Having published and edited some of the most influential lifestyle magazines both in New Zealand and in New York, it’s little wonder Claire has an excellent ability to create inspiring editorial content. As Denizen’s Editor-in-chief, she is firmly placed at New Zealand’s authority on the art of living well. In addition to The Denizen (website and magazine), Claire also publishes and edits New Zealand’s leading design magazine and website Design Folio, and is widely regarded as an authoritative figure in the design community.
Like it or loathe it, the hospitality scene must always reserve a place for large groups of rowdy souls who embrace excess and enjoy wholeheartedly the carnival of chaos on a big night out. Our most lively venues are akin to stepping into a mosh pit of gastronomic rebellion, where meals become feasts, and inhibition is left at the door. The clinking of glasses and raucous laughter drown out the polite clatter of cutlery, as every bite is a declaration of hedonism. It’s for those of us who like to turn a simple meal into an epic night to remember, where indulgence knows no bounds, and rules are meant to be broken. And a reminder that sometimes, in a world of pretentiousness and restraint, the most profound culinary experiences emerge from unapologetic revelry and the joy of shared excess. On these nights the wine flows so freely, that the sommelier struggles to keep up with the ceaseless demand for liquid courage, resulting in conversations becoming more risqué as the night progresses.
While often, dining with a rowdy crew who treat indulgence like a competitive sport can be frowned upon by fellow diners, to those at the table, restraint is an alien concept, and fun is the only agenda. Choosing venues that wholeheartedly encourage this behaviour such as Bivacco, MoVida or Síso is advised. Or head to Bar Non Solo, or NSPwhere the Italian spirit of abundant indulgence is alive and well. It’s a fantastic reminder that amidst the judgemental cancel culture, we have long been enduring, there must still be a place for unbridled revelry and the sheer joy of excess. These are some of the most lively venues around Auckland that I love.
The term ‘once-in-a-lifetime’ is often thrown around with liberal abandon, particularly in my line of work. Yet, very rarely do things feel that extraordinary. Call it an occupational hazard of a somewhat jaded Editor-in-chief, but moving the wow dial in my world takes some serious effort, to which my husband will no doubt attest. Bentley Extraordinary Journeys, however has done just that with its recently launched global offering of meticulously curated drive programmes, presenting privileged access to the world’s most inspirational locations and experiences.
Embarking on this exceptional road trip, ticks all the boxes, as you find yourself immersed in a world of design, wellbeing and adventure, all while behind the wheel of a range of Bentley models that cover some of the world’s most exceptional routes, all tailor-made to delight the senses and leave a lasting impression. Discerning travellers can expect exclusive access to celebrated experts and creatives, indulge in the finest seasonal cuisine, and enjoy the comfort of sustainable luxury accommodation. But the true heart of the journey lies in the opportunity to traverse breathtaking landscapes behind the wheel of a Bentley, connecting with nature and revelling in the sheer thrill of driving. The Bentley journeys focus on small groups who have the opportunity to drive a range of models from the Bentley marque for the first time, or for existing customers to drive new models. During four days of epic motoring across spectacular landscapes, the drivers make their selection from various models: The Continental GT, FlyingSpur, Bentayga and Bentayga EWB, with the chance to try a different model on each leg of the journey.
“A scenic symphony of nature’s wonders provides the backdrop for an unforgettable expedition… each Bentley I drive, seems to symbiotically become one with the twists and turns of the road, almost revelling in the opportunity to show off their full capabilities”
The cars travel in convoy, and anything that could be stressful about a road trip has been removed from the experience so there is no distraction from the pleasure of the drive. Logistical details such as navigation, luggage, accommodation and sustenance are all seamlessly taken care of by the Bentley events team; your bags travel separately and simply appear in your room when you arrive; the cars are cleaned every night and are lined up, spotless, gleaming, and ready to drive off in the morning. For posterity, your trip is professionally documented by photographers capturing stills and film, and they are equipped with drones to achieve magnificent sweeping shots of the extraordinary experience.
