Italian designer Paola Navone

We delve into the life and storied career of Italian designer Paola Navone via some of her most iconic pieces

In the realm of design, Paola Navone is an undisputed pioneer whose visionary work is known for transcending creative boundaries. Emerging from the male-dominated Italian design scene of the 1980s as a standout figure, Navone has proceeded to reshape contemporary aesthetics with her innovative approach, leaving an indelible legacy in her wake. Here, we explore the designer’s life and work through some of her most iconic and recognisable pieces. 

Italian designer Paola Navone is a design force to be reckoned with. With a career spanning over four decades, Navone has carved a unique niche for herself, blending elements of traditional craftsmanship with contemporary aesthetics to create a style that is distinctly her own. Renowned for her eclectic and cosmopolitan approach, Navone’s work reflects a rich tapestry of influences from her travels around the globe and speaks to her willingness to seek out new and novel ways of looking at design.

Born in Turin in 1950, Navone’s journey into design began at the Polytechnic University of her hometown, where she studied architecture. However, disillusioned by the conventional teachings of the time, she embarked on a quest to explore alternative approaches to design, finding inspiration in avant-garde movements such as Archigram in London and Paolo Soleri’s Arcosanti in Arizona. For her master’s thesis, Navone delved into the realm of radical architecture, a school of thought that set the stage for her groundbreaking career. Speaking with Frame magazine a couple of years ago, the designer said, “During my studies I discovered… that there were groups of architects doing something very different from what I was being taught. They were not interested in designing ‘normal’ buildings… but rather fantastical ones, utopias.”

But it was her encounter with Alessandro Mendini that proved to be a turning point, when she was asked by the design luminary to move to Milan for a job. Joining Mendini’s circle, which included Ettore Sottsass and Andrea Branzi, Navone became immersed in the vibrant world of Studio Alchimia and later Memphis, where she was able to hone her bold and colourful aesthetic. It was also during this time that she won a competition held by Abet Laminati which catapulted her into the spotlight and cemented her status as a rising star in the design world.

Importantly, it was alongside these other designers that Navone started exploring the idea of the design of tomorrow. In 1978, the group presented its first collection Bau.Haus uno at Milan’s Salone del Mobile, which was considered radical and utterly unique. As Navone said, “Nobody bought our collections, but we didn’t care. We were trying to imagine a new way of working – a new kind of design…We worked with colour, pattern and asymmetry. We covered furniture with designs and patterns, when most of what was on the market resembled a blank canvas.”

Navone’s insatiable curiosity and wanderlust eventually led her to Asia, where she spent nearly two decades exploring the intersection of craft and industry. Collaborating with local artisans and manufacturers, she was able to draw on a variety of influences to infuse her designs with a unique blend of Eastern and Western influences, earning her a reputation as a visionary with a global perspective and allowing her designs to truly transcend borders in a way that very few of her contemporaries’ pieces could and in 2000, she started her own, multi-disciplinary design studio, Otto, through which she continued to build on her stellar reputation.

“[navone’s] philosophy is one of adaptability and pragmatism, eschewing rigid adherence to trends in favour of a more fluid and intuitive approach”

Throughout her illustrious career, Navone has worked with a myriad of prestigious brands, including, Alessi, Poliform, Linteloo, Gervasoni, Serax, Ligne Roset and more, leaving an indelible mark on the world of design. Her philosophy is one of adaptability and pragmatism, eschewing rigid adherence to trends in favour of a more fluid and intuitive 

approach which ultimately, creates spaces and products that are inviting and approachable. Whether she is designing furniture, textiles or interiors, Navone imbues her work with a sense of warmth and hospitality, inviting people to engage with their surroundings in a meaningful way. For Navone, design is not just about aesthetics; it’s about creating experiences that enrich people’s lives.

Ghost sofa by Paola Navone for Gervasoni from ECC

Ghost Sofa for Gervasoni (2002)

Available locally from ECC

A testament to minimalist elegance and versatile functionality, the Ghost sofa boasts a thin, minimal structure, padded with polyurethane foam, that provides comfort without sacrificing style. While the removable cover, highlighted by visible stitching, offers the freedom to switch between formal and informal looks effortlessly. Inspired by its white version’s ethereal appearance, the Ghost collection features seats enveloped in soft cushions, inviting relaxation. With sofas, armchairs, ottomans, chairs, and beds all part of the wider collection, each piece becomes a canvas for personal expression, adapting to different moods and settings.

FISH BOTTLE by Paola Navone for Serax from ECC

The Fish & Fish Tableware collection for Serax (2002)

Available locally from ECC

Designed by Paola Navone for Serax, the Fish & Fish collection celebrates the humble herring, a beloved staple of Baltic cuisine. Infused with Navone’s signature relaxed and playful style, this tableware collection is perfect for casual gatherings or elegant dinners. Inspired by products created during the Great Depression in the 1930s, Navone brings a touch of nostalgia to each piece, creating a charming blend of tradition and modern design. Ideal for serving appetisers, finger foods or indulging in a seafood-themed feast.

Chester Moon Sofa by Paola Navone for Baxter

Chester Moon Sofa for Baxter (2005)

Designed as a stunning reinterpretation of a classical model, Baxter’s Chester Moon sofa saw Paola Navone blend timeless elegance with modern simplicity. This exceptional piece exemplifies the importance of shape balance, seamlessly combining intricate craftsmanship with clean lines. Inspired by historical handicraft techniques yet firmly rooted in a contemporary aesthetic, the Chester Moon sofa embodies a harmonious fusion of tradition and innovation, where its understated design and impeccable craftsmanship make it a standout addition to any space.

