Hellé Weston & Lukis Mac

We sit down with Lukis Mac & Hellé Weston — the Kiwi wellness experts teaching Hollywood’s most notable names how to benefit from breathing

In the last decade, breathing has become a discipline that leaders in the wellness space are harnessing with increasing precision and incredible results. From Wim Hof’s groundbreaking explorations into breath control to journalist James Nestor’s scientific immersion in breathwork (and his bestselling book about it), breathing has become an art, and mastering it has become the key to unlocking mental and physical health on an unprecedented scale. Lukis Mac and Hellè Weston are two figures who have been working in this space for years. The Co-Founders of Owaken Breathwork (and real-life partners), New Zealanders Mac and Weston are now based in Los Angeles after taking their transformative coaching around the world, where they consult regularly with some of Hollywood’s most prominent names — including Travis Barker and Kourtney Kardashian, Megan Fox, Machine Gun Kelly and Jake Paul — as well as politicians, entrepreneurs, industry leaders and more.

Left: Hellé with Megan Fox. Right: Lukis with Machine Gun Kelly

Every morning for the last few months I have spent five minutes breathing. Quietly, eyes closed, I inhale through my nose and exhale through my mouth in a sequence of 10, then 20, then 30, holding my breath for the same amount of seconds between each set. The first time I did it, the sudden disruption to my natural breathing pattern made me panic. The second time, I felt more comfortable in the discomfort. The third time, I felt almost euphoric and now, it brings me a calmness and clarity that feels real and grounded.

The simplicity of it is almost laughable. After all, breathing — the intake of oxygen and expulsion of carbon dioxide — is a natural and instinctive process. We do it every day, usually without thinking. So how can something so straightforward be used in such a transformative way, and why didn’t I know about it sooner?

Breathwork has only really emerged as a recognisable wellness modality in the last few decades, although it has been around for millennia. And while its roots lie in ancient Eastern practices like Yoga, Buddhism and Tai Chi, its benefits have also been harnessed in various industries where managing stress is a requirement. (Like in the military, for instance, where techniques like box breathing are often taught to soldiers as an antidote to the environmental stressors that come with their work.)

That said, the concept of stress management, particularly in our modern world, has become increasingly commodified, where whole industries have sprung from the pursuit of a stress-free life. More recently (and in tandem with the boom of social media) people have started to realise the profound impacts that something like a purposeful breathing practice can have on their longterm health, and this recognition has created space for breathwork to flourish, and for a number of experts to come to the fore.

Two such experts who have built their careers on the power of breath are Lukis Mac and Hellè Weston. Partners in both business and life, Mac and Weston started their company Owaken Breathwork after years of researching, studying and experiencing various modalities in pursuit of something that would heal trauma, deliver optimised health and transform their mindsets. Breathing ticked all the boxes.

“It’s mind blowing to see the way this practice has helped people… We get people writing to us all the time explaining how they’ve been able to release stress, find answers and just function better in their daily lives .” 

For Mac and Weston, the interest in holistic wellness sprung from upbringings in which mental health was an issue; first, in the adults who raised them, and then, in themselves too. Both grew up in West Auckland, and while Mac describes his mother as very loving, encouraging and supportive, it was his father’s episodes of depression, anxiety and addiction issues (leading to him tragically taking his life when Mac was only seven years old) that left a lasting legacy. “Growing up, I didn’t really know how to process my emotions,” Mac tells me, “so I ended up struggling with depression and anxiety myself for years.” Weston tells a similar story. “My family had a lot of mental health challenges too,” she says, “and there was this stigma around seeking help, where going to any kind of therapy was frowned upon.”

When the pair first came together in 2007 (at the time, Mac a tattoo artist and Weston a fashion stylist) it was the shared desire for deeper understanding that connected them, and the ensuing journey of self discovery that strengthened their, now 19-year relationship. “We were reading books, trying different therapies, travelling and studying holistic modalities for over 10 years,” Mac tells me, before Weston jumps in, “and when we first started, it was pretty weird.” They laugh. Indeed, the idea of ‘natural health’ was, until fairly recently, thought of as too fringe for most, with Weston explaining that even the couple’s close friends and families didn’t initially understand what they were doing, or why. “Finding each other was so important, because it gave us permission to finally make these kinds of practices part of our everyday lives, and to be more open about them with other people.”

Left: Lukis training Jake Paul. Right: Hellè during an Owaken Breathwork session

While travelling in Bali, the seeds for what would eventually become Owaken were planted when Mac and Weston had their first experience with breathwork. It was transformative. As Mac tells me, “For so many years I had lived in a state of survival, stress and struggle that was dictating my life, and breathwork allowed me to open up to my emotions, to connect the dots of what I was feeling and to deal with past experiences that I hadn’t been able to process. It was the start of when everything changed for me… the anxiety and depression I had been dealing with for as long as I could remember were suddenly no longer a part of my life.”

