This Friday, the 27th of October, Faraday’s Bar is extending an invitation to partake in an exquisite celebration of the world’s finest sparkling elixir in honour of International Champagne Day.
Renowned for its commitment to luxury, Faraday’s Bar is set to host an opulent Champagne celebration from midday until 9pm, where guests can explore the venue’s unrivalled selection and imbibe in the effervescent nectar either by the bottle or by the flute. One particular highlight will be the newly-released Veuve Clicquot La Grande Dame 2015 Vintage, widely considered one of the best expressions of this convivial beverage.
Taking celebrations one step further, Faraday’s Bar will also bring out a complimentary surprise-and-delight trolley service, offering an array of gastronomic delights to satiate any craving, before kicking off a live music set from 5pm until 8pm, adding a harmonious note to what is shaping up as an unforgettable Friday night.
International Champagne Day is a remarkable occasion and an opportunity to revel in the finer things in life alongside like-minded connoisseurs. Faraday’s Bar, ensconced in its luxurious, department store setting, offers the ideal ambience for this extraordinary day. Promising to be a sought-after affair, reservations for Faraday’s Bar’s Champagne celebrations are essential and can be made here.
Established three years ago in Arrowtown (with a beautiful space on Buckingham Street) Astor Bristed Gallery now represents a range of contemporary New Zealand artists, and its reach has recently expanded into Auckland with an impressive pop-up space and exhibition on Faraday Street in Parnell.
Left: Astor Bristed Gallery on Faraday Street. Right: ASTEROID, 2023, Sarah Jayne Kavali
In its Auckland pop-up, the gallery has facilitated the collaboration of artist Sarah Jayne Kavali with interior designer Sommer Olsen, to offer an extension of Kavali’s original Paper Thin exhibition that first opened in Arrowtown in late September. For those unfamiliar, Kavali is a multi-disciplinary creative who has been making works of various kinds and scales for her clients for over twenty years. When Paper Thin first opened in Arrowtown, Kavali wanted to showcase how her unique artworks (either carefully placed clusters of scrunched-up paper or undulating ripples of copper sheeting) could redefine the boundaries of a room, and breathe life into their surroundings. It was a study of art not just as something to admire from a distance, but something more tangible, to be experienced and felt.
FLOURISH & PAPERWORKS 09
In a way, there are many crossovers between Kavali’s practice and Olsen’s, where the latter began her now sought-after interior staging business (Exhibit One) from a fascination with spaces, and figuring out how to articulate them and make them sing. Now, Olsen even designs her own pieces of unique, bespoke furniture, creating them locally for clients with specific needs and making an artform out of the interior practice in which she has become a bona fide expert.
REVERIE, 2023 — bespoke bed by Sommer Olsen, Sarah Jayne Kavali
Now, the two creative forces have teamed up to offer a new iteration of Paper Thin, where Kavali’s incredible works are joined by a breathtaking bespoke bed, designed by Olsen and handcrafted in her workshop. Here, just as Kavali’s paper and copper works offer rippling lines and tactile, unpredictable shapes and present an invitation to onlookers to run their hands along the works’ uneven edges, Olsen’s bed is just as immersive, designed in a series of lines and curves that echo the art in the space. With its vast scale and sumptuous finish, this bed is the centrepiece of the exhibition, designed at the intersection of comfort and vulnerability, a place where visitors can take a moment to connect with their inner thoughts and find rest, respite and reflection.
Left: TEACHER’S PET, 2023, Sarah Jayne Kavali. Right: TALL GIRL, 2023 — bespoke table by Sommer Olsen, Sarah Jayne Kavali
Where the collaboration really bears fruit is in the ways in which Kavali’s works speak to ideas of legacy and evolution via their materials that will alter and patina over time. They introduce the idea that existence is ephemeral, ever-changing and fluid. Olsen’s bed builds on these ideas by inviting moments of inner reflection where visitors can take time to consider and explore the beauty of this concept — our ephemeral nature — and of our paper-thin illusions of permanence. The duo also collaborated directly to create a bold, bespoke table, its cylindrical base splashed with Kavali’s signature paint splatters.
Set in a ground-level space within the beautiful Fearon Hay building on Faraday Street, Astor Bristed Gallery’s Auckland pop-up is a must-visit for art and design lovers alike. On now until the 30th of October, this exhibition is already proving popular, with all pieces displayed available for purchase, including Kavali’s striking works and Olsen’s beds, of which only five were made and only three still available to buy. From the 7th of November, the space will transition into what Olsen has described as an “outdoor suite”, which will also be a collaboration with Kavali. Don’t miss out on this exceptional and immersive offering by paying a visit this week.