Big Bug by Paola Navone for Poliform from Studio Italia

Big Bug for Poliform (2009)

Available locally from Studio Italia

In creating Poliform’s Big Bug chair, Paola Navone designed a structure crafted from flexible printed polyurethane with elements in foamed polyurethane of varying densities to offer unparalleled support. Known for the ways in which it redefines comfort and style, Big Bug boasts an innovative silhouette that showcases highly original geometries, with one low armrest adding to its distinctive appeal. The outstretched covering, available in removable fabric or non-removable leather, completes the look with a touch of sophistication, and makes this piece a true masterpiece of modern design.

Nuvola 09 lounge chair by Paola Navone for Gervasoni from ECC

Nuvola 09 lounge chair for Gervasoni (2009)

Available locally from ECC

The iconic Nuvola 09 Lounge Chair by Paola Navone for Gervasoni epitomises comfort and sophistication. Crafted with a multilayer and solid wood frame, this chair offers durability and stability with upholstery in differentiated density polyurethane foam, designed to provide luxurious cushioning for a truly relaxing experience. The removable covers, adorned with goose down and polyester fibre quilting, enhance this chair’s versatility and ease of maintenance, while Navone’s characteristically bold design makes it a statement piece perfect for modern living spaces.

Plissé H103 by Paola Navone for Midj from Sarsfield Brooke

Plissé H103 for Midj 

Available locally from Sarsfield Brooke

Elegance and versatility collide in the exquisite Plissé H103 design by Paola Navone for MIDJ. With a base crafted in lacquered metal, suitable for both indoor and outdoor settings, it offers practicality without compromising on style. Inspired by the world of fashion and the timeless appeal of pleated workmanship, Plissé exudes sophistication with a hint of playfulness. Available in various versions, including dining tables and high bar tables, its pleated motif adds depth and dynamism to any space, making it feel at home in both private and public settings.

Baggy by Paola Navone for OTTO Studio

Baggy for OTTO Studio (2023)

Designed by Paola Navone for the multi-disciplinary design studio she founded, Otto, Baggy is more than just a light fixture — it is a whimsical and informal statement piece. Inspired by oversized pants, Baggy features a unique composition of individual modules, offering endless possibilities for arrangement. Its satin polycarbonate diffuser mimics the appearance of crumpled paper, while a soft textile cord adds a touch of refinement.

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To Hold, Choreography by Sarah Foster-Sproull

Royal New Zealand Ballet’s winter season kicks off this August with a trio of unmissable works, and we’ve got all the details

The Royal New Zealand Ballet is presenting a spectacular trio of ballets for its 2024 winter season showcase. Solace: Dance to feed your soul, in association with Ryman Healthcare, will light up stages in Wellington, Auckland, and Christchurch from the 1st to the 17th of August, with work by three of the world’s most innovative and celebrated artists, Wayne McGregor (Britain), Sarah Foster-Sproull (Aotearoa New Zealand) and Alice Topp (Australia).

Infra, Choreography by Wayne McGregor

RNZB Artistic Director Ty King-Wall says, “I’m looking forward with such anticipation to our Solace season, in which our dancers and audiences alike will experience the incredible capacity of dance as a language for diversity of expression, and the unbelievable physical capacity of the human body for movement.”

Wayne McGregor’s Infra, from the Latin word for ‘below’, delivers an illuminating portrait of city life. This abstract ballet delves beneath the surface to present a moving mediation on human interactions. Infra, which premiered at the Royal Opera House in London in 2008, features twelve dancers moving through solos, duets, and ensembles, accompanied by Max Richter’s elegiac score, which mixes melancholy string melodies with electronic sounds. 

To Hold, Choreography by Sarah Foster-Sproull

Sarah Foster-Sproull’s To Hold is her fifth original work for the RNZB. It explores the intricate wonders of the human form: shape shifting, endlessly inventive. Eden Mulholland’s score adds a powerful sense of primal transformation, pushing and pulling the dancers through the space. The work is enhanced by costumes designed by Donna Jefferis, whose pieces draw inspiration from the high-fashion tailoring and pleated designs of Issey Miyake, elegantly framing the body while supporting the complex choreographic structures.

Completing the programme is High Tide, a poignant new creation by a favourite in New Zealand, RNZB alumna Alice Topp. Inspired by the music of Ólafur Arnalds, this ballet reflects on the cycles of life, touching upon themes of growth, fear, and reconciliation. High Tide examines the shadows and lights of existence, represented through the unique stage design by Jon Buswell, which transforms the space into a living sculpture, emphasising the fluid and ever-changing nature of life itself.

High Tide, Choreography by Alice Topp

Solace: Dance to feed your soul delivers a nourishing, cup-filling experience this winter, combining the creative genius of leading choreographers, composers, and designers. This season of reflection, beauty, and profound human connection, showcased through the artistry of dance, will be a highlight of the cultural calendar in 2024.

Tickets are available now at rnzb.org.nz.

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Van Cleef & Arpels’ Extraordinary Dials collection is a stunning exploration of the dance of time

In an ode to its longstanding relationship with ballet, Van Cleef & Arpels unveils its new Extraordinary Dials collection, where the poetry of dance and the march of time come together in breathtaking harmony. 

Van Cleef & Arpels’ connection with the ballet can trace its origins to Paris in the 1920s, when the renowned jewellery Maison’s Founder, Louis Arpels, would frequently visit the Opéra Garnier, located a short walk from Van Cleef & Arpels’ Place Vendôme boutique. This passion for ballet was something he passed on to his nephew Claude, and so began the Maison’s generational affiliation with the art of classical dance. 

Fast forward to now, and the enchanting world of ballet has continued to be a significant influence on Van Cleef & Arpels, in both its jewellery collections and notably, in its timepiece creations too. And now, as part of its haute horology offering, the Maison is unveiling its Extraordinary Dials collection, comprising two incredible watches inspired by the rich tapestry of ballet and finished with the Maison’s unparalleled craftsmanship. So intricate and exceptional are these timepieces, in fact, that they truly transcend the realm of mere accessories, becoming veritable works of art that dance upon the wrist.

