Property Developer, Chris Meehan

We sit down with property developer Chris Meehan to talk patience, passion projects, and designing for the future

As the founder and CEO of Winton, one of New Zealand’s most prolific property development companies, Chris Meehan is someone who has taken the responsibility of shaping the future of our urban landscapes in a very meaningful way. From his early childhood on a rural South Island farm to his formative years building a property empire in Sydney, to now, undertaking some of the most significant residential, commercial and hospitality developments in the country, Meehan is a man with vision, ambition and the ability to execute a number of eye-watering projects with a level of finesse and careful attention to detail that is rarely seen. And while his success is undeniable, for Meehan, the driving forces behind it are simple: a passion for design and a desire to build for the future.

It was a deep love for design that first drew Chris Meehan into the competitive world of property. Having once harboured dreams of becoming an architect (although eventually deciding to pursue his passion from a different angle) Meehan knew from a young age that creating spaces in which people could not only live, but could truly thrive, was the pursuit that would drive his career. And that is exactly what he, as the CEO of New Zealand’s most prolific property development company has gone on to do. (Although whether he could have predicted the immense scale at which his spaces would materialise, is another question entirely.) 

Meehan was born in the small South Island town of Winton (the name he would eventually give his development group) near where he spent the first 11 years of his life on a farm before his parents parted ways and he moved to Sydney with his mother. Living in a much bigger city but with far fewer resources at his disposal, Meehan explains that while the challenges were certainly greater, the opportunities for those willing to pull themselves up by their bootstraps were abundant, and he wasn’t going to miss his chance at building something better. “We had nothing,” Meehan tells me in his straightforward manner, “so I figured that the only way to get what I wanted was to work my ass off, and that’s pretty much what I’ve done ever since, it really isn’t any more complicated than that.”

Granted, from an outsider’s perspective it does feel a little more complicated, given Meehan’s incredible rise from young Kiwi expatriate to trans-tasman property mogul. Although the core tenets of a dedicated work ethic, an expansive vision and plenty of ambition have clearly remained the potent mix underpinning his success. 

Back in 2000, Meehan founded Belle Property in Sydney, a company he built by selling high-end, design-led homes and bolstered through a clever association with (at the time) Kerry Packer’s glossy interiors publication of the same name and branding (a title he eventually acquired). As a young up-and-comer in the industry, it was a bold move, and one that not only gave Meehan’s business a competitive edge, but that offered early proof of the entrepreneur’s ability to think outside the box, and of his desire to build businesses with quality and pedigree as their bedrock. But while Belle was undeniably successful, it was never Meehan’s end goal, with the developer explaining how, after selling the company in 2009, he turned his focus to Winton, planting the seeds for something that would see him undertaking projects of a far greater scale.

“For Meehan, the process of building Winton has been purposeful and painstaking, a path paved by the developer’s characteristically patient approach.”

“Belle Property, was a great place to start because it was very much a design-led business where we specialised in the sale of designer property and we also had the magazine, so that was a niche that we really owned in Australia,” Meehan explains, “but it was a means to an end for me,” he pauses, “a good means and a good end, but the big-scale projects that I’m doing with Winton now… nothing compares.” 

For Meehan, the process of building Winton has been purposeful and painstaking, a path paved by the developer’s characteristically patient approach. This has not only allowed Meehan to grow his business sustainably, but has reduced (or virtually eliminated) his reliance on banks or borrowed capital, keeping Winton in an undeniably strong position, unhampered by debt. “When I sold Belle, we didn’t have a huge amount of capital but we had enough to start some smaller projects,” he tells me. “As we went on, we just kept reinvesting our profits and eventually the projects grew in scale, and now, 15 years on we’re building towns.” 

This is not hyperbole. Winton’s developments are known for being eye-watering in scale, often encompassing hundreds of residential buildings, a commercial or hospitality hub and a variety of public spaces. They are also unparalleled in their attention to detail, each project boasting the kind of high-quality, timeless design that one might expect to find in a premium single dwelling, but certainly not reproduced en masse and without compromise. “We put about 10 times as much thought into the design of our projects than any other developers would,” Meehan tells me, explaining how he spends most of his working hours with Winton’s design team, going through every inch of his projects meticulously. It is, he tells me, the part of his job he loves the most. “I’ve always thought, in my business,” Meehan suggests, “that if I can just get the product right, like really right, then the money will flow from there.”

It is certainly a unique approach for someone operating at the top of an industry in which profit is often the chief driver — an attitude that wouldn’t usually leave room for the kind of detail on which Winton has built its reputation. But if Meehan’s formula has proven anything, it is that good design is timeless and quality will, as he predicted, always sell. “We’ve got enough sitting in our landbank now for about 7,000 lots,” Meehan reveals, “and we’re always buying more. We like to keep about 10 years of runway ahead of us.” 

Ayrburn, Winton’s sprawling new hospitality precinct outside of Arrowtown

One particularly spectacular example of Winton’s unique handiwork is Ayrburn, a sprawling new hospitality precinct that opened late last year on a piece of historic land just outside of Arrowtown. Comprising a series of dining and entertaining venues (with still more to open), sweeping gardens, public spaces and a series of residential developments to come, Ayrburn has not only been one of Meehan’s most ambitious projects, but is also the one, he reveals, he has enjoyed working on the most. “We bought the property in 2015, so it’s been a nearly-10-year process bringing it to life,” he says. “But it’s probably been the most fun I’ve ever had on a project,” he pauses. “I know that I won’t find another piece of land like that in my lifetime, one with a rich history, 160-year-old trees, a beautiful creek running through it, historic buildings framed by mountains and a close proximity to such an iconic town… it has definitely been a passion project for me, and I’m so proud of how it has come together.” 

Indeed, Ayrburn is a striking showcase of Winton’s extraordinary vision and unparalleled execution. Its generous grounds have been manicured to perfection, with Meehan explaining that in time, they will grow to become one of the most jaw-dropping botanic gardens in New Zealand. Its historic buildings (despite being already existing on the property) have each been painstakingly rebuilt by specialised tradespeople who spent years ensuring that they would be fit for purpose (and adhere to modern building codes) while remaining true to their century-old provenance. Really, you only have to drive through Ayrburn’s understated entranceway to immediately understand how it truly stands apart as a development that has been designed for the future. For me, it brings to mind the old adage of a society growing great because of those who plant trees in whose shade they will never sit. Only time will show the true potential of what has been created there.

But Ayrburn is just the first in a series of exciting new projects by Winton where hospitality is at the heart; precincts in which premium residential developments and food and beverage offerings have been designed to go hand-in-hand. For Meehan, this is simply an extension of Winton’s more holistic development model; a reflection of its long-standing commitment to combining residential offerings with commercial hubs in order to offer lifestyle with longevity — something that goes well beyond nice new buildings alone. 