Opening hours: By appointment. Email Astor Bristed Gallery here to arrange a visit.
“I called it ‘Broke Boy’ ’cause I’ve always been broke,” Sean Yarbrough tells me, in his typically straightforward way. We’re discussing the evolution of Broke Boy Taco from scrappy pop-up to cult-followed culinary sensation to now, a place with a permanent address, something that Yarbrough explains happened without much of a plan. “I never thought I’d have my own restaurant,” he says, “but I needed one!”
Born and raised in Louisville, Kentucky, Yarbrough spent 11 years in the Mission District of San Francisco, where he ate Mexican food every single day. It wasn’t until he whipped up some of his favourite tacos for a friend who asked what he missed most about the States, that Yarbrough started to realise that maybe he could turn his love for tacos into an actual career. “I bought a used, electric hot plate on TradeMe and made an Instagram account and just said, ‘Come try my tacos,'” he tells me. “First it was 20 people, the next time it was 50, then it was 100 and eventually it turned into what it is now.”
What Broke Boy Taco is now, is pretty major. Over the last couple of years, Yarbrough has hosted a series of pop-ups all over Auckland that became known for drawing significant and very enthusiastic crowds. His most recent endeavour was a pop-up residency at Ponsonby Social Club where, even after having run for months, his tacos would still sell out in a few hours — so consistent was the demand.
Now, Yarbrough is taking the exciting next step in Broke Boy’s evolution by opening a permanent spot in Mount Albert, and fans of his food are chomping at the bit to get their fix. Here, the space is pared-back and charming with hand-painted signs (by Sam Burton) and virtually no decor, while the menu is small and concise with Yarbrough’s signature birria tacos at the forefront. As he tells me, “No frills or fake shit, just good food.” For those who aren’t familiar with birria, it’s a type of meat stew that is a mainstay of Mexican cuisine. To make it right, the meat has to be marinated in adobo sauce, then cooked slowly in broth until it’s mouthwateringly tender and full of flavour. From what we’ve experienced, Yarbrough has perfected his recipe, although ask him and he says he’s always working to make it better.
The drinks menu is simple. “Coke is my favourite and happens to be the most consumed soda in Mexico so I chose that,” Yarbrough says. And while the food offering is more or less what we’ve come to expect from Broke Boy’s epic pop-ups, Yarbrough does divulge that he has added a ‘Big Plate’ option (which comes with four tacos, instead of the usual three) and that there will be a number of specials to come, so keep an eye out for those.
Ultimately, Yarbrough wanted to create a space where the food remained front and centre, a place that could as easily be found in Tijuana as it could in Auckland, and a place with authenticity and passion at the heart of its culinary philosophy. “I want people to leave happy,” he tells me. “Customers have to come pick up their tacos from me at the window when they’re ready and I’ll hand them their food personally, every time. That’s really important to me.” But for its simple facade and straightforward offering, do not underestimate the incredible standard of food being served at Broke Boy. Yarbrough, despite his understated approach, has proven himself a formidable force in the kitchen, and we’ll be watching with interest as Broke Boy continues to evolve. “I’m coming for all the food awards in New Zealand,” he says, with a laugh, “you watch!”
Opening hours: Wednesday to Friday, 5pm until 8pm Saturday, 12pm until 8pm
It still feels like such a delight every time we have our talons tendered to with the tender love and care they deserve. To nail such an important appointment, look no further than our definitive guide — a directory of all the nail salons we’ve visited and adored.
With walk-in locations in Newmarket, Ponsonby, Albany, and Commercial Bay, The Art of Nails is the place to go when you want a quick, slick manicure or pedicure in a clean and comfortable environment. Its team is also open to a range of creative nail art ideas if you want to experiment with the playful half-moon manicure, or the French tip revival.
Ponsonby Road’s INCO Studio is the kind of beauty haven that, when it arrived, was something our city had been craving for some time. A hybrid of all of our favourite services (hair, nails, brows and make-up), it’s the truly talented nail artists that keep us coming back time and time again. INCO is one of the few places in the City to offer gel extensions, a healthier alternatively to classic acrylics, and should you be seeking some more detailed nail art, the team always exceeds expectations.
Contemporary beauty and wellness destination, Spring Spa, brings a little bit of Bali to Auckland with its two lush locations. When it comes to the nail menu, Spring is at the forefront of new polish treatments and is known for its supreme manicures.
