Superette’s new collection has just landed and it’s transporting us to the City of Angels

Having landed in stores last week, Superette’s new pre-spring ’19 collection is shaking us out of our dreary, winter moods. Inspired by the kind of eccentric elegance often found in cities like Los Angeles and Palm Springs, the collection (aptly named Canyon Drive) exemplifies the Superette code — where animal-print motifs meet pops of neon, metallic touches and playful, textural contrasts.

From eye-catching knitwear to studded leather jackets and of course, a number of pieces emblazoned with the recognisable word, ‘Super,’ Canyon Drive is the laid-back but undeniably cool collection our monochromatic winter wardrobes have been crying out for.

Coveted

Tiffany & Co.’s Paradise Birds chapter brings Blue Book 2026 to life
The luxury skiwear concierge taking the hassle out of ski holidays
The jewellery designed for movement, ease and everyday elegance
Comet by Colin McCahon (1974)

This striking exhibition celebrates 100 years of preeminent Kiwi artist Colin McCahon

This year marks 100 years since the birth of revered New Zealand painter, Colin McCahon — a man whose distinctive adaptation of modernism rendered his work seminal in the wider landscape of art in this country. Now, Auckland’s Gow Langsford Gallery is celebrating the considerable impact of this cultural figure, with an arresting exhibition called Across The Earth: 100 Years of Colin McCahon.

The exhibition comprises a collection of significant paintings that speak to McCahon’s unique interpretation of the New Zealand landscape — a series of loose canvases from McCahon’s Muriwai period. Expressing the rawness of the environments he depicted by rendering them on canvas that hadn’t been stretched or framed, McCahon’s focus on maintaining textural integrity delivered raw representations of his chosen subject. It also allowed the artist to imbue his works with a sense of urgency and immediacy, where the unrefined edges and simple compositions confronted the viewer with the wild essence of the New Zealand landscape.

Left: Kokowai (1976) | Right: A Handkerchief for St Veronica (1973)

Included in Gow Langsford’s exhibition is McCahon’s Urewera Triptych (1975) an important piece in which the artist captured the Urewera National Park and its people, Ngai Tuhoe iwi. The exhibition also includes pieces like A Handkerchief for St Veronica, McCahon’s 1973 painting in which the subject (a handkerchief) is given added depth via the artist’s choice to depict it on loose canvas; and Comet (1974) which saw the artist depicts the varying shades of a night sky, where a white horizon glows at the bottom of the frame.

Urewera Triptych (1975)

Set to be an exhibition not to miss, Across The Earth: 100 Years of Colin McCahon is on now and runs until 3rd August.

For more information, click here.

Gow Langsford Gallery

26 Lorne Street
Auckland

(09) 303 9391

www.gowlangsfordgallery.co.nz

Culture

The books worth escaping into this winter
Your guide to the best events and experiences this July
From architecture to adventure: The coffee table books worth collecting now

Concrete takes centre stage in this arresting Point Chevalier home — but not in the way you might think

Concrete is a material long favoured for the way it imbues a building with a kind of stark modernity — and as such, is often used to lend a striking finish. Usually, this means that it stands at odds with the concepts of warmth or cosiness, which has historically rendered it tricky to incorporate into residential homes.

But when approached by a client who was a builder with a love for concrete, architects David Ponting and Matt Fitzgerald (of Ponting Fitzgerald Ltd) decided to undertake a project that reimagined the way concrete could be used in the residential space — and it was a risk that paid off in spades.

Standing stoically on the shore-front of Point Chevalier beach, its statuesque, sculptural form offering intriguing contrast to its surrounding nature, the eight-metre-tall Point Chevalier house is a study in innovative architecture. Despite its greyscale finish and prolific use of concrete (not something one would usually align with nature) this house seems, in many ways, to reflect the ruggedness and raw power of its surrounds via its angular edges, its textural exterior and the way it feels like it has been stripped back in the same way that waves might strip back a rock they continually lap against over time.

But to get the concrete to its final form was no easy feat. Created using rough sawn, timber moulds — that rendered the home’s expressive surface texture — into which was poured concrete coloured in Peter Fell SuperBlack (via the companies innovative colouring process), the whole exercise demanded an astonishing amount of energy and attention to detail. Once poured, the SuperBlack black concrete had to sit for around seven days before the moulds could be removed, at which point, it was a matter of simply hoping that nothing had gone wrong — concrete is notoriously unforgiving.

