Here, taking sartorial notes from the striking cover story we shot with her for our most recent Winter Issue, we have curated a ‘shop the look’ line-up of exceptional pieces to introduce a little necessary glamour to all of our wardrobes. Shop the look now.
B.zero1 necklace with 18 kt yellow gold pendant from Bvlgari
There’s nothing quite like a captivating piece of art to challenge your perspective and elevate your surroundings. Here, we round up a selection of refined masterpieces that currently have our attention (and are sitting at the top of our wishlists).
Fluidity I by Ray Haydon 2025 $4,250 Steel on stone base 370 x 200 x 180mm From Sanderson Contemporary
Approaches to Tāmaki by Roger Mortimer 2024 $60,000 Jacquard tapestry: cotton, wool & gild thread 3800x 1800mm From Föenander Galleries
Pinus Contorta (Wilding Pine) II by Kate van der Drift 2025 $7,150 Chromogenic photograph from Lumen negative 1200 x 1482mm, edition of 5 + 2AP From Sanderson Contemporary
Cobalt Dreaming by Jonny Niesche 2025 $13,500 Voile, MDF, Silver acrylic mirror 700 x 700mm From Starkwhite
Bench 1 by Gregor Kregar 2025 $18,000 Meranti marine plywood on stainless steel 545 x 2100 x 1630mm From Gow Langsford Gallery
Red Herring by Monique Lacey 2024 $4,200 Plaster, fiberglass, resin and metallic pigment 510 x 480 x 190mm From Föenander Galleries
Like a Bell Under Water by Lottie Consalvo 2024 $15,000 Acrylic on Canvas 1830 x 1220mm From Föenander Galleries
Words by Sjaan Askwith | Photography & Videography by Charlie Grant | Styling by Aileen Marr | Production byClaire Sullivan–Kraus
From humble beginnings in small-town England to carving out a burgeoning acting career in her new home base of Sydney, Samantha Allsop’s journey has long been marked by fate-would-have-it twists and turns. It was Thor: Love and Thunder that drew her to Australia, and a new life that kept her there, unfolding in a way that felt predestined. Now, as she awaits the release of her latest project, R.U.R. — an adaptation of a 1920s sci-fi play in which she plays the lead, we sit down with the actress to discuss the impact of AI on the arts, adventure sports, adrenaline hits, and her all-in approach.
Actress Samantha Allsop’s story is one of nuance and transformation — an ever-evolving journey driven by passion, perseverance, and the pursuit of a life of meaning, inspired by a deep sense of curiosity. Born and raised in a small village in England, she spent her early years steeped in the simple beauty of rural life. It was here, amidst the quiet hum of nature, that the foundations were laid for a life filled with adventure.
From a young age, Allsop was surrounded by both creativity and logic. Her mother, a woman with a deep musical inclination (but a background in medicine), instilled in her a profound love for the arts. Her father, an anaesthetist, brought a sense of reason and structure to the home — an environment where ideas were balanced by both heart and mind. This dual influence created a foundation for a life of contrast, one where Allsop was free to explore the realms of performance, creativity, and intellectual curiosity. Both parents also shared a deep connection to the outdoors, and as a result, Allsop tells me her childhood was filled with endless exploration.
Early on, she found herself captivated by the thrill of adventure sports — something her father was passionate about and turned to as a way to switch off, “At probably too young an age, my dad was throwing me off mountains…” she laughs, “paragliding and rock climbing. I think I might (just quietly) be the youngest female to have ever run the Snowdonia marathon.” This thirst for adventure, coupled with her love for music (she played the piano from a young age, dabbled in harp, and later became immersed in operatic singing), became two central threads that would run through her personal and professional lives.
These formative years also shaped a mindset that the actress carries with her today: a deep commitment to living authentically and fully. Despite her early creative inclinations, “Dad has my whole childhood recorded on a camcorder. I was a natural-born performer, and would make him film everything,” the path to acting wasn’t linear. Her early years were spent pursuing a more academic approach to performance. “I always knew I wanted to be an actress, but I was conditioned to believe that I should get a degree first, then go to drama school, and then get into it. I had tunnel vision. I was a serious and studious child, and I had my heart set on Cambridge.” But, as fate would have it, Allsop’s rejection from Cambridge at the final hurdle set her on the path to success. “It was the best thing that never happened to me,” she says with a smile. Why? It allowed her to break free from her prescriptive plan and allow things to happen more organically. “It allowed me to lift my head and see the creative world beyond the blueprint I had mapped out.”
