Little Petra VB1 armchair by Viggo Boesen for &Tradition (cultdesign.co.nz), CM484 artwork by Clementine Maconachie of The Visuals (thevisuals.com.au).
Words Margie Riddiford | PHOTOS Pablo Veiga | 6 Jul 2023
Employing an appealing balance of boldness and subtlety, the Bronte Beach House by Tom Mark Henry Studio is a coastal sanctuary that harmoniously marries its impeccable interior with the dramatic seaside setting of its exterior. It is an architectural gem that showcases the power of a heightened design approach and offers a captivating combination of colours and textures that are designed to engage the senses and create a robust dialogue between the interiors and the surrounding landscape.
Taking inspiration from its coastal setting, Bronte Beach House is a visual reminder of its natural environment. The residence boasts generous openings, expansive glazing and a collection of terraces with glass balustrades on the upper floors that seamlessly connect the interior with its picturesque surroundings. The multi-level structure takes full advantage of its elevated position, offering breathtaking views that embrace the laid-back but luxurious essence of living by the beach. Each level of the house has been thoughtfully and purposefully designed, and interacts in different ways with the abundant natural light that floods the space. Here, a neutral palette is tempered with artistic and textural touches, while a series of carefully selected materials imbue the interior spaces with an intriguing design language.
The dining room features the Violin dining chairs by GamFratesi for Gubi from Cult Design.
Framed by its north-facing views of Sydney’s iconic Bronte Beach, this home artfully blurs the boundaries between inside and out, with every element of the interior, effortlessly capturing the nuances of an idyllic Australian beachside lifestyle, albeit in a decidedly more sumptuous and contemporary way.
What the team at Tom Mark Henry has done so masterfully is sculpting the interior of Bronte Beach House to serve as a reflection of Sydney’s outdoor lifestyle while simultaneously providing a haven for retreat and relaxation. The use of organic and textural finishes throughout the residence via materials like limestone, marble, timber, brass and polished plaster creates a series of dynamic contrasts while maintaining a consistent aesthetic flow. In the upper levels, there is a wonderful softness created by light white tones, muted stonework and timber elements that deliver a serene ambience. In contrast, the lower level has been conceived as a comforting, cosy space for the homeowners, rendered in muted green and blue tones and more neutral finishes, proving the perfect base on which they can truly make their own, distinctive mark. The powder and steam rooms, in particular, finished in deep red Opus Rosso marble and handmade chocolate-coloured tiles offer moments of calm, removed from the bright, light spaces that comprise the main parts of the home.
From inside the Bronte Beach House, one is starkly aware of their connection to nature, thanks to the ways in which this connection is underlined within the home’s interior. Reflective and textural elements echo the ebb and flow of the ocean, while unfilled limestone floors are reminiscent of the kind of sand that can be seen through the windows. Bouclé textures, tarnished metals and natural stone surfaces seem to be in conversation with the sparkling water, sky and cliff tops outside — an apt comment on the ways in which the Tom Mark Henry team has welcomed this home’s exquisite context, inside, and the striking, tangible effect of that design choice.
Ultimately, the narrative within the Bronte Beach House revolves around the human experience, with every element thoughtfully curated to enhance the residents’ wellbeing. Here, classic coastal aesthetics (fresh white walls, generous windows, a relaxed vibe) collide with high-end, contemporary (but understated) luxury, in an unexpected marriage of design languages that actually complement one another in a compelling way. From its thoughtful palette to its eye-catching furnishings and exquisite views, the Bronte Beach House is a tranquil oasis that both connects with its surroundings and offers a welcome escape from them too, when necessary.
Decorative lighting, when deployed correctly, can transform a space with dimension, colour, dynamism and an artistic edge. So, when we heard that local design destination Tim Webber would be welcoming Vancouver-based A-N-D, into its already-impressive stable of brands, we were thrilled. And now, as A-N-D is about to become available (landing in store next month), we thought it high time we explored some of the pieces that have made it so sought-after (and that should make you excited about its arrival).
A-N-D is a decorative luminaire design studio that creates original lighting collections that are conceptualised, designed and assembled in house. Artisans in every sense of the word, the clever design minds behind this brand have, through their visually arresting aesthetic, artistic concepts and technologically-advanced mechanisms, built A-N-D to become one of the most innovative brands on the market.
Left: Vine Series Right: Pebble Series
Its hero release, Column, offers versatile lighting made from stackable forms, with linear silhouettes that were inspired by the Grecian doric columns of classical architecture. Designed as a series of mouth-blown glass cylinders that can be combined vertically or horizontally to elongate or expand the space in which they stand or hang, each segment boasts a faceted surface that will softly diffuse light across any room.
Two other collections from A-N-D that will soon be available at Tim Webber are Vine and Pebble — both of which exist in contrast to Column. Pebble celebrates the inexplicable beauty of stones, offering rounded, but never symmetrical blown glass shapes that seem to offer different silhouettes depending on the angle at which they are observed. Vine, on the other hand (while also heroing rounded shapes) is more bold in its execution. Here, the designers focused on exaggerated and repeated forms to create lighting that hinges on a series of illuminated glass orbs, fixed in clusters onto colourful, tubular bases that arch over each other. Where Pebble might be perfect for a wabi-sabi home, Vine is, perhaps, more suited to spaces that err on the side of eclecticism.
