As the weather starts to cool off, allow yourself to be transported to the glorious Amalfi Coast with Sìso’s upcoming exclusive pop-up, ‘Sapore Di Malfi,’ where a bespoke offering of sophisticated food and fun drinks has been created to offer an immersive sensory experience you don’t want to miss. On now and running until the 14th of April, this curated affair has seen the Remuera institution transformed with beautiful, evocative installations and a specialty menu designed to celebrate the distinctive flavours of Malfy Gin.
From the Malfy Originale (a more traditional dry gin), to the Con Limone (made using a citrus extract), to the Gin Rosa (an expression of Sicilian pink grapefruit) and the Con Arancia (with notes of Sicilian blood orange), each of Mafly Gin’s iterations are honoured at ‘Sapore Di Malfi’. Here, you can indulge in cocktails that expertly blend Malfy’s signature botanicals with premium ingredients, like the ‘Singing in Sorento’, with Malfy Con Limone, Créme de Mure, lemon, raspberry and Deutz Rosé, and ‘The White Lotus’, with Malfy Con Arancia, Crème de Abricot, strawberry, lemon and basil.
Alongside the libations is a tantalising array of culinary delights too, from Sgropporino (small batch artisan gelato using Malfy Gin that has been carefully crafted by the award-winning team at Island Gelato), to tasty grazing platters comprising freshly-made sourdough, marinated olives, feta, prosciutto, melon, mozzarella, Ortiz anchovies, pickled guindilla and Malfy-cured salmon gravlax, and of course, the offer of some seriously juicy Bluff oysters. In fact, the food here is just as much a drawcard as the drinks, and will provide the perfect accompaniment to any of Sìso’s specialty cocktails.
Designed to evoke the ambiance of Italian coastal living, ‘Sapore Di Malfy’ promises an immersive sensory experience. With every sip and bite, you will be transported to the sun-drenched shores of the Mediterranean, where every moment is infused with a sense of la dolce vita.
The year was 1973 and Celine Vipiana, founder of the now-iconic fashion house that carries her name, had just been in a minor collision on the Place de l’Etoile when she noticed a motif adorning the chain around the outside of the Arc de Triomphe. It was a moment that would change the visual identity of her brand forever. Fascinated by the subtle inverted ‘C’ link, Vipiana allegedly reached out to the City of Paris to seek permission to adapt the symbol as her house emblem, and soon, it was emblazoned across labels, on pieces of ready-to-wear clothing and on sought-after bags and accessories.
Celine winter 23
Known then as the ‘Blazon Chaîne’, the symbol quickly gained icon status. Not only did it represent the deep ties between Celine and the city in which it was founded but it also spoke to the maison’s intrinsic spirit of victory and resilience, respect for history and timeless sophistication. It was a subtle marker of status, embodying that simple but undeniable nod to luxury that the French do so well. And it persisted for a number of seasons before eventually (and unfortunately) falling out of Celine’s collections altogether.
“The Triomphe emblem offers a perfect balance between the history of Celine… and the idea of commercial iconography that creates sell-out items each season.”
In fact, it wasn’t until fairly recently that the Blazon Chaîne was pulled from the archives of Celine to be given a new life as the ‘Triomphe’, gaining fresh meaning in the context of contemporary, 21st Century fashion, and bridging the gap between Celine’s rich history and its hugely impactful role as a forward-thinking player in the industry today.
Back in 2018, when Hedi Slimane took the reins of Celine, the designer meticulously studied the maison and its origins in search of inspiration for his creative direction. There, in the brand’s archive, he realised that he was sitting on a piece of fashion gold; a symbol that hadn’t been utilised in nearly five decades, but that spoke perfectly to the unique vision that Slimane was bringing to this storied brand.
In Celine’s Spring 2019 show, titled ‘Paris La Nuit’, Slimane reintroduced the logo as the ‘Triomphe’ and adorned a series of simple, chic handbags with the icon as a gold clasp, a move that not only reinstated its standing as one of the maison’s central motifs, but that marked the start of what can only be described as the Triomphe era. Truly it was a pivotal, full-circle moment for Celine. The Triomphe exemplified Slimane’s sophisticated eye, as well as his commitment to honouring the brand’s history while anchoring it firmly within the contemporary landscape. With the Triomphe, the designer managed to both reaffirm Celine’s status as a leader in the luxury field, and remind everyone of the richness of its past.
It also, almost immediately, birthed a new ‘It’ bag. Very quickly, Slimane’s Triomphe design became one of the fashion set’s most sought-after styles, and since its introduction in 2019, its cache as a coveted symbol for luxury and refined design has only continued to grow.