Tabitha van der Westhuizen is an expert when it comes to helping natural nails reach their full potential. While divine extensions (and thankfully for the health of our nails, gel extensions) are her bread and butter, she’s swiftly garnered a reputation among those in the know for the care and consideration she gives to those looking to grow what they’ve already got. As Dune Nails is a one-woman show, and a popular one at that, putting your name on the waitlist for an appointment is essential, but we promise it is worth the wait.
Since it was established in 2002, East Day Spa has become the premier spa destination when only premium pampering will do. Located in the SkyCity Grand Hotel, the beauty and nail salon is a chic retreat in the city, with unparalleled manicures and pedicures.
This Ponsonby Road address has gained its cult-following for one reason — it’s behind some of the best nails in the business. Whether your polish of persuasion is a Rhode-inspired glaze, or you’re seeking a hue that’s more subdued, The Nail Bar is always willing to rise to the challenge and executes the brief to perfection.
For those looking to forgo all trends, a simple shellac service may be all that you need. The Beauty Bar is one such provider that often comes to our rescue, offering a refined service menu that is suited to beginner manicure mavens as much as it is those who need a touch-up on a whim.
If a one-stop shop is the kind of manicure you’re seeking, without compromising on the quality or service, Endota’s (formally Forme Spa) beloved nail salons are likely to pique your interests. Holistic wellbeing is at the core of every treatment — and it’s an approach that we fully endorse. The express polish services are perfect for busy people, leaving your talons feeling soft and sumptuous, finished with a simple lacquer.
This CBD salon caters to all things extra and opulent. Offering a dazzling manicure that is every bit intricate and detailed as it is nourishing for the nail beds, the beloved artists have a 10-year history in the heart of the city. So if longevity is anything to go by, you can be assured you are in for excellence.
If it’s an impeccable, meticulous manicure you’re after, there’s only one place for it. The Nail Story in Victoria Park Market specialise in electric file manicures, and the result is unlike anything we’ve experienced. Here, an entirely personal approach is taken as the experienced team transforms even the most neglected talons with ease, buffing, polishing, painting and finessing to perfection – a timely process that feels like an essential act of self care. The team here specialise in electric file manicures, a process that leaves nails beautifully polished, impeccably trimmed and impossibly smooth.
For Grey Lynn locals, Society is simply the only beauty haven to look to. With an accomplished team revered city-wide for their facials and spray tans, as well as their exceptional classic manicures, Society is somewhat of a one stop beauty shop promising excellence on all fronts. Opt for a sophisticated single-tone shellac, or mix it up in time for the festive season with a chic, ultra fine French.
With a reverence for the past and an eye towards the future, AKI Design has transformed a Victorian-era home in Melbourne’s South Yarra into a residence of unrivalled sophistication. Like a dance between light and dark, the designers have seamlessly blended elements of tradition and modernity throughout every space, resulting in a residence that feels simultaneously timeless and utterly of the moment. Fawkner House has become a testament to the art of balance, where, alongside all the trappings that having a rich heritage brings, this home is also the epitome of contemporary living — a captivating combination indeed.
Maintaining this history was essential for the owner — AKI Design Founder and Director, Charis James — who initially acquired the address to unearth its hidden potential. Here, she set out to create a Parisian-inspired abode while ensuring it remained deeply connected to its architectural roots and leafy, suburban surrounds.
Restraint and refinement drove the directive for the team at AKI, who worked as a collective to transform the home’s excellent bones into something that felt modern and approachable, where contemporary elements (like curvaceous lines, eye-catching furniture and a monochromatic palette) only served to enhance the historic features (like repeated archways, classic fireplaces and plaster detailing). At the heart of the home lies the kitchen, anchored by a commanding island in undulating Concordia marble, around which one can imagine the residents gravitating at the end of a long day. And while in any other space, marble of this particular finish (and this particular scale) could be overwhelming, here, it is suited perfectly and echoed in subtle ways throughout the rest of the home (the fireplace and mantle in the master suite, for instance).
Built upon a foundation of warm neutrality, the material palette chosen by AKI Design is a masterclass in contemporary luxury where plaster meets monochromatic tones of white, grey, brown and black, light timber flooring and natural stone. That said, there is a cool edge delivered by the details — a burnished bronze tap here, some steel framing there, or a bold, vibrant artwork that takes up an entire wall. As it should in a residence of this stature, natural light takes centre stage, effortlessly weaving its way through elongated and lofty openings, uplifting the atmospheric, deep-toned interior spaces with a luminous energy. At Fawkner House, the interplay between light and texture is brilliant. The walls become a canvas, artfully capturing and interacting with the day’s changing sunlight, the custom plaster finishes gracefully enhancing the natural but striking colour palette and infusing the home with a sense of movement and dynamism.