On entering the hospitality space in such a significant way, Meehan explains that his philosophy is simple: “You’ve got to have an incredible location, you’ve got to be in the sun, and you’ve got to be near some kind of water,” he says. “If you get those three things right then you have the foundations for an incredibly successful hospitality offering.” And while Ayrburn, of course, ticks all of those boxes, there’s another major project currently taking shape a little closer to home that is promising to not only reimagine Auckland’s Wynyard Quarter precinct, but also, to completely change the ways in which we will be able to enjoy our waterfront. 

Winton’s Cracker Bay precinct, overlooking Auckland’s sparkling Waitemata Harbour

Cracker Bay, set on a sprawling section of prime, waterfront real estate, is the expansive new hospitality precinct that Winton is currently underway with. When finished, it will comprise a series of hospitality venues, from grab-and-go eateries to formal restaurants and a spectacular event space overlooking Auckland’s sparkling Waitemata Harbour, as well as a private members’ club and a public walkway that will allow more people to take in the stunning vistas of Auckland’s waterfront. In what I am coming to understand as Winton’s modus operandi, it seems that no detail here has been left to chance, with Meehan explaining that, in honour of the site’s history, many of the existing heritage buildings will be carefully reconstructed, and that because of its positioning, Cracker Bay will offer something utterly unique in Auckland. “It’s west-facing so not only will it be bathed in sun but it will be sheltered from the wind, and we’ve called on some really clever people from all over the world to run it for us so it’s going to be a fun place,” he tells me, with a twinkle in his eye. 

Really, Meehan is in the business of changing the ways in which people live. Not just where they live, but how. Cracker Bay, while incredible as a standalone project, is actually part of a much larger vision that will marry its vast and varied hospitality with a luxury apartment development across the road called The Villard and alongside that, another new offering that is reimagining the idea of life after retirement — Northbrook.

Winton’s luxury apartment development, The Villard

“When we looked at the demographic of New Zealanders who were a little older and who had lived with luxury goods and services their whole lives, they weren’t generally the bingo-and-bowls types,” Meehan tells me, with a chuckle. “We saw a big hole in the market for a residential concept that would flip the idea of retirement on its head, and so, Northbrook was born.” 

Offering what Winton has called ‘luxury later living’, Northbrook is a series of residential developments that not only provide older New Zealanders with a beautiful place to live in their twilight years, but promise an idyllic lifestyle for those seeking something more sophisticated for their retirement. From impeccably designed apartments that have been fitted with subtle additions to make living easier, to elevated social spaces, including restaurants and bars, in which residents can mingle, to ensuring that the developments’ locations are only a stone’s throw away from Winton’s other new hospitality precincts (including Cracker Bay and Ayrburn), Northbrook seems the only retirement concept in New Zealand that is actually responding to the needs and desires of its target demographic, and it’s a space in which Meehan is predicting incredible growth over the next few years.

“Meehan is a developer whose passion for his work permeates everything he does, creating better, more desirable and certainly more liveable spaces as a result.” 

“Already the uptake for Northbrook has been really strong,” the developer says, “and most of the people who are buying into these apartments are the kinds who swore that they would never consider a retirement home.” He continues, “but really, that’s just a reflection of how we’re doing things so differently… it will be like moving into a luxury hotel with your mates,” he smiles, “who wouldn’t want that?”

Indeed, the potential that Meehan sees in his Northbrook concept is clear in his commitment to its growth, with sites already underway in Auckland’s Wynyard Quarter and Launch Bay, as well as in Wanaka and Arrowtown, and in Christchurch’s Avon Loop, too. “The retirement business will be a significant part of our overall portfolio in five years time,” he tells me, “and while we’ve got five in the works now, we see demand for between 12 and 15 Northbrook retirement developments up and down the country in the coming years.” 

Winton’s idyllic Northbrook in Launch Bay

This focus on larger, more ambitious projects that will allow Winton to hone its expertise on one area is something that Meehan says is his goal. “We’ve got about 26 projects on the go at the moment but I’d like to get that down to about a dozen,” he says. “We do those big ones so well that I think they should be our primary focus.” 

One such project that Meehan outlines as a major focus of his going forward is Sunfield, a groundbreaking development in Papakura that will literally conjure a township out of thin air. Sunfield will boast around 400,000 square-metres of commercial space and some 5,000 new (and affordable) homes. It will offer a radical new approach to living that hinges on the idea of people not wanting to spend hours commuting everyday and as such, the Sunfield neighbourhood will be designed for those who work and live within its boundaries, with Winton creating all the amenities that a typical township might need, from supermarkets to schools to public parks, playgrounds and more. It’s a fascinating concept, and one that will require the next 15-or-so years to bring to fruition. If, that is, it can survive the daunting process of procuring consents to go ahead.

Unfortunately, the fact remains that in New Zealand, much of Meehan’s job as a developer involves a seemingly endless barrage of bureaucratic challenges and nonsensical red tape that can stymie creativity and growth from the outset. It’s something about which the developer is very vocal. “In New Zealand, we’ve gone from this number-eight-wire mentality to what feels like ‘10 reasons why you can’t do something,’” he says. “The bureaucracy is out of control here and there’s no reason for it.” He continues, “at the moment, collectively, we only build on one percent of our landmass, and yet we’re facing a housing crisis,” he pauses, “It doesn’t make sense.”

In almost all of his projects Meehan has had to overcome opposition from local councils and face court cases in which he has had to prove himself to the powers that be, showcasing again and again the ways in which Winton is developing for the future, how it is creating better spaces for us to live and work and play in, and how, at its core, its ethos is about honouring the beauty of New Zealand with developments that will stand the test of time. “I have an incredible team of the very best people around me,” Meehan says, “and I guarantee that if you asked around my office, the only thing they would say they found frustrating about their work would be the bureaucracy, I can only hope it changes soon.” 

The truth is that what Meehan has achieved with Winton is already changing our landscapes and lifestyles in significant ways. From the incredible sites he secures, many of them central to our enjoyment of a particular city or town, to the integrity with which he designs, refusing to cut corners or leave any detail to chance, Meehan is a developer whose passion for his work permeates everything he does, creating better, more desirable and certainly more liveable spaces as a result. 

In an industry that can get a bad rap for developing sites with a ‘profits over people’ approach, Meehan and his team are proving (in a big way) that by putting people first, by taking the time to understand how they want to live, and by offering something that is high quality, luxurious and lasting, profits and growth tend to follow. And while his success in this space is undeniable, it’s never been Meehan’s chief driving force. “I feel like I get to come to work everyday and do my hobby,” he tells me, smiling. “Being able to design something beautiful, something that inspires me, and then to bring it to life and watch others enjoy it, that’s all I’ve ever wanted to do, and it’s pretty satisfying.”