“With the Extraordinary Dials collection, Van Cleef & Arpels invites us to dance through time, embracing the magic of the ballet and the poetry of the human spirit.”

Drawing from the ethereal grace of dance, Van Cleef & Arpels invites us into a pas de deux with two watches that draw on iconic 19th-Century ballets: Casse-Noisette and La Belle au bois dormant. With meticulous attention to detail, the Lady Arpels Casse-Noisette and Lady Arpels Belle au Bois Dormant watches weave tales of romance and enchantment, capturing the essence of these timeless performances in miniature tableaux.

The Lady Arpels Casse-Noisette pays homage to Marius Petipa’s beloved ballet, first performed in 1892, through a symphony of colour and movement. Against a backdrop of winter hues, the ballerina and her prince, each with a rose-cut diamond face, come to life in a spectacle of painted costumes that appear in graceful motion. Here, the dial has become a canvas where 70 different colours, finishes and enamelling techniques (some of which were only developed in 2023) converge, culminating in Van Cleef & Arpels’ richest creation to date. Each element, from the shimmering diamonds to the coloured sapphires, blue tourmalines, onyx, sugilite and lapis lazuli contributes to a mesmerising ballet of light and shadow.

Meanwhile, the Lady Arpels Belle au Bois Dormant transports us to the magical realm of Princess Aurora and her century-long sleep. Against a rose gold castle backdrop, the princess and her prince charm us with their tender embrace, while ribbons of white gold, diamonds and champlevé enamel unfurl like delicate tendrils of ivy. Lilac flowers bloom in a celebration of the awakening, their matte vallonné enamel petals juxtaposed with the brilliance of sapphires. With each passing moment, the dial becomes a more vibrant tableau, capturing the timeless allure of Tchaikovsky’s score and Petipa’s choreography in a single glance.

At the heart of these extraordinary timepieces lies Van Cleef & Arpels’ unwavering commitment to craftsmanship and innovation. In its Geneva workshops, the Maison’s artisans employ ancient métiers d’art techniques alongside cutting-edge developments to bring each dial to life. From the intricate sculpting of shaped enamel to the meticulous fusion of sealed enamel, every step of the process is a testament to Van Cleef & Arpels’ dedication to excellence. To marvel at these exquisite creations is to be reminded that time itself is a precious gift — one to be cherished and celebrated in every moment. With the Extraordinary Dials collection, Van Cleef & Arpels invites us to dance through time, embracing the magic of the ballet and the poetry of the human spirit. And in a world where time feels more fleeting than ever, these watches remind us that beauty, like ballet, is eternal.

Shop The Collection
Extraordinary Dials
Lady Arpels Jour Enchanté watch from Van Cleef & Arpels
Charms Romance Parisienne Promenade watch from Van Cleef & Arpels
Charms Extraordinaire Vendôme Watch from Van Cleef & Arpels
Lady Danse watch from Van Cleef & Arpels
Lady Duo de Lions watch from Van Cleef & Arpels
Charms Extraordinaire Amour Watch from Van Cleef & Arpels
Charms Romance Parisienne Retrouvailles watch from Van Cleef & Arpels
Lady Duo de Lapins watch from Van Cleef & Arpels

vancleefarpels.com

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Peggy Gou

Update your playlists with the new albums and addictive podcasts to listen to now

With winter well and truly upon us (meaning more time spent at home than elsewhere), there’s no better time than now to update your favourite playlists with some recently-released tunes, from DJ and cultural trailblazer Peggy Gou’s highly anticipated debut album to Bon Jovi’s joyful return and Maya Hawke’s indie folk compilation. And if long walks or road trips are on the agenda, we have also lined up a selection of addictive podcasts to subscribe to for some entertaining and informative listening.

New Albums   |   New Podcasts

New Albums


Peggy Gou

I Hear You

Embark on a sonic journey with artist, producer, DJ and cultural trailblazer Peggy Gou as she unveils her highly anticipated debut album, I Hear You. One of the most hotly-awaited debut records in recent years, this ten track LP is the culmination of years of work for the Korean-born artist, who’s uniquely revered as both an underground icon and global sensation. Featuring previous successful singles including the 2023 chart-topping global hit (It Goes Like) Nanana and I Believe in Love Again (a collaboration with Lenny Kravitz), the work sees Gou stepping into the next level of her artistry and boldly claiming her voice through the kaleidoscopic lens of ‘90s house music. A timeless debut. 

Song to start with:
1+1=11

Bon Jovi

Forever

Music legends Bon Jovi released their new album Forever this June — the group’s 16th studio effort. As the band celebrates their 40th anniversary, Forever sits as an ode to joy, exploring the depths of the journey to get there. Bon Jovi once again teams up with his two remaining founding bandmates in a masterpiece of timeless, quintessential rock.

Song to start with:
Legendary

Maya Hawke

Chaos Angel

Actress-musician (and daughter of Ethan Hawke & Uma Thurman) Maya Hawke has released her third studio album which promises to further sharpen her storytelling prowess. The indie folk compilation weaves a tapestry of teasing electronics, muscular guitars and heavy reverb, and is her most progressive, telling work yet.

Song to start with:
Missing Out

NxWorries

Why Lawd?

Eight years since their collaborative debut — a highly acclaimed LP titled Yes Lawd!, NxWorries (the dynamic duo of Anderson. Paak and Knxwledge) are releasing a soulful sequel. Why Lawd? features the likes of Dave Chappelle, Thundercat, and H.E.R., taking the pair’s genre-bending musical talents to stunning new heights.

Song to start with:
86Sentra

New Podcasts


AdMission

From what Taylor Swift and The Wiggles have in common to modern-day Mad Men, iconic ad guru Russel Howcroft and industry up-and-comer Freddie Young tell the uncensored stories behind the world’s most talked about brands, ideas, campaigns, and industry transgressions, offering insight into some of the greatest creative ideas and businesses along the way.

