How the Local Community Saved Our Favourite Florist

Resilience, flowers, and the power of connection — how La Femme Fleur bloomed again.

For more than a decade, La Femme Fleur has been a fixture of Auckland’s flower scene; that charming vintage truck overflowing with colour at the edge of the park, where owner Millie Austin greets loyal locals with an armful of blooms and her signature warmth. But this year, the heart behind one of the city’s most beloved small businesses almost stopped beating.

“I remember the day in the middle of July, a clear, freezing morning, when I thought La Femme Fleur might not make it through winter,” recalls Austin. “After surviving the Covid lockdowns and the uncertainty that followed, 2025 was the year that nearly broke us.”

The floristry industry, she explains, has undergone seismic change. The once-vibrant flower auctions — where florists would gather three mornings a week at 5am to handpick the freshest stems — have gone fully online. “For decades, it was the beating heart of the florist community,” she says. “We’d inspect the stock, share stories, and see the seasons change through flowers. Now, we can’t even see what we’re buying or each other.”

The shift has created new logistical and financial hurdles. With the collection site now in East Tāmaki, central florists are battling rush-hour traffic and tighter margins. Add to that rising costs, fewer growers, and a lingering economic slowdown, and it’s easy to see why small, independent florists have struggled to stay afloat.

But in true La Femme Fleur spirit, Austin found another way. “I was lucky to find an alternative supply system that kept me stocked with beautiful blooms,” she says.

Still, by late winter, the pressure was immense. “We were wet, cold, and really worried,” she admits. So she did something few small business owners dare to do: she asked for help.

“It was scary being open and vulnerable about how tough things were,” Austin says. “But the response was truly moving.” Within hours of sharing her story on social media, the community rallied. Regulars arrived with coffee and treats, strangers came to buy flowers, and the energy around the truck shifted. “People were immensely generous with their kindness and their love for the flower truck. They reminded us why we do what we do.”

That bond between florist and community has always been the secret to La Femme Fleur’s success. “You know about my family, you walk our dog Freida, and I know your favourite flowers,” she says. “It’s more than a transaction; it’s a relationship.”

Now, with the worst behind them, Austin looks to the future with gratitude. “We’ve made it through winter. The peonies are here, hydrangeas are on the way, and long sunny days at the park feel close again,” she smiles. “I’m proud of our resilience, but we wouldn’t have made it without our community’s love.”

To celebrate that love, La Femme Fleur has partnered with Denizen to give away a year’s flower subscription worth $2,000. To enter, simply tag someone who deserves flowers in their life on Denizen or La Femme Fleur’s social posts and tell us why. Also, any purchases made over $50 at the flower truck will go into the draw.

Because, as Austin says, “Sometimes you just have to remind people what small businesses bring to a community. When you do, they remind you right back that they care.”

This giveaway is now closed.

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The Future of Plumping

There’s no denying that I’ve had my dalliances with filler over the years. In capable hands, those tiny tweaks have done wonders to refresh this tired old face. However, I recently made a drastic decision to stop using them. After seeing clip after clip of face scans showing hyaluronic acid fillers lingering beneath the skin far longer than expected, my appetite for filler has disappeared entirely.

These days, I’m far more interested in formulas that offer genuine, visible results without the needle, which is why Elizabeth Arden’s new Hyaluronic Acid + Peptides Ceramide Capsules Hydra-Plumping Serum immediately caught my attention.

This clever innovation promises a “filler in a capsule” effect, and while that’s a bold claim, it actually makes scientific sense. Inside each biodegradable capsule lies a precise single dose of Size-Shifting Hyaluronic Acid — molecules 500 times smaller than traditional HA — allowing them to travel deep into the skin before expanding to plump from within. Once absorbed, they don’t just hydrate; they help the skin support its own ability to produce and retain hyaluronic acid over time. It’s hydration and structure, not just surface gloss.

The addition of a Peptide Complex helps to firm, fill and volumise by supporting natural collagen synthesis, while ceramides strengthen the skin’s barrier to lock all that newfound moisture in. In clinical trials, 100 percent of participants reported instantly plumper skin — which, I’ll admit, sounded ambitious until I saw the results reflected at me after my first use.

There’s something wonderfully ritualistic about twisting open one of those little golden pods. The serum feels silky and light, never oily, and leaves my skin immediately fresher and more elastic. Over the following weeks, that instant plumpness evolved into a noticeably firmer, more contoured appearance. It’s become my go-to before events, shoots or just mornings when my reflection needs a little resurrection.