Design

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NOUR HAMMOUR DAKOTA LEATHER TRENCH COAT

As Muse Boutique welcomes coveted Parisian label Nour Hammour to the fold, we explore the brand’s surprisingly rebellious origins

When Erin Conry Webb and Nour Hammour founded their Parisian label Nour Hammour in 2013, they had a singular goal: to create the perfect leather jacket. It was a rather lofty ambition, but as you peruse the brand’s recent collection of thoughtfully tailored designs in neutral tones and supple leather, they appear right on track. Simultaneously androgynous and alluring, the contemporary cuts would slip effortlessly into any woman’s forever wardrobe. So, it is interesting to think that it all began with a biker jacket. 

Sofia Ruutu
Danielle Laz
Rosie Huntington-Whiteley

It was the early 2010s. Stacked rings, smokey eyes and over-the-top embellishment reigned, and the women — who met while studying for their masters — quietly launched a business making bespoke, studded leather jackets. Channelling the moto chic culture of the time, the personalised pieces were soon draped over the shoulders of Beyoncé, Rihanna, Gigi Hadid, and a slew of off-duty models. The über-adorned designs earned a legion of fans right from the outset, but for Nour Hammour, it was just the beginning. 

As time and taste moved on, the brand left the rebellious biker look behind and evolved, carrying its audience along with it. Forgoing trends in favour of enduring design, the handcrafted outerwear now strives to ‘empower and elevate.’ These tenets carry across every facet of the female-founded brand, which has worked tirelessly to forge a fresh path in the male-dominated leather industry. 

NOUR HAMMOUR Dakota Leather Trench Coat
NOUR HAMMOUR Dakota Leather Trench Coat from Muse Boutique

NOUR HAMMOUR Dakota Leather Trench Coat from Muse Boutique
NOUR HAMMOUR Birthday Shearling Coat from Muse Boutique
NOUR HAMMOUR Gotham Sleek Leather Coat from Muse Boutique

In a trade that favours large-scale production, Nour Hammour is unafraid to break the mould. Establishing manufacturing methods that honour craft and heritage, it remains steadfast to its ambition to be ‘more unique, ecological and inclusive,’ even launching a female-led workshop in Istanbul. Production is now split between Turkey and a petite Parisian workshop—the same one that made the brand’s very first jacket over a decade ago. 

The label’s other key motivator is sustainability. Nour Hammour has an admirable ‘zero-waste’ approach, and while leather is an inherently sustainable material, the brand makes significant considerations to reduce its environmental impact further. Case in point, it doesn’t hold any inventory; every jacket is cut and constructed when ordered. This means excess fabric remains at a minimum, and anything that is left over or offcut is collected by other artisans and repurposed. 

Available exclusively through Muse Boutique, owner Olivia Vincent Healy first discovered the brand via forever icon Rosie Huntington-Whiteley, drawn to the elegant outerwear for its “luxurious and timeless” appeal. Destined to be the ideal companion for this winter and many more, Nour Hammour is outerwear to be prized and passed down. As co-founder Conry Webb says, “Leather is the only material that gets better with time.”

Nour Hammour is available exclusively at Muse Boutique

Coveted

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Style Icon: Viky Rader
Artist Kāryn Taylor

We talk to respected artist Kāryn Taylor ahead of her exhibition at Sanderson Contemporary

Known for her work which manipulates light, form, and shadow, Kāryn Taylor has a unique ability to draw the viewer in, challenging perception and inspiring introspection as she investigates metaphysics, regarding the existence and nature of things, and quantum physics, the behaviour of matter and energy. This June, the respected artist has an exhibition at Sanderson Contemporary entitled ‘Visual Linguistics‘ — continuing the evolution of her self-illuminating lightboxes, as she further pushes the limitations of the material which has become synonymous with her work.

Here, we talk to Taylor ahead of her exhibition, discussing the nuances of her work, the link between illusion and reality, and what we can expect to see in ‘Visual Linguistics’.

Alcove by Kāryn Taylor

Exclusive Q&A


You are known for your artworks that explore light and space. When did you first start making art in this way?

My first exploration into light and space was a large-scale, immersive work for the Dunedin Fringe Festival in 2008. It was a series of chambers, each with its own frequency relating to the energy systems of the human body. I used the vibration of light, colour and sound to achieve this. Later, I studied for my Masters at Elam where I experimented with sculptural light and line works. My self-illuminating lightboxes came out of being asked to submit a work for Sculpture OnShore in 2014, which had to withstand the elements. As I’d been working with layers of film and paper, I went looking for something more durable to mimic this. I played around with cast acrylic and discovered how to make a glow effect which I immediately ran with. I could visualise the final work in a matter of moments leading to a year-long process of perfecting the concept, which continues today. 

man viewing Kāryn Taylor installation

You studied Graphic Design in California before going on to study Fine Arts in New Zealand. Did this impact your approach to art?

As a graphic designer, I had to continually come up with new designs within strict parameters, and always tried to excel at coming up with something unique and different from what was already out there. This has probably impacted my art making as I always try to create works that are unique and haven’t been seen before.

You recently exhibited your first large-scale public exhibition at the Suter Art Gallery Te Aratoi o Whakatū in Nelson, which was hugely successful. What did you learn from this experience? And what did you enjoy?

This was an exciting project as I was exploring new territory such as free standing sculptures and the physical modification of the space. I was working at a much larger scale than I had previously. I loved the whole process as I quite like being on the edge of new things and figuring out how to bring them to life. I learnt a lot about working with multiple fabricators to create new works using new materials. I also learnt how creating a total environment at a large scale requires a lot of intense visualisation as there is no real way to test the full concept at scale. Seeing it come to life was a pivotal moment in my career.

KTA Halo by Kāryn Taylor

Your artwork explores metaphysics and quantum physics. Can you explain this a bit more?

Metaphysics is the study of existence and the nature of things, while quantum physics is the study of the behaviour of matter and energy. The interesting thing is they both bump up against this idea that consciousness creates reality; that the observer and the observed are somehow connected. My work explores this by often including something that doesn’t perceptually or physically make sense, it requires the viewer to question what they are looking at – what is real and what is an illusion.

What are your future career goals? 

I have always envisioned my work in public galleries, not just here in New Zealand but also overseas, so I am always looking to create a trajectory in that direction. I see large-scale installations and free-standing sculptures being a focus, alongside my projection works. I have this insatiable desire to bring my practice out into the world.

Tell us one thing about yourself that people wouldn’t know

I have danced Argentine tango for over 20 years and I spent a number of years teaching it too! 

open question grid answer lines by Kāryn Taylor

You have an exhibition coming up at Sanderson in June. What can we expect to see in the exhibition?

The continuing evolution of my self-illuminating lightboxes — I am always trying to see how far I can push the limitations of this material. There will be works that have more shadow-based lines that speak to traditional drawing. There will also be some new colour combinations and more complex imagery, alongside my known minimalist aesthetic.

