grown, like Pip Cheshire and Marsh Cook and Lindley Naismith and Jane Aimer who have been so generous with their time and have been really candid about their own businesses. They broke the ground for us to do what we’re doing now. And even the generations below them, like Tim Hay and Jeff Fearon — Maggie worked with them for a time before we set up Bureaux and they’ve been really supportive. The architecture and design community here, particularly the bubble I’m in, is unique in that it’s incredibly collegial and for that, I’m grateful. 

Mike Thorburn is someone I really admire in business, I just love what he has created at ECC. He has cultivated this wonderful culture of generosity and warmth, and over the last few years I’ve watched Andy and Richard [his sons] really come into their own. Now, I can just call them if I need something and they’ve been given agency to just own that business and take it beyond what Mike did. It’s a testament to Mike’s business that he is able to relinquish some of that control because it’s not easy. 

I want to feel equally nourished and fulfilled by both my business and my family. Happiness is something that is really important to me and so I’m conscious about how I achieve a work-family balance that is going to make me happy. You can bump up ambition or wealth or looking good or all sorts of things on your list of priorities. But for me it’s happiness in work and at home. It is a challenge sometimes but it’s something that I’m constantly working on.

90s RnB, in the bath with a book and maybe a little tequila is my favourite way to relax if I’m feeling quite frazzled. 

I want my legacy to be about the clients and their children and their friends whose lives have been enriched by the homes we’ve created. Those stories are the ones that matter to me. We get clients calling up all the time saying how much they’re enjoying the spaces we’ve made for them and it means so much. That’s why we do what we do. 

My children think I’ve done a pretty good job designing our new kitchen at home, which is nice. “It’s a pretty good job, Mum,” they say. But in all seriousness, it’s great that my kids think it’s cool that I work and I hope that they will take something from what I do. 

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Watch: The Lodge Bar’s Matt Lambert shows us how to grill kingfish collar to perfection

Internationally venerated, New Zealand-born chef Matt Lambert has recently returned to our shores to helm Rodd & Gunn’s The Lodge Bar & Dining in Auckland and Queenstown’s The Lodge Bar. Having overseen operations from New York since 2017, Lambert is now able to do so directly, and is excited to evolve the offering even further now he’s back on home soil.

To celebrate his homecoming just in time for summer, Lambert shares three easy recipes to cook on the grill — beachside or at home. Deep, smoky grilled flavours are a huge part of The Lodge Bar’s offering, and Lambert is as expert as they come at utilising the delicious caramelisation of cooking over charcoal.

Kingfish collar is one of the most delicious yet underrated cuts of fish, says Lambert, due to its position on the fish as one that does the least amount of work. It also has the highest amount of fat content, meaning it’s incredibly tender and juicy when cooked.

Another tip from Lambert is to not marinade it before grilling, but add the marinade towards the end of the cooking process to prevent it from burning.

Ingredients:
Kingfish collar
Miso paste — supermarket-bought is fine
Olive oil

Method:
1. Drizzle the kingfish collar with olive oil, then place it on the grill. Move it around a good amount, so that you don’t just overcook one area and have it stick to the grill.
2. When the fish is almost entirely cooked, spread an even layer of miso paste on both sides and just cook until it’s caramelised.
3. When the fish is fully cooked (not medium or medium rare) take it off the grill and serve.

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8 deliciously compulsive beach reads to sink your teeth into this summer

With the calibre of new books being released, there’s no better time to lose yourself in the pages of a great tome. These are our top picks of the deliciously compulsive page-turners that will have you absorbed for the duration of any beach trip or pool-lounging session.

Just Like You by Nick Hornby
A tale about how love works in mysterious ways, Nick Hornby’s new novel takes a hilarious look at the very human act of falling head-over-heels in love with the person you would least expect.