“At probably too young an age, my dad was throwing me off mountains… paragliding and rock climbing. I think I might (just quietly) be the youngest female to have ever run the Snowdonia marathon.”
From there, she enrolled at Durham University in North England, and in tandem, began working as an actor and model in London. Modelling introduced her to new forms of expression, allowing her to explore different facets of her identity. However, it was acting that ultimately felt like her true calling. “Modelling gave me a great foundation in terms of presence and confidence, but acting gave me a deeper sense of purpose,” she shares.
Samantha wears Bvlgari B.zero1 earrings, Bvlgari B.zero1 Rock Chain necklace, Bvlgari B.zero1 one-band ring, Courtney Zheng Eamon trouser dress
As is almost always the case, her early days in the acting world were anything but glamorous. Like many aspiring artists, Allsop faced rejection, long hours, and moments of doubt. Yet, these experiences would forge her resilience — a quality that has become central to her identity both on and off the screen. “Interestingly, you learn more from failure than success,” she states pragmatically. For Allsop, time and the associated maturity that comes with it has opened her eyes to the fact that acting isn’t about the allure of fame, but the process, the journey, and the ongoing development of a craft. The rejection she faced in those early days became the bedrock upon which she built her career — a reminder that resilience is often shaped in moments of uncertainty.
“I don’t think I’ll ever stop growing as an artist… There’s always something new to explore, whether it’s a genre I’ve never worked in before or a new way of approaching a character. I’m constantly seeking that next challenge.”
Allsop eventually landed a role in a short independent film — a project that allowed her to test her mettle in the industry. Her early work ignited a desire to fully immerse herself in each role and connect deeply with the characters she played. As her career develops, so too does her understanding of the nuances of acting. The complexities of character development, the challenges of emotional range, and the delicate balance between vulnerability and strength have all become key elements of her work.
Then came her big break — landing a supporting role on Thor: Love and Thunder, which was filming in Australia. Then, the pandemic hit. Allsop ended up quarantining with her now-fiancée, photographer Charlie Grant, and never quite returned to her studies and life in the UK, deciding instead to pursue an acting career from her new home base of Sydney.
And, as her career progressed, something shifted. Allsop has emerged as a lead actress — a transition that carried its share of triumph and growing pains. In the last few years, Allsop has had the privilege of taking on projects where she’s number one on the call sheet, a responsibility she approaches with humility and heart. It’s a role she’s still learning to navigate, but one that has ignited a new fire within her, “I think being a lead in a project is an entirely different responsibility,” she notes. “You’re not just carrying the weight of the character, but also the energy of the set. It’s a huge learning curve, but it’s something I’ve really leaned into. And it’s made me crave more of that challenge.”
This yearning for growth is a defining characteristic of Allsop’s career — and life. She has always been driven by an innate desire to expand her horizons, artistic or otherwise. Whether through her love for adventure sports, her musical training, or her evolving acting roles, she’s always pursued something more — more creativity, depth, authenticity. “I don’t think I’ll ever stop growing as an artist,” she reasons, “There’s always something new to explore, whether it’s a genre I’ve never worked in before, or a new way of approaching a character. I’m constantly seeking that next challenge.”
Samantha wears Bvlgari B.zero1 earrings, Bvlgari High Jewellery Serpenti Tubogas necklace, Christian Dior tank
A passion for diverse creative pursuits has turned Allsop into a multidimensional talent. While her primary focus remains acting, she will always be deeply connected to music, an art form that continues to nourish her soul. Music has long been what she turns to for balance and perspective. “Music keeps me grounded,” she says with a smile. “It’s where I can switch off and reconnect with myself.”
“I do feel like film as a medium has the power to shape our moral compass as a society. I think it can inspire change. It can provide healing through storytelling. And I think that reflection on humanity allows us to foster empathy, which has a profound impact.”
In the last few years, her love for music has also found its way back into her professional life. Most recently on the set of R.U.R. (Rossum’s Universal Robots) — a bold, musical reimagining of Karel Čapek’s play, which sees her stepping into a role that feels eerily in tune with the present moment. The film, which reframes the early 20th-century sci-fi play for a contemporary audience, grapples with questions of automation, consciousness, and what it means to be human in a world increasingly shaped by technology. “It’s such a prescient story,” she says. “Even though the original was written over a hundred years ago, it speaks so clearly to the ethical and emotional dilemmas we’re facing right now.”