Left: Pebble Series Right: Vine Series
But if it’s something more angular, something that balances statement-making design with a refined aesthetic, A-N-D’s Vector series has the answer. Offering wall and floor lights and pendants, the Vector pieces hinge on rectilinear sections in vertical orientation that are combined to form a cluster that will have a strong presence in any space. The way the light is diffused is by being directed into the hollow centres of each section, and onto the inner and outer faces bidirectionally. Vector is one of those collections that would work perfectly in a minimal, contemporary home, delivering just the right amount of warmth to any space.
A-N-D will be available at Tim Webber from August, its high-quality, luxurious light fixtures set to meet the evolving needs of any kind of contemporary home.
There’s nothing quite like pulling up to the supermarket in a Maserati. It feels simultaneously anticlimactic and epic. Like you’re stopping off at New World on your way to The Met Gala. Because wherever a Maserati goes, there is a sense of presence and purpose and ceremony that goes with it. Even if you’re wearing trackpants, hauling groceries into its generous boot space. Even with a yoghurt-covered toddler in the back. (Yes, even then.) And it’s something that I have decided to call Maserati magic — a spell that cannot be broken, no matter how mundane your day might be. Let me explain…
When I was given Maserati’s exceptional Levante Trofeo to drive for a short time, I was excited, then concerned. After all, this was the SUV of all SUVs, the pinnacle of Maserati performance and style, a car that was designed to do it all. But as a mum to a young child, I wondered if it could actually do it all, for me?
Gingerly I sat behind the wheel, looking around at the sleek, sophisticated trim of the Levante Trofeo’s interiors. It was like driving a high-end Italian fashion boutique around Auckland. The top-of-the-range Trofeo is renowned for its luxurious finishes, from the carbon fibre details to the ‘full grain’ natural leather sports seats to the 21-inch alloy wheels with eye-popping red brake calipers, and the effect of these elements when seen from its driver’s seat infuses the whole experience with an unparalleled sense of sophistication and comfort. It also gave me my first indication of what to expect when the car roared into life.
What a roar, indeed. The Maserati Levante Trofeo represents, for anyone who doesn’t know, the pinnacle of Maserati performance. Under the elegant hood lies an impressive V8 twin-turbo engine (the most powerful in Maserati’s history). It marks the evolution of the brand’s signature Quattroporte GTS engine, recently reconfigured to deliver a whopping 590 horsepower — the highest horsepower-to-litre ratio of any Maserati SUV, ever. Let that sink in.
“Under the elegant hood lies an impressive V8 twin-turbo… the evolution of the brand’s signature Quattroporte GTS engine, recently reconfigured to deliver a whopping 590 horsepower — the highest horsepower-to-litre ratio of any Maserati SUV, ever.”
As I was, about to run some errands (that definitely didn’t feel worthy of the car in which I was doing them), I wondered about how practical this impressive engine was going to be while navigating the busy and often-narrow streets of Ponsonby and Herne Bay. Once I took off, however, I never looked back. Is the Maserati Levante Trofeo powerful? Yes. It delivers the kind of grunt that forces you to drive with awareness and precision, and the kind of purr that only a Maserati could make — smooth, definitive and loud without ever feeling obnoxious. “Is that the car I can hear,” my husband asked when I called him via CarPlay. It was, I said, contentedly cocooned in the cockpit of what I had already decided was going to be my next runabout. (A girl can dream, right?)
And while it certainly felt like a step up from my normal wheels, the beauty (I discovered) of the Levante Trofeo is that it is actually perfect for around town. Quickly dispelling my questions of practicality via its effortless, comfortable drive, it was easy to forget about the Trofeo’s beast-like performance while whipping from the supermarket to the post-office to the store; reminded only when breaks in my music were filled by that recogniseable sound of the signature, Maserati hum. (Maserati magic at play, if you will.)
Once the groceries were done and the errands were run, I decided to take the Trofeo to the open road before picking up my daughter, quickly finding that there were a few more surprises left. The Levante Trofeo boasts an all-new (and exclusive) ‘Corsa’ mode that offers yet another performance level after ‘Normal,’ ‘I.C.E’, ‘Off-Road’ and ‘Sport’, and turns the SUV into something that feels entirely at-odds with its category. Not only does Corsa mode immediately improve the responsiveness of the Trofeo’s engine, but it ensures faster shifts, reduced traction control, lower positioning of the air suspension and optimised settings for the Q4 intelligent, all-wheel drive. With Corsa, the Levante Trofeo transforms into something that I can only compare to the kinds of svelte, aerodynamic, low-to-the-ground sports cars that struggle to make it over speed bumps. And yet, there was I, cruising like an F1 driver on the stunning strip of motorway between the City and Greenlane with a car seat in the back and a week’s worth of nappies and toilet paper in the boot, enjoying a drive that I’m sure would impress even the most discerning, most Top Gear-watching, most picky petrol-heads in the world.