Left: Claire with her son Lucien. Right: the Lindis Valley
DAY ONE:
The start of a thrilling expedition. We fly into Queenstown airport where we are transported to Central Otago’s hidden oasis of luxury, The Lindis. I’ve brought my 10 year old son along as my co-driver, we’re both tired after a long week, so being chauffeured in true Bentley style in a Flying Spur to our accommodation for the night is ideal. Exhausted upon arrival, we choose to eat dinner in our room, which is a selection of delicacies that highlight the bounty of the region; whitebait fritters, crayfish hotdogs and oysters, all get washed down by an exquisite Central Otago Pinot.
DAY TWO:
The morning greets us with clear skies and sunshine and an otherworldly view of the Lindis Valley, which sets the tone for a day of unparalleled indulgence, kicking off with a sublime yoga session.
Breakfast follows, before a drivers briefing of the day ahead. Then we’re off to get behind the wheel of the first of seven Bentleys we will drive for the day. The road ahead leads into the heart of Central Otago, where nature’s majesty unveils itself in all its splendour. Characterised by its world famous sweeping vistas and beauty, the drive from the Lindis Pass to Arrowtown is a visual masterpiece, immersing drivers in its stunning allure.
Claire behind the wheel of the Bentley Continental GT
After a couple of hours of driving (and several car changes) our convoy stops for lunch at Mora Vineyard, set amidst the picturesque Lake Hayes countryside. Here, in a setting that’s bursting with spring glory, with flowers and blossoms in full bloom everywhere, we enjoy a delicious lunch of seasonal delicacies under a vibrant blue sky.
After lunch, our journey leads to the exquisite Blanket Bay, an oasis of serenity in Glenorchy. We drive in convoy through the bustling streets of Queenstown, turning heads at each intersection juncture; temporarily staving off the hunger pangs from seeing the enormous and devoted lineup of people at Ferg Burger, who all simultaneously turn their heads in awe as our convoy of English automotive refinement gracefully glides past. From here we head south, along the shoreline of Lake Wakatipu, where untamed landscapes and unspoiled beauty unfold before the eyes. A scenic symphony of nature’s wonders provides the backdrop for an unforgettable expedition, while each Bentley I drive, whether it’s the Continental GT Sport, the Bentayga Azure, or the Flying Spur, seems to symbiotically become one with the twists and turns of the road, almost revelling in the opportunity to show off their full capabilities.
The Bentley Bentayga arriving at Blanket Bay
Upon arrival at Blanket Bay, we’re treated to some downtime, which for me involves soaking in my private outdoor spa, and taking in the breathtaking surroundings.
Dinner is an exceptional dining experience focusing on the finest home-grown and locally-sourced seasonal produce. A showcase of culinary artistry, an exquisite symphony of flavours that leaves an indelible impression.
DAY THREE:
While bidding a reluctant farewell to the enchanting fleet of Bentleys, freshly groomed and parked with precision on the front lawn at Blanket Bay. Our group set aboard a jet boat for an incredible journey across the lake and up the Dart River into Mt Aspiring National Park. Passing waterfalls, as we skim across the extremely shallow waters of the river with the tall snow capped mountainous peaks surrounding us.
Left: Landing on a glacier. Right: Claire with her son Lucien
The culmination of this thrilling day, is a helicopter flight, across the mountain ranges, landing on a isolated West Coast beach, before traversing the internationally renowned Milford Sound, which in spring, is resplendent in all its waterfall glory. A brief stop on a glacier gives my son the chance to show the international guests the fine art of snowball making, which ends in a rather large boulder sized ball being pushed by everyone off the edge of the cliff. Next stop is an original Gold Miner’s Cottage set high in a valley above a river. Boasting a truly exceptional bar, where we are introduced to The Macallan, a whisky revered by connoisseurs worldwide, (and my personal favourite tipple of choice) today’s visit offers an immersive encounter, bringing to life the extraordinary global partnership between The Macallan and the esteemed Bentley Motors.
Left: The Macallan Tasting. Right: The Bentley Fleet
We then fly back to Blanket Bay, feeling as though life couldn’t get any more resplendent, where we are greeted with a final celebratory dinner. Our convoy of international drivers share their experiences, while dining on an exquisite degustation of Central Otago flavours.
DAY FOUR:
On the last day, we savour our final breakfast with a moment of quietude to reflect upon the exhilaration and wonder that has defined our remarkable journey. On our chauffeured drive back to the airport my son and I agree that the past four days have left us with the indelible imprint of an adventure that will stay with us forever.