Allsop plays Helena Glory in the film, a character caught between empathy and inevitability — a woman who begins to see the soul within the machine. The role demanded both a vast emotional range and a quiet intensity, something the actress found deeply rewarding. “Helena isn’t just reacting to the world unravelling around her — she’s interrogating her complicity in it. That felt incredibly relevant,” she explains. “There was something quite haunting about filming those scenes, especially at a time when so many systems — environmental, technological, even social — feel like they’re at a tipping point.” The experience, she says, reminded her of the responsibility that comes with storytelling: not just to entertain, but to ask difficult, timely questions, and to reflect humanity back to itself. “I do feel like film as a medium has the power to shape our moral compass as a society. I think it can inspire change. It can provide healing through storytelling. And I think that reflection on humanity allows us to foster empathy, which has a profound impact.”
Samantha wears Bvlgari Tubogas bracelet, Bvlgari Serpenti Viper two-coil bracelet, Bvlgari Tubogas necklace, Bvlgari B.zero1 necklace, Bvlgari B.zero1 ring, Bvlgari Serpenti Seduttori automatic watch, Carl Kapp Al-Dahna trench, Christian Louboutin Miss Z pump
We discuss the impact of AI on the arts, particularly in relation to filmmaking, and Allsop passionately tells me that one of the film’s central themes — the unintended consequences of our actions — particularly struck a cord with her, opening her eyes to the true impact of AI. Much of which is yet to be seen. “We’re all trying to navigate AI in different sectors, including the film industry, and whilst it’s leading to opportunities, it also has unforeseen challenges.” She continues, “I came to the conclusion during filming that Pandora’s box has been well and truly opened.” She also adds that, similarly to the way in which ChatGPT is democratising knowledge for the world, these emerging technologies can democratise film, and allow for smaller budget and independent films to push further creatively. But, there’s no light without dark, and she warns that creatives need to stay true to their craft, “We all, as an industry, do need to keep our eyes and minds open to still making sure that we’re pursuing the arts and the truth of storytelling at all times, regardless of how technology is changing.”
Samantha wears Bvlgari Tubogas necklace, Bvlgari B.zero1 necklace, Bvlgari B.zero1 ring, Bvlgari Serpenti Seduttori automatic watch, Carl Kapp Al-Dahna trench, Christian Louboutin Miss Z pump
She’s also come to understand that rest and real-life connection are essential to her artistry. “You’re embodying humans,” she says. “If you’re not engaging with the world, how can you expect to step into other people’s shoes authentically?” Whether it’s running, spending time with friends and family, or travelling simply for herself, she’s learning to enrich her creative life by broadening the canvas of her own. “Someone described it beautifully to me,” she adds, “If your life is a canvas and your experience is the paint, you don’t want to stay in one corner — you want it to spread far and wide. You’ve got to be living.”
Looking ahead, Allsop is eager to continue exploring new territories in her career. The possibility of branching out into genres she has yet to explore excites her, “I think I’d really enjoy the adrenaline of action,” she shares. “And comedy, I’ve realised, is a lot more fun than I ever thought it would be. It’s about being able to laugh at yourself and embrace the absurdity of life.”
Samantha wears Bvlgari B.zero1 earrings, Bvlgari B.zero1 Rock Chain necklace, Sener Besim Transparency high neck top, Viktoria and Woods Rome bustier
Her ambition remains steadfast, but it is tempered by a deep appreciation for the present moment. Allsop is not just looking ahead to the next project or the next role; she’s committed to finding joy in the work, in the people she works with, and in the opportunities that arise. “I’ve been lucky enough to work on some incredible projects with some incredible people,” she says. “The future is exciting, but I’m also very much enjoying the journey I’m on right now.”
“We all, as an industry, do need to keep our eyes and minds open to still making sure that we’re pursuing the arts and the truth of storytelling at all times, regardless of how technology is changing.”
Ultimately, Allsop’s story is one of growth, artistic evolution, and unshakable resilience. She is a woman who has navigated the complexities of the entertainment industry with grace, never losing sight of the things that matter most: the art, the process, and the people who make it all possible. As she continues to carve her path, there is no doubt that she will continue to inspire those around her, not just with her talent, but with her unyielding commitment to living a life of purpose and authenticity.
Stylist Assistant: Kelly Harty. Hair: Koh. Makeup: Samantha Patrikopoulos. Set Stylist: Jasmine Christie. Movement Director: Kira Holland.