The elegant, arched motif, seen in doorways, windows and mirrors and hinted at in various furnishings, speaks to a balance that has been struck between privacy and openness, separation and unity. Internal glass doors enhance this dichotomy, allowing visual connections to flourish while still preserving a sense of seclusion, which gives this home an appealing depth and delineates the spaces beautifully. Every element of the Fawkner House has been considered and curated meticulously to create a home that, despite its outward grandeur, striking finishes and exceptional artwork and furniture, feels inherently warm and inviting. A contemporary, suburban escape in every sense.
“I’ve always enjoyed cooking for other people, seeing the smiles on their faces is the biggest drive for me,” says Eunsun Jung, co-owner of Small Mercies, a cute new spot that has just opened in Mount Eden. “It’s the reason I do what I do.” Jung, a chef, moved to Auckland seven years ago from Korea to start her career in the culinary arts. Her business partner, Mikey Rush came from the UK around the same time and has also been working in local hospitality ever since. Seeing space for a Korean-style doughnut shop in Auckland, the duo joined forces to create Small Mercies as the perfect drop-in for a sweet treat and a coffee.
Left: @foodtunes
Here, the hero is the Kkwabaegi, a traditional Korean twisted doughnut that Jung tells me brings back fond memories of home. Typically made with cinnamon sugar, what Jung has done at Small Mercies is to reimagine the potential of the simple Kkwabaegi by experimenting with a variety of delicious toppings. Alongside the OG Kkwabaegi, hungry punters can enjoy a selection of ever-rotating toppings from Chocolate Orange to Tiramisu to Salted Caramel and more. The toppings, Jung tells me, will pull on a variety of nostalgic flavours from the owners’ childhoods. “My favourites are the Brown Cheese and the Tiramisu,” Jung reveals, “they’re not too sweet, just super moreish.”
Small Mercies’ cabinet also has rows of Chapssal (which are glutinous rice doughnut balls) and Yakgwa (deliciously sweet, syrup-soaked biscuits), all best when enjoyed with a cup of perfectly-brewed Red Rabbit Coffee or matcha, or a refreshing cup of housemade lemonade.
From the outside, Small Mercies is unmissable, its whimsical front window covered in bright decals. This idea continues inside, where bold block colours define the space, from the sunshine yellow of the window seat to the pops of purple, pink, blue and orange on the walls. “We were very much inspired by cafe culture in Korea, where they make their spaces feel unique and interesting” Jung explains. “We wanted it to feel like walking into our childhoods, and it needed to be fun to work in too.”
Helping the duo bring their concept to life was Carly Black of Mille Interiors, alongside Build It Construction, who turned their fun ideas into the welcoming drop-in that Small Mercies is today. “We wanted our little shop to be a place where people can connect and share a moment of joy,” Jung says, “to feel open and welcoming and to make people’s days a little brighter.”
@7.30_y
As well as being a great new place to pick up a tasty snack, or to catch up with friends, Small Mercies is introducing a new delicacy into the culinary vocabulary of anyone who didn’t grow up in Korea. As Jung tells me, “We’ve already had customers from all over the world come into our shop and say, ‘we have something similar where I’m from!'” Bringing people together over delicious food and great coffee, Small Mercies should be firmly on your radar.
As the creative duo behind My Exhibition, a brand that recontextualises curated design pieces, many of which are sourced from markets and boutiques abroad, Sara Bruce and Sophie Anderson are not only seasoned travellers but each have unique perspectives on the cities they frequent. Paris is one such place, where Bruce and Anderson often visit to source, and to spend a day or two at some of their favourite restaurants, cafés, galleries, museums and under-the-radar spots. Here, the pair deliver some insight into how they might spend an early June day in the City of Light, from unmissable experiences to living like the locals do, to cultural wonders, and a few luxurious stops along the way.
From left: Sara Bruce & Sophie Anderson
“We’ve come to Paris for inspiration, some flea market fossicking and as big a dose as possible of inimitable Parisian style. It’s early June, sunny, hot and Paris is lush, as elegant as ever and buzzing. Follow us as we amble around the City of Light, Rive Gauche or Rive Droite, we’ve got you covered.”
A Day With
Sara Bruce
MORNING
I wake up in the Hôtel des Académies et des Arts. Small and not ‘comfortable’ enough to entice a certain kind of mature American traveller, my room features an easel and hand-sketched line drawings on the ceiling; not a kettle in sight.
The hotel is set down a side street in Montparnasse, opposite the longstanding Académie de la Grande Chaumière (a sculpture school).