Kāryn Taylor’s exhibition ‘Visual Linguistics’ is on at Sanderson Contemporary from the 12th June until the 7th of July 2024.

sanderson.co.nz

Culture

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Step up your beauty routine and achieve a rosy glow with our edit of the blushes to shop now

If your complexion is looking a little dull from the shorter days, don’t panic. This edit of winter blushes will give you a rosy flush, instantly adding a warming glow to your complexion this winter. 

Shop the edit
Royal Flush
Addict Rosy Glow from Dior
Westman Atelier Baby Checks blush stick from Net-A-Porter
Charlotte Tilbury Pillow Talk lip & cheek glow from Mecca
Chanel Joues Contraste blush from Smith & Caugheys
Polite Society Pops Powder Blush from Mecca
Benefit Benetint Lip & Cheek Tint from Adore Beauty
Nars Afterglow Liquid Blush from Sephora
Polite Society Go Flush Yourself palette from Mecca
Kosas Blush Is Life Baked from Revolve
Makeup by Mario Soft Pop Blush from Sephora

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Grilling Etiquette — Your guide to the dos and don’ts of BBQing

There’s been a real move in recent times towards cooking outdoors — even across the cooler months. There’s something quite ritualistic about preparing food in the fresh air that cooking in a kitchen can’t compete with, and the flavour cooking with smoke brings is unmatched.

Often overlooked as simple, manning the grill realistically requires you to cook the most fundamental parts of any meal. And while cooking a steak is hardly Masterchef-worthy, cooking one well is. With great power comes great responsibility (no one likes a burnt ribeye), so if you find yourself tasked with the role of grill master, make sure you are well-equipped for the job. The Ninja Woodfire Electric BBQ Grill & Smoker is a great place to start, and our definitive guide to grilling etiquette below will help you on your way to mastery. You’re welcome.

01.

‘All the gear, no idea’ very much applies to grilling. What you wear to grill makes a statement, and as such, should be approached with careful consideration. This isn’t an episode of King of the Hill, so leave your ratty, misshapen white tees in the draw, instead opting for an all-black ensemble to keep things sleek and practical. To take your grilling prowess up a notch, a ‘Kiss the Chef’ apron is essential.

02.

Equipment is everything. And while this goes without saying, your dad’s archaic, hand-me-down BBQ from the 90s has got to go. It’s 2024, and things have moved (well) on. Take the Ninja Woodfire Electric BBQ Grill & Smoker, for example. Outside of being a BBQ grill, it also acts as a foolproof smoker, air fryer, and tool for baking, roasting, dehydrating and reheating — all in one, sleek appliance which, thanks to woodfire technology, easily creates rich woodfire flavour with 100% real wood pallets.

03.

Don’t drink and grill. While a cold one is as essential a grilling accoutrement as a pair of tongs, overdoing it won’t bode well for anyone involved. Keep it civilised with one or two until after the cooking is complete, and all will remain in perfect, edible order.

04.

Timing is everything. Overcooked BBQ food is the worst, and undercooked meat is a big no-no, which means that those in charge of the grill need to remain laser-focused at all times. Or, if you’re smart (and can’t be trusted to go it alone), look to the Ninja Woodfire Electric BBQ Grill & Smoker’s integrated Smart Probe, which makes achieving perfectly cooked meat as simple as the touch of a button. Work smarter, not harder, people.

05.

Fake it ’til you make it. These days, becoming an expert griller is much simpler than it once was, thanks, in large part, to the tech associated with the modern-day BBQ. Impress your family, friends, and in-laws with your BBQing prowess by ensuring you choose a grill that does the heavy lifting for you, meaning all that’s left to do is shuffle sausages while giving unsolicited advice on the difference between sous vide and poaching.

06.

Tomato sauce is for toddlers and has no place at social gatherings. Inviting friends around for a BBQ is all fun and games until the tomato sauce comes out. Never, ever slap a bottle of Wattie’s on the table when hosting — it’s social suicide. Instead, ensure your fridge is well-stocked with upper-crust condiments, or, if you really want to win friends and influence people, a homemade tomato sauce goes down a treat.

This competition is now closed.

ninjakitchen.co.nz

Gastronomy

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Our cover star Jess Hong on serendipity, self-expression, and not sweating the small stuff

Words by Margie Riddiford | Photography by Olivia Kirkpatrick | Styling by Claire Sullivan-Kraus | Creative Direction by Anna Saveleva | Videography by Devan Narsai | Shot on location at Ayrburn, Arrowtown

From drama school in Wellington to starring in one of Netflix’s most significant shows of the year, Jess Hong has enjoyed the kind of break-through that most actors can only dream of. Shortly after graduating from Toi Whakaari, Hong landed the leading role in a highly-anticipated new series by the creators of Game of Thrones, offering her the opportunity to work with a cast and crew of industry legends and catapulting her onto the world stage overnight. And while her acclaimed turn as Jin Cheng in 3 Body Problem has given her an unprecedented platform, it feels like it is just the beginning for this talented Kiwi actor. 

Jess wears cashmere cable knit jumper from Dadelszen, Tiffany HardWear Graduated Link Necklace, Medium Link Necklace, Bold Graduated Link Necklace all from Tiffany & Co.

It was the kind of call that all actors dream of receiving from their agent. After four months of Zooms, auditions, chemistry reads and character work, Kiwi actor Jess Hong, sitting in her flat in Auckland, was offered the leading role in a new Netflix series by David Benioff, Dan Weiss and Alexander Woo — the creators of HBO’s pop-culture-defining Game of Thrones. Titled 3 Body Problem (adapted from the book trilogy by Liu Cixin of the same name), it was predicted to be one of the biggest releases of the year, and Hong, in what was basically her first professional job out of drama school, would be number one on the call sheet. 

Born and raised in Palmerston North by a single, immigrant mother, Hong initially discovered acting as a way to combat shyness and social anxiety, realising that the process of escaping into various characters facilitated self-expression in ways that her other creative pursuits did not. “It was catharsis on a whole new level,” she tells me, “but I didn’t understand that it could actually become a career.” 

Jess wears Origami pleat dress from Sportmax, Tiffany T T1 Bangle in Rose Gold, T T1 Bangle in Gold medium, Lock Bangle in Yellow Gold, HardWear Large Link Earrings, Lock Bangle in White Gold, Lock Bangle in White Gold with Pavé Diamonds, Lock Bangle in Yellow Gold with Pavé Diamonds, T T1 Bangle in White Gold with Diamonds all from Tiffany & Co.

It was at Wellington’s Toi Whakaari drama school that Hong was able to hone her craft, the place where she was challenged to grow and explore more deeply her inner world, emerging with a much stronger sense of who she was and how she could harness that in her work. “I learned about collaboration and communicating with other artists,” she says, “but it was also a great way of reflecting on myself and being more aware of how I impact the people and the world around me.” And while her first official gig after graduating was a travelling theatre production for children in schools, she had already secured representation with one of New Zealand’s preeminent agents, had connected with a manager in the United States, and was firing off self-tapes for various projects, including one that would change the trajectory of her career in ways she couldn’t have imagined. “When I was offered the role in 3 Body Problem, I screamed my head off and ran around the house,” Hong tells me, reliving that unforgettable moment, “and then I had to pack my things and move to London a few weeks later.” (Her first time visiting the city.)