Thanks to the unique finish the Peter Fell SuperBlack colour lends the concrete, the typically stark material is given a degree of rich warmth. Take the living room, for instance, cosy and inviting, it’s a space that you wouldn’t typically associate with concrete, and yet, in the walls and on the ceiling, concrete takes centre stage as a striking shell.

Design

Inside the Marais apartment-gallery where hospitality becomes architecture
Italians in Residence: Molteni&C opens its first New Zealand flagship
How new furniture brought fresh life to this Auckland character villa

Issue Four of our annual design bible, Denizen Modern Living, has just landed on shelves

Comprising a line-up of the most inspiring, innovative and unprecedented pieces and trends from the world of design, Denizen Modern Living is nothing less than a bible for those interested in interiors. And this, the fourth issue of Modern Living, is undeniably our best one yet.

From a deep dive into the best pieces from Euroluce (the biennial lighting fair that coincided with Milan Design Week), to the new way to use concrete, to a thorough exploration of how outdoor living is being taken to new heights, we ensured no stone was left unturned as far as the most important trends to know.

As far as projects go, we offer a peek inside the beautifully appointed home of renowned Australian fashion designer, Camilla Freeman-Topper (of Camilla & Marc), an apartment that once was part of an infamous lunatic asylum that has been carefully renovated for a young family, and an off-the-grid cabin that redefines the idea of escaping into nature.

Of course we also detail all the brands and showrooms you need to know in order to festoon your home with incredible pieces, as well as delve a little deeper into the stories behind designers of the moment, including Kelly Hoppen and Apparatus Studios.

Whether you’re seeking inspiration for your own spaces or are simply wanting to stay on top of the latest trends, Denizen Modern Living is the perfect place to start.

Available in two different covers, Denizen Modern Living is on sale now. Pick up a copy from any good newsagent today or subscribe here.

Design

Inside the Marais apartment-gallery where hospitality becomes architecture
Italians in Residence: Molteni&C opens its first New Zealand flagship
How new furniture brought fresh life to this Auckland character villa

From wearable houses to a library catwalk — the best moments from the Fall Couture shows in Paris

As Pierpaolo Piccioli sent models festooned in shagpile detailing down the Valentino runway and Iris van Herpen, in collaboration with American artist Anthony Howe, installed a kinetic sculpture on her runway, we were reminded why Paris Haute Couture week is such a special time.

Left – Pierpaolo Piccioli brought the Valentino seamstresses out to take a bow at the end of his show | Centre – Kinetic sculpture at Iris van Herpen | Right – Christian Dior

An opportunity for the most lauded designers in the world to showcase collections that speak to their creative prowess in a far more pointed way than ready to wear, Haute Couture serves up some of the most daring, intriguing, alluring and groundbreaking fashion of the year. As such, we thought we would line up some of our favourite moments from the week that was, and hope you find yourself similarly inspired.

Valentino

Chanel

Christian Dior

Giambattista Valli

Iris van Herpen

Givenchy

Fendi

Maison Margiela

Coveted

Tiffany & Co.’s Paradise Birds chapter brings Blue Book 2026 to life
The luxury skiwear concierge taking the hassle out of ski holidays
The jewellery designed for movement, ease and everyday elegance

Mahsa’s Mood 3 is a considered collection that puts a tailored twist on her signature

There is a contemplative calm that permeates New Zealand designer Mahsa’s latest collection. Comprising the kinds of pieces that simply lend themselves to a spot of philosophical pondering, A Single Woman – Mood 3, is a continuation of the designer’s signature relaxed refinement and yet in many ways, feels like a definitive step forward.

Shot by Derek Henderson at The Brake House — an icon of modern architecture just outside Auckland — the collection finds its feet in the shirting we have come to know as Mahsa’s mainstay (soft, flowing styles with simple silhouettes and occasional bow detailing) but breaks away from expectation with the introduction of subtle but powerful masculine touches — an exaggerated collar here, an oversized blazer or trench coat there.