According to Mac and Weston, the effectiveness of breathwork can be attributed to its “bottom-up” approach. “With more traditional therapy,” Weston explains, “we’re processing things consciously and intellectually and then dealing with the emotions after, whereas in breathwork, we start with the body which allows things that have been stored, that you might not even realise are there, to come to the surface and be addressed.” In this way, breathwork (particularly the kind practised by Mac and Weston) is a somatic therapy, which is the classification for treatments that focus on the body, built on the idea that our bodies’ tendencies to trap emotions and experiences can lead to debilitating conditions when left unaddressed. To the uninitiated this might sound a bit abstract and confusing, but underlying it all is a simple call for us to connect with ourselves on a deeper level, and the results are astounding.

“It’s mind blowing to see the way this practice has helped people,” Mac says, “We get people writing to us all the time explaining how they’ve been able to release stress, find answers and just function better in their daily lives.” Here, Weston adds, “I mean, we’ve all got something from our childhoods that we need to process, right? And I think you can spend years in therapy and never get to the root of that.” She continues, “I often get people saying that they haven’t been able to cry in years or even decades,” she says, “and then, through our breathwork, they can finally access grief or pain and release it… it’s really beautiful to be able to facilitate that process.”

Lukis with Travis Barker

In 2017, the duo founded Owaken Breathwork, pulling from their vast knowledge and experience to help people around the world. And what started as a few events in Australia quickly blossomed into an international movement. Now, the pair (and their business) is based in Los Angeles where they have become widely sought-after by big names in Hollywood for their breathwork events and private coaching. Mac’s one-on-one work with Blink-182 drummer Travis Barker, for instance, has been credited as a key reason why the famous musician was able to fly again, having sworn off planes for 13 years after surviving a horrific crash in 2008. The night before Barker’s first flight in over a decade, Mac was on hand to run him through a breathwork session that made the experience “the easiest ever,” according to the artist, who also told Nylon magazine and Rick Rubin on his podcast Tetragrammaton, that his sessions with Mac have not only allowed him to go deeper into his subconscious but that mindful inhalation and exhalation makes him “laugh, cry and feel high.” As Mac explains, “Travis was really able to heal his relationship to what he had been through, to not only start flying again but to start playing music again and touring, which was massive for him.” 

“People are watching those that they admire or idolise prioritising their own health and wellbeing…it’s changing the paradigm around what is considered ‘normal’ and encouraging people to try something new.” 

It was massive for Mac and Weston too, whose associations with figures like Barker and his wife (Kourtney Kardashian) gave the duo a profile that suddenly saw them inundated with requests. It put their work on the world stage, and crucially, gave other people permission to embrace breathwork as something that might be able to help them, too. “The biggest area where we’re seeing the needle move is around social media and popular culture,” Weston says. “People are watching those that they admire or idolise prioritising their own health and wellbeing, from actors and musicians to athletes and entrepreneurs, and it’s changing the paradigm around what is considered ‘normal’ and encouraging people to try something new.” Mac and Weston’s work has also been buoyed by a collective, post-Covid realisation of the importance of self-care and of eschewing burnout-inducing routines and the kind of corporate culture that once, was so celebrated.

In fact, a lot of the work that Mac and Weston do is as much about a collective experience as it is an individual one. It functions on a number of levels. In Owaken’s events, the duo holds space for a vast number of people in a single room, guiding them through a series of intensive breathwork techniques for four hours, and watching incredible breakthroughs on a mass scale. While in one-on-one sessions, Mac and Weston work with their clients for around two-and-a-half hours, and it’s a more personalised experience. “With Owaken, there’s the therapeutic work, which is more focused on emotional detox in intensive sessions,” Weston explains, “and then there’s the daily maintenance work, which can be anywhere from five to 30 minutes a day which can be mindful breathing, meditation, journaling… and both are as important as each other.” 

Lukis & Hellé

Alongside their events and in-person sessions, the pair have launched an Owaken app that has been designed to encourage and support daily practice, and also give those who are curious about the work a good place to start. For Mac and Weston, a typical day might begin with their Owaken Daily five minute breathing (the same one that I have been doing every morning), before going into a 30-minute meditation, a journaling practice, a cold-plunge and sauna session, a workout and then a walk. And that’s before the working day begins. “It sounds intense,” says Mac, laughing, “but it’s become a non-negotiable for us, and I really notice a change when I’m travelling or out of routine.”

Beyond the routines and techniques and practices, what Mac and Weston are really doing with Owaken is to remind us all of our vast capacity for change. “Watching over and over again how the lives of the people can transform through something as simple as breathwork, really solidifies how powerful we are as human beings, and how we can create positive change in our lives,” Mac tells me. Weston adds, “Working with the breath, you quickly realise that we have this incredible tool right under our noses… it’s natural, you can do it for free and it can lead to rapid and profound healing, and I just want more people to know about it.”

Given Owaken’s evolution, it would seem that people do want to know about it. In fact many people, including myself, are more open than ever before to exploring alternative avenues of health, thanks to the work of practitioners like Mac and Weston and their growing visibility in popular culture. And if my personal experience with an easy, five-minute daily practice is anything to go by, it truly is the simplest way to affect real, lasting change. “Think about how we tell ourselves or the people we care about to ‘take a breath’ in moments of distress or crisis,” Weston says, “we all intuitively know how good breathing is for us… it’s just deepening our relationship with that instinct, and harnessing it properly.”