“[acting] was catharsis on a whole new level, but I didn’t understand that it could actually become a career.” 

Jess wears Origami pleat dressfrom Sportmax, Tiffany T T1 Bangle in Rose Gold, T T1 Bangle in Gold medium, Lock Bangle in Yellow Gold with Diamonds, HardWear Large Link Earrings, Lock Bangle in White Gold with Diamonds all from Tiffany & Co.

It’s an incredible story — destined to become one of those urban fables that young actors whisper to each other backstage or in casting agency waiting rooms. After all, what happened to Hong could happen to anyone, right? And while that may well be true, it was only a few minutes into our interview that I realised, with her laid back demeanour and thoughtful, intelligent answers, how this particular actor felt uniquely suited to her extraordinary circumstances. Perhaps, luck really didn’t have much to do with it at all. 

Jess wears double breasted overcoat from Rory William Docherty, belt from Gucci, thigh high boots (stylist’s own), Tiffany HardWear Bold Graduated Link Necklace in Yellow Gold, HardWear Large Link Earrings in Yellow Gold with Pavé Diamonds from Tiffany & Co.

For someone only just emerging into this industry, Hong’s attitude to its famously cut-throat nature is grounded in reality, and her calm, quiet commitment to her craft seems to override any risk of getting swept up in fanfare. When the self tape request for what was then called ‘Untitled Benioff Project’ landed in her inbox, and even when she had met the creators and was five or six steps into the audition process, Hong tells me that she never allowed herself to assume anything, choosing instead to focus on drawing what she could from each moment of the process. “I guess my strategy for avoiding whiplash from all the rejection of this industry was to lower my expectations to the floor,” she tells me. “So even if I had made it to the final stage for this role without getting it, of course I would have been disappointed, but I would have refused to let it crush me.” 

Jess wears double breasted overcoat from Rory William Docherty, belt from Gucci, thigh high boots (stylist’s own), Tiffany HardWear Bold Graduated Link Necklace in Yellow Gold, HardWear Large Link Earrings in Yellow Gold with Pavé Diamonds from Tiffany & Co.

“When I was offered the role in 3 Body Problem, I screamed my head off and ran around the house, and then I had to pack my things and move to London a few weeks later.” 

It would be understandable for any young actor faced with the chance at a break-through role in such a major production, to lose themselves slightly to the scope of the project. But for Hong, beyond the people and juggernaut streaming service involved, lay a carefully crafted, skilfully written character that felt complex and real to her — and that, she tells me, is what she kept coming back to. 

Jess wears Celine Cardigan Jacket in brushed mohair, Alaïa bodysuit, Alaïa skirt, Gianvito Rossi Ellipsis pumps from Faradays, Tiffany HardWear Large Link Bracelet in White Gold with Pavé Diamonds, HardWear Graduated Link Necklace in White Gold with Pavé Diamonds, HardWear Large Link Earrings in White Gold with Pavé Diamondsall from Tiffany & Co.

In 3 Body Problem, Hong plays Jin Cheng, a genius physicist who is part of a group of scientists referred to as the ‘Oxford Five’, each of whom, over the course of the show’s eight episodes, are faced with mysterious (and sometimes deadly) circumstances brought about by extraterrestrial interference. Eventually, Jin finds herself at the heart of an international team whose job is to figure out how to fight a forthcoming alien invasion while the future of humanity hangs in the balance. “When I got the script, Jin was already very fully-fledged on the page because the writing was so good,” Hong explains. “In many ways, I felt an immediate kinship with her because, like she does, I get very focused on my work and obsessive about what I’m doing, so while I was definitely aware of the pressure of playing this role, I always returned to the fact that the stakes were higher for Jin. When I focused on that, the rest would fall away.”

Jess wears hooded trench coat from Rory William Docherty, nylon dress from Prada, Camp rubber boots from Christian Dior, HardWear Bold Graduated Link Necklace in Yellow Gold, HardWear Medium Link Necklace in Yellow Gold with Diamonds, Jean Schlumberger for Tiffany & Co. Sixteen Stone ring with Diamonds, Lock Ring in White Gold with Pavé Diamonds, HardWear Large Link Bracelet in Yellow Gold with Diamonds, HardWear Large Link Earrings in Yellow Gold with Pavé Diamonds all from Tiffany & Co.

Another similarity between Hong and the character she plays, is that both have New Zealand accents, a detail that speaks to the ways in which Beinoff, Weiss and Woo invited collaboration from those in their production. “Not only were the guys on set every day but they were constantly talking to me about my character’s decisions,” Hong tells me, “and while they were overseeing this world that was being created, they really trusted me to oversee my character and to weave aspects of myself into Jin that made her feel seamless and truthful.” She pauses, “their commitment to quality and authenticity is something to be admired.”

“in its first full week on Netflix, [3 body problem] pulled in 15.6 million views sending it to the top of the international charts.”

Jess wears Celine Cardigan Jacket in brushed mohair, Alaïa bodysuit from Faradays, Jean Schlumberger for Tiffany & Co. Sixteen Stone ring with Diamond, Lock Ring in White Gold with Pavé Diamonds, T T1 Wide Diamond Hinged Bangle in 18k White Gold, medium, HardWear Large Link Bracelet in White Gold with Pavé Diamonds, HardWear Graduated Link Necklace in White Gold with Pavé Diamonds, HardWear Large Link Earrings in White Gold with Pavé Diamonds all from Tiffany & Co.

Indeed, while the overarching premise of 3 Body Problem is that of high stakes sci-fi, the story itself (more rooted in hard science than fantasy-based fiction) comes alive in the quiet interactions between characters, rather than in adrenaline-pumping action sequences. Of course, there are certain scenes — particularly those in the show’s VR game component — that feel vast and otherworldly, brutal and transcendent, but the real beauty of this series, and perhaps a large part of why it has been so successful, is the way it takes time to build and introduce protagonists with whom audiences can truly connect, despite the fact that most of them are scientific geniuses tasked with saving the world. 

Jess Hong wears Nour Hammour Gotham coat from Muse, thigh high boots (stylist’s own), HardWear Graduated Link Necklace in White Gold with Pavé Diamonds, HardWear Large Link Earrings in White Gold with Pavé Diamonds, Jean Schlumberger for Tiffany & Co. Sixteen Stone Ring with Diamond, Lock Ring in White Gold with Pavé Diamonds all from Tiffany & Co.