The feminine-masculine binary is balanced with precision and perfected with sharp tailoring. It results in a collection that is, as the name indicates, for ‘a single woman’ — which is not to say that it caters only to women without romantic partners, but that it speaks to an independent spirit, a daring resolve and a way of existing in the world that isn’t dictated by the opinions of others.

Just as the model stands alone on the balcony of The Break House surrounded by dense greenery, and Henderson pulls back to create a frame that captures her solitude, we are given a picture of autonomy that represents the way Mahsa clearly wants her clothes to be worn — with a sense of fearlessness and in total freedom.

Mahsa’s Mood 3 collection is available locally from Simon James Design.

Coveted

Tiffany & Co.’s Paradise Birds chapter brings Blue Book 2026 to life
The luxury skiwear concierge taking the hassle out of ski holidays
The jewellery designed for movement, ease and everyday elegance
Left: The Miriam Coat Right: Camel coat both from Dadelszen

These new cashmere and leather jackets are exactly what your winter wardrobe needs

Where summer style is defined by what isn’t there, winter offers up the opportunity to really enjoy our wardrobes. To layer ourselves in swathes of soft cashmere, wrap up in chic coats and jackets and revel in the fact that leg-baring styles are firmly off the table.

Dadelszen, in typical fashion, has seized the opportunity this season offers, by creating a range of exquisite winter pieces. The Miriam Coat, for example, is the ultimate way to envelop yourself in warmth with its wrap-around style, knitted raglan sleeves and sleek leather belt. Or the Shearling Vest, with its versatile silhouette and refined inky blue or camel iterations, is the ideal layering piece. Other styles include the Martina, a show-stopping, eye-catching jacket rendered in glossy patent leather and shearling and The Cape, an effortlessly elegant piece made from cosy cashmere with a removable angora collar that will make any outfit look as luxurious as you feel.

If you’re heading down to Queenstown this winter and need to ensure your wardrobe is adequately prepared for its chilly climate, look no further than Dadelszen for pieces that combine form with function in as seamless a way as we have ever seen.

Coveted

Tiffany & Co.’s Paradise Birds chapter brings Blue Book 2026 to life
The luxury skiwear concierge taking the hassle out of ski holidays
The jewellery designed for movement, ease and everyday elegance

Take a look inside Deadly Ponies’ new Britomart store

They might have only recently finished work on their refurbished Ponsonby flagship, but the creative minds at Deadly Ponies aren’t known for resting on their laurels. As such, it is with what can only be described as an incredible drive and creative energy that Deadly Ponies opens another new store, this time in Britomart.

Engaging the services of interior designer Katie Lockhart again (she worked with the brand on its Ponsonby location), Deadly Ponies has created a store that aptly reflects its refined aesthetic. Festooned with beautiful, handpainted antique Dutch ceramics (from the early 1900s) to sit alongside pieces from local artists, the store is warm and inviting and hums with the same kind of unique, creative energy that sits at the heart of everything this brand does.

It’s a significant step forward for Deadly Ponies. And while they’ve had a presence in Britomart for a while now, it didn’t carry the same air of permanence this new opening does nor did it represent the leaps and bounds forward that this brand has taken in the last couple of years. Deadly Ponies has really come into its own, and it’s a maturation that has materialised in physical spaces that are reminiscent of the concept stores one might find in cities like London or New York.

In celebration of this significant milestone, we are offering one lucky Denizen the chance to win $1,500 to spend in Deadly Ponies’ new store once it opens this Friday, 5th July. To enter, click here.

*This competition has now closed. Congratulations Anna Gallagher*

Deadly Ponies Britomart

The Pavilions at Britomart
16 Te Ara Tahuhu Walkway

www.deadlyponies.com

Coveted

Tiffany & Co.’s Paradise Birds chapter brings Blue Book 2026 to life
The luxury skiwear concierge taking the hassle out of ski holidays
The jewellery designed for movement, ease and everyday elegance

The iconic Prada Nylon is undergoing a sustainable reimagining

Another day, another story about a major player in fashion shifting to a more sustainable model. This time, it’s Prada that has been making moves to mitigate the harmful effects of the industry in which it’s a leader, by undertaking a sustainable reimagining of its iconic Nylon.