I embark on a pre-breakfast stroll through the nearby Jardin du Luxembourg, which I have found to be a necessary jetlag antidote. Early morning is a delightful time to see the wild-planted gardens, fountains and palace. There’s no one around and it’s glorious.
Afterwards, croissants and bad coffee (I’m in France, after all) are best taken back at the hotel.
Left to right: Hôtel des Académies et des Arts, Jardin du Luxembourg & Fondation Giacometti
Only a short walk south is where I get my first hit of culture, at the Fondation Cartier Pour L’Arte Contemporain. Currently in between installations, it isn’t open, so I make do with peeking through the gate. My architecturally-savvy friend (Sophie) admires the steel, glass and now mature greenery both inside and out of the Jean Nouvel-designed structure.
Just down the road and without a queue or barely a sign, is the Fondation Giacometti. The small but perfectly formed ‘maison musée’ includes a reconstruction of the sculptor’s original studio. The Giacometti figures reside in a high-ceilinged rear gallery. This is not for those bang-for-buck museum-goers who want to tick off as many masterpieces as humanly possible (for that, head to the Musée d’Orsay). But it is a spectacular experience. Mingling with these plastered, wiry creatures in the flesh with no one else around is truly a thrill.
AFTERNOON
I complete the morning’s sculpture expedition at the Musée Bourdelle. This is my new favourite house museum in the whole of Paris. Despite not being familiar with Bourdelle at all, I’m calling him the new Rodin. The place is filled with incredible busts and large-scale works. There’s a cafe upstairs with a portico terrace overlooking the walled greenery. I eat a delicious simple salad on the loggia. Perfection.
Even the most avid art lover needs respite and time for reflection and that means a little browsing at the Left Bank’s iconic department store Le Bon Marché. Elegant French women glide around, dogs in tow.
Across the road, Le Grande Épicerie is the ticket to picnicking paradise. I agonise over the butter selection, and choose a smoked, salted version packaged as carefully as a precious gift. A few cheeses, maybe a pâté, some berries and exotic vegetables later and I’m well-provisioned for dinner later.
Left to right: Musée Bourdelle, Officine Creative, Le Grande Épicerie & Le Bon Marché
On the way to my next stop, I take a little detour to the Officine Creative at 20 Rue des Canettes in Saint-Germain-des-Prés. It’s a small shop showcasing mono-brand Italian handmade shoes and bags. The leather is as soft as that Bon Marché butter and it’s all logo-free. Nearby is the Dries Van Noten Paris flagship, a must-visit.
My final sculpture hit of the day is another Montparnasse atelier musée, this one showcasing works by Ossip Zadkine. It also boasts a verdant garden, in which a solo cellist is performing. This musical serendipity accompanies my wanders around Zadkine’s cubist busts and drawings. I feel distinctly cultured and far, far away from the tourist masses.
EARLY EVENING
It’s harder than it sounds to find the perfect spot for an aperitif. The big names trading on the Montparnasse of old like Le Dôme, La Rotonde, La Coupole and Le Sélect all feel a bit too Tripadvisor for what I’m looking for. Instead, I head to the luxe bar at the only palace hotel on the Left Bank; Hotel Lutetia, a smartly-renovated establishment with a high marble quota and excellent Camparis.
Left to right: Hotel Lutetia, picnic at the Hôtel des Académie & Grom Gelato
LE SOIR
If you’ve got the right ingredients, there is something fun about collating a delicious picnic for early dinner, and the breakfast room at the Hôtel des Académie offers the perfect setting for just that. Champagne from Nicolas nearby, baguette from the boulangerie and a series of delicious what-nots from Le Bon Marché, this is my dream. (Apologies serious foodies and lovers of 12-course degustations.)
Finally, I head down to the Rue de Seine for a post-dinner ice cream at Grom Gelato, to make the most of the late Parisian light.
A Day With
Sophie Anderson
MORNING
I wake up in a garrett room in the eaves at the Hôtel Pulitzer on the Rue de Faubourg, Montematre. Sliding open the bathroom door reveals a generous sized bathroom which does much to up the luxury factor of the tiny room.
Immediately, I make for the Marais. First up, un café at Le Petite Place at 2 Place de Thorigny. This delightfully modernised Parisian style café with perfectly-hued, mix-and-match crockery always delivers. (Despite not being on Sara’s carefully-researched and cross-checked list, the coffee here is excellent.)