“I love how it’s got this macro-micro thing going,” says Hong, “where on the macro scale, the show is a spectacle, and offers a philosophical look at how humanity responds to an existential crisis — high concept stuff.” She pauses, “But on a micro level, it’s just about a guy facing his own mortality, a love story, a girl grappling with her moral compass, another one trying to figure out how to save everyone, a woman disillusioned with the world, and so many other threads and personalities that speak to different people and different genres.” Ultimately, what the show runners have tapped into is the fact that audiences wouldn’t care about the extraordinary circumstances of 3 Body Problem if they didn’t care about the characters. And by the end of the series, it is impossible not to. 

“what I really took away, is that nothing is permanent, especially in this business, so even if
I do think about the idea of being known I still feel like it’s just for now, not forever.”

Jess wears the hooded trench coat from Rory William Docherty, nylon dress from Prada, HardWear Bold Graduated Link Necklace in Yellow Gold, HardWear Medium Link Necklace in Yellow Gold with Diamonds, Jean Schlumberger for Tiffany & Co. Sixteen Stone ring with Diamonds, Lock Ring in White Gold with Pavé Diamonds, HardWear Large Link Bracelet in Yellow Gold with Diamonds, HardWear Large Link Earrings in Yellow Gold with Pavé Diamonds all from Tiffany & Co.

Beyond the backstory and character nuances of Jin, Hong tells me that playing a strong, intelligent woman of Asian descent, working at the top of her game in STEM, brought with it a sense of real responsibility, particularly given the size of the project (and the fact that mainstream television doesn’t have a great track record of doing such characters justice). “As a Chinese-New Zealander in the diaspora and in the arts, I’m always thinking about representation,” she tells me. “But working with someone like Rosalind Chao, who is such an icon, really put it into focus for me,” she pauses. “You know, she came up at a time when the roles available to her were like ‘Chinese Woman Number One’ and she fought tooth and nail to create the path that I get to walk down… I’m so grateful.” For Hong, the responsibility for her now is to build on the trailblazing progress of her predecessors, explaining to me how she hopes to continue their legacy.

Jess wears Celine Cardigan Jacket in brushed mohair, Alaïa bodysuit, Alaïa skirt from Faradays, HardWear Large Link Bracelet in White Gold with Pavé Diamonds, HardWear Graduated Link Necklace in White Gold with Pavé Diamonds, HardWear Large Link Earrings in White Gold with Pavé Diamonds all from Tiffany & Co.

This could very much end up the case, considering the ways in which 3 Body Problem has given Hong an unprecedented platform. In its first full week on Netflix, the series pulled in 15.6 million views sending it to the top of the international charts, with users increasingly tuning in as word about its compelling storyline and brilliant performances spread. I wonder how Hong feels about the strange phenomenon of becoming a ‘known’ actor virtually overnight, one of the inevitable side effects of such a sprawling production. “I don’t think about it,” she tells me with a laugh. Although she stops herself before saying, “I was actually talking to Liam Cunningham [the actor who plays Thomas Wade in 3 Body Problem] on set about being in Game of Thrones and the highs of being recognised when that was at its peak and then the simmering and quietening down of that in the years after it finished,” she says. “And what I really took away, is that nothing is permanent, especially in this business, so even if I do think about the idea of being known I still feel like it’s just for now, not forever.” 

Jess wears dress from Max Mara, Knot Double Row Necklace in White Gold with Diamonds from Tiffany & Co.

That said, ‘now’ for Hong, could actually mean the next few years, as whispers around 3 Body Problem’s second iteration and rumours that the creators would like to stretch the story to four seasons start to circulate. “I would love the opportunity to play Jin again and see where she goes in another season,” Hong tells me. “With what feels like the fate of humanity resting on her shoulders, I think there’s so much more there to explore and dive into, if we’re given the chance.” 

Jess wears Alaïa dress from Faradays, HardWear Graduated Link Necklace in White Gold with Pavé Diamonds, HardWear Large Link Bracelet in White Gold with Pavé Diamonds, HardWear Large Link Earrings in White Gold with Pavé Diamonds, Lock Ring in White Gold with Pavé Diamonds all from Tiffany & Co.

What strikes me most about Hong is that, for an actor at the start of her career, she possesses the kind of perspective I would expect from someone who has been in it for far longer. About starring in one of the year’s most notable series, she is grateful and grounded; about being recognised for her work, she is realistic and reticent; and about performing (for the first time) under the pressures of a huge cast and crew, visual effects, blue screens and multiple sets, she articulates that it was “a good reminder of her own resilience.” About the future, Hong is cautiously optimistic and despite the success that this project has enjoyed so far, she has no plans to move away from New Zealand quite yet. “There’s nothing like the feeling of coming home and being able to properly breathe out and relax,” the actor says.

“I do think you can get caught in a trap when you’re so focused on being an ‘actor’ that you forget to just live life… the whole point is that we’re trying to reflect humanity back to itself, right?”

Jess wears Ulla Johnson Lucienne silk dress from Muse, Alexandre Vauthier bow-embellished sandals from Faradays, Jean Schlumberger for Tiffany & Co. Sixteen Stone Ring with Diamond, Jean Schlumberger for Tiffany & Co. 36 Stone Bracelet in 18k Gold with Diamonds, Jean Schlumberger for Tiffany & Co. Ninety-Two Stone Necklace in Platinum and Gold all from Tiffany & Co.

When I ask Hong, given the experience she has just had, what kind of advice she’d offer to other young Kiwi actors with big aspirations she hesitates. “I don’t really feel qualified,” she says, “but I do think you can get caught in a trap when you’re so focused on being an ‘actor’ that you forget to just live life… the whole point is that we’re trying to reflect humanity back to itself, right? So don’t sweat the small stuff and remember that you’re just a human being, doing your best.” 

Jess wears Alaïa dress, Alexandre Vauthier jewel sandals from Faradays, HardWear Graduated Link Necklace in White Gold with Pavé Diamonds, HardWear Large Link Earrings in White Gold with Pavé Diamonds, Lock Ring in White Gold with Pavé Diamonds all from Tiffany & Co.

Whether 3 Body Problem is renewed for another season or not (although chances seem high), I am confident that Hong is an actor at the start of a long and meaningful career. From her thoughtful demeanour to her grounded perspective, she is the kind of artist who, I expect will continue to chip away at her craft; carving out something unique in an industry that seems to be changing for the better. “I hope that I can be one of those people who make this path easier for younger generations and those who come after me,” she says, which is something I have no doubt she will do — and so much more.

Photographer Assistant Josh Szeto | Makeup Kirsty Penetito | Manicure Dasha Vishnevskaya. 