According to Constance von Dadelszen, Creative Director of Faradays (the exclusive New Zealand stockist of Celine ready-to-wear) the brand’s Triomphe pieces, particularly accessories like belts, and any clothing that features the logo will sell out as soon as they hit the store, von Dadelszen explaining how the Triomphe speaks to such a wide cross-section of their customers and can look as modern as it can classic, depending on who is wearing it and how it is styled. “I think the Triomphe emblem offers a perfect balance between the history of Celine (I have a number of early-era Celine vintage pieces in my collection which feature the marque), and the idea of commercial iconography that creates sell-out items each season.”
Chic, timeless and imbued with history, Celine’s Triomphe logo is more than just an undeniably successful selling point for the brand. It is a symbol of Celine’s values, a representation of its Parisian origins and a testament to the ways in which Hedi Slimane’s clever creative strategy continues to drive the brand forward.
For over four decades, Hartfield Jewellers has been synonymous with elegance, sophistication, and impeccable taste thanks to its unique offering of exquisite jewellery under the stewardship of Margaret Foley. With a remarkable 43 years of dedication to the boutique, Margaret, alongside her husband Brian and daughter Rebecca, has dedicated her career to bringing some of the most beautiful jewellery from around the world to her discerning clientele, and now after such an impressive tenure, it is time for her to pass on the torch.
Enter Jodie and Luke Dick, the visionary mother-son team poised to carry the legacy of Hartfield into an exciting new chapter of luxury and style. “I have the utmost respect and admiration for the wonderful family business Margaret has created over the years,” Jodie says. “She has run it with her husband and daughter and has been able to offer some of the most exquisite jewels from luxury brands to the most discerning of clients both here in New Zealand and around the globe. I am so incredibly grateful and excited for the opportunity to carry on the family tradition with my son Luke.”
For this clever duo, the aim is to evolve Hartfield while remaining true to its familial roots, the pair wanting to usher in a new era at the hallowed boutique and still offer the kinds of classic pieces that Hartfield’s longstanding customers know and love. As Jodie articulates, “Luke and I recently travelled to Milan and Hong Kong to meet with our partners and have been looking at the Pasquale Bruni and Chaumet collections. Having already placed our orders, we’re focusing on showcasing pieces that range from entry level to truly special, high-end jewels.” She pauses, “We can also see that there are some untapped opportunities in the market here and so we will have a few surprises in store.”
Pasquale Bruni Giardini Segreti Multi Flower necklace from Hartfield
Pasquale Bruni Bouquet Lunaire Drop earrings from Hartfield
Pasquale Bruni GIARDINI SEGRETI DIAMOND LEAF earrings from Hartfield
Pasquale Bruni Rose Gold Bon Ton Quartz & Diamond Ring from Hartfield
Part of their vision, it seems, is about embracing inclusivity and accessibility without compromising on luxury. “We want to break down any barriers that people may have about luxury brands being unattainable, intimidating and formal,” Jodie expresses. “We want our clients to feel comfortable to pop in whenever they feel like it, just to have a play.”
With a keen eye for style and a passion for luxury, the duo are set to introduce fresh, innovative ideas and new pieces to the Hartfield repertoire, and as the curtains rise on this new chapter, it would seem that the legacy of Hartfield is in very good hands.
In the world of design, few names are as synonymous with innovation, elegance and an unwavering commitment to their craft as that of Rodolfo Dordoni. The rationalist architect and mastermind Italian designer was credited with being a genius in his field, and over his lifetime, he left an indelible mark on the landscape of design globally. Born in the vibrant city of Milan in 1954, Dordoni’s career began with his deep-rooted passion for architecture, and evolved into a lifelong relationship with furniture design. His passing in August last year has left an undeniable void, but his legacy endures through his timeless pieces and the profound impact he had on Italian design. Here we celebrate the life work of one of the world’s greatest designers.
Rodolfo Dordoni’s career took its most pivotal turn when, in 1979 after graduating from the renowned Politecnico di Milano, he joined forces with Giulio Cappellini, a widely respected figure in the design world. This collaboration set the stage for Dordoni’s enduring impact on the industry. Over the years, he lent his creative genius to some of Italy’s most iconic design brands, including Cappellini, Kettal, Cassina, Roda, Artemide, Molteni&C and, of course, Minotti.
Rodolfo Dordoni with Renato Minotti, co-CEO of the brand with his brother Roberto — Courtesy of Minotti S.p.A
In fact, it was his artistic direction at Minotti that truly defined his legacy. In 1998, after forming a firm friendship with the Minotti brothers Renato and Roberto, Dordoni took the helm as the artistic director of the renowned Italian furniture company. Under his guidance, Minotti blossomed into an international powerhouse, known for its exquisite craftsmanship and timeless pieces. Dordoni’s remarkable vision, passion and dedication not only shaped the brand’s identity but also established a distinctive stylistic language that resonated across the globe.
