Row of aged leather-bound books including Biblia Sacra on a dark wooden shelf.
Mickey Smith Untitled Vol. VII, Strahov, 2026 Archival pigment print on Hahnemühle Photo Rag 560 x 380 mm, edition 1 of 15 from Sanderson

Why Mickey Smith’s new Sanderson exhibition deserves your full attention

Long before the printed word became a thing of speed, convenience and algorithmic disposability, books held a different kind of authority. They were objects of knowledge, devotion and social power, made to be preserved, protected and passed down, their pages carrying the weight of language and of collective belief.

Close-up of ancient weathered books secured with heavy iron chains and white linen ties.
Mickey Smith Untitled Vol. III, Hereford, 2024 Archival pigment print on Hahnemühle Photo Rag 1200 x 800 mm, edition 1 of 10 — from Sanderson

This June, Sanderson presents Sacrosanct, the latest evolution of Mickey Smith’s award-winning photographic practice, extending her decades-long inquiry into the physical and social significance of literary texts and archives. Having previously turned her lens towards bound periodicals in public stacks, Smith now enters more rarefied territory, focusing on centuries-old religious manuscripts that carry an anthropological weight alongside something quieter, more enigmatic and meditative.

Close-up of three stacked antique books with red and purple fore-edges and worn leather spines.
Mickey Smith Untitled Vol. XIII, Nostitz, 2026 Archival pigment print on Hahnemühle Photo Rag 800 mm x 1200 mm, Edition 1 of 10 from Sanderson
Close-up of peeling paint and crumbling plaster on aged architectural surfaces with weathered timber.
Mickey Smith Untitled Vol. X, Strahov, 2026 Archival pigment print on Ilford Fine Art Canvas Galicia 1200 x 800 mm, edition 1 of 10 from Sanderson

Photographed in The Chained Library of Hereford Cathedral in the United Kingdom and the Strahov Library in Prague, the works document ancient volumes with forensic intimacy, revealing the material character of texts that have survived as spiritual artefacts and as historical evidence. Smith’s strict ‘as found’ methodology remains central to the project. Nothing is touched, staged or artificially manipulated; instead, the books are captured exactly as they exist in situ, their bindings, surfaces and surroundings allowed to speak with their own delicate eloquence.

Why Mickey Smith’s new Sanderson exhibition deserves your full attention
Mickey Smith Untitled Vol. XII, Strahov, 2026 Archival pigment print on Ilford Fine Art Canvas Galicia, 1600 x 1095 mm, edition 1 of 3 from Sanderson

Ancient red-edged books secured with heavy iron chains and a white ribbon bow.
Mickey Smith Untitled Vol. II, Hereford, 2024 Archival pigment print on Hahnemühle Photo Rag 1600 x 1095 mm, edition 1 of 3 from Sanderson
Weathered medieval chained books with iron links hanging from a rod on wooden shelving.
Mickey Smith Untitled Vol. I, Hereford, 2024 Archival pigment print on Hahnemühle Photo Rag 1340 x 885 mm, edition 1 of 3 from Sanderson

The result is a body of work that considers what these manuscripts contain and what they continue to powerfully signify.

Exhibition dates: 27th May until 21st June

sanderson.co.nz

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