Left to right: Hôtel Pulitzer, Le Petite Place & Picasso Museum
Just around the corner is my next stop, the Picasso Museum, where I immerse myself in the current exhibition marking 50 years since the artist’s death. Brought to life under Sir Paul Smith’s artistic direction ‘Picasso Celebration: The Collection in a New Light’ at Musée Picasso is sublime. Colour as emotion, reflection, inspiration… All enveloped by the sumptuous and exquisitely-restored Hôtel Salé in which the museum is housed. Top tip — be ready to go at 9:30am to get ahead of the crowds.
AFTERNOON
Onwards to the up-market 16th. I catch the Metro across town to La Rotonde de la Muette, which has been expertly re-imagined and updated in classic Parisian café style by New York designers Roman and Williams. There, I sit on the terrace surrounded by gorgeous French families with children in polos, folded socks and combed hair. Standard fare in a chi chi location.
Nearby and not to be missed (even if it’s just an Uber drive-by) is the Frank Gehry-designed Fondation Louis Vuitton. The current Basquiat x Warhol exhibition is an added bonus.
Left to right: Frank Gehry-designed Fondation Louis Vuitton, La Rotonde de la Muette & Musée YSL
Then, I jump back on the metro to the divine Musée YSL. On entry I am funnelled into the original reception area. The whole room, including carpet, walls, ceiling and chandelier, is exactly as it was when the maestro himself presided over the brand. Faintly musty, this room is dedicated to a history of YSL. Currently on display is ‘YSL — shapes and forms, Decors & Works by Claudia Wieser’, which I discover is a wonderfully-evocative exhibition. For me, however, the pièce de résistance is YSL’s ‘studio’, lying in the heart of the atelier. This was where Saint Laurent designed and then evaluated garments on models. Full of favourite objets, fabric swathes and swatches, coloured pencils, sketch pads and curios, the mood is completed by a pair of Yves Saint Laurent’s glasses casually discarded on his desk. It truly feels as though the couturier has just left.
EARLY EVENING
As the late-afternoon light turns to dusk I head straight to the bar Les Ambassadeurs at Hôtel De Crillon and order Champagne. Joined by Sara, we’re early drinkers in Paris so we sit ourselves in the Jardin D’Hivers. Purple is the hue here, where the orchids match the marble and the giant amethyst pieces. Perfect service and people-watching.
Left to right: Château Voltaire, Aux Crus de Bourgogne & Hôtel De Crillon
LE SOIR
Afterwards, we’re booked at Aux Crus de Bourgogne for early dinner. An old-school, vintage-chic institution (since 1932) with a waiter in a white suit and a refined beef bourguignon. Located just around the corner from the main tourist drag, this iconic spot still feels charming. The snails are on the salty side but the Champagne is perfectly chilled.
Finally, we toss up between two of our favourite options for a nearby, after-dinner drink. Either at the bar at Château Voltaire (from Zadig & Voltaire’s founders), or at the Roof at Madame Rêve, where views and foliage abound. We land on the latter and end our day on a distinctly high note.
Concrete look wall created with a base coat in Resene SpaceCote Flat in Resene Four Winds. Then layered with Resene FX Paint Effects tinted with Resene Kinship and Resene Quarter Black White. Shelf in Resene SpaceCote Flat in Resene Four Winds. Right wall in Resene SpaceCote Flat in Resene Quarter Black White. Floor in Resene Lustacryl Low Sheen in Resene Ted | Styling credits below*
art direction — Amber Armitage/ Marigold Photography — Wendy Fenwick/ Flash Studios
In the realm of design, textured walls have emerged as a captivating trend, taking ordinary spaces to extraordinary heights by offering tonal dimension and appealing tactility. Offering a sophisticated finish, textured walls are actually quite simple to achieve at home with Resene’s innovative Paint FX range, offering virtually endless possibilities for capturing mood and transforming spaces into something truly special. These specialty paints not only create ambience but are designed with superior durability and also offer practical benefits — concealing imperfections by adding depth and movement. In fact, the presence of subtle flaws can enhance the overall effect, making it even more striking.
And while this range of paints allows you to unleash your creativity by experimenting with different colours and application techniques, the trend that seems to be prevailing at the moment is towards enhancing more neutral shades in the home, like tones of grey. Because, where a simple grey wall might make a space fall flat, tones like Resene’s Four Winds, Ted or Kinship come alive when a layer of Paint FX is applied over the top. In one simple step, a dull, two-dimensional wall is transformed into something that almost looks more like brushed steel.
Perfect to use in spaces that require a contemporary edge, greyscale textured walls using Resene paints and Paints FX will inject a touch of industrial chic and dynamic intrigue. Simple to use, durable, versatile and creative, Resene’s most innovative range will help you create an artistic, interior masterpiece.