Beyond his role at Minotti, Dordoni’s influence was multi-faceted and far-reaching. He co-founded his eponymous architecture firm Dordoni Architetti alongside Luca Zaniboni and Alessandro Acerbi in 2005. Together, they ventured into architectural planning and interior design, crafting spaces that seamlessly merged functionality with aesthetics. Dordoni’s designs were marked by a rationalist approach, emphasising clean lines, impeccable proportions, and enduring elegance. His creations, from architectural marvels to indoor and outdoor furniture, reflected his commitment to discreet sophistication that transcended trends. His iconic ‘Suitcase’ chair for Minotti, inspired by the world of fashion and luggage, first exemplified his penchant for merging form and function, something he continued as a signature throughout his career.
“His creations, be them indoor or outdoor furniture, reflected his commitment to discreet sophistication that transcended trends”
Dordoni’s passing in August 2023 left a void in the design world, but his legacy endures through his timeless pieces and the profound impact he had on Italian design. More than merely a designer Dordoni was a true artist who found the perfect balance between creative passion and unwavering dedication, leaving behind a body of work that continues to inspire and captivate design enthusiasts worldwide. His genius will undoubtedly be remembered and cherished for generations to come.
The Suitcase chair, an iconic piece of design that was originally conceived by Rodolfo Dordoni in 1997, underwent a contemporary revamp in Minotti’s 2019 Suitcase Line. Still maintaining the linear precision of the original, the new iteration saw the chrome feet removed, allowing it to sit gracefully on the floor. Four sleek aluminium strips were introduced to adorn the corners, offering a tantalising glimpse of the luxurious upholstery beneath. Available in various fabrics and leathers, the Pony Look version, featuring calfskin with a ponyskin print, adds an extra layer of sophistication. New colour options, including Oil Green, Burgundy, Ash Grey and Sage, breathe fresh life into this iconic piece, that still carries the timeless air of the original.
Embodying softness and simplicity, Rodolfo Dordoni’s Guest seat redefined elegance in living and dining spaces. This chair, reminiscent of a throne, boasts a flexible moulded polyurethane structure with a robust metal frame, ensuring both comfort and longevity. Its non-removable fabric or leather upholstery combines comfort with the durability required for frequent use while its most unique feature is a set of discreetly concealed swivel wheels, which facilitate effortless manoeuvring. Dordoni’s Guest chair embodies a harmonious blend of aesthetics and practicality, inviting you to relax in style.
Left: Guest Dining Chair for Poliform. Right: Cesar Coffee Table for Minotti
In this striking and versatile piece, Rodolfo Dordoni seamlessly merged functionality with artistry. Able to be doubled as a stool or accent table, the Cesar injects contemporary flair into any room. Its dynamic form, resembling a vibrant zigzag, comes alive in an array of colours. And beyond its aesthetic allure, Cesar’s minimalist design ensures adaptability, making it a timeless Minotti icon. Whether used as a coffee table or a supportive surface, it effortlessly complements both indoor and outdoor settings and stands as a testament to Dordoni’s visionary touch, offering both style and substance in one elegant package.
This contemporary lighting collection was designed by Rodolfo Dordoni for iconic brand Flos, and comprises a series of pieces perfect for any kind of space. From the table lamp to the floor lamp and the suspension light, Ray’s various iterations are connected by their distinctive drum diffusers, which were allegedly inspired by the timeless silhouette of a lighthouse. Combining classic and cutting-edge aesthetics. Ray is a testament to Dordoni’s ability to blend tradition and innovation seamlessly, offering a captivating lighting solution for discerning design enthusiasts.
Left: Bitta Collection for Kettal. Right: Ray for Flos
A masterful expression of Rodolfo Dordoni’s singular design eye, the Bitta collection for Kettal is a revelation in outdoor furniture. Dordoni was inspired by the mooring ropes of boats (‘Bitta’ means mooring in Italian), crafting pieces that were made with aluminium frames and braided polyester seats that allowed air to pass through while maintaining a cosy, nest-like appearance. The addition of plush cushions ensures that every piece in the Bitta Collection exudes both comfort and elegance. Elsewhere, the collection’s tables are topped in either teak and stone, completing the set perfectly and creating a harmonious blend of natural colours. Ultimately, Bitta is an invitation to unwind and relax in style, and saw Dordoni, once again, redefining outdoor lounging.
This exceptional seating system offers outstanding flexibility through a harmonious blend of two distinct personalities. The ‘Duvet’ elements embody pure relaxation, with their smooth lines and extra-soft cushions (reminiscent of a warm embrace). In contrast, the ‘Tailor’ elements exude a contemporary spirit with graphic top-stitching and defined shapes. Together, they create multitasking compositions, adapting to different moments and lifestyles. The sofa’s elegance extends to its extruded aluminium frame, cast aluminium joint fittings and glossy bronze-painted metal feet, adding sophistication and lightness to any living space. Freeman is a true example of Rodolfo Dordoni’s meticulous approach to design, and the careful ways he would blend classic and modern elements.