So whether you’re someone who is searching for answers, craving change or is simply curious, Mac and Weston’s breathwork is certainly one path to achieving calm in the face of the relentlessness of modern life. Sit back, take a breath and see for yourself.

owaken.com

Wellbeing

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Signs you’re not getting enough protein — and how to easily up your intake

Protein has become a hot topic as of late, and it’s little wonder. We’re finally wising up to just how vital it is for our overall health — from mental clarity to fatigue, cravings to cognitive function, and so much more in between. It is, essentially, the most fundamental component to our diets, and most of us aren’t getting our fill. For women, adequate protein intake is also increasingly more essential as we age.

If you suspect you’re not getting enough, chances are, you’re probably right. Some of the signs include weakness and fatigue, cravings and increased hunger, frequent sickness and slow healing, loss of muscle and joint pain, unexplained hair loss, brain fog, mood changes, brittle nails, and swelling. Protein is one of the body’s main building blocks, and it plays a crucial role in the structure and function of muscles, skin, enzymes, and hormones, so it’s hardly surprising that low intake (or in more severe cases, deficiency) has such a far-reaching impact.

So, how much protein do we actually need? The exact amount depends on several factors, such as your age, level of physical activity, and fitness goals, but as a loose guide, the official recommended dietary allowance for adult females is around 46g daily, and for adult males, between 52–56g daily — equating to roughly 0.8g per kilogram of body weight. It’s worth noting, however, that many nutrition experts now consider this a baseline to prevent deficiency rather than an optimal target, with a growing consensus suggesting 1.2–1.6g per kg of body weight as a more practical daily goal for general health. If you’re trying to gain muscle, this number goes up again to around 1.4–2g per kg of body weight daily.

The good news is that upping your intake is simpler than you might think. Fatty fish, lean meats, eggs, legumes, nuts, and low fat dairy are all great high-protein foods that can easily be woven into your daily diet. Egg whites are almost entirely protein (although eating the yolk provides additional nutritional benefits), cottage cheese is incredibly protein-rich, chicken breast packs almost half of a women’s daily intake into a single serve, and Greek yogurt is also a high-protein option to enjoy throughout the day.

If you’ve been considering ditching the oat milk and switching back to dairy, you’ll be upping your intake in the process (a cup of milk provides over 8g of protein), and if your diet is more flexitarian or plant-based than carnivorous or diary-heavy, lentils, almonds, quinoa, pumpkin seeds, and peanut butter are all great protein sources.

Salmon, white fish, and shellfish are perhaps one of the best and most delicious, nutritious ways to up your intake, boasting one of the highest protein contents of any food — a fillet of white fish boasts a whopping 30g of protein alone. And, of course, if you’re still struggling to meet your daily requirements, a protein powder is always an optional supplement.

Ultimately, if you’re feeling any of the symptoms related to a diet lacking in protein, consider this your sign to take a few simple steps to increase your intake. The gains will extend well beyond muscle mass alone.

Gastronomy

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Right place, right time: The seafood tower and spicy pineapple margarita that are calling you to take action

Auckland, for a brief window, is showing off. And we are here for it. Endless sunshine and clear skies are the perfect antidote to doom and gloom, and to getting out to celebrate life.

So, while the Côte d’Azur vacation may still be a few months, or even a lifetime away, fear not, as we have a suitable alternative. Secure yourself at a table at Westhaven’s First Mates, Last Laugh, and order the seafood tower. Arguably, the grandest tower in town, and sure to rival the one served at the iconic Club 55, with a half crayfish lording over oysters, prawns, sashimi, tuna taquitos, Szechuan pepper squid and gurnard goujons. This is an order that lands with confidence, knowing it is the best-looking thing in the room. Nearby tables look over with remorse and regret, immediately changing their own order.

The decadent theatrics don’t stop here, particularly if you’re faintly competitive. Because we’re to celebrate the sunshine and good times after all. And so one must also order continuous rounds of their Spicy Pineapple Margarita, just to assert your gastronomic prowess. Tequila, coconut, pineapple, chilli, kaffir lime. Bright, sharp, and just reckless enough to seal the deal. 

Spicy Pineapple Margarita
Seafood Tower

Judith Tabron’s marina-side playground has become renowned for this knack of knowing just when to serve, just what we all need. This is Auckland, perfectly presented at its very best. With boats bobbing, the low sun shimmering across the water, and the vibrancy of being among people just like you, who’ve made very good life choices, it makes for a very good time.

Ignoring this call to honour your city in such an appropriate manner, as it shines brightly, could be considered treasonous, but let’s leave politics off the table for now. Act quickly, we all know this moment in time is fleeting, life is not improved by being a bore. Life rewards those who show up at the right place just at the right time.

firstmateslastlaugh.co.nz

Gastronomy

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Helmets off: LEGO x Scuderia Ferrari brings the grid to your shelf

Formula One’s 2026 season has extended the spectacle beyond the grid, arriving in brick-built form. Two sharply executed LEGO helmets that celebrate Scuderia Ferrari drivers Charles Leclerc and Lewis Hamilton. First revealed trackside, when both drivers appeared carrying life-sized, brick-built versions of their helmets, the actual sets feature Leclerc’s 886-piece helmet that captures his personal nuances from his signature number 16 to tributes to his late father and Jules Bianchi.

left: Charles Leclerc.Right: Lewis Hamilton

Hamilton’s 884-piece counterpart leans into bold iconography, with his unmistakable number 44 and a first-of-its-kind minifigure clad in Ferrari red, marking the new chapter in his career. Available for pre-order now and launching globally on 1st May, these sets prove that Ferrari still knows how to make an entrance.