It’s no surprise that wintertime sees our ramen cravings intensify. This comforting Japanese noodle soup comes in a variety of forms, although every iteration is built on some kind of painstakingly-made and flavoursome broth and topped with a selection of different meats and vegetables. From tonkotsu to paitan, every bowl is full of soul and is the ideal meal to slurp back over the chilly season.
In Auckland, we’re thankfully spoilt for choice when it comes to excellent ramen restaurants which, in turn, means choosing where to dine can be a delicious struggle. Luckily, we’ve conjured up a list of our favourite ramen joints and the best bowls on offer in order to make life a little easier for you.
A cosy spot with an ever-loyal following, Kome delivers comforting Japanese fare in troves. The Super Ramen is exactly that — super in both name and stature. A generous, deeply satisfying bowl, it arrives laden with rich tonkotsu broth, tender chashu pork, a jammy egg, and springy noodles that soak up every last drop. It’s big, bold, and built for those who like their ramen with extra everything.
There’s nearly always a queue to wait for a table at Ippudo, but trust us, it’s worth the wait. Since opening in Westfield Newmarket, the ramen joint has been a popular highlight of the centre’s food offering. Ippudo is a worldwide chain, but that doesn’t stop its ramen from being top-notch; the menu allows diners to choose the hardness of their noodles, and the sides are also worth ordering. The akamaru shinaji ramen is particularly delicious, as the tonkotsu broth is enhanced with special blended miso paste and fragrant garlic oil, adding depth and richness when mixed in. Adding a flavoured egg is a must.
Ponsonby Central’s Chop Chop Noodle House is a certified crowd favourite. On its refined list of signature ramen bowls, the cobra kai is front and centre. Filled to the brim with pulled pork shoulder, pork belly, bacon, kimchi, various veggies, a jammy boiled egg and a flourish of fried chicken for good measure, only hearty appetites need attempt this hunger-busting bowl. Vegetarians will also be pleased with the miso ramen, which sees kombu smoked butter and smoked eggplant impart an irresistible umami flavour.
A mainstay of the city’s ramen scene for over three decades, Tanpopo on Anzac Ave remains a go-to for those craving soul-deep comfort. The standout? Their Tonkotsu Shoyu Ramen. The broth is a rich, velvety fusion of pork and soy, simmered to umami-packed perfection, with slices of tender BBQ pork layered on top. Noodles soak up the savoury base, while bamboo shoots and crisp dried seaweed bring contrast and crunch. You can keep it classic, or lean into the genius of optional add-ons.
Staying true to its name, Miso-Ra specialises in the comforting bowl of miso ramen. Our favourite is the miso-curry ramen as the soy flavours are enhanced by the curry powder and the soup reaches a thicker consistency. The broth is a concoction of miso, pork stock, chicken stock, corn for bursts of sweetness, rich pork mince, aromatic sesame seeds, fragrant coriander and shoyu marinated egg. The whites of the egg have absorbed every bit of salty flavour from the infusion of the shoyu while the yolk remains bright and runny. Also available in a vegan iteration.
While tori paitan, a creamy chicken broth-based ramen, isn’t quite as well-known as tonkotsu worldwide, Katau Bay (previously Zool Zool) is far ahead of the trends. This paitan is truly something special. Consisting of a rich chicken broth reduction, mixed with chicken breast, bamboo shoots, spinach, spring onion, egg, and nori, this bowl will have you feeling full, happy and content.
When Ramen Takara first opened up in Browns Bay, people were crossing bridges to satisfy their ramen cravings. Luckily, Ramen Takara has now been operating for a few years on Ponsonby Road, and both joints are as great as each other. The go-to bowl at Ramen Takara seems to be the Chinese sichuan dandan noodle and Japanese ramen hybrid, the tan-tan ramen. The broth is thickened and enriched with pork mince yet each spoonful is as enjoyable as the one before from the added spice acting like a constant palate refresher. The bowl also consists of a vegetable stir-fry, bok choy and shredded leek which soaks up all the flavours of the salty and spicy soup.
With a CBD outpost in Commercial Bay (as well as other branches peppered throughout Auckland), Daruma is worth a visit for its spicy tonkotsu chashu ramen. Tender slices of chashu, or braised pork, are combined with a nitamago (soft boiled) egg, rocket and nori seaweed, all topped with hot chilli oil. With a spice level ranging from ‘medium’ to ‘extra hot’, it’s the perfect thing to blast away any winter sniffles.