Rodolfo Dornoni’s Harp armchair for Roda is crafted from woven polyester cords with cotton finishing that gracefully encircle a hand-welded, powder-coated stainless steel frame, creating an uninterrupted, elegant silhouette. The Harp collection introduces a burst of colour with its vibrant cushions while maintaining an airy aesthetic, thanks to thick cords that allow light to bounce through. A celebration of craftsmanship, the Harp armchair is available in a variety of versatile finishes and colours designed to seamlessly blend into any setting.
Elegance, modernity and functionality collide in Rodolfo Dordoni’s Sail Out table for Cassina. This low side table is a testament to contemporary design, offering a choice of yellow and white or green and white terrazzo or cement tops, supported by sturdy, solid teak feet. Part of the wider Sail Out family that includes a modular sofa and a versatile pouf in two different sizes, this table is sleek, durable and destined to be a talking point in any outdoor line-up.
Left: Sail Out Table for Cassina. Right: Barbican Chair for Molteni&C
The core feature of the Barbican chair by Rodolfo Dordoni for Molteni&C is its built-in padded seat, which can be open or with armrests, encased in a rigid polyurethane frame that offers fabric or luxurious leather upholstery options. Encapsulating the perfect balance of comfort and style, with three base options, including wood or metal, this chair is adaptable to a range of interior settings, and (like most of Dordoni’s designs) embodies timeless sophistication and striking but simple style.
Gloria’s has officially planted its flag in the heart of Auckland’s CBD, marking the start of a new era for this popular lunchtime spot. After a year of meticulously refining their offering via an always-busy space on Karangahape Road (which is now closed) the culinary visionaries behind Gloria’s and Bar Celeste have finally unveiled their ‘dream deli’ in the vibrant Commercial Bay precinct, and it’s already attracting the hungry crowds in droves.
Led by masterful Chef Nick Landsman, Gloria’s modus operandi has always been taking the easy lunchtime experience to bold new heights, something for which its K’ Road spot became quickly renowned. With a focus on slow food made fast, Landsman’s commitment to quality and convenience shines through in every delectable bite, where artisan sandwiches meet pizza al taglio, impossibly soft focaccia, a raft of tasty sides and mouthwatering cookies — all made with the utmost care and attention to flavour and finish.
At new Gloria’s deli, the menu really is a testament to Landsman’s culinary prowess and passion for excellence. From classic grilled sandwiches like the Three-Cheese grilled cheese with jalapeño, and the Tuna Melt with tuna salad and pickled red onion, to fresh focaccia sandwiches like the Spicy Tonno with Calabrian chilli, cabbage , cucumber, ranch and olives, and the Butternut & Burrata sammie with green sauce, radicchio and radish, the options here not only fulfilling, but are full of flavour.
Beyond serving the kinds of sandwiches that Gloria’s K’ Road was already known for, this new deli also marks the introduction of Gloria’s pizza al taglio programme, an offering that has sparked significant excitement. Here, you’ll find by-the-slice pizza squares with toppings like pepperoni, hot honey and ricotta, or potato, onion, guanciale and sage, or even mortadella, mozzarella, pistachio and guindillas (all options that, we’ve heard, have been flying out of the cabinet). Of course, Gloria’s famous cookies are also on offer here, with a tantalising line-up that includes burnt butter and dark chocolate with sea salt, caramelised white chocolate with macadamia, and triple chocolate chew.
In fact, Landsman’s dedication to made-from-scratch recipes is evident in every aspect of Gloria’s culinary offerings. From slow-fermented breads to house-made sauces and fresh ingredients sourced from quality producers, each component is meticulously prepared daily by the skilled team to ensure quality, flavour and a take-away experience that is unlike anything else.
As Gloria’s settles into its new home in Commercial Bay, its full offering will be rolled out in the coming weeks, including morning tartines featuring house focaccia with labneh, Ora King Salmon roe and chives, as well as a decidedly indulgent sausage and egg muffin. And for anyone looking to elevate their weekend gatherings, Gloria’s take-home deli offers everything one could need for entertaining, from charcuterie to delicious dips and cheese, the prospect of a DIY platter has never looked so good. Moreover, with catering and delivery services allegedly on the horizon, Gloria’s is poised to become a cornerstone of Commercial Bay, inviting locals and visitors alike to experience the artisanal excellence that has long underlined its offering.
One of the world’s most iconic ballets, Swan Lake (renowned for its exceptional choreography, exquisite music and spectacular sets) is set to enchant New Zealand audiences this May. With a stellar cast and impeccable production, The Royal New Zealand Ballet will be touring the timeless masterpiece up and down the country, and is promising a show you don’t want to miss.
“This production holds so many precious memories for generations of New Zealanders,” says RNZB Artistic Director Ty King-Wall. “Swan Lake’s themes of hope, deception, betrayal, and forgivenesscontinue to resonate so powerfully. I know how excited the dancers are to be performing Swan Lake this year, and hope audiences are ready to be swept away to this supernatural, transcendent world with us.”