Scuderia Ferrari HP Lewis Hamilton Helmet from Lego
Scuderia Ferrari HP Charles Leclerc Helmet from Lego

lego.com

Culture

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The rise of cobalt: Why bold blue is defining the year

Cobalt blue has become the colour of the moment. Designers from Celine and Saint Laurent to Gucci and Bottega Veneta have gone all in, sending head-to-toe looks down the runway in vivid sapphire tailoring, billowing azure silks and richly textured coats. What makes the shade so compelling is its emotional duality: it carries the depth of a classic navy but pulses with an optimism usually reserved for brighter, warmer tones. After years of muted “quiet luxury” palettes, cobalt feels like a confident corrective, bold without being brash. Whether in woven leather accessories, jewel-set rings or sleek pumps, the shade flatters every skin tone and elevates every silhouette. This is blue at its most arresting: not melancholy, but vividly alive.

Shop The Edit

Saint Laurent Boxy Belted Coat from Cettire
Perlée couleurs ring, from Van Cleef & Arpels
Small Veneta bag from Bottega Veneta
Square in silk twill from Celine
Sapphire Headliner ring from Sutcliffe
Silk jacquard dress from Gucci
Prada Bonnie leather mini handbag from MyTheresa
Floral lace wool skirt from Gucci

Coveted

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Fat Freddy's Drop

Your May culture guide: Everything to see, do and book tickets to this month

May is the busiest cultural month on Auckland’s calendar, and this year it delivers with particular force. It’s NZ Music Month, the Comedy Festival takes over every stage in town, the Writers Festival arrives at the Aotea Centre, and Fran Lebowitz closes the month with her singular New York candour. Fill the diary without apology.

Mumford & Sons

Mumford & Sons: Prizefighter Tour

Where: Spark Arena, Auckland
When: Saturday 2nd May 2026

The British folk-rock band returns to New Zealand for the first time since 2019, bringing the full arena-scale production that has defined their live reputation. The Prizefighter Tour supports their sixth studio album of the same name, co-produced with The National’s Aaron Dessner and featuring collaborations with Hozier, Gracie Abrams, Chris Stapleton and Gigi Perez. It arrives less than a year after RUSHMERE debuted at number one in the UK and fuelled a sold-out global run. With Aotearoa’s own Folk Bitch Trio as special guests, it’s a Saturday night worth clearing the calendar for. Book tickets →

Reuben Paterson, Koro, 2023, Cast aluminium with automotive paint and cut glass crystals 739 x 679 x 1352mm
Grace Wright, Geometrical Reality 2025, acrylic on linen, 1800 x 1300mm

Aotearoa Art Fair

Where: Viaduct Events Centre, Auckland Waterfront
When: 30th April – 3rd May 2026

The country’s premier contemporary art fair returns for its largest edition yet, with more than 60 galleries and over 200 artists from New Zealand, Australia, London and the Pacific spread across all three levels of the Viaduct Events Centre. The sheer breadth of the offering (painting, sculpture, photography, ceramics, installation) makes this the best single place to take the temperature of the contemporary art scene in Aotearoa. Among the highlights, Lisa Reihana’s landmark digital panorama In Pursuit of Venus [infected], which represented New Zealand at the 2017 Venice Biennale, is showing outside an institution for the first time. Whether you’re a serious collector or simply enjoy spending an afternoon surrounded by interesting things to look at, the Art Fair rewards the visit, and the waterfront setting doesn’t hurt. We’ve already published our full guide to what to see at this year’s fair. Book tickets →

& Juliet

Where: The Civic, Queen Street, Auckland CBD
When: Until 3rd May 2026

If you haven’t seen it yet, the clock is ticking. The West End and Broadway smash (eight Olivier nominations, a Forbes best-musical-of-the-year nod, and powered by an era-defining playlist of Max Martin pop anthems) closes its New Zealand debut run at the Civic on 3 May. Created by Emmy Award-winning Schitt’s Creek writer David West Read and performed by a company of outstanding Kiwi talent, it is funny, surprisingly moving, and the kind of show people see twice. Don’t be the person who waits too long. Book tickets →

Comedy Festival

NZ International Comedy Festival

Where: Various locations Auckland-wide
When: 1st – 24th May 2026

Now in its 33rd Auckland edition, the Comedy Festival takes over every stage in town for almost the entire month, with more than 150 performers across over 550 shows at venues including The Civic, Aotea Centre, Q Theatre, Basement Theatre, The Classic and the Bruce Mason Centre. The Best Foods Comedy Gala on 1 May, hosted by the indomitable Dai Henwood, is the marquee opening night (filmed for broadcast on Three), while the Last Laughs Awards Gala on 24 May, hosted by Guy Montgomery, closes things out with the Billy T and Fred Award announcements. In between, the programme runs deep: local favourites Brynley Stent, Paul Ego, Tom Sainsbury and James Nokise share the month with international acts including Emmanuel Sonubi, Sofie Hagen and Elf Lyons. Pick a name you know, or take a chance on someone you don’t. The festival reliably rewards both approaches. Browse the programme →