Really, the Trofeo represents the pinnacle of the performance-style-drive trifecta that Maserati incorporates so seamlessly into all of its cars. From its jaw-dropping good looks to its breathtaking performance capabilities, it is a car that truly does it all — and looks utterly effortless in the process.
For me, it was the specific way that the Levante Trofeo infused the mundanity of everyday tasks with a sprinkling of something special. It commanded attention (and a few lingering, wistful looks) without begging for it, and made its presence known on the road without shouting. I never thought a car by a marque as historic and sporty as Maserati (and particularly a car of such technical power as this one) would be something I could use as my daily drive, but the Maserati Levante Trofeo proved me wrong. If I could take it to the supermarket everyday, I would. But in the meantime, I’ll be hanging on to as much of that Maserati magic as I can, in the hope that one day, I’ll get to experience the real thing again.
In the realm of luxury timepieces, Cartier has always been synonymous with timeless elegance and exquisite craftsmanship. With a rich history dating back to the early 20th Century, this brand has continuously pushed the boundaries of watchmaking, creating iconic pieces that have stood the test of time, time and time again. Among these legendary creations, the Baignoire watch holds a special place, and now, not only has its silhouette undergone a refined reimagining, but it has found its perfect ambassador in the captivating and versatile French artist, Lou Doillon.
Doillon, with her multifaceted talent and effortless grace, has long been privy to the exclusive community of Parisian women who embody elegance while cherishing freedom and encouraging a spirit of individuality. She is, after all, the daughter of Jane Birkin (the doyenne of timeless, Parisian style). Being intimately connected with Cartier since her childhood, Doillon shares a deep appreciation for the brand’s artistry and heritage. She fondly recalls receiving a Baignoire watch as a gift from her mother on her eighteenth birthday, an exquisite timepiece that encapsulated Cartier’s elegance then, and still does to this day.
With Doillon at the forefront of its new imagery, the Baignoire watch is elevated to new heights of allure and sophistication. The campaign highlights Cartier’s subtle reinvention of this iconic piece, where the brand has embraced a new ratio of proportions that brings a unique and distinctly modern balance to the design. It has been miniaturised yet amplified and its recognisable design that effortlessly blends jewellery and horology has been refined with a smaller case, so as to feel more delicate (but no less impactful).
The Baignoire watch now unveils two new breathtaking versions, each a testament to Cartier’s unwavering commitment to craft. The first iteration speaks to understated elegance with its minimalist approach, juxtaposing the brilliance of yellow gold against a sleek, patent leather strap. The second transforms the watch into a dazzling bangle, a circle of solar gold that gracefully adorns the wrist. Crafted in rose, yellow, or white gold, these bangles, whether paved or not, exude sensuality with their curved cases, cleverly designed to nestle intimately against the skin.
The union of Doillon’s enigmatic allure and Cartier’s legendary craftsmanship is truly a match made in heaven. As an icon of style, Doillon effortlessly embodies the spirit of the Baignoire watch, infusing it with her distinctive charm and individuality. Her partnership with Cartier speaks volumes about the brand’s ongoing dedication to creating exceptional timepieces that transcend trends and capture the essence of timelessness in every way.
It feels like the dawning of a new era for the Baignoire, where its captivating design and signature details continue to captivate discerning connoisseurs who consider this Cartier creation a future heirloom. And this partnership only cements the fact — a celebration of two extraordinary worlds colliding — the extraordinary heritage of Cartier and the extraordinary talent of Doillon. Together, they represent the pinnacle of sophistication, reminding us that true luxury lies in the harmonious fusion of art, craftsmanship, and personal expression.
If you are one of the many preparing to descend on Queenstown for the upcoming winter season (and school holidays), ensure you are prepared for any kind of alpine adventure. Whether it’s a stylish ski suit, perfect for making an unmistakable mark on first tracks, or a chic knitwear set in which to cosy up when a day on the mountain is done, we have rounded up everything you need to pack for a successful winter getaway.
With unparalleled tourist offerings, from private heli-skiing to scenic fairways to mountainside lunches, Queenstown is a region designed to entertain and is waiting to be indulged in by its countryfolk.
Following on from our definitive guide on where to eat, we present a collection of activities, explorations and indulgences to add to your list in Queenstown, Arrowtown and its surrounding areas.
Hit The Slopes…
Soho Basin
Soho Basin A remote, invitation-only haven for snow sports and cat skiing, Soho Basin offers pristine, backcountry powder and clean, clear runs. To make a day at Soho really special, you can call on the kitchen at Amisfield, whose chefs will ascend to the exclusive ski field to whip up a multi-course lunch over an open fire, and serve it at the picturesque, European-style chalet right on the mountain.
Southern Lakes Heliski Offering a range of daily and private charter heliski experiences, Southern Lakes Heliski offers access to over 800 runs across 17 different mountain ranges. It offers more terrain and more vertical than any other operator in the area and can cater to skiers from intermediate to expert level. Ensuring a day spent with them is planned down to the last detail, Southern Lakes Heliski will pick its guests up, organise them into groups based on skill level, and send each off with its own experienced guide, to enjoy some of the most pristine runs they will have likely ever experienced. Lunch will be served surrounded by the arresting alpine scenery before a few afternoon runs finish the day off.