Underpinning the production is Tchaikovsky’s sweeping score, brought to life by the exceptional Auckland Philharmonic Orchestra, each note resonating with romance and drawing the audience into a world of opulence and tragedy. While Kristian Fredrikson’s lavish costumes, complemented by masterful lighting design from Jon Buswell promise to transport guests from grand palace ballrooms to serene lakeside vistas.
But beyond its music, costumes and imaginative set-design, Swan Lake is a ballet that represents the pinnacle of balletic artistry, requiring dedication and incredible skill from the dancers who bring its characters to life. Here, RNZB Principal Mayu Tanigaito is set to perform the coveted role of Odette/Odile for the first time in her 12-year tenure with the company, an achievement she describes as a privilege. “I feel like I have been working towards this my whole career,” she says. “From performing Odile in competitions as a young teenager, to understudying this role 11 years ago, and since performing both main pas de deuxs, I am very excited to perform the complete role in Russell Kerr’s beautiful production.”
Also joining the production in a character role is Tanigaito’s husband and recently-retired RNZB Principal, Paul Mathews, portraying Wolfgang, Prince Siegfried’s tutor. Mathews, who has performed in over 50 Swan Lake productions, reflects on the honour of stepping into the role previously only played for the company by the late Sir Jon Trimmer, and explains how he plans to incorporate wisdom gained from Trimmer to bring depth and authenticity to his performance.
With its return, Swan Lake is reaffirming its status as the ballet of all ballets, a timeless tale of love, betrayal, heartbreak and tragedy that can only be brought to life via meticulous production and highly skilled dancers. Landing in Auckland’s Aotea Centre on the 9th of May and running until the 12th of May, this spectacular ballet is gearing up to be the cultural event of the season. And given that tickets are on sale now, we suggest securing yours with haste, lest you miss out.
Despite having recently made his Paris Fashion Week debut, Australian fashion designer Christopher Esber, and his eponymous label, have been adored by the industry’s most forward-thinking proponents for nearly 15 years. Renowned for creating clothes that flatter the female form and reimagining classic ideas through a more contemporary, experimental lens, Esber has long been a trailblazer in his field and now, he has the international clientele to prove it. Here, we speak to the lauded designer as he reflects on his impressive journey at fashion’s frontier and looks towards an exciting future.
Whether you own something designed by Christopher Esber or not, you’d be hard-pressed to attend an event where no one is wearing one of his signature pieces, so ubiquitous has his eponymous brand become. From the iconic Esber cut-outs to the deconstructed denim and dresses that can be changed at the flick of a button or the switch of a tie, to the drapery and fabrics that, fastened with sculptural hardware, hold one’s form just so, Esber’s design language is both experimental and structured, and is as much about evolution and forward thinking as it is about craft, clever fabrication and timeless ideas. And while Esber’s eponymous label has certainly enjoyed immense popularity over its impressive 14 years, there is certainly nothing commonplace about his designs. And therein lies the magic.
Olivia Vincent-Healy, owner of Muse (the exclusive stockist of Christopher Esber in New Zealand) has been working with Esber for over a decade, bringing his signature pieces to her discerning clientele for whom the brand has become a season-to-season staple and a cornerstone offering at Muse. “We’re so honoured to be the exclusive stockist of Christopher Esber in New Zealand,” she tells me. “It’s been so amazing to see his evolution… I still wear a few of the pieces I collected from our very first buy and most of my clients own a pair of his bias cut satin pants… his tailoring is exquisite, nothing compares!”
Esber, it seems, has built his success on creating clothes that balance universal appeal with unique edginess in a wholly original and truly earnest way. His designs come from a place of genuine curiosity around how to push the envelope while remaining true to his convictions, carrying through his vision of creating bold collections that empower his customers to assert their individuality. Because (and I speak from experience here), even if you find yourself in a sea of Esber-wearing women, you still feel as though your piece is your own — that no one else could wear it like you do. Such is the simple power of Esber’s designs.
“I love things that challenge our eye and our perception of what is ‘appropriate,’” Esber tells me. “Women respond to our clothes because we offer a relaxed approach to this in a nuanced way… and there is a science that surpasses the ‘convey and conceal’ balance of our cuts… it’s the touch of a fabric, the feel of it on your skin,” he pauses, “and the way you feel in a garment is everything because I believe confidence leads, first and foremost.”
There is an art to creating clothes that imbue confidence in the wearer and for Esber, this skill seems to come from a similar quality he has found within himself. “One of the most significant things I have learned since starting my brand is knowing when the right opportunity comes along and to strike with conviction and back myself,” he says, “sticking to one’s own values and convictions will always supersede trends.” Indeed, Esber has never been one to rest on his laurels, or move with the ever-shifting tides of the industry in which he has become such a significant player, and the trajectory of his brand is a testament to both his strategic approach and his dedication to reimagining the status quo.