Words Claire Sullivan | PHOTOS Beinn Chapple-Law | 4 Dec 2023
As the saying so rightly goes, ‘this is not my first rodeo’ seated in pole position behind the wheel of Aston Martin’s foray in the SUV market. It is however my maiden voyage in what one might describe as the crowning jewel of the esteemed British car maker’s fleet, the DBX707.
For seasoned veterans of the mean streets of Auckland, what one drives or how one arrives is a statement of intent, rivalling the fashion choices that define an individual. To this end, the last time I drove the Aston Martin DBX, the stir that I caused when I pulled up at Herne Bay’s Andiamo eatery was testament enough that their move into the SUV game was a good one. After several requests from fellow diners about whether I was enjoying ‘my new car’, it was clear that this is a car that promises a grand entrance befitting any occasion.
So here I am again venturing out in the wild (Jervois Road) behind the wheel of the stunning new incarnation, where I can attest to its duality: a display of undeniable luxury mixed with assertive performance. Its roar is robust and exhilarating, a 4.0 litre twin-turbo V8 purring with intent. Boasting a formidable yet sleek stature, the DBX707 encapsulates Aston Martin’s 110-year legacy of British design in one sumptuous package, it’s sleeker than its predecessor, with the added ability to be lowered to give a more oppressive stance. Just what one wants when deftly paralleling parking outside a busy eatery.
Beyond the exterior lies a challenge to categorisation. Is it really an SUV? Aston Martin’s vision was to make the body seem as if floating above its wheels. Its pneumatic springs grant it the raised elegance reminiscent of safari-style rides, while ensuring a ride so plush, it belies its frame.
Step inside, and luxury engulfs you. Supple leather seats with 16-way electrical adjustments, panoramic sunroof views, and a computerised dashboard promise comfort. Despite its compact outward appearance, there’s surprising spaciousness, accommodating luggage, shopping and even two children and their insurmountable sports gear, musical instruments and various homework projects crafted from cardboard. In a rather thoughtful, and very necessary addition, the boot houses a handy button that adjusts the car’s height for optimum load efficiency or even a casual tailgate/picnic from the boot opportunity.
Performance-wise, the DBX707 is nothing short of a beast. It bolts from 0 to 100km/h in a scant 3.3 seconds, reaching a top speed of 310km/h. And, with its 48-volt active anti-roll bar system, it promises a drive so stable, it practically defies physics. Handling is a dream, responsive and precise, whether climbing steep terrains or cruising the motorways.
Under its hood lies a symphony of engineering: a Mercedes-AMG V8 engine combined with a nine-speed automatic transmission, capable of 707PS and a torque of 900Nm. These figures translate to power that’s both raw and refined.
Interior detailing is another facet where the DBX707 excels. The upholstery, sourced from the esteemed Bridge of Weir, is a testament to craftsmanship. Welted, stitched, and brogued leather interiors can be customised in myriad colours, tempting even the most discerning aesthetes.
And while the price point of the Aston Martin DBX707 isn’t for everyone, for those with a penchant for luxury coupled with uncompromising performance, this is a dream come true.
In a world where brands vie for the ‘ultra-luxury’ label, the DBX707, albeit with a few quirks, sets itself apart. It marries the allure of Formula One dynamism of Ferrari with the elegance to rival that of Bentley. In essence, it is the epitome of luxury and performance, a true testament to Aston Martin’s enduring legacy, and an undeniable head turner on the notoriously judgemental streets of Herne Bay.
Like many women of a certain age, I too have unfortunately fallen victim to the presence of pigmentation on my face. Having taken up residence during my pregnancies, I’ve spent the past seven years trialling all manner of wonder creams and treatments to rid my face of these unsightly and very ageing dark blotches, some have worked miracles, others have not fulfilled their promise of hope in a jar. So when I came across a product that actually delivered on what it said it was going to do, I felt that it was definitely worth sharing.
I was first introduced to Emma Lewisham’s Skin Reset Serum during the first of our many lockdowns in 2020. At the time, with life so unpredictable and grim, I decided to embark on a self-care regime in the hope of brightening my own outlook. I committed to trialling one new product consistently (which is usually my biggest area of failure) and to focus on a specific ailment or issue, ultimately hoping to see an actual result or some kind of transformation.