The results only get better when paired with Arden’s Hyaluronic Acid + Peptides Ceramide Hydra-Plumping Water Cream. This lightweight moisturiser, powered by next-generation 5D HA technology, combines five molecular weights of hyaluronic acid to hydrate every layer of the skin. Over 16,000 peptides work to boost collagen and restore that supple, youthful bounce, while phytoceramides help seal in hydration. It keeps my skin looking dewy and fresh for days, not hours, with up to 240 hours of lasting hydration.

For me, this is the future of plumping: potent, science-driven skincare that works in harmony with the skin rather than against it. After years of relying on filler, I’m finally getting the same instant gratification — just without the long-term worry.

Shop the range here.

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Jacob Elordi and Sofia Coppola Reunite for Cartier’s Love Unlimited

Cartier’s enduring emblem of romance, the Love bracelet, continues to evolve while retaining its unmistakable symbolism: a union of passion and permanence. First imagined in 1969 by Aldo Cipullo, its locked oval form became an instant icon, an avant-garde declaration of devotion. Now, more than five decades later, the Maison unveils Love Unlimited, a new interpretation adorned with supple gadrooned links, designed to sit within the Love repertoire alongside the small, classic, and medium variations.

Polaroids by Sophia Coppola

To celebrate the collection’s arrival, Cartier has appointed Australian actor Jacob Elordi as its newest ambassador and reunited him with Academy Award-winning filmmaker Sofia Coppola, who previously directed him in Priscilla. Together, the pair channel the legacy of Love through a film shot on location in New York, a city that has always been central to the bracelet’s story.

Coppola’s film captures the quiet intimacy of a romantic weekend in Manhattan, following Elordi through a golden haze of light and emotion. Known for her ability to turn mood into narrative, Coppola approached the project with signature restraint. “Since it’s for love, it should feel close to him,” she explains. “It’s an idea of a romantic weekend in New York, when you’re with someone you love and you don’t want to do much but just hang out.” The result feels cinematic yet deeply personal, a modern meditation on connection, possibility and nostalgia.

The collaboration also bears a familial touch, with Elordi’s sister, photographer Isabella Elordi, capturing behind-the-scenes moments throughout the shoot. The candid images add warmth and authenticity that mirror the bracelet’s ethos: intimate, enduring, and quietly powerful.

“It’s my great pleasure to work with Sofia again,” Elordi shares. “It pays tribute to love, and to the artistic spirit of New York and the movies inspired by it.” That sentiment, love meeting art and memory meeting modernity, sits at the heart of Cartier’s creative evolution.

Q&A with Jacob Elordi

What was it like stepping into this creative journey?
Shooting the project in New York was really special. LOVE has such a strong connection to New York and its cinematic history, and that’s the feeling we wanted to bring to life. Having my sister Isabella, there, capturing moments along the way, made it all the more personal for me.

How did it feel to reunite with Sofia Coppola on this project?
It’s always a joy to work with Sofia. After Priscilla, reconnecting felt really natural. There’s an ease between us; we understand each other creatively and have a shared view of the work.

What speaks to you about the Cartier LOVE collection and its new ‘Unlimited’ twist?
The LOVE bracelet has always had something iconic about it. It represents more than just a piece of jewellery. The new Unlimited version adds something unexpected and modern.

How does jewellery inspire you?
I don’t think of jewellery as direct inspiration, but there are pieces I always wear because of what they mean to me. It’s not about their value, it’s about the memories attached to them. I like treasures and trinkets, they moor me.

What’s it like working with a maison as legendary as Cartier?
I’m really excited about this new chapter. Cartier has such a rich legacy, particularly in cinema. It’s timeless, but also always evolving. It’s an honour to be part of their story in any way.

cartier.com

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La Famiglia: Demna’s Gucci begins

Gucci has never been a brand afraid of spectacle, and Demna’s highly anticipated debut at the helm of the Italian house has landed firmly at the centre of the cultural zeitgeist. Arriving as a surprise digital-first declaration of his intent was a lookbook titled La Famiglia shot by Catherine Opie. Why wait for the pomp of the runway? Instead, the designer placed narrative, immediacy, and strategic surprise at the heart of his Gucci vision.