“Development and innovation are ingrained in our business ethos,” says the designer, “approaching a new idea such as how we treat a fabric to achieve a specific shape ultimately sets the tone and energy for a season, and it’s the most exciting part of the design process.” For Esber, every new season offers a fresh opportunity to experiment with creative concepts, the continual evolution a driving force of his success and longevity. He starts with fabrics, draping them to create new silhouettes, before exploring hardware and metals and how they might give a piece shape. Esber tells me, “Pieces are always considered and designed with intent, as I look for ways to create negative space… new ways to conceal and reveal the body.” He continues, “a slit, a cut-out or a juncture anchored by hardware is there for a reason, whether that be form or function.”
“It’s been so amazing to see [Esber’s] evolution… most of my clients own a pair of his bias cut satin pants… his tailoring is exquisite, nothing compares.”
Clearly, his methodical way of working has paid off. The beauty of Christopher Esber is the way in which each new season feels like a conversation with its predecessor. Cast your eyes over the extensive Esber archives and there is a cohesive story being told. Whether you bought into it back in 2010, or as recently as last year, the brand feels anchored in the zeitgeist even as it seems to transcend fashion’s notoriously fickle fray — a difficult dichotomy that has allowed the designer to remain firmly ahead of the game.
Unsurprisingly, Christopher Esber’s appeal has long surpassed the boundaries of antipodean audiences alone, thanks in part to the number of influential celebrities who have touted its pieces. (British Vogue hit the nail on the head with an article a few years ago titled, ‘How Christopher Esber became Catnip for It Girls’.) Personalities, models and actors like Zendaya, Bella Hadid, Hailey Beiber, Solange Knowles, Greta Lee and Dua Lipa have been spotted wearing signature Christopher Esber pieces, and a few months ago when JLo unveiled the exclusive vinyl for her highly-anticipated new album This is Me Now, it featured a photo of her wearing the Christopher Esber Salacia Wire Column Dress on the cover — an iconic moment. Although Esber tells me that getting his designs on some of the world’s most respected names in fashion and pop culture was never a strategic decision. “I’m grateful to dress women on any platform,” he says, “but it has all just happened in an organic way, which is nice because none of it feels pushed or forced.”
For Esber, the women he dresses carry the same qualities, whether they have millions of followers or not. “The Christopher Esber woman is strong and intelligent,” he tells me. “She asserts herself through her wardrobe and she is put-together and considered, but not to perfection.” He says, “she’s a woman who can go from wearing a tank top and jeans, to being the most captivating person in any room with nothing more than a lick of lipstick and a simple dress.”
Alongside his burgeoning popularity with the glamorous fashion-week set, Esber’s cache in the industry’s upper echelon has been steadily evolving too, culminating in the designer being invited to show at Paris Fashion Week last year, a goal he had been working towards his entire career. “The months leading up to Paris were intense,” he says, “all the planning, the creative energy, the challenge and knowing that it was the biggest stage we had ever shown on… but it was so rewarding, and now, we will continue to show in Paris every year.”
Underlying all of his achievements, Esber is a designer who proves that longterm dedication to craft coupled with a methodical, consistent work ethic really does pay off. Rather than falling into the category of ‘It’ designer (a fine but often fleeting title), or allowing the accolades that come with dressing celebrities to influence his course, Esber has remained laser-focused on his vision, something that he continues to carry with him as he moves into the next chapter of his brand. “Our focus now is on maintaining momentum,” he says, “we ticked so many boxes last year, so 2024 is about cementing the hard work, expanding the vision and pushing the brand in new ways.” He also hints that exciting collaborations and ventures into new markets are on the horizon for the coming months, although details remain firmly under wraps. In the meantime, we will continue to delight in his exceptional designs courtesy of Muse’s curated offering, season after season.
“One thing that has remained true throughout the course of the business is my commitment to finding new approaches to traditional design ideas,” says Esber. “We are a global business now, with a global customer base, and really, we’re in the business of selling ideas not products, so it’s important to continue to evolve and always look forward.”
The weekend is upon us, and if you haven’t made any plans yet — fear not. There are a plethora of interesting, inspiring, incredible and astonishing cultural events happening in venues around the City this weekend, from one-man plays to burlesque performances to Irish live music and more. Here, we round up five exceptional cultural events that you should book tickets to ahead of the weekend.
In the Name of the Son — The Gerry Conlon Story at Q Theatre
A riveting portrayal of resilience in the face of injustice and fame, In the Name of the Son – The Gerry Conlon Story, sees Shaun Blaney masterfully bring Gerry Conlon’s tumultuous true story to life. The one-man play delves into Conlon’s rollercoaster ride from incarceration as one of the wrongly convicted Guildford Four to sudden acclaim following the release of the hit movie In the Name of the Father. As Conlon grapples with newfound wealth and status, his battle with addiction becomes a central theme, illustrating the harsh realities of fame. Audiences are drawn into Conlon’s world, experiencing the highs and lows of his turbulent existence with palpable emotion in this deeply moving work that really, explores the human spirit. Book tickets here.