Queens Rooftop

NZ Music Month: Jazz on a Sunday at Queens Rooftop

Where: Queens Rooftop, Auckland CBD
When: Every Sunday in May, 2–5pm

May is NZ Music Month, this year themed Our Sounds, Our Spaces, and the city is full of ways to mark it. Our pick of the bunch is Nathan Haines’ Sunday jazz residency at Queens Rooftop: four afternoons of live jazz from 2 to 5pm, with vinyl DJ sets from Haines himself and a curated Teremana Tequila and Cointreau cocktail menu for each session. The lineup runs Michal Martyniuk Trio (3 May), Elisa, aka Rachel Clarke, on Mother’s Day (10 May, an inspired bit of programming), Coco Charles (17 May) and Joe Kaptein Trio (24 May). A rooftop, a cocktail and an afternoon of jazz curated by one of the country’s finest. It’s hard to think of a better way to spend a Sunday in May, and it’s particularly worth noting as a Mother’s Day destination. More information →

Auckland Writers Festival, Waituhi o Tāmaki

Where: Aotea Centre and venues across Auckland CBD
When: 12th – 17th May 2026

The 27th Auckland Writers Festival is one of the largest literary events in the Southern Hemisphere, and this year’s programme (more than 220 artists across over 170 events) delivers a week that could comfortably fill a diary on its own. The headline names speak for themselves: Patrick Radden Keefe (Say Nothing, Empire of Pain) opens proceedings, Maggie O’Farrell appears virtually, and the programme features Jacinda Ardern, Mick Herron, RF Kuang, Catherine Chidgey, Amitav Ghosh, Jimmy Wales and many more. The Ockham New Zealand Book Awards ceremony takes place on 13 May, and the Festival Gala Night on the 14th. Whether you’re there for a single session or blocking out the full week, the Writers Festival is one of those events that makes Auckland feel like the city it wants to be. Browse the programme →

Fat Freddy’s Drop

Fat Freddy’s Drop: Based On A True Story

Where: Auckland Town Hall & The Civic
When: 15th – 17th May 2026

Three Auckland dates, two at the Town Hall (15 and 16 May) and a third added at The Civic (17 May) after the first two sold out almost immediately, for a tour that carries genuine emotional weight. This is Fat Freddy’s Drop’s first run of shows since the sudden death of founding member Chris ‘MU’ Faiumu, and they’ve chosen to honour his memory by performing Based On A True Story in full. The album spent 111 weeks in the New Zealand Top 40, won eight NZ Music Awards and remains one of the most beloved records in the country’s history. Tickets are looking sold out across all three nights, but keep an eye on official resale channels. Releases do happen, and this is one worth being persistent for. More information →

Louise Bourgeois: In Private View

Where: Auckland Art Gallery Toi o Tāmaki, Wellesley Street East
When: Until 17th May 2026

Still running and still essential, and closing on 17 May, so the window is narrowing. The first solo exhibition of Louise Bourgeois ever mounted in Aotearoa draws together over six decades of work from an international private collection, many pieces exhibited publicly for the first time. Bourgeois (1911-2010) remains one of the most psychologically charged and influential artists of the last century, her practice animated by memory, the body, family and the subconscious. If you missed it in April, May is your last chance. A guided tour of the exhibition takes place regularly; check the Gallery website for session times. Don’t leave this one to regret. More information →

Shintaro & Yoshiko Nakahara Come Around, 2026 acrylic and ink on canvas 915 x 615 mm

Shintaro & Yoshiko Nakahara: Flowing Through

Where: Sanderson
When: 29th April – 24th May 2026

For something more intimate, Sanderson Contemporary presents a new body of work by Japanese-born, Auckland-based artist duo Shintaro and Yoshiko Nakahara. The husband-and-wife pair, both trained at separate art schools in Tokyo and both former horologists, have, over the years of collaboration, developed what they call the “third artist”: Shintaro works in bright, solid colour and calligraphic forms; Yoshiko responds with painstakingly detailed black ink strokes and washes. The result is contemplative, precise and quietly beautiful. The exhibition opened as part of the Aotearoa Art Fair VIP programme and runs through most of May, a fine and more intimate counterpoint to the larger institutional offerings elsewhere this month. Free entry. More information →

Fran Lebowitz

An Evening with Fran Lebowitz

Where: Kiri Te Kanawa Theatre, Aotea Centre
When: Thursday 28th May 2026, 7.30pm

The month’s final word goes to New York’s sharpest tongue. Fran Lebowitz, author, cultural commentator and the star of Martin Scorsese’s hit Netflix series Pretend It’s a City, arrives in Auckland as the last stop on a run through Sydney Opera House, Perth, Adelaide, Brisbane and Melbourne. Presented by the Auckland Writers Festival and FANE, An Evening with Fran Lebowitz is exactly what it sounds like: ninety uninterrupted minutes of the most acerbic, funny and unapologetically opinionated cultural commentary you’ll hear all year. On politicians, on AI, on people who walk too slowly, on billionaires. Nothing is too great or too small for her baleful glare. One night only. Tickets from $90. Book tickets →