The collection of 37 looks is framed around archetypal characters, each carrying a fragment of what Demna calls the “Gucciness of Gucci.” These are not anonymous models but figures imbued with personality: La Principessa, La Diva, Miss Aperitivo, La Contessa. Each portrait feels like a member of an imagined Gucci family, a cast that spans fiery temperaments, social media devotees, Milanese doyennes and glittering bombshells. The effect is less about a singular silhouette and more about multiplicity, a spectrum of identities reflecting Gucci’s reach.

Heritage runs through the collection like a red thread. Guccio Gucci’s origins as a luggage-maker are acknowledged in a monogrammed travel trunk, while the house’s most enduring signatures reappear with modern energy. The Bamboo 1947 bag is proportioned anew, the Horsebit loafer resurfaces with head-to-toe abandon, and the Flora motif is reborn in a darker, nocturnal palette. The GG monogram covers everything from lens to loafer, signalling an all-or-nothing approach.

Silhouettes oscillate between extremes. A feathered opera coat sits alongside transparent hosiery dresses. Glamour extends into menswear, where tuxedo codes are subverted into black-tie swimwear and sheer tailoring. Central to the spirit is what the house calls “dressing for pleasure,” an unapologetically sensual attitude that feels entirely in tune with Demna’s taste for provocation.

Strategically, this release is more than a stylistic statement. By fragmenting Gucci into a vast family of characters, Demna offers not a singular aesthetic but a framework that can speak to different consumer identities, each recognising themselves in the cast. The storytelling is as much about resetting the brand’s perception as it is about clothes.

Demna’s initial first act will be followed later this week in Milan by the release of a short film directed by Spike Jonze and Halina Reijn, which will no doubt extend the narrative further and set the scene for Demna’s full runway reveal in February. For now, La Famiglia signals a Gucci era that is daring, extravagant and rooted in reinvention. The house’s future will not be built on continuity but on a willingness to reimagine its legacy.

gucci.com

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The Tiffany Diamond

Our editor-in-chief explores Tiffany’s Legendary Legacy Landmark Exhibition in Bangkok

There are times when my work affords me the opportunity to experience something truly historic. I recently had the privilege of being among the first to view Tiffany & Co. Legendary Legacy: A Landmark Exhibition in Bangkok. A rare opportunity to experience Jean Schlumberger’s fantastical world just as I imagine he would have intended.

Curated by Tiffany’s Director of Archives and Heritage, Christopher Young, the exhibition draws together more than 50 works, some from the Tiffany Archives and others on loan from distinguished private collections. The pieces on display are both a retrospective and a revelation of historical design brilliance. They remain startlingly modern and heavily influential for Tiffany and its designs today. 

Garden of Imagination
The Depths of Beauty

The exhibition begins with Guadeloupe: An Island of Inspiration, a nod to the lush flora and fauna of Schlumberger’s Caribbean retreat. From there, the path spirals into the Garden of Imagination, where his reinterpretations of nature feel less like observation than dreamwork. His genius was never to replicate but to reimagine. Birds that shimmer with audacity, flowers caught in perpetual bloom, and sea creatures that seem alive with motion.

Jean Schlumberger by Tiffany Starfish Earrings in platinum and 18k yellow gold earrings featuring over 4 total carats of unenhanced rubies
Jean Schlumberger by Tiffany Strawberry Brooch in 18k Yellow Gold and Platinum with Pink Sapphires Of over 16 Carats and Diamonds

The Elephant Head Clip (1968), on loan from the Joan and Jack Quinn Collection, is a masterclass in Schlumberger’s blend of whimsy and technical brilliance. Crafted in gold, platinum, diamonds, emeralds, turquoise, and enamel, it reflects his fascination with wildlife and his travels through Southeast Asia, where elephants are symbols of power, resilience, and royal heritage. Here in Bangkok, it resonated as both an artistic triumph and a cultural homage.

The Trophee de Vaillance brooch (1941)
The Elephant Head Clip (1968)

Other highlights spoke to the designer’s enduring dialogue with tastemakers of their time. The Trophée de Vaillance brooch (1941), commissioned by the then Vogue editor Diana Vreeland, gleamed with the same commanding confidence as the woman herself. “A Schlumberger lights up the whole room,” she famously remarked, a sentiment that proved true at the exhibition. The Hedges and Flowers necklace, meanwhile, felt almost couture in its construction, its yellow sapphires and turquoise pendants creating a bold collar that danced with light and dimensionality.

the Tiffany Diamond

What unites these works is Schlumberger’s singular visual language. A friend to Salvador Dalí and Elsa Schiaparelli, he shared their surrealist instinct for asymmetry, texture, and bold colour. His pieces were sculptural, dreamlike, and above all, alive. Sapphires, enamel, and turquoise weren’t simply beautiful adornments, but tools of drama and whimsy. Every jewel was meticulously constructed to be as remarkable on the reverse as it was on the front, a standard that Tiffany still upholds today.