Play A Few Rounds At…
The Hills
Jack’s Point A major project that is seeing a new suburb materialise on the periphery of Queenstown, Jack’s Point is 10 minutes from the airport and 25 minutes from Arrowtown. It boasts nature trails, a central hub and its own 18-hole, par 72 golf course — set against the jaw-dropping backdrop of the Remarkables and recognised as one of the most spectacular in the world. Visitors don’t have to be members to book in for a few rounds, and it promises to delight avid golfers and amateurs alike.
The Hills Harking back to the golf club days of old, where gates were locked and invitations limited, The Hills offers a small number of non-member tee times each month, open to those willing to put forward the lofty green fee. From its wild backdrop to the way its course is home to an exquisite scattering of contemporary sculptures, The Hills is worth visiting for the Andrew Patterson-designed clubhouse alone.
Millbrook Resort Millbrook’s award-winning, 27-hole golf course has seen it universally touted as one of the most impressive in New Zealand. Set against a dramatic backdrop, the course already offers an unforgettable experience. But it’s about to get a whole lot better. Having purchased 67 hectares of land adjacent to the existing resort, Millbrook has been adding another nine holes to its offering, which will give the resort two, fully-operational 18-hole courses that can be played simultaneously. The extension is set to be grown-in and playable by the end of 2021.
Take The Family To…
Husky Sledding
Dorothy Browns This delightful boutique cinema and licensed bar is the ideal place to take the kids after a long day of activities. Fitted with rows of comfortable armchairs (offering plenty of room for lounging) and presenting a roster of acclaimed contemporary and arthouse films, the cinema is even available to be booked out privately — a great option for families or friends looking for something a little different to do.
Husky Sledding Immerse yourself in winter wilderness with Underdog’s husky sledding at Snow Farm, where you can traverse cross-country trails, pulled by a team of trained husky dogs. Suitable for children as young as 18 months, this is the perfect activity for the whole family.
iFly Guaranteed to be thrilling for the whole family, iFly offers an indoor, simulated skydiving experience. After being given a suit and a helmet, you’ll be directed into a wind tunnel where you’ll be suspended in mid-air, mimicking the feeling of the real thing. Open to children as young as five.
Remarkables Sweet Shop An icon of Arrowtown, the Remarkables Sweet Shop is a veritable heaven for kids and adults alike. And while its colourful shelves are packed with all sorts of treats, the line-up of the shop’s signature fudge in its front cabinet is the reason we keep returning again and again (and again).
Explore The Area With…
Alpine Helicopters
Alpine Helicopters Offering a raft of intrepid day-trips including heliskiing and guided hikes, as well as scenic flights over some of Central Otago’s most exquisite landscapes — including the Milford Sound, Fiordland, Dusky Sound and the Mt. Aspiring glaciers — Alpine Helicopters are the experts to turn to if you want to get out of Queenstown and immerse yourself in the surrounding areas.
Dart River Wilderness Jet Embark on a half-day adventure through Mt. Aspiring National Park with the Wilderness Jet. An exhilarating ride that will see you take in breathtaking scenery along glacial rivers, you’ll also learn about the Māori legends attached to the landscape, and be given the opportunity, when the boat moors up, to explore the ancient beech tree forests on foot.
Skyline Gondola
Skyline Gondola Appreciate Queenstown’s sweeping scenery from the 450-metre-high vantage point of the Skyline Gondola — the steepest cable car in the Southern Hemisphere. Once you reach the top, enjoy a drink while taking in the spectacular, panoramic views.
Book A Trip To…
Dusky Sound
Minaret Station Set on a 50,000-acre high-country farm and only accessible by helicopter, Minaret Station is the secluded site of the Alpine Lodge from The Alpine Group, a place where guests are treated to off-the-grid luxury within the accommodation’s four, two-person chalets.
Dusky Sound Operated through Minaret Station, the Dusky Sound experience will start with a helicopter pick up from Queenstown or Wanaka. Guided by an experienced professional, guests will embark on a scenic flight to the astounding Dusky Sound (in the Milford Sound), landing on The Alpine Group’s purpose-built, floating helipad and transferring to their boat for a day of fishing, wildlife and exploring the beauty of the World Heritage Area. Because of limited accessibility, very few people visit Dusky Sound each year, making it a particularly pristine part of the region. Guests will enjoy a gourmet lunch on the boat before being flown home.