Sharks, Auckland War Memorial Museum

Where: Auckland War Memorial Museum, The Auckland Domain, Parnell
When: Until 1st June 2026

Extended through to June due to exceptional public interest, Auckland Museum’s blockbuster touring exhibition from the Australian Museum remains one of the best things to do in the city. Step inside a specially designed digital oceanarium, come face-to-fin with scientifically accurate life-sized models, and get hands-on with touchable fossils and teeth. The exhibition spans 450 million years of evolution and weaves together cutting-edge science, indigenous perspectives and immersive design with real rigour. It’s pitched perfectly for curious minds of any age, and the extension means there’s no excuse left for not having seen it. More information →

Culture

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Nature and nostalgia collide in this striking residence set in the picturesque Dandenong Ranges

In creating Red Crest House, the architects at Dion Keech, aided by Loopea Design Studio and interior expert Simone Haag, dreamt up a warm, inviting and inherently liveable contemporary residence, where nature is integral to the design. 

Nestled amidst the picturesque Dandenong Ranges in Victoria (just outside of Melbourne), the Red Crest House is a beacon of architectural balance and careful design. Here, a mid-century-modern architectural code is married with a series of contemporary spaces, where every part of the home capitalises on the captivating allure of its breathtaking natural landscape. Overlooking a pastoral valley, with views that aren’t revealed until one steps over the threshold, this architectural marvel exudes an undeniable nostalgic charm while exquisitely capturing the essence of its surroundings, and is a haven of cosy, private domesticity (albeit with an undeniably unique design). 

“Warm and textural, the interior has been painstakingly designed to evoke a sense of tranquillity and relaxation, finished with an overarching colour palette of earthy hues and materials.” 

Set on a rolling hillside, Red Crest House unfolds gracefully, its elongated shape harmonising with the undulating terrain. Here, it seems, architecture and nature have been made to converge seamlessly, where a verdant backdrop of majestic gums serves not only as an arresting panorama but also as a catalyst for accentuating the home’s mid-century silhouette.

Inside, a series of carefully curated spaces complement the architecture. Warm and textural, the interior has been painstakingly designed to evoke a sense of tranquillity and relaxation, finished with an overarching colour palette of earthy hues and materials like hand-cut tiles, honey-toned timber, buttery leathers, brass, linen and cork, set against geostone concrete floors, Fibonacci Freckle terrazzo and terracotta aggregate. The risks that the design teams at Dion Keech and Loopea Design Studio were able to take here, from using bold geometric patterns and highly-tactile material finishes to the focus on patinas and natural expressions over overt embellishment, clearly paid off, and created a unique canvas on which Simone Haag could, as the final step, leave her distinct mark. 

Nowhere is the design ethos of this home as clear as in the open-plan kitchen and living space. Surrounded by expansive windows, an impressive stone-clad fireplace takes centre stage, while a cleverly sunken lounge brings residents to the same level as the earth outside, which has the compelling effect of drawing nature in. In fact, this was something that interior designer Lisa Luppino endeavoured to do in every aspect of Red Crest’s interiors — forging a strong connection between the home and its natural surroundings via meticulous materials and spaces that maximised the environment. 

“Simone Haag was brought in for the final styling and decorative touches, creating balance between the home’s mid century modern vibe and the contemporary requirements of its residents.”

Renowned interior expert Simone Haag was brought in for the final styling and decorative touches, creating balance between the home’s mid century modern vibe and the contemporary requirements of its residents. Through a selection of carefully sourced, vintage pieces (including a Morentz coffee table found in the Netherlands that mirrored the hues of the landscape, a shelving unit from eModerno that worked to showcase the owners’ records and curios, and a series of Japanese pendants), alongside a variety of new additions too, Haag was able to bring depth and personality to Red Crest’s array of spaces, elevating their material palette with a more curated, bespoke feel. Again, she also played on the idea of bringing the natural world inside via abundant foliage, used throughout the home to deepen its connection with its jaw-dropping setting. 

Ultimately, Red Crest House is a testament to the collaborative design effort that brought it to life. By honouring the land on which this home stands and celebrating its colours, textures and forms, the architects, designers and stylists have created a calm, cohesive residence that seamlessly integrates the built environment with nature. 

“Ultimately, Red Crest House is a testament to the collaborative design effort that brought it to life.”

From its clean, simple architecture to its warm, earthy interior to its perfectly put-together furnishings, all set against an Australian landscape that would stop anyone in their tracks, this home is an ode to the creative fusion of elements that, together, create a harmonious (and timeless) whole. Every aspect of this architectural masterpiece speaks to a reverence for nature and a commitment to creating spaces that resonate with warmth, authenticity and beauty, and one can only imagine the feeling of basking within this home’s transcendent beauty, as the setting sun casts a warm glow over the Dandenong Ranges.