CEO Yourself

Sharing practical advice from incredible women in leadership positions, CEO Yourself, hosted by lauded businesswoman Hermoine Olivia, deep dives into a slew of inspirational guests’ CEO prowesses, allowing us to connect the dots, adopt their humbly shared learnings and, ultimately, take charge of not just our careers, but lives.

Revisionist History

Now in its 10th season, Revisionist History is multi-bestselling author and journalist Malcom Gladwell’s journey through the overlooked and often misunderstood corners of history. Every episode re-examines something from the past — spanning events, people, ideas and more, offering the past a second chance at a future. 

Backstage Pass

Local and international
directors, actors, creatives,
and designers pull back the curtain on New Zealand’s vibrant theatre scene, sharing insights and inspiration, juicy anecdotes from the rehearsal room, and laying out what it takes to bring plays to life — from ideation to writing, casting, directing and, ultimately, putting on a good show. 

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Dr. Sarah Mitchell Weston

Ask an expert: We chat to Sarah Mitchell Weston on all things winter immunity

by Dr. Sarah Mitchell Weston

While we’ve heard of the benefits of collagen supplementation on skin appearance and health, there is also evidence to suggest it has a positive effect on your immune system. With added vitamin C and zinc in its Beauty Blends, a daily dose of PROCHAINE might be just the thing to keep winter colds and flus at bay. Here, Nutritionist Sarah Mitchell Weston steps us through how to harness the power of collagen to bolster our immunity — just in time for winter.

Collagen Supports Your Gut 

Did you know that 70% of your immune system is housed in the gut? It makes sense then that gut health and a strong immune system are closely linked. Optimal gut health relies on a diverse gut microbiome and strong gut lining. Collagen contains certain amino acids – in particular glycine, proline and glutamine – which are crucial for maintaining the integrity of the gut lining. Glutamine, in particular, is a key fuel source for the cells that line the intestines, known as enterocytes. These cells play a vital role in forming a barrier between the contents of your intestines and the rest of your body. When this barrier is compromised, it can lead to leaky gut syndrome, allowing harmful substances to enter your bloodstream and trigger inflammation and immune responses.

Collagen Speeds Up Healing

Ever notice how your skin feels stronger and more elastic when you use collagen? That’s because it’s a major component of connective tissue. When you have a wound or injury, your body needs to repair and rebuild the damaged tissue. Collagen plays a crucial role in this process by providing structure and support to the new tissue forming at the site of the injury. It acts as a scaffold for other cells involved in wound healing, such as fibroblasts, which produce additional collagen and other proteins necessary for tissue repair. Additionally, collagen helps regulate the inflammatory response and promotes the formation of new blood vessels, which are essential for delivering oxygen and nutrients to the healing tissue.

Vitamin C is essential for a strong immune system

Also known as ascorbic acid, vitamin C is a powerful antioxidant that plays a crucial role in supporting the immune system. It helps stimulate the production and function of white blood cells, which are your body’s first line of defence against infections. White blood cells, such as lymphocytes and phagocytes, rely on vitamin C to effectively identify and destroy pathogens like bacteria and viruses. Additionally, vitamin C enhances the function of various immune system components, such as the skin’s barrier function and the production of antibodies, which are proteins that recognise and neutralise harmful invaders.

And so is zinc…

Zinc is an essential mineral that plays a crucial role in various aspects of the immune system. It’s involved in the function and development of immune cells, such as white blood cells and T-cells, which are key players in fighting off infections. Zinc also helps regulate the production of cytokines, which are signalling molecules that coordinate the immune response. Additionally, zinc is necessary for the maintenance of the skin and mucous membranes, which act as physical barriers against pathogens. Overall, zinc supports immune function by enhancing the body’s ability to mount an effective defence against harmful invaders.

benutrition.co.nz

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Professional model. Individual results may vary.

Considering a natural-looking injectable? This revitalising skin booster should be on your radar

For many of us, a well-rounded skincare routine can include minor cosmetic procedures such as natural-looking injectables. Often utilised to give the impression of a more youthful visage, what previously may have been an area of beauty kept under wraps and relegated to the ‘overly done’ cohort, injectables are now being embraced by many. This is thanks to a new raft of treatments that subtly enhance natural beauty without radically changing your appearance.

One such option is BELOTERO® Revive — a skin-boosting dermal filler that deeply hydrates and revitalises skin without drastic volume changes, lauded for its ability to reinvigorate lacklustre skin.

It works by combining two powerhouse ingredients — hyaluronic acid and glycerol, to provide deep hydration from within for up to nine months*, delivering that ‘fresh from holiday’ glow and reviving skin’s natural vitality. Unlike traditional dermal fillers, its purpose is not to add volume, but instead deliver a natural-looking boost to rejuvenate your complexion.

Before & After

Before
After — Patient treated with BELOTERO® Revive. Individual results may vary.

The injectable format allows for a more targeted approach — with product distributed specifically where it is needed, enabling it to work beneath the skin to provide deep hydration and target the effects of sun damage, improve overall firmness, enhance skin elasticity, reduce the appearance of fine lines and pigmentation and restore natural radiance.

BELOTERO® Revive has the ability to improve the skin’s texture and helps to achieve that all-important (and ever-elusive) glow. This is achieved via a combination of hyaluronic acid, which is known for its ability to provide unmatched levels of hydration, and glycerol — another potent hydration agent that binds water to lock moisture in your skin. The synergy of the two powerful ingredients delivers incredible hydration, boosting the skin’s moisture levels resulting in a healthy, more youthful visage.

For more information on BELOTERO® Revive and how to find your local clinic, see here.