But the pièce de résistance was, of course, the Tiffany Diamond. Something I have been lucky enough to view on two occasions now. Discovered in 1877 in South Africa’s Kimberley mines and cut the following year into its current 128.54-carat form, it remains one of the most storied gems in the world. Worn publicly only four times by Mary Whitehouse in 1957, Audrey Hepburn in 1961, Lady Gaga at the 2019 Academy Awards, and Beyoncé in Tiffany’s 2021 “About Love” campaign. Having been reset five times, its most recent incarnation, unveiled in 2023 for the reopening of The Landmark in New York, pays tribute to Schlumberger’s Bird on a Rock. In this extraordinary design, the diamond is surrounded by five diamond-encrusted birds and functions as a pendant or a brooch. Featuring more than 75 carats of diamonds and 10 pink sapphires (marking each eye of the five birds), and taking over 2,000 hours to craft, it epitomises both the unrivalled craftsmanship and the enduring dialogue between Schlumberger and Tiffany. 

The week’s grand finale was unveiled to the world with the spectacle only Tiffany can command. Fans gathered outside One Bangkok to glimpse Asia’s brightest stars, each adorned in one of Schlumberger’s fantastical creations. Inside the gala, proud clients wore exquisite pieces from their private collections. Joan Quinn, the owner of some of the pieces on display, joined the party, all lending an unparalleled grandeur to the evening. Yet the true star of the night was Schlumberger, where his imagination glittered on necks and lapels.

With its delicate balance of tradition and modernity, Bangkok proved the perfect stage for Tiffany’s first Southeast Asian exhibition. Here, Schlumberger’s surrealist creatures and bold allegories of joy, transformation and metamorphosis felt utterly at home. Legendary Legacy is not just a retrospective; it is a reminder that true artistry transcends time, culture, and place, and that Jean Schlumberger’s extraordinary vision continues to shape Tiffany’s story today.

tiffany.com

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Step inside the Van Cleef & Arpels x Denizen Perlée event

Denizen’s Editor-in-chief Claire Sullivan-Kraus hosted an intimate evening at the Van Cleef & Arpels Auckland boutique, introducing guests to the maison’s exquisite Perlée collection — a celebration of all things small, spherical, and spectacular. Among the display of golden beaded jewels, guests indulged in an aptly decadent champagne and caviar tasting, a playful homage to all things petite and bubbly. The collection’s signature rounded forms proved irresistible, with each piece embodying the elegance and lightness that defines Van Cleef & Arpels’ expert artistry.

vancleefarpels.com

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A Rarefied Weekend at Flockhill Not to be Missed: Champagne, Caviar & Southern Alps Splendour

Fresh off the back of a rather testing time — our Auckland home had just suffered extensive damage in the never-ending downpours, and my husband was recovering from shoulder reconstruction surgery after a particularly nasty accident — I didn’t need much persuading when the invitation to Flockhill arrived. The promise of a weekend in the South Island’s wild, wondrous high country, combined with our two great shared loves, Ruinart champagne and caviar, was too tempting to ignore.

The trifecta was made even sweeter by the setting. Flockhill sits proudly among the Craigieburn Ranges, a working sheep station since 1857 with an edge of luxury that’s hard to articulate. Think cinematic vistas, sophisticated design, and a team that makes you feel like you’re the only guest who’s ever mattered. This was somewhat of a homecoming for me; having grown up in North Canterbury, I spent winters skiing the nearby slopes of Porter’s Heights and Craigieburn. The sense of nostalgia ran deep.

We arrived late afternoon, driving from Christchurch through the breathtaking Porters Pass, although a helicopter is very much an option here. Our suite, one of the new villas tucked into the landscape, was everything you’d want from an alpine retreat: warm, chic, and designed for maximum comfort and views. A chilled bottle of Ruinart and a goodie bag immediately indicated that this would be no ordinary weekend.