After choosing pigmentation as my first challenge I began using Emma Lewisham’s Skin Reset Serum on the recommendation of a friend. This serum has achieved cult status for its ability to seriously diminish pigmentation. What’s more, the entire Emma Lewisham range of skincare is 100 per cent clean, natural and non-toxic, which is no mean feat in the somewhat unscrupulous world of skincare, where bold, unsubstantiated claims, along with greenwashing, have become a mainstay of the industry. Lewisham is a vanguard for a totally transparent solution to skincare that sets a new standard.
Before & After
Actual before (left) and after (right) 4 weeks of product use
Over the course of four weeks, I applied the Skin Reset serum to my face, both morning and evening, after cleansing and before applying moisturiser and sunscreen. So what of its efficacy you ask? Well Denizens, to say that I am impressed with the results would be an understatement. I am so blown away by the diminishing of my pigmentation, that I am 100 per cent committed to continuing to use this product with the hope of declaring my face pigmentation-free in the not-too-distant future. After doing more research on why this serum has achieved what no others have done before, I learned that Lewisham’s commitment to ensuring both the quality and quantity of effective ingredients, results in a product that achieves far greater results, far sooner, than any competitive serum.
So if pigmentation is your woe, and you also care about the quality and safety of what you put on your skin, I suggest you support the gallant efforts of a stellar New Zealander who’s taking on the hefty world of beauty and winning.
For many young students today, studying abroad is a rite of passage. But as it turns out, the practice virtually dates back to the 16th Century, when young European aristocrats underwent a traditional ‘Grand Tour’ of the continent as they came of age, which purported to show them the worlds of art, culture and society from the bustling streets of Paris to the main cities of Italy. The Grand Tour was “a way for a lot of young people, artists and creators to educate themselves and to discover art and culture, travelling from London, Paris or Germany across Europe, with Italy, of course, being a main destination,” explained Nicolas Bos, President and CEO of Van Cleef & Arpels.
Left: A lesson in master artwork restoration hosted by Van Cleef & Arpels. Right: Van Cleef & Arpels Escale antique bracelet.
Above all, the Grand Tour was a personal odyssey and although its high cost originally made it the preserve of a privileged class, it later attracted more artists, intellectuals and the broader public. Tracing the footsteps of these travellers, Van Cleef & Arpels has reinterpreted this remarkable journey of initiation that left its mark on the artistic and cultural landscape of Europe with its latest high jewellery collection, Le Grand Tour. Spanning 70 creations, the collection references the cultural heritage of the various stops of the Grand Tour. Think sculptural necklaces and girandole earrings evoking Renaissance jewels, wide bracelets depicting the scenery of famous landmarks in the style of antique micro mosaics.
Left: Claire Sullivan-Kraus alongside a statue of Medusa in the Roman Forum. Right: Learning the intricate art of gold leafing hosted by Van Cleef & Arpels.
Earlier this year, I was invited by the Maison to embark upon an similarly exquisite voyage. Our week in Rome saw days filled with awe-inspiring explorations of the City’s treasures, guided by experts who breathed life into the rich history of this ancient metropolis. We roamed the storied halls of the Roman Forum, immersed ourselves in the architecture that defined Western civilisations, and learned of the deep Christian culture that has shaped Rome’s identity.
The experience of walking through the same paths as the Grand Tourists of the past was surreal, connecting us to a bygone era, one that left such an indelible mark on Europe’s cultural landscape.
Left: Ninfe necklace from Van Cleef & Arpels. Right: Arches précieuses necklace from Van Cleef & Arpels.
Evenings were no less enchanting. One night, we were granted exclusive access to Palazzo Doria Pamphilj, a privately owned palace that houses an extraordinary collection of masterpieces from renowned artists like Caravaggio and Michelangelo. Basking in the presence of such artistic brilliance left an impression that will stay with me forever.
The privilege of witnessing history come alive through art was an experience that deepened my appreciation for the craftsmanship and creativity of generations past.
In the spirit of the Grand Tour, our itinerary included an afternoon dedicated to the meticulous craft of fine art restoration and gold leafing. The dedication of these talented artisans reminded me of the profound importance of preserving and cherishing traditional techniques that have shaped our cultural heritage.