*Hertz-Kleptow D et al. Clin Cosmet Investig Dermatol. 2019; 12:563-572. BELOTERO® Revive is an injectable resorbable implant intended to treat early-signs of photodamaged skin via rehydration of dry and very dry skin and smoothening of superficial fine lines. BELOTERO® Revive is indicated for treatment of early signs of photodamaged facial skin, as characterised by dehydration and presence of superficial fine lines. You should tell your practitioner and avoid treatment with BELOTERO® if you: have had an allergic reaction to any of the ingredients; if you tend to develop keloids or heavy scars; have any bleeding disorders, poor wound healing, inflamed or infected skin, general infection or active auto-immune disease; are under the age of 18; are pregnant or breastfeeding. Please inform your practitioner of any diseases you have or have had. These include in particular cardiovascular diseases, autoimmune diseases, diabetes, epilepsy, liver or kidney problems, skin infections or severe allergies. If you take medication or vitamins, have had previous cosmetic procedures, or have been treated with other implants, please inform your practitioner. Always read the label and consult your Healthcare Professional for more information. This medical device must be administered by a Healthcare Professional. For information about how Merz handles personal data, please see Merz General Data Protection Information Notice at www.merz.com/fin Copyright © 2024. Merz Australia Pty Ltd. All rights reserved. BELOTERO®, Merz Aesthetics and the Merz Aesthetics logo are registered trademarks of Merz Pharma GMbH & Co. KGaA.Merz Australia Pty Ltd (ACN: 151 073 559) Sydney, Australia. Ph: 1800 268 820. Web: www.merzaustralia.com.au. Pharmacy Retailing NZ Limited t/a Health Care Logistics (HCL). 58 Richard Pearse Drive, Mangere, Auckland 2022. For more information please phone 0800 822 310. June 2024. TAPS MR10593.

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Property Developer, Chris Meehan

We sit down with property developer Chris Meehan to talk patience, passion projects, and designing for the future

As the founder and CEO of Winton, one of New Zealand’s most prolific property development companies, Chris Meehan is someone who has taken the responsibility of shaping the future of our urban landscapes in a very meaningful way. From his early childhood on a rural South Island farm to his formative years building a property empire in Sydney, to now, undertaking some of the most significant residential, commercial and hospitality developments in the country, Meehan is a man with vision, ambition and the ability to execute a number of eye-watering projects with a level of finesse and careful attention to detail that is rarely seen. And while his success is undeniable, for Meehan, the driving forces behind it are simple: a passion for design and a desire to build for the future.

It was a deep love for design that first drew Chris Meehan into the competitive world of property. Having once harboured dreams of becoming an architect (although eventually deciding to pursue his passion from a different angle) Meehan knew from a young age that creating spaces in which people could not only live, but could truly thrive, was the pursuit that would drive his career. And that is exactly what he, as the CEO of New Zealand’s most prolific property development company has gone on to do. (Although whether he could have predicted the immense scale at which his spaces would materialise, is another question entirely.) 

Meehan was born in the small South Island town of Winton (the name he would eventually give his development group) near where he spent the first 11 years of his life on a farm before his parents parted ways and he moved to Sydney with his mother. Living in a much bigger city but with far fewer resources at his disposal, Meehan explains that while the challenges were certainly greater, the opportunities for those willing to pull themselves up by their bootstraps were abundant, and he wasn’t going to miss his chance at building something better. “We had nothing,” Meehan tells me in his straightforward manner, “so I figured that the only way to get what I wanted was to work my ass off, and that’s pretty much what I’ve done ever since, it really isn’t any more complicated than that.”

Granted, from an outsider’s perspective it does feel a little more complicated, given Meehan’s incredible rise from young Kiwi expatriate to trans-tasman property mogul. Although the core tenets of a dedicated work ethic, an expansive vision and plenty of ambition have clearly remained the potent mix underpinning his success. 

Back in 2000, Meehan founded Belle Property in Sydney, a company he built by selling high-end, design-led homes and bolstered through a clever association with (at the time) Kerry Packer’s glossy interiors publication of the same name and branding (a title he eventually acquired). As a young up-and-comer in the industry, it was a bold move, and one that not only gave Meehan’s business a competitive edge, but that offered early proof of the entrepreneur’s ability to think outside the box, and of his desire to build businesses with quality and pedigree as their bedrock. But while Belle was undeniably successful, it was never Meehan’s end goal, with the developer explaining how, after selling the company in 2009, he turned his focus to Winton, planting the seeds for something that would see him undertaking projects of a far greater scale.

“For Meehan, the process of building Winton has been purposeful and painstaking, a path paved by the developer’s characteristically patient approach.”

“Belle Property, was a great place to start because it was very much a design-led business where we specialised in the sale of designer property and we also had the magazine, so that was a niche that we really owned in Australia,” Meehan explains, “but it was a means to an end for me,” he pauses, “a good means and a good end, but the big-scale projects that I’m doing with Winton now… nothing compares.” 

For Meehan, the process of building Winton has been purposeful and painstaking, a path paved by the developer’s characteristically patient approach. This has not only allowed Meehan to grow his business sustainably, but has reduced (or virtually eliminated) his reliance on banks or borrowed capital, keeping Winton in an undeniably strong position, unhampered by debt. “When I sold Belle, we didn’t have a huge amount of capital but we had enough to start some smaller projects,” he tells me. “As we went on, we just kept reinvesting our profits and eventually the projects grew in scale, and now, 15 years on we’re building towns.” 

This is not hyperbole. Winton’s developments are known for being eye-watering in scale, often encompassing hundreds of residential buildings, a commercial or hospitality hub and a variety of public spaces. They are also unparalleled in their attention to detail, each project boasting the kind of high-quality, timeless design that one might expect to find in a premium single dwelling, but certainly not reproduced en masse and without compromise. “We put about 10 times as much thought into the design of our projects than any other developers would,” Meehan tells me, explaining how he spends most of his working hours with Winton’s design team, going through every inch of his projects meticulously. It is, he tells me, the part of his job he loves the most. “I’ve always thought, in my business,” Meehan suggests, “that if I can just get the product right, like really right, then the money will flow from there.”