Perhaps best known for its obscenely decadent doughnut burgers, some may be surprised to hear K’Road’s Sneaky Snacky does a great bowl of ramen, too. In a departure from ramen’s usual cloudy, creamy pork-based broth, Sneaky Snacky’s shoyu ramen boasts clear chicken broth with a satisfying umami flavour that will see it devoured to the very last drop. Topped with pork charshu (or grilled chicken) alongside all your favourite ramen accoutrements, this dish is not to be missed.
Japanese ramen chain Ajisen Ramen showcases its Kumamoto roots in Newmarket, and whether you’re local or not, the ramens are a must. The star here is the R1 Ajisen Ramen, a bowl that embodies the brand’s signature style. This dish features a rich pork-based broth, complemented by house-made noodles, tender chashu pork, a perfectly cooked tamago egg, scallions, and kikurage mushrooms. It’s a harmonious blend of flavours that truly hits the spot come winter.
While the concept of engaging in a ‘trust the chef’ dining experience should come with a warning to also ‘know the chef’ first, in the case of Gareth Stewart, his impressive 30-year career (and the fact that here at Denizen, we’ve been long-standing members of Mr Stewart‘s fan club) renders this null and void. And we know for a fact that Stewart is playing his finest tune yet at the helm of Advieh — the exceptional Middle Eastern eatery within the InterContinental Auckland at Commercial Bay.
Honouring the flavour-filled nuances of Middle Eastern cuisine, and enhancing them further by employing locally sourced seasonal ingredients, we wholly agree with Stewart when he recently told us; “I’m confident there is nothing like Advieh in Auckland.”
Half grilled chicken, guindilla peppers, Istanbul butter, lemon, toum
To truly experience Stewart’s expertise, we recommend jumping head first into the Banquet menus and simply just ‘trust the chef’ — because he’s not going to let you down. Designed to showcase a deliciously diverse insight into Stewart’s meticulously crafted dishes, the curated multi-course menus act as an exploration of far-flung flavour profiles via a selection of the restaurant’s most popular dishes.
From delicately crafted chicken liver baklava filo with pistachio, preserved cherry, and manuka honey, to day boat market fish with cauliflower tabbouleh, hawaij butter, burnt lemon, and sorrel, the Banquet menus are the perfect opportunity to sit back and enjoy a delicious dining experience.
Advieh Banquet Menu is available for a minimum of two guests and is priced at $95 per person. Advieh Signature Banquet Menu is available for a minimum of four guests and is priced at $129, and the banquet is available for dinner service only. We suggest booking your table today.
When it comes to blending speed, style and soul, few do it quite like Maserati — and nowhere is the marque’s prowess more evident than in the new Maserati GranTurismo. Steeped in 75 years of history (tracing back to the legendary A6 1500), this is a car that celebrates the beauty and audacity of Italian craftsmanship. Grand touring has always been Maserati’s sweet spot, and this latest evolution shows why — combining breathtaking performance with the kind of comfort that makes every long-distance drive feel like an elevated occasion.
Carrying the spirit of Maserati’s ethos, ‘The Others Just Travel’, the new GranTurismo comes in two pulse-quickening petrol versions — the Modena, powered by a 490 CV 3.0-litre V6 Nettuno Twin Turbo, and the even more formidable Trofeo, which pushes the envelope further with 550 CV under the hood. But for those with an eye on the future, the GranTurismo Folgore makes an electrifying statement. Maserati’s first fully electric model, it pairs an 800V architecture with three 300-kW motors to deliver a driving experience that feels nothing short of revolutionary.
At first glance, the GranTurismo is unmistakably Maserati — its low-slung, muscular silhouette exudes understated power, while its flowing lines speak to an elegance that never tries too hard. Step inside, and the feeling is equally as intoxicating. Here, cutting-edge technology meets artisanal beauty, with the Maserati Intelligent Assistant multimedia system seamlessly integrated into a cabin shaped by rich materials and meticulous design. Add in the immersive Sonus faber audio system, and every drive becomes a sensory experience, where the soundtrack is as finely tuned as the engine.
Built from a sophisticated mix of lightweight materials, the new GranTurismo doesn’t just look fast — it feels it, offering razor-sharp responsiveness without sacrificing the plush, grand-touring comfort that defines the model. Every element, from the sculpted seats to the finely weighted steering, has been considered to heighten the connection between driver and vehicle.
This is a car that doesn’t just honour Maserati’s legacy — it propels it forward. Whether you choose the roar of the Nettuno or the silent power of the Folgore, the new GranTurismo is the ideal car for those who demand more from their vehicle.