Mt Isthmus
The Lindis or Mt Isthmus The Lindis Group is redefining luxury accommodation in New Zealand. From its exceptional service to its world-class properties, which include The Lindis in South Canterbury’s Ahuriri Valley and Mt Isthmus in Lake Hāwea, The Lindis Group has made a swift and considerable impact in New Zealand’s tourism space, much of which can be attributed to its South Island presence. Operating from a place of honouring the land, capitalising on natural wonders and keeping its footprint to a minimum, the group’s properties are designed to blend seamlessly into their surroundings. Similarly, its hospitality promises to connect guests to the sense of calm quietude that can be garnered from a return to nature — think locally-sourced, seasonal food and wines, breathtaking alfresco activities like hikes, fishing and horseback riding and rooms that open out onto impossibly beautiful landscapes. This extends to the highly-personalised service offered to every guest, which prides itself on curated experiences that can be tailored to suit individual needs. While The Lindis is a luxurious, boutique accommodation at which guests can book rooms and enjoy a raft of amenities and exceptional dining, Mt. Isthmus is a sole-use villa nestled on a narrow strip of land between Lake Wanaka and Lake Hāwea, offering a more exclusive and personalised experience. Ultimately, the idea of luxury remains at the heart of everything The Lindis Group does, which has seen it become hugely popular with local and international tourists alike and well worth a few days out of Queenstown.
Relax At…
Onsen Hot Pools
The Spa at Millbrook Resort Take some time for yourself at Millbrook Resort’s indulgent spa. Awarded five years running as New Zealand’s Top Spa Resort by the World Travel Awards, Millbrook’s serene, replenishing space is the ultimate place to relax after a day on the slopes or looking after the family. There is also a complimentary shuttle service from Central Queenstown or Arrowtown.
Onsen Hot Pools While you’ve likely seen a raft of social media photos of people, framed by astonishing vistas, soaking in these pools, it’s not until you’ve experienced them for yourself that you’ll understand why they’ve become so popular. An hour’s soak in one of the purpose-made, mineral baths will deliver a raft of health benefits and the ultimate, blissful relaxation.
Retail Therapy…
Elle & Riley
While you’re in the area, why not peruse one of Queenstown region’s destination boutiques?
For an achingly-cool edit of European labels like Iro, Ganni and Anine Bing, visit Seletti Concept Store in Arrowtown and Queenstown.
Next level luxury-lovers would do well to ensure Louis Vuitton‘s Queenstown boutique is on the itinerary, as well as Partridge Jewellers for a sparkling souvenir — go on, you deserve it.
You’re going to wish you had more room in your suitcase for the breathtaking functional art and design pieces on display at Bonham Art + Design gallery space in Arrowtown — offering a selection of fine and functional art from celebrated practitioners as well as a curated line-up of collectable furniture which is destined as future heirlooms. Elsewhere, Elle & Riley‘s covetable cashmere will draw you into the brand’s beautiful Queenstown store, and see you not leave until you have a whole new series of cashmere to grace your winter wardrobe.
One of New Zealand’s most notable artists, Fiona Pardington, (of Māori — Ngāi Tahu, Kāti Māmoe and Ngāti Kahungunu — and Scottish — Clan Cameron of Erracht — descent), has built a name globally for her photographic work that uses inventive formats and unpredictable techniques to explore a vast and varied array of themes, often swivelling around a preoccupation with emotion and affect.
Not only does Pardington have a Doctorate in Fine Arts from the University of Auckland, but she has been made a member of the New Zealand Order of Merit, and was the first New Zealand artist to receive the Chevalier de l’Ordre Française des Arts et des Lettres (the Knight of the French Order of Arts and Letters by the people of France).
Demand for Pardington’s work has continued to grow exponentially over the last few years, with recent pieces sold to discerning collectors who recognise the pull of her oeuvre. In fact, one of Pardington’s pieces will be on display next week in Webbs’ highly-anticipated auction, Twenty— designed to shine a light on 20 artists (and 20 pieces) whose investment value continues to rise. Pardington’s entry is ‘Te Huia Kai-Manawa’ (silver gelatin print, 2008), a seminal work that speaks to the artist’s signature practice beautifully. With its value estimated in the realm of $20,000 to $30,000, this piece is Pardington at her most powerful, and is a precious opportunity for art enthusiasts to add something special to their collection.
Te Huia Kai-Manawa c2008, Silver Gelatin Print, 555 x 425mm
Her career is decorated with fellowships, residencies, awards and grants, and her pieces have appeared in a number of important exhibitions and biennials both here and around the world. But Pardington herself, who lives in Piha, finds happiness in the nuances of her daily life — unexpectedly humble for an artist whose body of work carries such renown.
Here, she delivers some pearls of wisdom from her experience, and gives insight into her notoriously private world.
Hermes Mercury, Cannelles and Parsonage Road, 2023, Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass, Mural size 176 x 140 cm, Mid size 140 x 112 cm, Starkwhite
I inherited a withering work ethic from my mother. I’m stubborn. It’s very hard for me to break away from a task until its conceptual resolution is in gear and moving forward towards its physical completion. I also set a high standard for myself, which could, if you ask someone close to me, be seen as punishing and unnecessary — I don’t agree, of course.
There is no substitute for being rigorous and well researched. I can’t sleep at night otherwise. I have to do things my way. It’s tried and true.
I want to achieve my best, but I prefer not to spend time congratulating myself. I have an engulfing superstitious aversion to that. I just get on with it. I certainly don’t believe in resting on one’s laurels. The only person I’m in competition with is myself.
I realised I was able to be an artist after drawing swans with my mother at the kitchen table as a very small child. Bathing in her enthusiastic praise of my hard-won ‘mastery’ of swans over the next week or so, I experienced a certain Joycean claritas and chose this vocation for myself right then and there.