Claire Sullivan-Kraus and Pablo Kraus with Ruinart’s charismatic Brand Ambassador, Dean O’Reilly

The evening began with an intimate fireside introduction hosted by Andrew Cullen, the lodge manager; Dean O’Reilly, Ruinart’s charismatic Brand Ambassador; and Hal from Caviar Mafia. Each guest was poured a glass of Ruinart Blanc de Blancs as Dean began to unravel the incredible history of this storied maison — the oldest established champagne house in France, dating back to 1729. He spoke about the unique characteristics of the Chardonnay grapes used in Ruinart’s portfolio of exceptional Champagnes and even the significance of the maison’s distinct bottle shape, which nods to its 18th-century origins.

The tasting, where Each Ruinart variety was paired with one of Caviar Mafia’s exceptional caviars

The real magic came with the tasting. Each Ruinart variety—Blanc de Blancs, Rosé, the vintage, and the prestige cuvée Dom Ruinart—was paired with one of Hal’s exceptional caviars. River Beluga, with its buttery richness, was a natural partner to the creamy Blanc de Blancs. The imperial oscietra, nutty and refined, brought a new dimension to the rosé. Each pairing was a revelation in how texture, salinity and effervescence can play together so elegantly. Relocating to the outside firepit at sunset, we bumped caviar off the back of our hands while savouring more of the special bottle of Dom Ruinart.

savouring bumps of caviar and Dom Ruinart by the outside firepit at sunset

Dinner that night was nothing short of sublime. Served in Flockhill’s restaurant, Sugarloaf, the setting was elegant but relaxed, with mood lighting, an open fire, and a buzz of anticipation from the open kitchen with its wood-burning fire. Chef Taylor Cullen’s menu took us on a journey across the region’s land and sea: dry-aged blue cod cooked over open flame and topped with Siberian caviar; wild-foraged mushroom tarts finished with crème fraîche and pearls of trout roe; and a perfectly aged lamb rack served with a delicate Ruinart rosé reduction. Each course came with a tailored champagne pour. A roaming caviar and Ruinart trolley made timed appearances to top us up at precisely the right moments. A live DJ played vinyl in the background, adding warmth and energy without disrupting the intimacy of the meal.

Chef Taylor Cullen’s menu will take you on a journey across the region’s land and sea

After dinner, we wandered down the path to the old miner’s cottage, which has been cleverly transformed into a games room and the perfect spot for a whisky. My husband and I rediscovered our competitive spirit here, playing round after round on the shuffleboard; my husband doesn’t like to lose, before wandering back to our villa under the kind of starlit sky you forget exists when you live in a city. The night air was crisp, the Southern Alps loomed dark and mighty, and the Milky Way was so incredibly bright I’d forgotten how beautiful the night sky is.

On Sunday morning, we took it slow. A walk to the lake. Coffee by the fire. Scrambled eggs (yes, topped with more caviar, because why not?). And time to reflect on just how restorative the weekend had been. This wasn’t just a getaway but a masterclass in how indulgence, nature, and culinary brilliance can align to create something truly unforgettable. So with the next indulgent Ruinart and Caviar Mafia weekend scheduled for Friday, 17th — Sunday 19th October, I can promise you, this experience is the palate cleanser your soul didn’t know it needed.

Book this exceptional experience for yourself, here.

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Dive into the treasure trove that is Van Cleef & Arpels High Jewellery

Drawing inspiration from a beloved literary masterpiece, Van Cleef & Arpels recent High Jewellery showcase in Thailand was an immersive, fantastical journey into the world of exquisite treasures.

Robert Louis Stevenson’s Treasure Island, a swashbuckling tale of buried gold, treacherous pirates, and the courageous young Jim Hawkins, has captivated imaginations since its publication in 1883. This enduring classic, with its yellowed maps, memorable characters like Long John Silver, and the allure of uncharted lands, has cemented its place in literary history, influencing countless works of art across various mediums. It seems almost serendipitous, then, that Van Cleef & Arpels chose the exotic shores of Phuket, Thailand, as the backdrop for their high jewellery showcase, ‘Treasure Island’. This sun-drenched paradise, with its history steeped in seafaring tales and the promise of hidden beauty, felt like the perfect real-world embodiment of Stevenson’s fantastical island. The warm air, thick with tropical scents, and the turquoise waters lapping at the shore created an atmosphere ripe with the spirit of adventure, setting the stage for a truly dazzling discovery of new treasures.