The result of a partnership between Prada and textile yarn producer Aquafil, a pioneering new project Re-Nylon is set to see the brand engage with the issue of sustainability in fashion in a meaningful, tangible way. Revolutionary fabric, ECONYL®, a textile made from recycled and purified waste products that include plastic debris from oceans, fishing nets and fibre waste, has been used by Prada to create a special line of bags. It can be reused and recycled indefinitely (without losing its quality) and for every 10,000 tonnes of ECONYL® created, 70,000 barrels of petroleum are saved, seeing a significant reduction in carbon emissions.

It’s all part of Prada’s overarching plan to convert its virgin nylon into regenerated ECONYL® nylon by the end of 2021 — a bold, but necessary undertaking. Nylon has always been a staple for the brand. An embodiment of Prada’s signature approach that elevates utilitarian materials and silhouettes and takes the practical into the high-fashion sphere with its sophisticated, contemporary aesthetic. This move, then, is not only a reimagining of the brand’s heritage but is an expression of the kind of innovative progression that Prada has always sought to represent.

Prada Re-Nylon will launch with six classic styles for men and women including a belt bag, a shoulder bag, a tote, a duffle and two backpacks, all of which will be crafted from sustainable fabrics and bare a re-working of Prada’s recognisable triangular badge, this time in a circle shape that represents the circular economy the collection is supporting.

Taking it one step further, Prada will also be donating a percentage of proceeds from its Re-Nylon collection to an environmental project. Working with UNESCO, Prada is developing educational programmes around plastic waste and the circular economy to inspire students in a number of different countries, with the ultimate goal being to inspire those involved to spread awareness and take action — and hopefully starting something of a chain reaction.

Considering the state of the fashion industry right now, there’s always more to be done towards facilitating sustainable models. But with major brands like Prada not only acknowledging the need to change but taking significant steps forward in the delivery of that change (or part of it, at least), the way is being paved for other brands to do the same.

Coveted

Tiffany & Co.’s Paradise Birds chapter brings Blue Book 2026 to life
The luxury skiwear concierge taking the hassle out of ski holidays
The jewellery designed for movement, ease and everyday elegance

Why Z Zegna’s Techmerino™ will see you never having to dry-clean a suit again

When we talk about mens fashion, we so often focus on the prevailing trends — what colours to wear, whether sandals are okay, the unexpected return of tie-dye etc. Less often do we talk about the practicalities of a man’s wardrobe, which arguably is a far more important topic.

The bottom line, is that when it comes to clothes, men seek out ease, versatility and wearability more actively than women do — for whom the ‘look’ of something might usurp its practical qualities (see, high heels). That said, there haven’t been many high-end menswear brands who have sought to put practicality at the forefront of their collections, until now.

You might think you know Ermenegildo Zegna. You might even own one of the brand’s sleek suit jackets. But until you understand that Zegna, especially with the innovations it’s making under its Z Zegna label, is far more than just a formalwear stalwart, you definitely aren’t aware of the potential this brand holds for your everyday wardrobe.

Releasing its unprecedented Z Zegna Techmerino™ Wash&Go collection to much acclaim, Zegna recognised the need for clothes that didn’t see style and ease as mutually exclusive pursuits. The collection comprises tailored shirts, jackets, shorts, trousers, sneakers and suiting that embody Zegna’s signature sophistication, but that are made from the brand’s unique Techmerino™ fabric, which renders them all machine washable and quick-drying. We’re talking about a suit that you can wear to the office, throw in the machine when you get home and hang to dry.

Furthering Zegna’s reputation for innovation, Techmerino™ is the result of combining the best attributes of Merino wool with unparalleled processing and finishing techniques, and exemplifies the brand’s holistic approach. Not only does Zegna want the men wearing its clothes to look sophisticated, but it wants that to come without compromise, in this case, the usual quid pro quo that typically goes hand-in-hand with wearing nice, tailored pieces on a daily basis.

Coveted

Tiffany & Co.’s Paradise Birds chapter brings Blue Book 2026 to life
The luxury skiwear concierge taking the hassle out of ski holidays
The jewellery designed for movement, ease and everyday elegance