Left: Dinner held at one of Rome’s largest private palaces, Palazzo Doria Pamphilj. Right: The Gala Dinner hosted by Van Cleef & Arpels on the rooftop at Villa Medici.
Van Cleef & Arpels’ Grand Finale was an evening gala at the Villa Medici, which was nothing short of magical. The setting perfectly complemented the theme of the Maison’s collection. Here, the brand skilfully transported us back in time, presenting live performances as postcards of the iconic cities that were integral to the original Grand Tour. We were treated to enchanting serenades in Neapolitan, musicians playing under a Wedgwood-like pavilion, and the comical presence of the traditional Harlequin character from Venice. The use of actors and engaging performances truly brought history to life, further emphasising the collection’s essence.
Left: A parade of dancing, costumed characters accompanied models wearing Van Cleef & Arpels’ Le Grand Tour jewellery collection.
The evening was a feast for the senses, with surprises awaiting at every turn; Pulcinellas on stilts and other masked characters dancing around the garden, added an element of whimsy to the affair, while a fashion show during dinner wove together the beauty of haute couture with the artistry of the high jewellery collection. As night fell the sky was adorned with colourful hot air balloons and a soprano singer’s voice filled the air as she floated past our tables. It was hard to not feel a profound connection to the Grand Tourists of the past, who sought to embrace the beauty and wonders of the world through their own cultural odysseys.
A soprano singer suspended by balloons and singing to Van Cleef & Arpels’ guests at Villa Medici.
The spirit of the Grand Tour lives on today, transcending time and bridging the past with the present. Van Cleef & Arpels’ Le Grand Tour is not merely a collection of exquisite jewellery but a testament to the enduring power of exploration, discovery, and the quest for beauty. Just as the young European aristocrats embarked on their Grand Tours centuries ago, seeking to broaden their minds and enrich their souls, I, too, emerged from this journey with a renewed passion for art, culture, and the indomitable spirit of human creativity.
The first stop on the Spring/ Summer 24 collections circuit, New York sets the pace for fashion month ahead. This season saw the highly anticipated revival of 90s favourite, Helmet Lang under the stewardship of new creative director Peter Do. While New York favourites Khaite, Proenza Schouler and The Row continued to wow the fashion cognoscenti with their sublime interpretations of understated, timeless luxury.
Khaite
Shop the brand
KHAITE Grizzo Jacket in Archer with Studs from Muse
Leaders of luxurious later living, Northbrook continues to expand its visionary approach to retirement with their latest release. Fresh off the heels of the successful sales launch of Northbrook Wānaka, Northbrook Launch Bay Hobsonville Point has secured resource consent, marking a significant milestone as the fourth out of the initial five exclusive locations.
Nestled within the established waterfront enclave of Launch Bay Hobsonville Point, Northbrook Launch Bay exudes sophistication and promises a life of serenity for its residents. Those lucky enough to reside here will not only revel in the splendour of their private residences and amenities, but also enjoy the vibrant lifestyle options on offer at nearby Catalina Bay. Set on the waterfront, Launch Bay residents will have direct access to the network of boardwalks and shared walkways that seamlessly connect them to the wider Hobsonville Point community.
Northbrook Launch Bay Aerial View
Spanning an impressive 8,474 square meters, Northbrook Launch Bay comprises four distinct buildings accommodating a total of 214 units. Among these are 160 Northbrook Residences and 54 Serviced Apartments and Northbrook Care Suites. What makes this development particularly captivating is its architectural homage to the past. The design ingeniously incorporates the historic Catalina Hangar, which traces its origins back to the 1930s when it was a vital hub for maintaining Catalina Seaplanes at the air force base. This unique piece of history enriches the very fabric of Northbrook Launch Bay.
Integrating the Catalina Hangar into the Northbrook design pays tribute to the character and heritage of yesteryears. Yet, it does so while offering a contemporary setting for the opulent facilities and amenities that form the core of Northbrook Launch Bay. All conveniently situated on the ground floor, residents will relish fine dining experiences, unwind in resident lounges and gardens, explore leisure spaces such as the potting shed and workshop, and access a suite of amenities promoting daily wellness, including a fitness centre, yoga studio, pool, and spa.