Onde Mystérieuse box from Van Cleef & Arpels
Hispaniola clip from Van Cleef & Arpels

The collection, presented as a trilogy, began its narrative journey with the very act of ‘Setting Sail’. The Hispaniola brooch, a miniature marvel, captured the grandeur of the ship that carried Jim Hawkins and his companions towards their destiny. Its diamond-pavéd sails, meticulously outlined in white gold, billowed with an almost palpable sense of movement, the golden hull tilted as if battling the very waves that lapped gently against the shore just beyond the resort. The level of detail, the delicate stripes of the laminate and the intricate rigging spoke volumes of Van Cleef & Arpels’ unwavering commitment to craftsmanship. The very spirit of adventure,
the anticipation of the unknown, had been captured in this single, stunning piece.
As the Hispaniola ventured further into the narrative, the ‘Adventure At Sea’ unfolded in a riot of colour and motion.

Coffre Précieux ring from Van Cleef & Arpels
Palmeraie Merveilleuse
necklace from Van Cleef & Arpels
Ondulations Marines earrings from Van Cleef & Arpels


The Poissons Mystérieux brooch, with its traditional mystery-set sapphires transitioning from deep blues to vibrant purples, perfectly evoked the dynamic underwater world encountered on the journey. You could almost see the schools of fish darting and weaving through the depths. The Onde Mystérieuse jewellery box, inspired by the vastness of the seven seas, was a treasure in itself. Its base of carved blue quartz, topped with hammered white gold and an enamelled ocean cover depicting swimming fish, was a miniature diorama of the ocean. Two interchangeable clips, one featuring Mystery Set sapphires and diamonds and the other set with diamonds, blue tourmalines, and sapphires, are shaped with shell-like curves and can be attached to the lid of the box, adding an element of transformability. But the final treasure was a hidden diamond-paved watch dial beneath the clips — an elegant secret waiting to be discovered.

The arrival at the fabled “Exploring The Island” chapter brought with it a shift in scenery and a new palette of vibrant greens and earthy golds. The Palmeraie Merveilleuse necklace, inspired by the lush canopy of a palm leaf crown, was a breathtaking centrepiece. The magnificent 47.93-carat egg-shaped emerald, suspended as a detachable pendant, held the verdant heart of the island within its depths. The articulated design of the necklace, with its organic, irregular lines, draped around the neck like the very foliage it emulated. Accompanying this was the Ondulations Marines earrings, their spiralling gold structures punctuated by the delicate hues of lilac and pink sapphires, mirroring the marine life found along the island’s shores.

Carte au Trésor clip from Van Cleef & Arpels 

The final act, ‘The Treasure Hunt,’ was a dazzling culmination of the entire adventure. The Carte au trésor brooch, a meticulously hand-engraved gold map tied with a rose gold rope and playful tassels, was a work of art in miniature. Each location — Tourmaline Corner, Pearl Island, Ruby Valley, Sapphire Island, and Emerald Lagoon — was carefully marked, with a ruby pinpointing the ultimate prize. Even the compass on the reverse, a detail often unseen, spoke volumes of the Maison’s dedication to perfection. And then, of course, were the treasures themselves, manifested in a breathtaking array of rings, bracelets, necklaces, and brooches. The Coffre précieux ring, with its intricately engraved hollow setting showcasing sapphires, rubies, emeralds, and diamonds, was a miniature treasure chest, its 14.32-carat cushion-cut sapphire the ultimate jewel within.

I have had the immense pleasure to witness several Van Cleef & Arpels’ high jewellery showcases, and once again, the Treasure Island collection proved the Maison’s remarkable ability to translate a concept (in this case, a beloved literary work) into exquisite one-of-a-kind, wearable jewels. Years of meticulous sourcing of exceptional gemstones and the creation of truly one-off designs have resulted in a collection that not only reflects the narrative of Stevenson’s classic but embodies its very spirit of adventure and discovery. Each piece stands as a testament to Van Cleef & Arpel’s enduring vision and their unparalleled ability to capture the essence of a theme in the most breathtakingly beautiful way.


vancleefarpels.com

Coveted

Mastering Autumnal dressing: Your guide to effortless seasonal style
Denizen’s Autumn Issue is the Momentum we all need
The case for a colourful Rolex and the models worth your attention right now
Azabu's menu has a large selection of gluten-free dishes

A Taste of Things to Come — According to the experts, flavour with flexibility is higher than ever on the agenda

With changing dietary preferences and growing awareness of food intolerances, Auckland restaurants continue to adapt, remaining highly mindful of allergies, and most venues appreciate advance notice so they can tailor dishes where possible. But while genuine dietary needs are always considered, many hospitality professionals express frustration over diners who are simply fussy for the sake of it. At least 22% of industry workers report regularly encountering guests who demand changes that compromise a dish’s integrity. Showing respect for the creativity that’s gone into creating the dish is paramount.