If there’s a perfect poster girl for living authentically, it’s British-born, Sydney-based actress, Samantha Allsop — our Winter Issue coverstar. True authenticity, after all — as our Editor-in-chief wrote in her opening letter to this very magazine — is about choosing your values and living in alignment with them. This is something Allsop has done since a young age — deciding on a path that felt true to her, and pursuing her goals with intention and unwavering resolve. The result is a life she feels good about living.
In this issue, as well as our illuminating cover story with Allsop, we also speak to others whose pursuit of an authentic life has led them on remarkable paths. Matthew Ridge and David Ring have both shown immense bravery and resilience in reinventing themselves, and, in seeking a different way forward, found lives they’re proud of. Elsewhere, we look at authenticity through a different lens — delving into the preservation of true, authentic craftsmanship, speaking to globally revered creatives who are eschewing digitalisation in favour of tactile, hands-on artistry.
We also offer an extensive edit of everything worth enjoying this winter — from relishing Central Otago’s many spoils, to what to wear — both on and off the slopes, alongside a dedicated Watch and Jewellery special that is sure to inspire.
You’ll find an extensive round-up of the many compelling reasons to get out of the house to support our local hospitality industry this winter, and, as always, we lay out the design trends worth buying into, the latest in wellbeing, and a whole winter’s worth of books, films, shows, and live events to fill your cultural calendar.
If we have one hope for this issue, it’s that it inspires you to seek inspiration in the real world. The digital realm is an increasingly fraught and frightening place, demanding constant posturing and performance, but what we often fail to remember is that we have a choice to exist outside of it. In stepping offline, living in congruence with our values becomes much simpler.
So, fight the hunger for visibility, and embrace your true essence. After all, in an age of hyper-conformity, authenticity is the ultimate act of rebellion.
Our Winter Issue is available at all good newsagents and supermarkets, or simply subscribe to the magazine below.
This year’s new watch releases are a testament to the irony that the world of horology never sits still. Showcasing groundbreaking movements and spectacular designs, here, we highlight some of the most impressive new timepieces that are remarkable for both their innovation and artistry.
Cartier Panthère
The latest Panthère timepiece beautifully merges the worlds of watchmaking and jewellery, drawing inspiration from the brand’s rich and iconic history. The striking ‘Toi & Moi’ bracelet features a three-dimensional feline on one side and a delicate watch face on the other, all brought to life with the sparkle of 1,103 brilliant-cut diamonds.
Van Cleef & Arpels Lady Arpels Bal des Amoureux Automate
Van Cleef & Arpels continues its exploration of Poetic Complications with the enchanting Bal des Amoureux. This watch, a sequel to 2010’s Pont des Amoureux, depicts a charming scene of a couple dancing at an outdoor café, sharing a kiss at both noon and midnight and holding hands throughout the day.
Tiffany & Co. presented a dazzling line-up that seamlessly blends heritage, innovation, and pure artistry. The Bird on a Rock Full Pavé Diamond watch boasts a staggering 1,362 diamonds on a white-gold case and bracelet, with mesmerising aquamarines adorning the bird’s perch. The Bird on a Rock Tsavorite watch introduces vibrant green tsavorites around its bezel, complemented by a diamond-studded bird and a striking green alligator strap. Meanwhile, the Twenty-Four Stone watch showcases over 700 diamonds in an intricate cross-stitch pattern, complete with a captivating rotating ring.
Jean Schlumberger The Bird on a Rock Full Pavé Diamond watch Tiffany & Co.
Jean Schlumberger The Bird on a Rock Tsavorite watch from Tiffany & Co.
Jean Schlumberger Twenty-Four Stone watch from Tiffany & Co.
The Aeterna watch represents a contemporary reimagining of Bvlgari’s iconic Serpenti, which first slithered onto the scene in 1948. It features an elegant white-gold curved case, with the head and bezel lavishly set with round brilliant-cut diamonds and a white-gold crown also adorned with diamonds. The striking green hands add a touch of beautiful contrast to the otherwise sparkling aesthetic.
For the first time in two decades, Cartier’s coveted jumping-hour timepiece is back to once again get enthusiasts excited by its minimalist apertures. The new Tank à Guichets is available in a selection of precious materials, including rose gold, yellow gold, and platinum.
Paiget’s Warhol timepiece offers a high degree of customisation, allowing buyers to select their preferred case material and add either a striking stone dial or a diamond-encrusted bezel. This particularly interesting variation is crafted in white gold with a rich brown tiger’s eye face.