Memorial by Bryan Washington
One of the most widely-talked about novels of the season, this story is one of family in all its forms. Proving himself an intimate storyteller, Bryan Washington pens real, vulnerable characters and a feel-good narrative that will leave you questioning the nature of love.

Big Summer by Jennifer Weiner
A society wedding, ex-best-friends and the kinds of cleverly and compassionately-rendered relationships that you might expect from the award-winning author of Mrs. Everything, this novel is a fun, witty and moving read.

The Regrets by Amy Bonnaffons
In this acclaimed debut, a love story of paranormal proportions between Rachel (a living woman) and Thomas, the man she keeps seeing at her bus stop, takes an unexpected turn when it is revealed that he is, in fact, dead. Playful, earnest and imaginative, this is not the romantic story of old.

The Return by Nicholas Sparks
From the author behind such classics as The Notebook and Nights in Rodanthe, Nicholas Sparks is back just in time for the season of summer love. The story follows an American navy doctor who was injured in Afghanistan, and who, after returning home, finds himself embroiled in the secret lives of two women that will ultimately change his life.

Finding Freedom: Harry and Meghan by Omid Scobie & Carolyn Durand
However you feel about the young royals, it is almost impossible to escape their controversies. So, if you need a laugh this summer, why not embrace their ‘story’ in all its ghost-written, gossipy goodness. This sensationalist biography is perfect for the beach (if for no other reason than to help you drift into an afternoon nap).

The Arrest by Jonathan Lethem
From the award-winning author of Motherless Brooklyn comes a novel with an intriguing premise: it takes place after a global event, ‘The Arrest,’ has caused all electronics and appliances to stop working. In this world, we meet Sandy, a once-successful screenwriter whose quiet existence is upended by a man from his past riding in on a nuclear-powered supercar.

The Nightworkers by Brian Selfon
This perfectly-plotted, surprisingly funny thriller follows Shecky Keenan, head of a small-time family crime syndicate in Brooklyn, who strives to live a relatively quiet life before a large sum of money goes missing.

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Jeweller Grant Partridge on 45 years in the family business, his passion for the craft and the question of succession

Few businesses in New Zealand can claim to have as prestigious a history as Partridge Jewellers. Family-operated since the 1800s, with the sixth generation now working in the business, it is a veritable dynasty —a fact that isn’t lost on its current leader, Grant Partridge.

Having worked in the family business since he was 16 years old, Partridge has brought a unique vision to its operations, working tirelessly to establish the Partridge name as inexorably entwined with the highest-quality jewels and jewellery designs in New Zealand. Under Partridge’s leadership, the business has grown in size and significance thanks to its exclusive relationship with some of the world’s most coveted luxury brands.

Here, Partridge discusses jewellery-making today, his father’s advice and the question of succession.

I officially started in the family business in 1976, I was 16 and fresh from high school. But really I started helping out much earlier, I grew up in the business, helping out during school holidays and on weekends.

You can’t help but feel proud to be part of something that has 156 years of history all with one family. I am the fifth generation and have three children who also work in and around the business. I feel so lucky to have been given the opportunity to take over what I see as such a legacy for my family. 

As I get older, the main drive of my place in the business is focused on setting it up for the generations to come so that they can be given the opportunity to have the same fulfilling and passion-filled career like I have had. It is amazing to see how we have taken the knowledge, expertise and craftsmanship of all the generations before us, and modernised them for today. My daughter is a jewellery designer, my son the assistant manager of our Wellington store, while my youngest son, who’s just turned 21, is learning his business skills at KPMG and will hopefully move into the business at some stage too.

People would be surprised to know how passionate I really am about jewellery. I have a long-standing love affair with coloured stones and diamonds. Even after 45 years in the business, I spend my weekends in the office going through all of the individual stones, much like I did when I started out. The pleasure I gain from the stones and the end design is what continues to motivate me today. 