*Losange rug, Tasso Vase range and the Canaletto display cabinet from Ligne Roset, 6 P.M. artwork by Max Thomson from Tessuti, Stories of Italy Opaline Tiny Star Bucket vase, Loewe Anagram blanket, Ginori 1735 The Lady candle and 1735 Catene soup plate from Faradays, S-G-1-#BEBDB6-SC artwork by Zara Dolan and Infinity artwork by Ray Haydon from Sanderson Contemporary, Frankie 3 Seater sofa and the Glossy marble table lamp from Bradfords Interiors, Vase phases from Michael Joyce and the Fall coffee table in blackened brass from Powersurge
Nestled in one of the most storied neighbourhoods in Auckland’s CBD, Gilt Brasserie is the newest (and third) venture of celebrated restaurateurs Josh and Helen Emett (of Onslow and The Oyster Inn), who are expanding their already-impressive reach to deliver a dining destination that is truly exceptional.
Drawing on elevated restaurant culture from around the world, the dynamic duo have created a sumptuous space that not only speaks to their love for cosmopolitan life, but that introduces something unique and decidedly international to Auckland’s hospitality scene. An ode to the kinds of restaurants one might find in New York or Paris (restaurants that hum with activity from lunchtime to dinner and beyond) Gilt Brasserie is poised to become the City’s most popular new opening, where old-world glamour collides with refined, contemporary cuisine in a setting that will revive the iconic O’Connell Street and its surrounding neighbourhood.
Ahead of Gilt’s official opening next Wednesday (the 18th of October), we talked to Josh and Helen Emett about what to expect from their much-anticipated, new spot.
Tell us about Gilt Brasserie, what inspired the concept? Our inspiration was the all-day European-style brasseries we loved so much when we lived in New York. Where you go for the lively dining room that transports you to Europe with every bite and sip. We love Europe, in particular Spain and France, and have always admired their approach to food and dining, a culture where you can go and enjoy delicious food any time of the day — lunch, late lunch, long lunch, relaxed drink, dinner and beyond.
What has the process been like of bringing Gilt to life? Creating a restaurant calls on so many skills and brings together so many elements, from interior design to marketing, finance and recruitment, as well as the obvious hard yards that are required in the kitchen and bar to create a standout menu. Gus Dobson of Made By led the build and we have loved working with him. He has been as dedicated to our vision as we are, and he made sure to seek out the best tradespeople for the job, each a master of their craft, whose attention to detail has been second to none. Getting this right has been a real triumph. Every restaurant opening has its challenges but overcoming the hurdles is what gives us a real buzz.
Tell us about the menu. What kinds of food can we expect? We wanted to focus on classic dishes done right with a nod to playful nostalgia. Think pork and duck rillette, oyster mornay, a plate of delicate one-bite beignets, duck frites with sauce a l’orange, endive ‘au gratin’ and carrot râpé. Our vegetable dishes are not confined only to side options either, they are very much front and centre. Overall, the idea of all-day dining has been a real focus for us. We want people to enjoy Gilt at any time of the day, whether it’s for a satiating sandwich at the bar or a cobb salad for a quick lunch.
What are some of the menu highlights? Right now, our team has given the Confit Potato Squares with Saffron Aioli a big thumbs up, which is no surprise really. We actually have a whole menu section dedicated to the humble potato! Another team favourite is the handmade King Crab Pappardelle Riccia with Brandy Bisque and our lunch-only Minute Steak with Pomme Frites and Entrecote Sauce is going to be really popular, we think, especially for business lunches. Those looking for something more substantial should head to the ‘Large’ section on our menu, which includes a delicious Rib On the Bone. Ultimately, our aim is for the food to be approachable without sacrificing sophistication.
What can we expect from the drinks and wine list? Again, we’ve added a nod to Europe here with our favourite Portuguese apéritif — the white port and tonic. Vermouth and sherry will be a feature as well as a beautifully curated, European-inspired wine list. People can expect recognisable gems and new discoveries as they work through our extensive wine list, where there really is something for everyone to enjoy. Our cocktails will be classics done well. In fact, we think our Cosmo will become a bit of thing (our version has sexier, darker red tones and packs a serious flavour punch). Our Blood Orange Sgroppino is also SO good (a delicious mix of blood orange sorbet, vodka and Prosecco) and our tap beer is Estrella Damm (a drink we personally love when we are on holiday in Spain). Leah Kirkland, our Head of Group Beverage and Arun Rodgers, our Bar Manager have been working on this menu for over two months and the result is outstanding.