Bvlgari has once again staked its claim to the title of the world’s thinnest tourbillon, measuring in at an astonishing 1.85mm. This marks Bvlgari’s tenth world record and the second time the Maison has surpassed its previous benchmark in the tourbillon category. The highly skeletonised Octo Finissimo Ultra continues to push the boundaries of slim and sleek timepieces.
Just two days before Watches and Wonders, the horological world was abuzz with the sighting of a new Rolex on Roger Federer’s Instagram. The Land-Dweller, Rolex’s first entirely new collection since 2012’s Sky-Dweller, hints at an angular Oysterquartz influence. The classic Jubilee bracelet is seamlessly integrated with the case, and the dial features a distinctive honeycomb pattern. Powering this newcomer is Rolex’s new Caliber 7135 with a cutting-edge Dynapulse escapement.
While most of the interest is about the new addition to the Rolex family, the latest iterations of the Oyster Perpetual in three divine matte pastel shades: pistachio, lavender, and beige, are definitely worth acknowledging. This new set of Oyster Perpetuals truly epitomises the spirit of Rolex, showcasing a brand that has clearly embraced a sense of fun and a willingness to take a few more chances.
Van Cleef & Arpels’ Naissance de l’Amour is a masterstroke of poetic craftsmanship — an objet d’art that transcends time. Sculpted with the Maison’s signature finesse, this delicate creation captures the ephemeral beauty of love’s first bloom. Soft curves meet shimmering gemstones in a composition that feels both modern and timeless, imbued with emotion and artistry. It speaks to those who appreciate nuance — a sublime reminder that beauty lies in the quiet moments, where craftsmanship and feeling intertwine effortlessly.
Milan Design Week 2025 unfolded as a vibrant tapestry of innovation, where design narratives intertwined with performance, material exploration, and cultural homage. The city transformed into a dynamic stage, reflecting a collective yearning for immersive experiences and tactile authenticity.
Molteni&C’s Palazzo Molteni (brand available locally at Dawson & co.)
Milan again transformed into a global nexus of design innovation this April as it hosted the 64th edition of the Salone del Mobile and the expansive Fuorisalone. Over 1,000 happenings pulsed through historic streets and contemporary hubs, drawing a staggering 500,000-plus visitors keen to soak up the latest across ten vibrant design districts. This year’s theme, ‘Connected Worlds’ (‘Mondi Connessi’), was the connective tissue, inviting explorations into the interplay of nature, tech, and culture — how design, in essence, bridges the diverse facets of our lives.
“The theme underscored the role of design in fostering meaningful connections in an increasingly hybridised world.”
From AI-powered installations that made you think to sustainable urban mobility solutions that offered a glimpse of tomorrow, the ‘Connected Worlds’ theme underscored design’s pivotal role in forging meaningful connections in our increasingly hybrid reality. The week-long immersion wasn’t just about covetable furniture and lighting; it was about the alchemy of traditional craftsmanship meeting cutting-edge innovation, setting the stage for a future where design continues to unite and ignite our imaginations.
Lise table and Monk chair by Molteni&C from Dawson & Co.
Minotti’s latest lounge set quietly amplified the power of refined modularity, blurring the lines between indoor sanctuary and outdoor oasis — a subtle nod to considered living.
Meanwhile, Molteni&C opened its striking new Palazzo, a space where neoclassical bones meet impeccably refined modernist design language. Creative Director Vincent Van Duysen conceived the interiors as the curated domain of an art and design aficionado, an incredible narrative unfolding across the building’s seven levels and over 3,000 square metres.
Left: SuperWire collection by Flos from ECC. Right: Swivel collection by Articolofrom ECC
Among the pieces on show in Palazzo Molteni was the reissue of Afra & Tobia Scarpa’s 1973 ‘Monk’ chair. This piece marked the genesis of a rich and enduring partnership between the design duo and the Italian manufacturer, quickly achieving cult status among the design cognoscenti. Molteni’s re-edition presents ‘Monk’ with a solid wood frame in American walnut, black oak, or coffee oak, and introduces a lower, wider armchair sibling.
“This year’s Milan Design Week underscored a shift toward deeper engagement with material, memory, and emotion.”
Christophe Delcourt’s Lise table is a study in graceful opposition, its two curved base structures intertwining to create a compelling visual statement. The tabletop comes in luxurious wood framed by a glossy lacquered edge or rich marble accented with a glossy steel rim, adding layers of refinement and tactile intrigue. The rim’s finish seamlessly echoes in the base, reinforcing material harmony and amplifying the table’s distinctive character. Whether commanding attention in a grand living space or acting as a focal point for intimate gatherings, Lise effortlessly blends sculptural beauty with everyday functionality.