It is certainly a unique approach for someone operating at the top of an industry in which profit is often the chief driver — an attitude that wouldn’t usually leave room for the kind of detail on which Winton has built its reputation. But if Meehan’s formula has proven anything, it is that good design is timeless and quality will, as he predicted, always sell. “We’ve got enough sitting in our landbank now for about 7,000 lots,” Meehan reveals, “and we’re always buying more. We like to keep about 10 years of runway ahead of us.” 

Ayrburn, Winton’s sprawling new hospitality precinct outside of Arrowtown

One particularly spectacular example of Winton’s unique handiwork is Ayrburn, a sprawling new hospitality precinct that opened late last year on a piece of historic land just outside of Arrowtown. Comprising a series of dining and entertaining venues (with still more to open), sweeping gardens, public spaces and a series of residential developments to come, Ayrburn has not only been one of Meehan’s most ambitious projects, but is also the one, he reveals, he has enjoyed working on the most. “We bought the property in 2015, so it’s been a nearly-10-year process bringing it to life,” he says. “But it’s probably been the most fun I’ve ever had on a project,” he pauses. “I know that I won’t find another piece of land like that in my lifetime, one with a rich history, 160-year-old trees, a beautiful creek running through it, historic buildings framed by mountains and a close proximity to such an iconic town… it has definitely been a passion project for me, and I’m so proud of how it has come together.” 

Indeed, Ayrburn is a striking showcase of Winton’s extraordinary vision and unparalleled execution. Its generous grounds have been manicured to perfection, with Meehan explaining that in time, they will grow to become one of the most jaw-dropping botanic gardens in New Zealand. Its historic buildings (despite being already existing on the property) have each been painstakingly rebuilt by specialised tradespeople who spent years ensuring that they would be fit for purpose (and adhere to modern building codes) while remaining true to their century-old provenance. Really, you only have to drive through Ayrburn’s understated entranceway to immediately understand how it truly stands apart as a development that has been designed for the future. For me, it brings to mind the old adage of a society growing great because of those who plant trees in whose shade they will never sit. Only time will show the true potential of what has been created there.

But Ayrburn is just the first in a series of exciting new projects by Winton where hospitality is at the heart; precincts in which premium residential developments and food and beverage offerings have been designed to go hand-in-hand. For Meehan, this is simply an extension of Winton’s more holistic development model; a reflection of its long-standing commitment to combining residential offerings with commercial hubs in order to offer lifestyle with longevity — something that goes well beyond nice new buildings alone. 

On entering the hospitality space in such a significant way, Meehan explains that his philosophy is simple: “You’ve got to have an incredible location, you’ve got to be in the sun, and you’ve got to be near some kind of water,” he says. “If you get those three things right then you have the foundations for an incredibly successful hospitality offering.” And while Ayrburn, of course, ticks all of those boxes, there’s another major project currently taking shape a little closer to home that is promising to not only reimagine Auckland’s Wynyard Quarter precinct, but also, to completely change the ways in which we will be able to enjoy our waterfront. 

Winton’s Cracker Bay precinct, overlooking Auckland’s sparkling Waitemata Harbour

Cracker Bay, set on a sprawling section of prime, waterfront real estate, is the expansive new hospitality precinct that Winton is currently underway with. When finished, it will comprise a series of hospitality venues, from grab-and-go eateries to formal restaurants and a spectacular event space overlooking Auckland’s sparkling Waitemata Harbour, as well as a private members’ club and a public walkway that will allow more people to take in the stunning vistas of Auckland’s waterfront. In what I am coming to understand as Winton’s modus operandi, it seems that no detail here has been left to chance, with Meehan explaining that, in honour of the site’s history, many of the existing heritage buildings will be carefully reconstructed, and that because of its positioning, Cracker Bay will offer something utterly unique in Auckland. “It’s west-facing so not only will it be bathed in sun but it will be sheltered from the wind, and we’ve called on some really clever people from all over the world to run it for us so it’s going to be a fun place,” he tells me, with a twinkle in his eye. 

Really, Meehan is in the business of changing the ways in which people live. Not just where they live, but how. Cracker Bay, while incredible as a standalone project, is actually part of a much larger vision that will marry its vast and varied hospitality with a luxury apartment development across the road called The Villard and alongside that, another new offering that is reimagining the idea of life after retirement — Northbrook.

Winton’s luxury apartment development, The Villard

“When we looked at the demographic of New Zealanders who were a little older and who had lived with luxury goods and services their whole lives, they weren’t generally the bingo-and-bowls types,” Meehan tells me, with a chuckle. “We saw a big hole in the market for a residential concept that would flip the idea of retirement on its head, and so, Northbrook was born.” 

Offering what Winton has called ‘luxury later living’, Northbrook is a series of residential developments that not only provide older New Zealanders with a beautiful place to live in their twilight years, but promise an idyllic lifestyle for those seeking something more sophisticated for their retirement. From impeccably designed apartments that have been fitted with subtle additions to make living easier, to elevated social spaces, including restaurants and bars, in which residents can mingle, to ensuring that the developments’ locations are only a stone’s throw away from Winton’s other new hospitality precincts (including Cracker Bay and Ayrburn), Northbrook seems the only retirement concept in New Zealand that is actually responding to the needs and desires of its target demographic, and it’s a space in which Meehan is predicting incredible growth over the next few years.

“Meehan is a developer whose passion for his work permeates everything he does, creating better, more desirable and certainly more liveable spaces as a result.” 