Coveted

Swarovski’s Millenia collection brings warm topaz tones and octagon-cut crystals to everyday jewellery
Arc’teryx is opening its First New Zealand store at Commercial Bay
Style Icon: Viky Rader
Elsa Hosk wearing Tiffany & Co. Jewellery

We round up the best looks from the 2024 Cannes Film Festival

Cannes Film Festival is as much about what the movie stars are wearing on the red carpet as it is about their performances. As such, the festival has evolved to a place where fashion is the focus, seeing starlets and A-listers alike flexing their sartorial muscles and sauntering into screenings dripping in some of the most exquisite and rare jewellery ever made.

This year’s event has been no different, with a line-up of lauded brands and jewellery maisons sending their most eye-catching designs down the carpet to sparkle in the Côte d’Azur sun. From Rosie Huntington-Whiteley’s show-stopping Victoria Beckham ensemble paired with Tiffany & Co. jewellery to Bella Hadid’s racy Saint Laurent moment, with dazzling Chopard Jewellery accompanying a barely there, very sheer dress, these are some of the fashion and jewellery looks we have loved from this year’s Cannes.

Cannes Film Festival 2024
Our Editors’ Picks
Kirsten Dunst and Jesse Plemons both in Gucci
ROSIE HUNTINGTON-WHITELEY in Victoria Beckham (brand available locally from Muse) and Tiffany & Co. Jewellery
Demi Moore in (from left to right) Giorgio Armani, Oscar De La Renta and Christian Louboutin Heels, Balenciaga — all looks with Chopard Jewellery (brand available locally from Partridge Jewellers)
ELSA HOSK in Prabal Gurung and TIFFANY & CO. Jewellery
Candice Swanepoel in Vivienne Westwood and Chaumet High Jewellery (brand available locally from Hartfield Jewellers)
Chris Hemsworth in Tom Ford and Chopard Timepiece (brand available locally from Partridge Jewellers) & Elsa Pataky in Giorgio Armani and Bulgari Jewellery
Alessandra Ambrosio in Peter Dundas Couture and Pomellato Jewellery (brand available locally from Orsini Fine Jewellery)
Elle Fanning in Gucci and Cartier Jewellery
Abbey Lee in Gucci
Zoe Saldaña in Saint Laurent
Aubrey Plaza in Custom Loewe (brand available locally from Faradays)
Naomi Campbell in Chanel Couture
Sienna Miller in Chloé and Chopard High Jewellery (brand available locally from Partridge Jewellers)
Juliette Binoche in Dior and Cartier Jewellery
Selena Gomez in Saint Laurent and Bulgari Jewellery
Léa Seydoux in Louis Vuitton
Julianne Moore in Bottega Veneta and Cartier Jewellery
ANYA TAYLOR-JOY in Dior and Tiffany & Co. Jewellery
Eva Longoria in Elie Saab and Pasquale Bruni Jewellery (brand available locally from Hartfield Jewellers)
Emma Stone in Louis Vuitton
Bella Hadid in Saint Laurent and Chopard Jewellery (brand available locally from Partridge Jewellers)
Paris Jackson in Jean Paul Gaultier and Pasquale Bruni Jewellery (brand available locally from Hartfield Jewellers)
Marina Ruy Barbosa in Gucci
Maria Borges in Chopard Jewellery (brand available locally from Partridge Jewellers)
katherine langford in Prada and Chopard High Jewellery (brand available locally from Partridge Jewellers)
Poppy Delevingne in Ermanno Scervino and Chopard Jewellery (brand available locally from Partridge Jewellers)
Diane Kruger in Atelier Versace and Chopard Jewellery (brand available locally from Partridge Jewellers)
Karolina Kaurkova in Valdrin Sahiti

Coveted

Swarovski’s Millenia collection brings warm topaz tones and octagon-cut crystals to everyday jewellery
Arc’teryx is opening its First New Zealand store at Commercial Bay
Style Icon: Viky Rader

Considering trying your hand at Johnnie Walker’s Blue Eagle Challenge? Consult our Golfing Etiquette to give you the best shot at success

We walk a fine line in today’s modern world, no more so than on the golf course, where a minefield of stuffy tradition collides with an assemblage of friends with varying takes on appropriate behaviour. Given the increase in our collective passion for this sophisticated sport, those engaging in play should be encouraged to brush up on the required golf etiquette. The ‘golfer’s code’ — though often not strictly enforced — is in place to ensure golfers (and we use that term lightly) get the most out of their play — particularly when the stakes are as high as they are at the Johnnie Walker Blue Eagle Challenge, taking place over the coming weeks at Remuera Golf Course.

Remuera Golf Course

This year, Johnnie Walker is teaming up with the premiere Auckland golf club to celebrate two of life’s rare joys — shooting an eagle and Johnnie Walker’s iconic Blue Label whisky. Twelve of New Zealand’s best amateur golfers attempted the remarkable feat (which was only achieved by 53 people on the course last year) on Monday, alongside celebrities and golfing influencers, including Black Caps legend Grant Elliott, with two securing the elusive eagle on the 18th hole. The event officially kicked off the Johnnie Walker Blue Eagle Challenge, where across June, golfers are encouraged to try their hand at shooting an eagle on the par 5, 18th hole at Remuera Golf Club, to see how they stack up against the pros in a feat that, much like the sought-after Johnnie Walker Blue Label — is incredibly rare and hard to come by (Johnnie Walker Blue Label is a drop that only one in 10,000 of the best casks of Johnnie Walker are selected for).

To help you put your best foot forward when attempting this feat, we’ve crafted a (somewhat) comprehensive etiquette guide, meaning that all you have to worry about is enjoying yourself — and focusing on hitting that eagle — Godspeed.

Stepping Out In Style

Before you even step foot on the fairway, you must consider the dress code.

01. A collared polo. Minimal colour and branding, and under no circumstances are collars to be popped. Considered illegal in the golfing world, there are harsh penalties for such sartorial mishaps, starting with sideways glances and moving swiftly to loud sniggers, or worse still at lack of service at the 19th hole.

02. If you’re cold, a sweater may be donned, or even better — a sweater vest — bonus points for v-neck, double bonus for argyle print, triple word score for cashmere.

Will Smith and Matt Damon in The Legend of Bagger Vance

03. On the bottom half, jeans are an absolute no, as are sporting shorts or tracksuits. Formal shorts or trousers should be worn, skimming just above the knee — never below, never too short, and shirts should be tucked in at all times. Belts are encouraged. Pockets are essential.

04. Now, footwear. Novices needn’t race out and purchase golf shoes (although, if you want to look like you know what you’re doing even when you don’t, smart golf shoes with soft spikes or a hefty grip are a great start), but tidy footwear is essential. Bizarrely, it seems that boat shoes are appropriate on the course, and, even more bizarrely, so are loafers. We don’t make the rules.

05. Visors are an inspired addition to any golfing attire, while a branded cap is a great way to showcase your golfing prowess. Choose your brand wisely, as fellow golfers will be on high alert and ready to judge your every choice.