Vegan and vegetarian requests ranked lower than general fussiness, suggesting that plant-based dining has become so well integrated into menus that it’s no longer seen as a significant challenge. Most restaurants now offer thoughtful, plant-based options as standard, meaning requests for meat-free modifications have naturally declined.


We have created a specialty menu full of gluten-free options, so no one needs to miss out on our chef’s delicious food.

Emma Rogan, Co-Owner, Hello Beasty


Pacific cuisine typically emphasises meat and seafood. However, Chef Michael Meredith and I have just collaborated to develop a new vegetarian and vegan menu, available for both à la carte and tasting menus, that showcase the flavours of Pacific cuisine.

Arinut Sachdeva, Head Chef, Metita

Industry Insider


I’ve been at Bivacco since day one, and seeing our guests regularly return to our venue warms my heart the most. I appreciate their support and love for us, it means a lot! A must for our team is making our guests leave with a bigger smile and a memorable experience.

Anna Di Candia, Duty Manager, Bivacco

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RITZ CARLTON SUITE

Putting on the Ritz — Our Editor-in-chief shares her experience staying at the Ritz-Carlton Melbourne

When our Editor-in-chief headed to Melbourne for the Australian Open, the recently opened Ritz-Carlton rolled out the red carpet.

It would be fair to say that in my decades-long career, I’ve had the privilege of experiencing some pretty fabulous hotels. But my recent stay at the Ritz-Carlton, Melbourne stands out as one of the finest, thanks to their complete mastery of my travelling trifecta: exquisite design, intuitive service and exceptional food and drinks.

Soaring 80 stories above the city, Ritz-Carlton offers unparalleled 360-degree views of Melbourne, from the majestic Dandenong Ranges to the sparkling waters of Port Phillip Bay. The moment I stepped out of the elevator and into the opulent lobby, I knew I was in for a special treat. 

Ritz-Carlton, Melbourne
Atria restaurant

In addition to the world-class amenities and impeccable service, the Ritz-Carlton, Melbourne, is home to several exceptional dining experiences.

Of course, luxury isn’t just about aesthetics — it’s about experience. The Ritz-Carlton, Melbourne delivers on every level, not least when it comes to its exceptional dining. Perched on the 80th floor, Atria, the hotel’s signature restaurant, is a must-visit. Whether it’s an indulgent breakfast with a view or an elegant dinner showcasing the finest local, seasonal produce, every dish is a testament to refined taste. For an intimate celebration, Atria’s private dining room, framed by floor-to-ceiling windows, is simply unbeatable.

Cameo Bar

Then there’s the Cameo Bar, also located on the 80th floor but with a coastal view. This supremely stylish bar offers a spectacular array of tantalising cocktails and a carefully curated selection of wines and champagnes.

Ritz-Carlton Executive Suite

Our room was a masterpiece of modern design, with floor-to-ceiling windows that framed the breathtaking views. The luxurious amenities and thoughtful touches, such as the curated minibar and the marble bathroom with a deep soaking tub, made us feel like we never needed to leave.

Club Lounge

For those who want to elevate their stay further — as if 80 floors above the ground is not enough—the Ritz-Carlton’s incredible Club facilities genuinely set it apart from any other hotel in the city. Offering a haven of tranquillity and indulgence, my husband and I spent many hours here, enjoying the continual array of delectable dishes and drinks, relaxing by the fireplace, or catching up on some work in the private library.

The highlight of the stay, however, was the spa. The Spa at The Ritz-Carlton, Melbourne, is a sanctuary of serenity, with an extensive menu of treatments and therapies. Swimming as the sun dipped below the horizon was an unforgettable and truly magical experience.

The Ritz-Carlton, Melbourne was nothing short of extraordinary. Everything was designed to create a truly memorable experience, from the impeccable service to the world-class amenities. If you plan a trip to Melbourne, look no further than the Ritz-Carlton. It’s the only place to stay for those of us who appreciate the finer things. And why wouldn’t you?

ritzcarlton/melbourne.com

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