“Already the uptake for Northbrook has been really strong,” the developer says, “and most of the people who are buying into these apartments are the kinds who swore that they would never consider a retirement home.” He continues, “but really, that’s just a reflection of how we’re doing things so differently… it will be like moving into a luxury hotel with your mates,” he smiles, “who wouldn’t want that?”

Indeed, the potential that Meehan sees in his Northbrook concept is clear in his commitment to its growth, with sites already underway in Auckland’s Wynyard Quarter and Launch Bay, as well as in Wanaka and Arrowtown, and in Christchurch’s Avon Loop, too. “The retirement business will be a significant part of our overall portfolio in five years time,” he tells me, “and while we’ve got five in the works now, we see demand for between 12 and 15 Northbrook retirement developments up and down the country in the coming years.” 

Winton’s idyllic Northbrook in Launch Bay

This focus on larger, more ambitious projects that will allow Winton to hone its expertise on one area is something that Meehan says is his goal. “We’ve got about 26 projects on the go at the moment but I’d like to get that down to about a dozen,” he says. “We do those big ones so well that I think they should be our primary focus.” 

One such project that Meehan outlines as a major focus of his going forward is Sunfield, a groundbreaking development in Papakura that will literally conjure a township out of thin air. Sunfield will boast around 400,000 square-metres of commercial space and some 5,000 new (and affordable) homes. It will offer a radical new approach to living that hinges on the idea of people not wanting to spend hours commuting everyday and as such, the Sunfield neighbourhood will be designed for those who work and live within its boundaries, with Winton creating all the amenities that a typical township might need, from supermarkets to schools to public parks, playgrounds and more. It’s a fascinating concept, and one that will require the next 15-or-so years to bring to fruition. If, that is, it can survive the daunting process of procuring consents to go ahead.

Unfortunately, the fact remains that in New Zealand, much of Meehan’s job as a developer involves a seemingly endless barrage of bureaucratic challenges and nonsensical red tape that can stymie creativity and growth from the outset. It’s something about which the developer is very vocal. “In New Zealand, we’ve gone from this number-eight-wire mentality to what feels like ‘10 reasons why you can’t do something,’” he says. “The bureaucracy is out of control here and there’s no reason for it.” He continues, “at the moment, collectively, we only build on one percent of our landmass, and yet we’re facing a housing crisis,” he pauses, “It doesn’t make sense.”

In almost all of his projects Meehan has had to overcome opposition from local councils and face court cases in which he has had to prove himself to the powers that be, showcasing again and again the ways in which Winton is developing for the future, how it is creating better spaces for us to live and work and play in, and how, at its core, its ethos is about honouring the beauty of New Zealand with developments that will stand the test of time. “I have an incredible team of the very best people around me,” Meehan says, “and I guarantee that if you asked around my office, the only thing they would say they found frustrating about their work would be the bureaucracy, I can only hope it changes soon.” 

The truth is that what Meehan has achieved with Winton is already changing our landscapes and lifestyles in significant ways. From the incredible sites he secures, many of them central to our enjoyment of a particular city or town, to the integrity with which he designs, refusing to cut corners or leave any detail to chance, Meehan is a developer whose passion for his work permeates everything he does, creating better, more desirable and certainly more liveable spaces as a result. 

In an industry that can get a bad rap for developing sites with a ‘profits over people’ approach, Meehan and his team are proving (in a big way) that by putting people first, by taking the time to understand how they want to live, and by offering something that is high quality, luxurious and lasting, profits and growth tend to follow. And while his success in this space is undeniable, it’s never been Meehan’s chief driving force. “I feel like I get to come to work everyday and do my hobby,” he tells me, smiling. “Being able to design something beautiful, something that inspires me, and then to bring it to life and watch others enjoy it, that’s all I’ve ever wanted to do, and it’s pretty satisfying.”

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NOUR HAMMOUR DAKOTA LEATHER TRENCH COAT

As Muse Boutique welcomes coveted Parisian label Nour Hammour to the fold, we explore the brand’s surprisingly rebellious origins

When Erin Conry Webb and Nour Hammour founded their Parisian label Nour Hammour in 2013, they had a singular goal: to create the perfect leather jacket. It was a rather lofty ambition, but as you peruse the brand’s recent collection of thoughtfully tailored designs in neutral tones and supple leather, they appear right on track. Simultaneously androgynous and alluring, the contemporary cuts would slip effortlessly into any woman’s forever wardrobe. So, it is interesting to think that it all began with a biker jacket. 

Sofia Ruutu
Danielle Laz
Rosie Huntington-Whiteley

It was the early 2010s. Stacked rings, smokey eyes and over-the-top embellishment reigned, and the women — who met while studying for their masters — quietly launched a business making bespoke, studded leather jackets. Channelling the moto chic culture of the time, the personalised pieces were soon draped over the shoulders of Beyoncé, Rihanna, Gigi Hadid, and a slew of off-duty models. The über-adorned designs earned a legion of fans right from the outset, but for Nour Hammour, it was just the beginning. 

As time and taste moved on, the brand left the rebellious biker look behind and evolved, carrying its audience along with it. Forgoing trends in favour of enduring design, the handcrafted outerwear now strives to ‘empower and elevate.’ These tenets carry across every facet of the female-founded brand, which has worked tirelessly to forge a fresh path in the male-dominated leather industry. 

NOUR HAMMOUR Dakota Leather Trench Coat
NOUR HAMMOUR Dakota Leather Trench Coat from Muse Boutique

NOUR HAMMOUR Dakota Leather Trench Coat from Muse Boutique
NOUR HAMMOUR Birthday Shearling Coat from Muse Boutique
NOUR HAMMOUR Gotham Sleek Leather Coat from Muse Boutique

In a trade that favours large-scale production, Nour Hammour is unafraid to break the mould. Establishing manufacturing methods that honour craft and heritage, it remains steadfast to its ambition to be ‘more unique, ecological and inclusive,’ even launching a female-led workshop in Istanbul. Production is now split between Turkey and a petite Parisian workshop—the same one that made the brand’s very first jacket over a decade ago. 