Afrique en Cirque — The Civic
Offering a vibrant celebration of African culture that promises to captivate audiences with its fusion of Afro-jazz rhythms, traditional kora melodies and breathtaking acrobatics, Afrique en Cirque is an unmissable experience. Drawing inspiration from the daily life of Guinea, this circus extravaganza transports the essence of Africa to the grand stage of The Civic. From its charismatic performers who captivate and delight audiences with irrepressible energy, to its pulsating percussion, gravity-defying stunts and laugh-out-loud comedic skits, Afrique en Cirque is more than just a spectacle; it’s an immersive journey that promises to leave you spellbound and uplifted by the rich tapestry of African heritage and talent. Book tickets here.
Oh le Pepelu, la Gaoi, ma le Pala’ai. The Liar, the Thief and the Coward — ASB Waterfront Theatre
Don’t miss out on this brilliantly crafted theatrical exploration that delves into the complexities of fa’a sāmoa, where family, tradition and leadership intersect in a tumultuous yet darkly comedic narrative. O le Pepelo, le Gaoi, ma le Pala’ai | The Liar, the Thief, and the Coward is set in Sāmoa’s recent history, and revolves around Pili Sā Tauilevā, a respected Ali’i (chief) facing a critical moment as his illness threatens to disrupt the sacred fa’a sāmoa tradition. As Pili’s health deteriorates, his refusal to name a successor ignites a power struggle between his daughter and son, leading to unexpected alliances and betrayals. Through a blend of English and Gagana Sāmoa, the play skilfully navigates themes of power dynamics, politics and the tension between tradition and modernity and is a poignant commentary on cultural identity and the evolving landscape of Samoan society. Book tickets here.
Bernie Dieter’s Club Kabarett — Spiegeltent, Aotea Square
Bernie Dieter is a captivating force in the world of cabaret and here, she offers Auckland audiences a decadent journey into the gritty yet exhilarating realm of Weimar-era underground club culture. As the self-proclaimed Queen of Weimar Punk, Dieter and her electrifying presence, brings a salacious and gin-soaked extravaganza of unfiltered circus and cabaret to our shores, infused with the irreverent spirit of the 1920s. Through a fusion of dangerous acrobatics, fire-breathing antics and mesmerising musical performances, this show delivers an unforgettable spectacle that embodies the essence of top-tier cabaret entertainment. Book tickets here.
Martin Hayes and Guests — Auckland Town Hall
Renowned as one of the world’s foremost fiddlers and a luminary in Irish traditional music, Martin Hayes is set to grace the Auckland Town Hall with his unparalleled talent in celebration of Saint Patrick’s Day. Not only will Hayes (the founding member of the acclaimed Irish-American ensemble, The Gloaming) be bringing his virtuoso interpretation of Irish melodies to the stage, but he will be joined by esteemed musicians Brian Donnellan and Conal O’Kane, both alumni of The Tulla Ceìiliì Band. With his exquisite musicality and infectious rhythm, Hayes promises an evening of spellbinding Irish music, transporting audiences to the heart of the Emerald Isle. Book tickets here.
Tinfeny’s, a delicious new Cambodian restaurant set in the bustling heart of Ponsonby Central, is the work of a mother-daughter duo who wanted to bring the food they loved cooking at home to discerning Auckland diners. Inspired by their shared passion for Cambodian cuisine and their dream to open a restaurant together, Richny Hy and Felicity Keolay embarked on a journey to create Tinfeny’s — and it’s somewhere that should definitely be on your dining radar.
At Tinfeny’s, the menu is a celebration of Cambodian cuisine, offering a taste of traditional, home-cooked meals that reflect the rich culinary heritage of the country. Richny and Felicity meticulously drew on traditional recipes passed down through generations to create their dishes, marrying mouthwatering, unique flavours with authentic ingredients. Highlights include the Amok Trei, a delicately steamed fish infused with coconut custard and fragrant spices, and the Beef Lok Lak, a savoury stir-fry featuring tender eye fillet beef and Kampot pepper (sourced from Kampot province in Cambodia).
Creating an authentic Cambodian dining experience required attention to detail and time, from sourcing the right ingredients to perfecting the flavours. Since opening, Tinfeny’s has fast become a haven for Cambodian expatriates longing for the taste of home, as well as adventurous diners eager to explore the vibrant tapestry of Southeast Asian cuisine.
“We really just want to offer an authentic Cambodian experience, and to make Cambodian food more well-known in Auckland,” Felicity tells me. “Our restaurant has already brought in a lot of friendly Cambodian people that just miss the dishes they grew up with.”