Basic Rules of Engagement

06. Be considerate of others, which means avoiding making any unnecessary noise. This includes but is not limited to swearing profusely when you miss your tee-off for the third time, celebrating by letting out an ear-piercing ‘cha-hoo’ when you finally do connect with the ball (despite it landing in the bunker), exclaiming about another player’s performance (despite your’s being terrible), sighing loudly while waiting for the group in front to move off the hole. Any other unnecessary chatter — golfing is a quiet sport — hush-hush.

Rory McIlroy

07. Turn your phone off. This is not, I repeat, this is not the time to capture Instagram content. You don’t look anywhere near as cool as you think you do.

08. Stay in your lane and give others space. Give the player whose turn it is the space they need to get the job done (remember, hush-hush), and stay on or close to the putting green until everyone’s had their turn.

Tiger and Charlie Woods

09. Hustle. A good game’s a fast game. Play at a prompt pace, and make sure you’re well-prepped for your next hit ahead of time. If you think your ball might be lost, it is. Play another.

10. Care for the course. Players should avoid causing damage to the course, which includes not hacking your club angrily into the ground every time you miss a shot, swinging around in circles and throwing your club as far as it will fly, and using your club as a walking stick or leaner when your legs get tired.

To Land an Eagle

An eagle is achieved when a golfer completes a hole two strokes under par — for example, on a par 5 hole, an eagle would be achieved with just three strokes.

11. Confidence is critical — we’re not going to lie, making an eagle ain’t easy, but that’s irrelevant. Approach the hole as if you’re Lydia Ko in her prime, and swing as if your life depends on it.

Lydia Ko

12. Concentration is king in golf (hence the associated frustration), so keeping cool, calm, and collected will go a long way. A sip of Johnnie Walker Blue Label and some deep breaths will work wonders in this regard.

This competition is now closed.

Gastronomy

A winter favourite returns with Jervois Steak House’s Sunday Roast Lunch
Long live the long lunch: Ki Māha for King’s Birthday
Why SkyCity’s DELISH is Auckland’s most comforting culinary event this winter
Featuring KNOLL SAARINEN DINING TABLE & KLISMOS DINING CHAIR — both available from Studio Italia

Discover the story behind one of the world’s most iconic design brands, Knoll — and don’t miss this exclusive offer to add a piece to your collection

The epitome of revolutionary design, furnishings brand Knoll is renowned for its unprecedented, outside-the-box aesthetic that changes the way we think about furniture. A brand that continuously carves its own place in design history, its Knoll that can be trusted to deliver a stream of expertly crafted pieces that challenge the status quo.

It was a simple vision that inspired German-born designer Hans Knoll to move to New York City in 1938 and create his own furnishings brand: to create great designs that would enrich and improve people’s lives both at home and at work. A simple idea, but one which was executed superbly and in a way that no-one had quite managed before, it wasn’t long before the forward-thinking creative began making waves in the design sphere. In 1943, Knoll was joined by his wife, Florence, who crafted the now renowned Planning Unit, an interior plan that paved the way for offices for years to come. Not only the first office creation of its kind, but the first to be run by a woman, this was a profound moment that cemented the brand’s status as a revolutionary design force to be reckoned with, something which still rings true today.

From the coveted Platner set — a dining table and set of chairs that boast undulating shapes crafted by hundreds of curved steel rods, to the utterly iconic, leather upholstered Barcelona armchair, the unique, sculptural Bertoia collection, and the Bauhaus-inspired, instantly recognisable Cesca chair, with its sensual and simple curved steel frame and woven cane seat and back, Knoll’s designs have not only pushed the envelope in the world of modernist furniture design, but have proved enduring additions to home that are as desirable after years (or decades) of use as they are the day they’re purchased.

For those feeling inspired, locally Studio Italia stocks a wide variety of the brand’s original designs and is currently offering a rare discount that sees many of Knoll’s most iconic pieces reduced by up to 60 percent in-store. From the ever-enduring Wassily armchair to the Platner dining table and matching side chair, to the simple but stunning Saarinen side table, see this as your opportunity to secure a piece of history that will see you well into the future.

Shop Now
Our Editors’ Picks
KNOLL WASSILY ARMCHAIR from Studio Italia
KNOLL KLISMOS DINING CHAIR from Studio Italia
KNOLL SAARINEN DINING TABLE from Studio Italia
KNOLL FLORENCE KNOLL SOFA from Studio Italia
KNOLL CESCA DINING CHAIR from Studio Italia
KNOLL BARCELONA ARMCHAIR from Studio Italia
KNOLL KLISMOS BENCH from Studio Italia
KNOLL PANORAMIC SOFA from Studio Italia

studioitalia.co.nz/sale

Design

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Rosie Huntington-Whiteley

Umbrella Etiquette: A civilised guide to staying dry this winter

We’re creeping towards June, and winter is beginning to make its presence known. Blustery showers and high winds have arrived, which means its time to finally bring out that trusty old umbrella that’s been sitting, unused, at the back of your wardrobe. But be warned, there is a protocol associated with these accessories that should be adhered to at all times. Don’t fret if you’ve forgotten — those that need a refresher course on the dos and don’ts of umbrella-wielding can consult our handy guide below.

Denizen Guide
Umbrella Etiquette

01.

When a shorter person is approaching, always, always be sure to raise your umbrella and allow them to pass through — making your tallness known by poking somebody in the eye during the morning commute isn’t a great way to start the day.

02.

We shouldn’t really have to tell you this, but be considerate when you open your umbrella. Carry out a 360-degree surveillance and be mindful of anyone who may be standing close to you.

03.

Don’t open your umbrella indoors. It’s not bad luck, it’s just rude.

04.

When you’re carting around a dry umbrella, never tuck it under your arm like an old gentleman nursing a folded newspaper. Unless you’re hoping to impale some pesky slow walkers or those who impatiently walk hot on your heels. In which case, go right ahead.

05.

Try to carry an umbrella that’s actually appropriate for your size — small humans do not bode well with golf umbrellas.

06.

When leaving the house, don’t surreptitiously swap your old umbrella with one broken rib in favour of your flatmates’ new Blunt. Umbrella shame is far more manageable than a broken friendship.

07.

Don’t ever parade your umbrella around while bursting into a spontaneous recital of ‘Singing In The Rain.’ Just don’t.

08.

Close your umbrella if you are walking under a public covering, even if you will be underneath for just a few moments.

09.

If you’re battling the rain alongside somebody else, even if its a friend-of-a-friend that you’re not overly keen on, swallow your pride and share your rain shield. There’s a special place in hell for those that don’t.

10.

When entering a building or any form of public transport, close your dripping umbrella and dispose of it discreetly. If it’s a building, station it in the stand or the designated umbrella home, usually found by the door. Do not leave it on any form of furniture.

Culture

Our June culture guide: Everything to see, do and book tickets to this month
In need of some comic relief? These are the best underrated comedy series worth a watch
Heading away for the long weekend? Here’s what to press play on