Tell us about the space. Who helped you bring it together? Gilt is tucked away behind Auckland’s iconic laneway on the corner of O’Connell Street and Chancery Street and the restaurant looks out onto Freyberg Square and High Street. We wanted to create a vibe that people would love coming back to, and as such, we are open from Monday to Saturday, 11.30am until late, and have made sure that we have a large bar area with lots of walk-in space for people to enjoy a drink or two. Rufus Knight and his team at Knight Associates looked after the restaurant design and worked with Dahlia Ghani to create something really special here. We love their style and the meticulous attention to detail in the spaces they create. We also brought in Sonja Hawkins in to deliver her signature design flair with special touches like the fabric selections, antique pieces and lamps. The striking art hanging on our walls was curated by Sarah Hopkinson and Georgia Currie of Salomé, a boutique art advisory that works to showcase the best of local New Zealand talent and helps up-and-coming collectors curate their art purchases in a really meaningful way. They helped us secure three pieces by Stockholm-based Kiwi artist Milli Jannides, as well as a site-specific wall painting by Glenn Otto, which really make the space sing. For branding and strategy, we struck gold working with Studio Round, a Melbourne agency helmed by Founders/Directors, Rob and Michala, Kiwi expats who have such a breadth of experience that includes working on some of our favourite restaurants in Australia. As two married couples who work together, our business meetings often would happen over dinner with both of our families in tow.
What kind of experience do you want people to have at Gilt? We want it to be a busy bustling space for our guests to enjoy — a place that quickly becomes comfortably familiar, where excellent service, delicious food and great company collide. Finally opening Gilt is the realisation of a longstanding dream. We’ve always wanted to create a brasserie and this site has been on our minds for over four years. People keep telling us Auckland needs another lively and relaxed dining spot so that’s what we wanted to deliver. There is also something so exciting about the prospect of revitalising this pocket of Auckland City. It really is a storied neighbourhood and we love bringing such an iconic building back to life.
Bookings for Gilt Brasserie can be made here and are available from its official opening day on Wednesday the 18th of October. Bookings are encouraged but if you head along early enough, Gilt will have a section dedicated to walk-in guests for spontaneous drop-ins and easy catch-ups.
Opening Hours: Monday to Saturday, 11:30am until late
Since opening last year, MoVida has fast become a popular spot for Auckland’s most discerning diners, who love it as much for its spectacular views over the sparkling Waitematā Harbour as for its mouthwatering menu of flavoursome, Spanish-inspired dishes. And now, there’s more reason than ever to park up in one of MoVida’s comfortable booths, with the restaurant having recently revealed a delicious new menu, just in time for the season of long lunches and celebratory dinners.
Filled with fresh, seasonal flavours, local produce and strong flavours perfect for uplifting our spirits in the lead-up to summer, MoVida’s new menu is a feast for all the senses. Some highlights include the Cigala, comprising poached scampi, served with salted egg yolk and finger lime on a house-made crumpet — a distinctly Spanish twist on classic Kiwi fare — as well as the Lengua, seeing small tacos filled with perfectly-charred lamb tongue, talos, cucumber, kohlrabi, crème fraiche and basque tximitxurri.
Left: Lengua (Lambs Tongue Taco)
Those seeking something more substantial will find it in dishes like the Pincho De Pollo, offering a series of barbecued Moorish-spiced chicken thighs with padrón salsa picante, sesame and yoghurt, or the Credo, a seriously standout dish featuring Kurobuta pork scotch (the wagyu of pork, sourced from one of the world’s most prestigious pig breeds) marinated in Adobo spices, grilled over wood and served with grilled stone fruit, shishito and guindilla peppers.
Elsewhere, other new additions are perfect for a tasty bite or satiating snack. Dishes like the Mejillones, comprising steamed green lip mussels with mojo verde and the Massimo Buratta with asadillo and roasted capsicum Andalusian salad will hit the perfect note every time. While those craving seafood and seeking something fresh should definitely try the Gambas Ahumadas, which sees house-smoked prawns served with Otago clams and butter beans.
Right: Gambas Ahumadas (Smoked Prawns with Otago Clams)
Further cementing itself as one of our favourite, go-to spots for a flavoursome and fulfilling meal, whatever the occasion, MoVida and its new menu should be firmly on your radar. To celebrate the launch of the eatery’s delicious new offerings, we are giving one lucky Denizen the chance to win an epic dinner experience for six, including Champagne on arrival and wine-pairings with the meal, worth $1,200. You can enter to win via the form below.
For more exclusive access to what the city has to offer, engaging content, excellent imagery and thought provoking commentary on the life that surrounds you, subscribe to Denizen magazine now.