Magpie Tail (below), Hunter, 2022, Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass, Starkwhite
An accurate explanation of my process would take hours to write and to read. Projects take anywhere from one-to-five years beginning to end. Some are in a holding pattern for decades. All I can say is that everything from conceiving to setting up a photograph to executing it to either hand printing or preparing and printing digitally, is a ritual.
A heightening of the senses, an immersion in them, is what I want people to derive from my work. And pleasure. A delight in the constellated effect and procession of concentrated perception. Also, a stronger feeling of their own being, engaged in what it is to experience art for and in themselves.
My accountant would describe me as crap at numbers but generous to a fault. My friends, as a stubborn, extremely private and passionate woman with an insatiable fascination for how humans think and function and for reflecting people back at themselves in a positive light.
When money is shared, there must be goodwill and good character involved. So there are a number of interlocking traits that I value in a business partner. Blunt honesty. A complimentary skillset — finding this is like panning for a diamond — considering the nuanced being each artist is. A person able to hold and maintain mutual respect. Kindness. Always wanting good for each other and each other’s families. Outrageously funny.
Left: Judgement, 2021. Right: The Sun, 2021. Both: Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass, Mural size 176 x 140 cm, Mid size 140 x 112 cm, Starkwhite
Happiness is standing on my balcony at my home in Piha, where I can watch the sun drop below the horizon across the ocean. I can’t see the car parks that were sadly dug hard against the sand dunes a long time ago, only the sea and sky. There are throngs of piwakawaka and tui. I have a number of ancient pohutukawa on my land. I work from home, and I rise and sleep when I want. I have my health, I have my sight, my whānau and whanauka, I have a few life-long good friends and they are deep and abiding friendships. My memories of those who have passed that I love, ground my being. I know there are people who love my work and I thank them for that. I have a devoted lover, a sweet little dog and a great partnership with my gallery, Starkwhite. My house isn’t haunted. That’s quite enough.
There will be plenty of time to lack motivation when I take a dirt nap. Motivation is like a light within me that doesn’t wane, so it’s never been a source of concern. I can’t imagine what it is, to not want to make art. I’ll make art until I fall off my perch.
Portrait of Kimiakau Kiwi, 2023, Inkjet print on Hahnemühle paper, framed in hand lacquered black Goldie moulding with AR70 non-reflective museum glass, 140 x 176 cm, Ocula
I am like a dog with a bone when it comes to a visual conundrum. I have patience enough to develop a number of concepts over a number of years and know when the time is right (irons in the fire) to spring into action. I’ve learned to become comfortable with the concept that my unconscious mind uses the slingshot of desire to propel my creative notions into the real world. I enjoy feeling the pressure of it mounting, and the relief when it surfaces. It’s like remembering parts of a forgotten dream.
It’s important to have a sharp and creative accountant who will look out for you and your practice. That’s something I wish I had known from the beginning. And find an art dealer you can trust, who cares about your needs as much as he or she does their own.
Creating a signature perfume is something I want to do. I know exactly the historic material I will draw upon for conceptual inspiration and the raw materials from which I will make the fragrance. But I can’t quite ‘see’ the bottle yet… I’m close.
Fiona Pardington, TIKI: Orphans of Māoriland, 2019, Installation view, Starkwhite
As Samuel Beckett said in The Unnameable: .“You must go on. I can’t go on. I’ll go on.” As an artist you must be bloody-minded. Art is a vocation not aesthetic titillation or extended ego-stroking. A life-long commitment can become a profoundly eudaemonic discipline. The most constant and possibly the most intimate of companions, your practice will accompany you to your grave. You can’t take a lot else with you.
I wish I’d met Austin Osman Spare. An artist said by some to have anticipated Surrealism. He was remarkably talented in drawing and painting. He developed a practice of painting as a trance medium and pioneered the use of sentient sigils, emphasising the unconscious mind as being the font of all creative inspiration. I visited his grave at St. Mary’s Church in Ilford, in the deep winter, it drizzled miserably all day. The trains were down and the taxi out of London cost an arm and a leg.
I would like to be remembered for being kind, or at least making an honest attempt to be so. And for being an artist who did well for herself and did well by others, although you can’t please everybody. Living memories of someone die with the minds that cradle them within a couple of generations so I’ll leave the photographs to hold what remains of me. Everything passes. Dust to dust, etc. History is fiction.
Across international fashion, there has been one name whispered by those in the know as the designer to watch and covet: Jonathan Anderson. Since taking the reins at Loewe, this young visionary has turned this brand into one of the most sought-after and groundbreaking in the luxury fashion landscape, with his unique melding of surrealist, tromp-l’oeil detailing with robust structure and timeless silhouettes making each of his collections the most talked about on the fashion calendar. Lucky for us then, that Loewe’s incredible, Jonathan Anderson-designed pieces are available locally (and exclusively) at Faradays in Parnell, with the new SS23 pieces having just landed in store.