In addition to its tantalising menu, Tinfeny’s boasts an impressive array of signature cocktails, expertly crafted in-house. Here, the selection is fresh, tasty and perfectly-curated to accompany the flavours of the food, from the Lychee Mule (a mix of vodka, lychee, lemongrass, lime and ginger beer) to the Coco Pandan Marg (marrying coconut tequila with pandan, Cointreau and lime).
The restaurant’s ambience, designed to reflect the warmth and hospitality of Cambodia, is relaxed and inviting with cosy seating arrangements and vibrant decor. A striking mural of Angkor Wat even adorns the walls, serving as a reminder of the rich cultural heritage that inspired Tinfenys’ culinary journey.
Whether you’re a seasoned food enthusiast or a curious newcomer, Tinfeny’s is inviting everyone to embrace the culinary traditions of Cambodia. At this new restaurant, expect good vibes, friendly staff, delicious food and tasty drinks — the perfect combination for any kind of lunch or dinner out.
Opening hours: Monday to Thursday, 12pm — 3pm and 5pm — 9pm Friday to Sunday, 12pm — 9pm
Tinfeny's
Shop 15
Ponsonby Central
4 Brown Street, Ponsonby
Auckland
Taking the idea of a shared workspace and revolutionising it via careful, considered design and clever planning, Formery is emerging as a new hub of business in the heart of Auckland’s up-and-coming Midtown Precinct. A testament to modern office space redefined, Formery has been painstakingly developed by the team at Alberts (renowned for their transformative work on 1 Albert Street) and represents a $150 million endeavour to revolutionise the workplace experience for culture-led businesses seeking something that fits a range of requirements.
Comprising three, meticulously renovated buildings 87 Albert Street and spanning an impressive 14,500 square metres, Formery epitomises sustainable upcycling and eloquent redesign (where much of the existing fabric of the building has been utilised to exquisite effect). And while the development taps into the architectural heritage of Auckland, it is also uniquely positioned to fulfil the demands of contemporary businesses via its varied workspaces, high-tech meeting rooms, exclusive members’ Club lounge and plethora of food and hospitality offerings.
Inside, Formery is a seamless fusion of elegance and functionality. Led by local firm CTRL Space, the spaces here exude an inviting ambience where rich teal-blue panelling, warm oak flooring, and sumptuous leather accents are set against the raw industrial elements like stripped-back concrete and exposed ceilings, creating a harmonious blend of old-world charm and contemporary flair.
Coco Republic, renowned for their expertise in curated furnishings, was called on to bring Formery’s interior identity to life. With a focus on sophistication and character, the brand’s Senior Interior Designer, Georgina Holmes infused each space with eclectic charm, seamlessly transitioning between vintage-inspired pieces and modern accents. The result is an environment that transcends the traditional confines of corporate offices, inviting occupants to embrace creativity, collaboration and comfort.
This is in line with a central ethos of Formery — a commitment to fostering culture and connectivity. In fact, Founder of Alberts, Andrew Saunders envisions Formery as more than just a place of work but as a vibrant community hub where businesses of all sizes can thrive. Building upon the success of Auckland’s first private business members club at 1 Albert Street, Formery extends its offerings to cater to the evolving needs of modern enterprises.
“Auckland is well on its way to becoming a world-class international city, with masterful urban planning that will see it transform in the years to come,” he says. “Along with all the member benefits of 1 Albert — concierge, member’s lounge, hosted event spaces — we’ve designed Formery to give businesses smart solutions to foster culture and community, the bedrock of any hybrid working model.”
Alongside its impressive design and connected approach, what truly sets Formery apart is its unwavering dedication to sustainability. With a Net Building Score (NBS) of 100 percent and a sought-after NABERS rating target of 4.5, this development exemplifies eco-conscious design and operation. By repurposing existing infrastructure and implementing innovative sustainability measures, Alberts has ensured that tenants not only benefit from state-of-the-art facilities but also contribute to a greener future.
Ultimately, as Auckland’s Midtown district undergoes a renaissance, Formery stands as a beacon of progress and innovation. From its exceptional location in the heart of Midtown Auckland’s soon-to-be-complete Aotea Quarter, Formery will be within walking distance of The Green Link (a linear park connecting Victoria Park with Albert Park), as well as SkyCity, and Aotea Station (where, upon completion, up to 54,000 commuters are predicted to pass through per hour). Poised to become the epicentre of Auckland’s cultural and commercial resurgence and offer unparalleled accessibility and connectivity, Formery is already attracting forward-thinking businesses and professionals alike.
With spaces and memberships now available, Formery is encouraging entrepreneurs, innovators, and visionaries to join its ranks. Whether seeking a collaborative workspace or a sanctuary for focused productivity, this exceptional new development offers a haven where ambition meets opportunity.
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