The label’s other key motivator is sustainability. Nour Hammour has an admirable ‘zero-waste’ approach, and while leather is an inherently sustainable material, the brand makes significant considerations to reduce its environmental impact further. Case in point, it doesn’t hold any inventory; every jacket is cut and constructed when ordered. This means excess fabric remains at a minimum, and anything that is left over or offcut is collected by other artisans and repurposed. 

Available exclusively through Muse Boutique, owner Olivia Vincent Healy first discovered the brand via forever icon Rosie Huntington-Whiteley, drawn to the elegant outerwear for its “luxurious and timeless” appeal. Destined to be the ideal companion for this winter and many more, Nour Hammour is outerwear to be prized and passed down. As co-founder Conry Webb says, “Leather is the only material that gets better with time.”

Nour Hammour is available exclusively at Muse Boutique

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Artist Kāryn Taylor

We talk to respected artist Kāryn Taylor ahead of her exhibition at Sanderson Contemporary

Known for her work which manipulates light, form, and shadow, Kāryn Taylor has a unique ability to draw the viewer in, challenging perception and inspiring introspection as she investigates metaphysics, regarding the existence and nature of things, and quantum physics, the behaviour of matter and energy. This June, the respected artist has an exhibition at Sanderson Contemporary entitled ‘Visual Linguistics‘ — continuing the evolution of her self-illuminating lightboxes, as she further pushes the limitations of the material which has become synonymous with her work.

Here, we talk to Taylor ahead of her exhibition, discussing the nuances of her work, the link between illusion and reality, and what we can expect to see in ‘Visual Linguistics’.

Alcove by Kāryn Taylor

Exclusive Q&A


You are known for your artworks that explore light and space. When did you first start making art in this way?

My first exploration into light and space was a large-scale, immersive work for the Dunedin Fringe Festival in 2008. It was a series of chambers, each with its own frequency relating to the energy systems of the human body. I used the vibration of light, colour and sound to achieve this. Later, I studied for my Masters at Elam where I experimented with sculptural light and line works. My self-illuminating lightboxes came out of being asked to submit a work for Sculpture OnShore in 2014, which had to withstand the elements. As I’d been working with layers of film and paper, I went looking for something more durable to mimic this. I played around with cast acrylic and discovered how to make a glow effect which I immediately ran with. I could visualise the final work in a matter of moments leading to a year-long process of perfecting the concept, which continues today. 

man viewing Kāryn Taylor installation

You studied Graphic Design in California before going on to study Fine Arts in New Zealand. Did this impact your approach to art?

As a graphic designer, I had to continually come up with new designs within strict parameters, and always tried to excel at coming up with something unique and different from what was already out there. This has probably impacted my art making as I always try to create works that are unique and haven’t been seen before.

You recently exhibited your first large-scale public exhibition at the Suter Art Gallery Te Aratoi o Whakatū in Nelson, which was hugely successful. What did you learn from this experience? And what did you enjoy?

This was an exciting project as I was exploring new territory such as free standing sculptures and the physical modification of the space. I was working at a much larger scale than I had previously. I loved the whole process as I quite like being on the edge of new things and figuring out how to bring them to life. I learnt a lot about working with multiple fabricators to create new works using new materials. I also learnt how creating a total environment at a large scale requires a lot of intense visualisation as there is no real way to test the full concept at scale. Seeing it come to life was a pivotal moment in my career.

KTA Halo by Kāryn Taylor

Your artwork explores metaphysics and quantum physics. Can you explain this a bit more?

Metaphysics is the study of existence and the nature of things, while quantum physics is the study of the behaviour of matter and energy. The interesting thing is they both bump up against this idea that consciousness creates reality; that the observer and the observed are somehow connected. My work explores this by often including something that doesn’t perceptually or physically make sense, it requires the viewer to question what they are looking at – what is real and what is an illusion.

What are your future career goals? 

I have always envisioned my work in public galleries, not just here in New Zealand but also overseas, so I am always looking to create a trajectory in that direction. I see large-scale installations and free-standing sculptures being a focus, alongside my projection works. I have this insatiable desire to bring my practice out into the world.

Tell us one thing about yourself that people wouldn’t know

I have danced Argentine tango for over 20 years and I spent a number of years teaching it too! 

open question grid answer lines by Kāryn Taylor

You have an exhibition coming up at Sanderson in June. What can we expect to see in the exhibition?

The continuing evolution of my self-illuminating lightboxes — I am always trying to see how far I can push the limitations of this material. There will be works that have more shadow-based lines that speak to traditional drawing. There will also be some new colour combinations and more complex imagery, alongside my known minimalist aesthetic.

Kāryn Taylor’s exhibition ‘Visual Linguistics’ is on at Sanderson Contemporary from the 12th June until the 7th of July 2024.

sanderson.co.nz

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Step up your beauty routine and achieve a rosy glow with our edit of the blushes to shop now

If your complexion is looking a little dull from the shorter days, don’t panic. This edit of winter blushes will give you a rosy flush, instantly adding a warming glow to your complexion this winter. 

Shop the edit
Royal Flush
Addict Rosy Glow from Dior
Westman Atelier Baby Checks blush stick from Net-A-Porter
Charlotte Tilbury Pillow Talk lip & cheek glow from Mecca
Chanel Joues Contraste blush from Smith & Caugheys
Polite Society Pops Powder Blush from Mecca
Benefit Benetint Lip & Cheek Tint from Adore Beauty
Nars Afterglow Liquid Blush from Sephora
Polite Society Go Flush Yourself palette from Mecca
Kosas Blush Is Life Baked from Revolve
Makeup by Mario Soft Pop Blush from Sephora

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