In buying this latest collection, Faradays’ Co-Founder and Creative Director Constance von Dadelszen was able to travel to Paris to experience the runway first hand. “Viewing and buying this new collection from Loewe was a pivotal moment,” says Constance. “There is something exceptionally special about having been able to see pieces on the runway and then up close in the Loewe showroom in Paris, and now today, seeing our selects hanging so beautiful at Faradays for those in New Zealand to enjoy.”
From ready-to-wear, comprising a series of sculptural and pixelated pieces, pannier dresses, exceptional denim, shirting and more, to Loewe’s signature handbags (including the new Bracelet Bag), shoes (including the new Toy Heel and Petal Sandal) and small leather goods, and of course the brand’s sought-after fragrances and candles, Faradays carries a vast, varied and carefully curated cross-section of Loewe, all of which is ready to be perused in-store. Shop our picks from Faradays’ Loewe line-up below.
The perception that hangs around the ‘aged-care’ trope is in dire need of re-examination. It is an outdated idea that those facilities dedicated to later living are tired or depressing, and is something that the clever minds at Winton — New Zealand’s largest publicly-listed development company — are challenging with their groundbreaking new project. Northbrook is a premium lifestyle development that provides sleek, sophisticated residences to those who appreciate good design and want to enjoy the best years of their lives in the lap of luxury, where every whim is catered to, and at the sort of level one might expect from a five-star hotel. And it’s changing our outlook on later living for good.
Northbrook Residents’ Harbour Views
Located in the heart of the bustling Wynyard Quarter precinct (which affords its residents both waterfront living and a private marina) as well as breathtaking views of Auckland’s sparkling Waitematā Harbour, Northbrook has been meticulously designed for comfort, convenience and ease of living, offering an unprecedented level of luxury. Here, Winton (backed by years of design expertise) has collaborated with internationally-renowned design studio Woods Bagot to bring to life a building of unparalleled architectural presence, alongside interiors that are as sumptuous as they are practical. Going beyond the principles of ‘universal design,’ Winton called on its collaborators to create spaces that would balance luxury with the specific, practical needs of its Northbrook demographic and in doing so, are promising the kind of lifestyle that can really only be described as living in a high-end hotel — so considered and convenient are all of the amenities.
Northbrook’s show apartment — now open and available for viewing
Inside, Northbrook will offer 154 exquisite, private dwellings with no stone left unturned in terms of high-quality finishes and beautiful interior detailing. Each residence will feel curated and contemporary, with material palettes built around timber flooring and joinery, undulating marble and natural-stone surfaces, a neutral colour palette, luminous brass fixtures and furniture that offers enveloping comfort while cultivating a distinctly cool vibe. Built on the idea that good design never ages, the overarching aesthetic at Northbrook marries classical style with a contemporary edge, resulting in an incredible later living concept, the like of which we have truly never seen before.
Northbrook’s show apartment — now open and available for viewing
The development will also offer its own hospitality precinct with exceptional, purpose-made, premium dining options. Here, residents will have access to a cafe pouring expertly-brewed coffee daily, a restaurant serving the best, locally-sourced seasonal fare, a bar, a private dining room and even a dedicated wine and whisky library, all able to be enjoyed alongside the raft of restaurants and bars on offer throughout the Wynyard Quarter precinct — situated within walking distance of Northbrook. That said, if going out isn’t on the agenda, Northbrook residents will also be able to access world-class meals from any of the development’s dining venues, via room service delivered directly to their doors.
Northbrook’s show apartment — now open and available for viewing
Also on site will be a fully-equipped wellness facility, which will include a yoga studio and gym, massage and physiotherapy services, a heated pool, a salon, a spa with a variety of treatments available and an infrared sauna. Catering to anyone seeking to put their health and wellbeing first, this offering simply adds to the holistic way in which Winton has considered every aspect of its luxury, later living lifestyle. Elsewhere, there will also be an art studio and gallery as well as a media room. Because while the residences are beautiful and the building unique, what Winton recognises is the need to support its Northbrook residents in every aspect of their post-retirement lives.
Of course, those drawn to the lifestyle at Northbrook will benefit hugely from the waterfront location, where residents have access to a private marina. Alongside the aforementioned bar-and-restaurant scene, Northbrook’s Wynyard Quarter affords its residents’ plenty of entertainment options at the likes of ASB Waterfront Theatre, as well as close proximity to the bustling Ponsonby, Britomart and CBD precincts, and the access to unique hospitality and retail this affords.
Northbrook’s show apartment — now open and available for viewing
Ultimately, Northbrook is set to be a haven for discerning individuals looking to continue to build on the lives they love. It is setting a new benchmark for later living and aged care that is grounded in exceptional, practical yet luxurious contemporary design, and offers the kind of waterfront lifestyle that honours the wonderfully rich, successful and fascinating lives of its residents.
With Northbrook Wynyard Quarter well underway, the team at Winton have further facilities in development for Hobsonville’s Launch Bay, Christchurch’s Avon Loop, Arrowtown and Wanaka, extending the reach nationwide for those seeking an exciting new chapter for their post-retirement lives. If you or someone you know is interested in understanding the groundbreaking standard of luxury later living offered at Northbrook, you can enquire here, or undertake a virtual tour below. Or even better, you can experience Northbrook’s exceptional offering in real life at its new show apartment — now open and available for viewings. Get in touch by emailing here, to book your walk-through now.