Jewellery making is very rewarding. Imagining the design through to the finished creation is so satisfying, particularly when you see the emotion it brings the eventual recipient. Knowing that we are giving people something they can treasure for a lifetime is an amazing feeling and something I am so fortunate to be part of. At the end of the day, the most rewarding part of the job is the knowledge that each piece means something so different and unique to every person.

I’d like to learn how to slow down. I am so passionate about our business that it totally consumes me, it is my job, my passion as well as the fulfilment of my dreams.

My father always said “Don’t put off until tomorrow something you could do today”, and I really live by this. I carry notebooks filled with To Do lists that I am forever trying to tick off. 

I think that the generations before me would be proud of what the company has become in all aspects of our business, from the craftsmanship we uphold to the brands we carry.

I secured the Rolex agency in 1987 for our Wellington store. Then we opened our Queen Street boutique and secured brands such as Cartier and Patek Philippe. We also became the only Argyle Pink Diamond dealer as well as the exclusive representative for De Beers with their Forevermark brand. The significance of these brands changed the perception of our business immediately. I find the watch industry so inspiring, having the influence of so many international experts in their field helps me with my vision. I definitely have a lot of pride that some of the world’s most exclusive watch brands chose to partner with Partridge Jewellers in New Zealand.

My parents always worked hard. I will be forever grateful for the opportunity to be part of something so much bigger than I ever dreamed of, and something that I will always be able to look back on with pride.

I love browsing through watch and jewellery stores overseas. I have many memories with my own children, making them stop on our family holidays to look at the latest designs in my favourite boutiques. I am sure this is one thing they will remember forever, and no doubt plays into the passion for the craft I am seeing in them as they grow up.

Running a business alone can be daunting, but knowing that I have my entire family of over 85 staff in full support of my decisions is so important to my confidence in leadership.

My father was the most influential person in my life. He was a great role model, a tough taskmaster, a very hard worker and always fair, generous and kind in so many ways.

Coveted

Van Cleef & Arpels’ iconic Perlée collection is spherical, joyful and elegant
Van Cleef & Arpels adds to the Perlée collection with elegant three-row rings
Bvlgari revisits one of its boldest signatures with Gold & Steel
ZOE WEARS Matteau swimsuit from Muse Boutique and Moncler puffer jacket from DFS.

Slip into this season’s most holiday-ready luxury fashion with our dreamy Summer Issue shoot

Let the year that was wash away under the swell of glorious salty waves, and slip into this season’s most holiday-ready luxury fashion. From effortless two-pieces to light outer layers, these are the pieces to ease you into a summer state of mind.

Zoe wears Matteau swimsuit from Muse Boutique and Moncler puffer jacket from DFS.
Zoe wears Prada top, shorts, socks and shoes. Tane wears Prada jacket, shorts and pants.
Zoe wears Matteau swimsuit from Muse Boutique.
Tane wears Zegna vest
Tane wears Louis Vuitton jacket, shirt and jeans. Zoe wears Louis Vuitton dress.
Zoe wears Christian Dior shirt, jacket and skirt. Tane wears Dior Men pullover, shirt and shorts. 
Zoe wears Chanel top and skirt.
Zoe wears Moncler puffer jacket from DFS.
Tane wears Wynn Hamlyn knit.
Zoe wears Gucci top and pants.
Zoe wears Chanel sunglasses and Bec & Bridge top from Superette.
Zoe wears Matteau swimsuit from Muse Boutique and Tiffany & Co. bracelet.

PHOTOGRAPHY Simon Upton
STYLING Jana Pokorny
HAIR & MAKE-UP Katie Angus
TALENT Zoe Barnard @ IMG and Tane Bowden @ Kult Australia.

Image credit: Styling — Jana Pokorny

Coveted

Van Cleef & Arpels’ iconic Perlée collection is spherical, joyful and elegant
Van Cleef & Arpels adds to the Perlée collection with elegant three-row rings
Bvlgari revisits one of its boldest signatures with Gold & Steel