Lighting too, ventured into thrilling new realms, with Flos dropping its Superwire collection — a dynamic interplay of wireframe structures that danced with light and shadow. Tom Dixon’s AW25 Collection continued his signature exploration of futuristic forms and iridescent finishes, crafting objects that felt ancient and otherworldly. Bocci’s The Numbers Between The Numbers installation captivated with its celestial arrangement of suspended glass orbs, each at a different height, casting an ethereal glow. Articolo’s Swivel Collection offered a more intimate counterpoint, presenting softly sculptural lighting pieces that whispered of craftsmanship, memory, and the quiet poetry of illumination.
USM introduced the Haller Soft Panel, a modular system that masterfully balances bold, structural clarity with acoustic softness — a direct response to the evolving needs of fluid modern spaces.
At Poliform, Jean-Marie Massaud’s Joan sofa embodied clean lines and generous proportions. Its minimalist design, drawing inspiration from the world of fashion, showcased impeccable lines and meticulous attention to detail. The new Leopold armchair featured an inviting, enveloping cushion cradled within a minimal wooden frame, emphasising its volume and visual lightness.
Antonio Citterio’s Loungescape seating system for Flexform is a chameleon, effortlessly adapting to transform the living space. Just as the contours of the land define a landscape, Loungescape shapes the home’s environment, becoming its nucleus and offering fresh perspectives on comfort and beauty.
At Henge, designer Tanju Özelgin, celebrated for his refined minimalism and architectural sensibility, unveiled “Oblio,” a sculptural sofa, and the “Audace” lounge chair, designed to integrate seamlessly into their surroundings.
Even the everyday took on an artistic edge, with Christofle and Charlotte Chesnais presenting a cutlery set that blurred the lines between functional design and modern sculpture.
This year’s Milan Design Week underscored a shift towards a deeper connection with material, memory, and emotion. It was a space where fashion’s flair, technology’s advancements, and traditional craft’s enduring spirit converged to shape a future of design that feels dynamic, inclusive, and undeniably human.
What began as a personal escape has become one of Auckland’s most distinctive new bakeries. Founded by Cathy Fan — an electrical engineer-turned-baker — Fankery specialises in mochi-filled cakes, cookies, and tarts that fuse nostalgic Shanghainese flavours with inventive texture and technique.
Chunk Mochi-Filled Cookies
Fan was at a bit of a crossroads, and began taking comfort in preparing and enjoying the food she grew up with, “Baking became my escape,” she tells me, adding, “I poured my heart into creating everything I craved, shared the results online, and soon people began reaching out to order.” The business was born organically — the way many now are — beginning as a side hustle alongside Fan’s engineering job, and quickly transforming into a full-time pursuit.
Fakery has laid permanent roots in Newmarket
The signature item that started it all is the mochi-filled burnt Basque cheesecake, a rich, creamy number with a chewy centre. Fan’s chiffon-crepe cakes are a lighter option, layering airy sponge with flavoured creams and glutinous rice filling for a balanced bite. Smaller items like mochi cookies and seasonal tarts round out the core menu, with rotating monthly specials using house-made elements like nut butters and fruit compotes.
From Friday to Sunday, Fankery also serves a limited run of breads, including soft, fluffy Japanese milk bread (shokupan) and golden-topped polo buns — an homage to Fan’s childhood favourites.
Drinks have been given equal attention. The coffee is from Red Rabbit Single Origin Roasters, served alongside a standout menu of specialty and signature drinks. Highlights include the Ube Cream Matcha, tangyuan latte (with a mochi skewer), and the lychee sparkling Americano. The matcha is floral and unsweetened, the hojicha comes topped with peanut cream, and the yuzu Mont Blanc offers a citrusy lift. Every drink has been designed to match the attention to flavour detail found in the food.
Fankery is small, personal, and quietly ambitious. It’s a clear reflection of Fan’s journey — from illness to experimentation, and from engineering to entrepreneurship — and it delivers something distinct: indulgent but balanced treats with a textural twist. “Fankery is a direct reflection of my past, present, and the person I hope to grow into. I believe food is a universal love language that connects people across cultures,” Fan reflects. Whether you’re picking up a slice of cheesecake or settling in for a tangyuan latte, this is a bakery born from a unique place, that does things differently.
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