Get The Look
Nature & Nostalgia
Avena wall light by Soho Home from Obery
Snoopy table lamp by Achille Castiglioni for Flos
from ECC
Pambula Modular Sofa by Tolv from Dawson & Co.
Kingston Ice Bucket from The Studio of Tableware
KUFU TABLE LAMP from Ligne Roset
Waterford Short Stories Aras Tumblers from The Studio of Tableware
Porro voyage dining chair from Studio Italia
Coco table by Carolina Wilcke for QLiv
from ECC
Tisbury side table by Soho Home from Obery
Arc mirror from Powersurge
Wiggle Side Chair from Matisse
A Temporary observer by Llenyd Price from Sanderson
Mate ottoman by Christophe Pillet for Flexform from Studio Italia
Assouline Jeanneret Chandigarh from Ligne Roset
Tolomeo Mega Terra lamp from ECC
Zig Zag stool by Polspotten from Farfetch
Emmi Armchair by Minotti from ECC
Tom Dixon Puck Coupe glasses from ECC
Capitol Complex Chair by Cassina from Matisse
Fossil Tan by Supertextures from Obery
Elementi Uno etch kitchen mixer from Robertson
Tom Dixon Rock candleholder from ECC
Gion coffee table by Stine Aas for Sketch from Dawson & Co
Poliform curve dining table from Studio Italia
Dancing Duo candlesticks from Fourth Street
Kingston Bar Set from The Studio Of Tableware

Design

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Gimlet, Gavin Doyle, Lilian

Where Industry Insiders Eat: Gavin Doyle

For more than 16 years, Gavin Doyle has helped shape New Zealand’s modern dining landscape. Today he serves as Group Executive Chef for Foley Hospitality, overseeing a portfolio of restaurants that stretches from Auckland to Wellington and Queenstown. The role requires equal parts culinary leadership and logistical choreography, with Doyle moving between kitchens including SOUL Bar & Bistro, Andiamo, Jervois Steak House, Somm Wine Bar & Bistro, The Brit, Shed 5, Pravda Café & Grill, working closely with the chefs leading each venue.

Doyle’s culinary story began in Dublin, where hospitality was part of everyday life. His father spent more than forty years in the industry across hotels, restaurants and wine merchants, quietly instilling a fascination with food, wine and the way restaurants bring people together. Although he initially enrolled in a computer science degree, the pull of the kitchen proved stronger. Switching to professional cookery eventually led to a Culinary Arts degree with honours and a formative scholarship at Sydney’s famed Tetsuya.

Along the way, kitchens across the world left their mark. Time spent staging at Flour + Water sparked a deep fascination with pasta, later shaping the pasta programme at SOUL Bar & Bistro, where Doyle served as Executive Chef for many years. Travel through Europe and the United States further broadened his perspective, while early years working under Dylan McGrath in Dublin provided the discipline and standards that continue to underpin his culinary skills today.

After Hours — Gavin Doyle


Group Executive Chef, Foley Hospitality

“When I do manage to escape the kitchen, I try to eat everywhere I can, from new openings to long-standing favourites. In Auckland, Beabea’s is doing some of the best pastries and bread in town right now. I’m also a big fan of Lilian. It’s exactly what a neighbourhood restaurant should be, relaxed, confident and centred around excellent produce. I’m also keen to try Forest, everything coming out of that kitchen looks fantastic.

One restaurant that consistently impresses me is Craggy Range Restaurant. Casey and the team have the whole experience dialled in, exceptional food, thoughtful service and a wine programme that’s genuinely world class. Add the vineyard setting and it becomes something very special.

Back in Auckland, Hello Beasty is somewhere I return to regularly. The atmosphere, the service and the energy in the room are always fantastic, and the food never disappoints. It’s simply a fun place to spend an evening.

When I do get a proper break, I often head to Melbourne and make a point of visiting Gimlet at Cavendish House. It’s one of those restaurants that just gets everything right, from the room to the food to the drinks.”

Gavin’s Recommendations


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Tiffany & Co.’s Blue Book 2026 finds its way back to the garden

There is a particular kind of creative confidence required to return, season after season, to the same source material and find something new. Tiffany & Co. has been doing this for nearly two centuries, and with Blue Book 2026: Hidden Garden, chief artistic officer Nathalie Verdeille demonstrates that the house’s most enduring design language — the flora, the fauna, the hand-formed vines and sculpted wings of Jean Schlumberger’s extraordinary archive — remains genuinely alive rather than merely preserved.

Tiffany Blue Book 2026: Hidden Garden collection

This is Verdeille’s fourth Blue Book collection, and it arrives with the quiet assurance of a maison that has nothing to prove. Where previous releases have tested the boundaries of the house’s identity, Hidden Garden leans into it: the natural world rendered in platinum and gold, exceptional gemstones chosen not for spectacle but for specific, deliberate character.