It is an outdated thought that a wedding is purely about the bride. Yes, a few decades ago the bride might have taken it upon herself to organise the venue, send out invitations, finesse the catering, write the vows, book the photographer and have an exceptional dress made, while her husband-to-be simply slapped on a black suit and showed up on time; but that isn’t the case any more. In modern weddings, the groom often has as much to do with the process as his future wife, including putting a comparable amount of effort into cultivating a particularly special suit for the day. A suit that truly captures the gravitas of the occasion.
One person who knows this better than most is Edward von Dadelszen who, under his eponymous label, has created some of the most exquisite, bespoke wedding suits for grooms seeking to take their wedding-day attire to the next level. Really, Dadelszen’s work in this realm is tantamount only to luxury labels operating at the top of their game overseas, despite the fact that the whole process is based out of his beautiful Parnell showroom. “We really do offer the best in market for a complete wedding outcome, bar none,” Dadelszen explains, “our clients would previously have gone abroad to organise their wedding attire so being able to see them locally gives much more certainty and takes a lot of the logistical stress away.”
And while Dadelszen (the brand) is predominantly known for its collections of exquisite mens and womens ready-to-wear (made using the finest European textiles and by some of the best makers overseas), its founder explains that venturing into weddings has been enormously rewarding. “It’s a huge privilege to have our clients and friends of the brand dressed in Dadelszen on such a momentous occasion,” Dadelszen tells me, “it makes me incredibly proud.”
Here, we sit down with Dadelszen, who explains why his offering is truly unlike anything else, and gives insight into the process behind the incredible suiting that came out of his showroom last wedding season. Ultimately, Dadelszen’s meticulous approach proves why bespoke groom attire is on the rise. When done well, it can be almost as showstopping as any white gown.
In your opinion, why is it important for men to be purposeful and creative when it comes to their wedding-day attire? I think there are many reasons why, but most importantly it’s about respect, both for yourself and especially for your partner. Brides put an extraordinary amount of time, thought and energy into their wedding attire, so the very least a groom can do is try and do the same. But it’s also an opportunity to really take pride in yourself and wear something special that elevates you and empowers you to feel your best as well. It doesn’t need to be about wearing something shouty — a beautifully cut, understated garment that flatters you perfectly can be absolutely transformational. A dark suit can look like a suit of armour or a sack of potatoes, it’s all down to how it’s cut and how it fits the wearer. And fundamentally, all eyes will be on you at your wedding so if you don’t want to look astonishingly good for that, then when?
Tell me about your process of creating a bespoke Dadelszen wedding suit. Everything takes place at our showroom in Parnell. We work almost exclusively by appointment as a business, simply because we like to be able to take our time with people and have them feel relaxed and like they’re the absolute centre of our attention. Our job is to understand a client’s vision for their wedding and craft an outfit for them that embodies that vision whilst making the client look their absolute best. There’s a lot of trust being put on you, so we’re pretty rigorous when it comes to getting everything absolutely right. The make process can take a couple of months and we’re often involved right up to the wedding day, helping with last-minute bits of styling. There’s always something. Personal tailoring has a bit of a stigma of being a very intimidating, fussy process but once clients find us and have the chance to experience the showroom and our product and how we operate as a contemporary alternative, they realise we’re not like that at all. We make a beautiful product and we offer peerless service, but the process of having something made with us is also very easy and fun (if our clients are to be believed).
What makes Daddelszen’s bespoke wedding service unique from others of its kind? We can offer a level of make that’s pretty unique on an international level, let alone domestically, and that does translate directly into how good the clothing feels to wear. An incredible amount of time has gone into getting that right at a construction level. We’re also a young brand with a much more contemporary vision for tailoring. Rather than doing things the English way or the Italian way, we’ve developed a handwriting that’s unique and frankly a bit more fun. Easy-wearing, elegant, timeless, a little bit brash. Good clothes to be bad in, as the saying goes.
What styles are trending for weddings at the moment? On a macro level, fashion is swinging back around to our way of thinking — timeless luxury, premium materials and really rigorous craftsmanship over busyness and excessive ornamentation. That extends to the wedding sector. Lots of couples are looking to nail something that feels timeless and chic rather than gimmicky. In practice, for grooms, that means a lot of very elegant evening wear (tuxedos, velvet, and so on). Luckily, these are all things we’re pretty handy with.
Tell me about some of your favourite custom Dadelszen suits you’ve created for grooms. We recently dressed the wedding party of a close friend of the brand in beautiful navy shawl-lapel tuxedos, with the groom himself in a show stopping off-white cashmere smoking jacket. It brought the house down.
What advice do you have for future grooms thinking about their big day? Creating a bespoke wedding suit can be a slower, more intense process than other kinds of personal tailoring, often with partners involved and many people to dress. My best advice is always to start as early as possible. Cutting and construction can take six to eight weeks and with multiple people to wrangle for various fittings, you’re better to make it easy on yourself and build some flexibility into your timeline. It’ll be one less thing to worry about as you approach your big day.
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