Northbrook Launch Bay
With Northbrook’s impressive flagship show apartments already open for viewing in Auckland’s Wynyard Quarter and now Wānaka, those interested in learning more about Northbrook’s groundbreaking vision for upscale luxury later living can experience firsthand the luxurious, meticulously designed residences of uncompromising quality by visiting the display suites.
If lines are a testament to a restaurant’s success, then there is none more successful than Auckland’s Eden Noodles. The 2022 Hospo Heroes winner of the Cheap & Cheerful category is a household name across Auckland, adored by those who appreciate the authentic art of hand-pulled noodles and the crafting of their famous and undeniably delectable dumplings.
With such a devoted following in the suburbs, it was only obvious then, that Eden Noodles would stake their claim in Auckland’s CBD. A new Commercial Bay outpost within Harbour Eats has fans already swarming for their flavourful fix. As legend has it, the staff at Eden Noodles have been known to handcraft thousands of dumplings today, and with lines already forming at the Commercial Bay spot, we hazard a guess that their daily dumpling output is set to increase dramatically.
If you are yet to try the wonder of Eden Noodles, consider this a sign to do so now. With an opening special that includes a limited-time ‘Super Mixed’ dumpling order, you have no excuse but to head to Commercial Bay and sample the goods for yourself. Start with the pork and chive dumplings in spicy sauce, and follow with the wide noodles in soup and dan dan sauce. Don’t forget to freshen your palate with a side of cucumber salad — you will not be disappointed.
Full of new pieces, iconic designers and inside looks at some of the most incredible private homes in the world, from Manhattan to Melbourne, this year’s Denizen Modern Living is delivering all the design inspiration you seek for the seasons ahead. Here, our Editor-in-Chief gives her perspective on the shifting tides of international design and speaks to the trends worth buying into.
As I reflect on my 20-odd years as an observer and commentator on the worlds of architecture and design, it is clear that while directions continue to evolve, what’s become most important is what truly defines a space as both timeless and au courant.
Unlike fashion, architecture and design don’t undergo constant seasonal changes or flash-in-the-pan fads. From the very outset, furniture, textiles, hard materials, fixtures and finishes should be considered too enduring to update frequently.
When you design a home, you should be committed to living with it for a long time. So as we continue to navigate strange times, finding interior solutions that are kind to both our sanity and the planet feels more crucial than ever. But holding to a sense of permanence is critical to understanding which way the future is headed.
In this issue of Modern Living, we explore the enduring appeal of earth tones, which have only increased in popularity since the pandemic years. Their calming effects and associations with nature continue to captivate our senses and create harmonious spaces. Three years into the decade, earth tones still reign supreme, reminding us of the power of nature in our daily lives.
Elsewhere, marble and natural stones remain at the epicentre of any great design. Having taken rightful ownership of our kitchens and bathrooms with a sense of deserved permanence, these raw and unique materials give each project a sense of true individuality, thanks to their organic and one-of-a-kind nature.
Meanwhile, gold, bronze and silver accents are still having their time in the spotlight. Because who can deny their captivating shine and texture? They lend an everyday sophistication to any space, infusing it with a touch of elegance that is both timeless and contemporary.
In a nod to the past, certain design hallmarks from previous periods are making a comeback. After the dominance of laid-back, Mid-century Modernism in the aughts and teens, formal accents are now resurfacing. And — a little more controversially, perhaps — Brutalism is back, albeit with a modern twist. Concrete floors and architectural elements reminiscent of the movement are finding their way into contemporary interiors, but always with a touch of warmth to soften the aesthetic.
As the world becomes increasingly aware of the environmental impact of our choices, the fast furniture trend is thankfully being left behind. An environmentally conscious approach to interior design is always in style. We now understand the importance of investing in quality pieces that will stand the test of time in terms of both durability and aesthetic appeal. It’s about creating spaces that tell a story and are built to last.
In the pursuit of a better outlook and a positive mindset, we find ourselves drawn to elements that bring us joy and happiness. Cocktail cabinets that move and rotate, furniture designed for convivial gatherings, and playful, glamorous and dramatic accents are on the rise. Our spaces are becoming a reflection of our desire to have fun and celebrate.
While luxury remains a vital aspiration, there is now a shift towards a more relaxed take on sophistication. We seek grand yet approachable spaces where we can walk around barefoot without worry. The living room may dazzle with wow-factor designs, while the media room embraces less formal, edgier and more comfortable materials and textures. This reflects a broader societal change as we discover that intelligence and style can coexist without strict formality.