The spring launch unfolds across eleven chapters including Monarch, Butterfly, Bee, Jasmine, Bloom, Marguerite, Parrot, Paradise Bird, Bird on a Rock, Twin Bud, and Palm. Each draws from Schlumberger’s archival vocabulary and reinterprets it through Verdeille’s contemporary lens. The governing idea is transformation: not the dramatic kind, but the quiet, almost imperceptible shifts that define the natural world. A bud on the verge of opening. Wings caught mid-movement. Vines that appear to grow in real time around the wrist.

The Butterfly chapter is perhaps the most tonally complex. Unenhanced padparadscha sapphires, that rare and contested intersection of pink and orange, are set alongside Montana sapphires of a particular denim blue, a pairing that shouldn’t resolve as well as it does. The result is less illustration than impression: the fragile iridescence of wings captured in stone rather than documented in it. Select pendants detach to be worn as brooches, a nod to the house’s longstanding tradition of transformable design that functions here as more than a technical flourish. It mirrors the chapter’s own subject.

The Parrot brooches are where the collection’s technical ambition becomes most visible. Paillonné enamel, hand-applied in a painterly sequence of dark blue, duck green, and Tiffany Blue®, creates feathered surfaces whose tonal shifts evoke actual iridescence rather than its representation. This is an ancient technique, passed down through generations of Tiffany artisans, deployed here in service of something genuinely chromatic and alive. Paired with unenhanced blue and purple sapphires, the silhouette achieves the particular balance of specificity and fantasy that defined Schlumberger’s original 1960s parrot brooches.

Bird on a Rock, one of Schlumberger’s most celebrated designs, is reimagined here with cushion-cut Santa Maria aquamarines from Brazil, their saturated blue deepened further by custom-cut chrysoprase beads in vivid green. The transformable necklace at the suite’s centre features an aquamarine of over 22 carats; worn as a brooch, it becomes something more intimate. The scale shifts, and so does the relationship between the piece and the person wearing it.

Blue Book 2026: Hidden Garden will continue through summer and fall expressions, each introducing new chapters. What the spring launch establishes is a collection that understands its own inheritance clearly enough to be generous with it: not reverential in a way that calcifies, but fluent in a way that opens forward.

tiffany.com

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left: Ebisu. Right: Amano

Heading to the Aotearoa Art Fair? Here is where to dine

The Aotearoa Art Fair returns to Auckland’s waterfront from 30 April to 3 May, and if you’re planning to spend your days immersed in the country’s most compelling contemporary art, you’ll want to eat accordingly. The Britomart and waterfront precinct has you well and truly covered, with five restaurants that between them handle everything from a long Italian lunch to a sharp Japanese cocktail, all within easy walking distance of the fair. Here’s where to book.

Amano

Amano

The anchor of Britomart’s dining scene and the restaurant that still sets the standard for produce-driven eating in the city centre. Amano’s menu shifts with the seasons and treats its ingredients with serious intention. The pasta programme alone is reason enough to book: think Hawke’s Bay suffolk lamb ragu with pappardelle, scampi chitarra, and a cacio e pepe that knows exactly what it’s doing. Whether you’re after a considered dinner after an evening preview or a relaxed lunch between gallery sessions, this is the table that consistently delivers.
Book here.

Ebisu

Ebisu

When the art has sharpened your senses, and you want a meal that matches, Ebisu is the answer. Ebisu’s menu is precise, generous, and endlessly rewarding, whether you’re working through a sashimi selection or settling in with something from the robata grill. It’s the kind of place built for sharing, where plates arrive and the table gets involved. The cocktail edit here deserves particular attention too. It’s one of the more quietly accomplished drinks lists in the precinct, and the kind of place where one round becomes two without anyone complaining.
Book here.

Bivacco

Bivacco

Situated right on the water, and the one with the most options for building an Art Fair day around. For Thursday and Friday art fair goers, Bivacco’s aperitivo hour is made for you: running from 4pm to 6pm with $15 margaritas, $15 limoncello spritzes, $10 Peronis, and complimentary bites. It’s the waterfront equivalent of easing into an evening the Italian way. A spritz in hand, a few plates on the table, and absolutely no rush.

For those visiting over the weekend, Bivacco’s Ladies’ Lunch on Saturdays is worth planning for. A three-course Italian-style menu with cocktails for $49 per person, available from 11am to 3pm. Book it before or after the fair and turn a Saturday gallery visit into something significantly more indulgent.
Book here.

Ortolana

Ortolana

A light-filled conservatory setting in the heart of Britomart that feels a world away from the bustle outside. Ortolana’s menu is built around seasonal, locally sourced produce, and every dish is beautifully executed and designed for sharing over a long table. It works just as well for a late brunch with friends as it does for a relaxed dinner after a day on your feet, and the wine and cocktail list is pitched perfectly for either occasion.
Book here.

Bar Ziti

If you’re after something sharper and more spontaneous, Bar Ziti is the answer to the post-fair wind-down. The happy hour runs Monday to Friday from 4pm to 6pm and all day on Sundays, which aligns neatly with an Art Fair exit strategy. With cocktails, wines, and pizzas all at happy hour prices, it’s the kind of offer that turns a quick drink into a very good evening.
No bookings required.

The Aotearoa Art Fair runs from 30 April to 3 May at the Auckland waterfront.

savor.co.nz

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