In the pages of this year’s Modern Living, you’ll find inspiration and ideas to curate spaces that stand the test of time that embrace a vision of interiors that balance enduring appeal with contemporary sensibilities. Spaces that bring joy, inspire connection and embody a sense of permanence in this ever-changing world.
Tom Dixon is a British designer who has made a name for himself in the world of contemporary design with his innovative and unconventional approach. With a career spanning over three decades, Dixon’s work encompasses a wide range of disciplines, including furniture, lighting, accessories and interiors. His designs are known for their sculptural forms, bold use of materials, and attention to detail. Drawing inspiration from industrial processes, Dixon creates pieces that are both functional and beautiful, with a distinctive aesthetic that is all his own. From his iconic S Chair to his latest collection, the glass-blown Melt lighting, Dixon continues to push the boundaries of design, cementing his status as one of the world’s most influential designers. Tom Dixon is in New Zealand this week with local design haven ECC (where his brand has long been stocked) and sat down with our Editor-in-Chief to share some of his most important life lessons.
When I was young…
… I worried far too much about what other people thought. I was quite a lovely, yet shy boy. Getting into the music business was ultimately what toughened me up. Being in a band, you have to learn to fight for yourself on stage, you need to perform, and perform well. So I guess you carry those traits with me now, that experience was what got me out of my shell.
I’d like to be known for…
… original thinking, while I’m not particularly bothered by what people think. If I can still have some original products or some original thoughts, then I feel like I’m on the right track.
There is still so much potential…
… for me to expand into other areas. I’ve really just touched on a small sector of the design world, and there are so many more things that are available to plunge into. I’ve not done a lot of fashion, I’ve never done a bridge, I’ve never designed any electronics or transport. And design is a fascinating way of sticking your nose in other people’s business, whether that’s manufacturers or different sectors — fundamentally, everything is designed.
The most important lesson life has taught me is…
… not to listen to too many opinions, and to find your difference.
A common misconception about me is…
… that I am grumpy, I have a ‘resting bitch face.’ But I think that it’s probably just my sarcasm — a defence mechanism of sorts.
Design should always be…
… improving stuff. You know, sometimes it’s just a tiny improvement, like a change of colour. But in principle, it should be improving something. Maybe it’s just through using more economic materials that deliver more efficiency or more sustainability, or maybe it’s making something more beautiful, or even simply better — more functional.
The pandemic forced me…
… into the countryside, where I was making things just for the fun of it. I got myself a kiln and started throwing pots and just getting back to the basics of making things for enjoyment. Working with clay is such a universal and old material that you can convert it into something truly beautiful. I also got back into welding and toying with random materials from bamboo to broken glass. It was a really enjoyable time for me personally.
I am super interested in…
… how things hold up. I love structural engineers. I don’t think they get the respect they deserve. You know, if I think of heroic engineers like Buckminster Fuller or some of the great sculptors they would have been amazing to work with.
I think that the rules…
… in general, are meant to be largely ignored.
My process is…
… chaos theory. You just pick up a lot of stuff, you know, ideas, prototypes, dust, and then over time, you play with it and see what materialises. Having practised design for so long now, the experience of continual practice of my craft is so important. You know, a ballet dancer does five hours a day to get better. And so for me, it’s the idea that if you do something a lot, a pattern will emerge.
I still feel like I’m at the beginning…
… of my career, at the very beginning of an adventure, it really feels like I have plenty of unfinished business. It’s a shame not to be a teenager anymore.
I’d love to do…
… more things that have a real purpose. While I’ve certainly created a lot of products, quite a lot of things I have created are not necessary. So I’d like to put myself into a position where people understand that they can use me to do other, more important and impactful things.
The best advice I can give is…
… find your uniqueness. But I think that’s a very difficult thing to do right now. We’re constantly assaulted with images, ideas and information, which makes it very hard to find something new. So it’s trying to avoid digesting too much and finding your own way. I think this is much more difficult than when I first started out in my design career.
For more exclusive access to what the city has to offer, engaging content, excellent imagery and thought provoking commentary on the life that surrounds you, subscribe to Denizen magazine now.
